INDEX
Abbey, Edwin A., [97], [132], [140].
Accenting, of Blackletters, [132];
of Roman Capitals, [2];
of Minuscules, [56];
of Round Gothic, [132];
of Italic and Script, [182].
American Lettering, Modern Roman, [53], [64], [75], [82], [97];
Gothic, [132], [136], [140], [142];
Anglo-Saxon Letters, [46], [47];
modern use of, [46].
Ascenders, height above body, [57];
in "Cheltenham Old Style" type, [71];
in Gothic, [131];
in Blackletters, [135].
Ashbee, C. R., [74].
Auriol, George, [88].
B., [6].
Badia, Florence, lettering from, [45].
Bell, Robert Anning, [96].
Blacked-in letters, [202].
Blackletters, [127], [131], [132], [140], [141], [142];
accents of, [132];
ascenders and descenders of, [135];
capitals for use with, [134], [136], [139];
a condensed form of Gothic, [128];
construction of, [132], [141];
effect of page of, [132];
with Roman letters, [72];
even color of, [134];
flourishes, [135];
individual letter forms, [132], [136];
illegibility of, [135], [136], [206];
a part-Roman form, [84];
a narrow form, [132];
old examples of, [136];
in panel forms, [136];
variety of, [82], [132], [135], [136].
Border, to lay out a, [204].
Boston Public Library, [14].
Bragdon, Claude Fayette, [64], [111], [194].
Brasses, Blackletters from, [138], [140].
Bristol-board, [201].
Byzantine influence on Italian lettering, [45].
C., [8].
Capitals, used with Roman minuscules, [57];
with Round Gothic, [132];
with Blackletters, [136], [139];
(see also under Blackletter, Roman, Gothic, Italic, Modern Roman Capitals, Script, Round Gothic, Uncial).
"Caroline" Text, [52].
Caslon, William, [64];
his type, [69].
Centering lines of lettering, [202].
Charlemagne, [52].
"Cheltenham Old Style" type, [71].
Cheltenham Press, The, [71].
Chisel-cut guide lines, [3].
Classic Capitals, see Roman Capitals.
Classic forms of letters, to draw, [3], [6], [201];
composition of, [6];
Italian Renaissance, [15], [27], [30].
"Colonial" lettering, [117].
Constantine, Arch of, lettering from, [11].
Construction, of Blackletters, [132];
of Roman Minuscules, [53], [56].
Crane, Walter, [47], [92], [200], [205].
Cross-bar in Roman Capitals, [6].
"Cursive" Letters, [91], [122].
Cursive tendency in Script lettering, [182].
D., [8].
'Dance of Death,' Holbein's, [117].
Day, Lewis F., [93].
Descenders, (see Ascenders).
De Vinne, Theo. L., [69].
Dove's Press, The, [69].
Drawing of letters, [201], [202], [205];
for reproduction, [203], [204].
Dürer, Albrecht, [31], [132], [138], [141].
Early Gothic, (see Round Gothic).
Early Printing, [52], [64], [71].
Edwards, Edward B., [116].
Edwards, George Wharton, [194].
Emphasis in lettering, placing of, [206]
(see also Accenting).
English Brasses derived from Flanders, [141].
English lettering, modern, [75], [82], [92].
English, Letters, [47];
Script, [188],
(see also Anglo-Saxon).
Engraved Title-pages, French, [188].
Enlarging Drawings, [203], [204].
f., [56].
Fell, H. Granville, [96].
Flanders, Brasses from, [141].
Flourishing, of Blackletters, [135];
Free-hand lines, [202].
French, modern lettering, [74], [82], [86];
Freedom, in lettering, [53], [74], [82], [92], [102], [118], [122], [201];
in Blackletters, [136];
in Gothic, [127];
in Italic, [198];
in kerns, serifs and swash-lines, etc., [53];
in Roman letters, [82];
in Script, [183].
G., [8].
g., [57].
Georgian English lettering, [117], [183], [194], [198].
German lettering, modern, [74], [82], [84], [92];
types, [52].
Goodhue, Bertram Grosvenor, [71], [102], [136], [142].
Gothic Capitals, for use with Blackletters, [139];
pen drawn, [140];
not to be used to form words, [132].
Gothic, English, (see English Gothic).
Gothic lettering, [127], [131], [134], [205];
cut in stone, [140];
(see also Blackletters and Uncial).
Granite, letters cut in, [11], [14],
(see also Stone-cut, V-sunk and Incised).
Grasset, Eugène, [86].
Greek type, [73].
Grolier Club, [69].
H., [6].
"Half-Uncial," [52].
Harvard Architectural Building, lettering on, [14].
Hazenplug, Frank, [116], [198].
Historic styles of lettering, knowledge of, [207].
Holbein's 'Dance of Death' initials, [117].
Horne, Herbert P., [72].
Hrachowina, C., [188].
Hupp, Otto, [142].
space around, [205].
Illegibility of Blackletters, [135], [136].
Incised letters in stone, Gothic, [139], [140];
Classic Roman, [9], [14], [45];
(see also Granite, Inlaid, Marble, Sandstone, V-sunk and Stone-cut).
Ink, [201].
Inking-in lettering, [200], [202].
Inlaid lettering, Gothic, [141].
Interlacement of Script letters, [194].
Inter-relation of letters, [6], [135], [201].
Iorio, Adrian J., [107].
Irish letters, (see Anglo-Saxon).
Italian, Blackletters, [139], [141];
modern lettering, [92];
Renaissance (see Renaissance);
Roman small letters, [64];
types, [52];
letters, drawing of, [201].
Italic, [52], [182], [188], [194], [198];
drawing of, [205];
emphasis of, [206].
J., [8].
j., [56].
Jenson, Nicholas, [64].
Jones, A. Garth, [96].
K., [6].
k., [56].
Kimball, H. Ingalls, [71].
L., [104].
Late Gothic, (see Blackletter).
Laying out, lettering, [200], [201], [203], [204], [205];
a border, [204].
Le Boutillier, Addison B., [110].
Legibility of lettering, [206], [207];
of Round Gothic, [132].
Letters, outlines of, [202], [206];
widths of, [206];
to lay out, [205];
execution of in various materials, [14];
(see also Brasses, Inlaid, Marble, Granite, Pen and Printed forms, Sandstone, Type).
Lines, heavy, [199];
narrow, [199];
thin, [200];
in water-color, [200];
ruled, [202].
Linking, of Blackletters, [136];
of Round Gothic, [132];
of Roman Capitals, [45];
of Script, [182].
Lowell, Orson, [117].
m., [56].
Marble, letters cut in, [17], [27],
(see also Incised, Inlaid).
Marsuppini tomb, Florence, [28].
Magonigle, H. Van Buren, [102].
McKim, Mead & White, architects, [14].
Medals, lettering on, [30].
Merrymount Press, The, [71], [72].
"Merrymount" type, [71].
Minuscule, [1];
modern Roman, [52], [53], [56], [57], [64];
monumental uses, [57];
composition of, [64];
spacing of, [57];
(see also, Roman, Gothic, Italic, Script).
Modern lettering, (see under countries, American, English, French, German, Italian).
Modern Roman Capitals, [6];
(see Chapter II).
Modern type, (see Type).
"Montaigne" type, [69].
"Mont' Allegro" type, [73].
Moore, Guernsey, [116].
Morris, William, [72];
types of, [69].
Mucha, Alphons M., [91].
N., [2].
Netherlands, brasses from, [141].
New, Edmund H., [96].
Nicholson, William, [95].
o., [182]
Optical Illusions in Roman Capitals, [8].
Outline letters, [202].
P., [6].
Pantheon, Rome, Raphael's tomb, [27].
Papers, drawing, [201].
Parchment, [128].
Parrish, Maxfield, [110], [122].
Parsons, Alfred, [96].
crowquill, [199];
reed, [2];
ruling, [202];
stub, [200];
quill, [200].
Pen drawn forms of letters, [9], [27], [30], [31], [45], [56], [64], [74], [76], [122], [140], [182], [199], [202].
Penfield, Edward, [100], [116], [118], [198].
Petrarch, [52];
handwriting of, [182].
Pisano, Vittore, [30].
"Post Old Style" type, [116].
Presses, (see Merrymount, Vale, Riverside, Cheltenham, Dove's, and De Vinne).
Printed forms of Roman letters, [9], [30], [52], [53], [56], [64], [69], [122].
Printers, German, [52];
American, [69];
English, [64], [69], [72], [73];
Proportions of a design, [203].
Puttner, Walter, [142].
Pyle, Howard, [117].
"Quadrigesimale," [69].
Quill pens, [200];
method of holding, [2], [131].
Railton, Herbert, [96].
Raphael's tomb, lettering from, [27].
Reduction of drawings, [203], [204].
Renaissance, letters, [15], [27], [30];
artists of the, [53];
lettering of the Italian, [206];
medals, [30];
purity of letter shapes, [69].
Renner, [69].
Renner type, [69].
Reproduction of drawings, [203].
Ricketts, Charles, [93].
Riverside Press, The, [69].
(see also Modern Roman);
thick and thin lines of, [1], [6];
model for, [3];
rules for, [2];
squareness of, [1], [6], [131];
with Italic, [182];
combined with Script and Italic, [194];
cross bars of, [6];
definition of, [1];
legibility of, [206];
waist lines of, [6];
width proportions of, [6].
Roman minuscules, (see Minuscule).
Roman forms, Gothic Spirit in, [84];
Uncial, [128].
Romanesque influence on Italian lettering, [45].
Ross, Albert R., [3], [11], [32], [56].
Roty, O., [30].
Round Gothic, analysis of, [131];
definition of, [131];
capitals to use with, [132], [139].
Round letters, capitals, [2], [3];
Rubbings, from inscriptions, [11], [16].
Ruling pen, [202].
S., [8].
Sandstone, letters cut in, [14].
Santa Croce, Florence, lettering from, [28], [141].
Script, [182], [183], [188], [194], [198];
capitals, [188];
cursive tendency in, [182];
developed from writing hands, [182];
drawing of, [205];
French, [188];
German, [188];
on English headstones and wall tombs, [188];
Spanish, [188];
used in engravings, [188];
used with upright Roman, [182], [183].
definition of, [3];
in Minuscule letters, [53], [69], [71];
in Italic letters, [182];
treatment of, [206].
Serlio, Sebastian, [3], [11], [32].
Shadows in V-sunk letters, [10], [11], [14].
Shaw, Byam, [96].
Simpson, Joseph W., [93].
Small letters, (see Minuscule, also Modern Roman, Gothic, Script and Italic).
Spacing, of Classic Roman letters, [6], [8];
of Blackletters, [128], [134], [136];
of Minuscules, [53], [56], [57];
of type, [56];
of "Montaigne" type, [69];
of "Cheltenham" type, [71];
of letters and words, [201], [205];
emphasis obtained by, [206].
Spanish, Script, [188];
Roman letters, [64];
Stone-cut letters, Roman, [3], [9], [14];
(see also Incised, V-sunk, Granite, Marble, Sandstone).
Sullivan, James F., [96].
Swash lines, [2], [53], [136].
Tagliente, G. A., [31].
Thompson, Hugh, [96].
Tory, Geoffrey, [31].
Townsend, Harry Everett, [117].
Transferring of lettering, [202].
Type-founders, [9], [56], [64].
Type models for pen lettering, use of, [74], [76], [122].
Uncial letters, [45], [76], [84], [92], [128];
Gothic, [139];
meta forms of, [140];
pen forms of, [140];
stone-cut, [140];
stone and marble, [139].
Updike, D. Berkeley, [71].
V., [9].
Vale Press, The, [93].
Van Rysselberghe, Theo., [91].
Venetian printers, [53], [64].
Verneuil, M. P., [86].
Vinci, Leonardo da, [31].
V-sunk Roman lettering, [9], [10], [14];
(see also Incised).
W., [9].
w., [56].
of Roman letters, [6], [204], [206].
Westminster Abbey, England, [188].
Width proportions, of Roman Capital letters, [6].
Writing hand, [188];
of Petrarch, [182];
Script developed from, [182].
X., [6].
Y., [6].
y., [56].
Z., [2].
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