VI
The Western stories of Alice French antedated by several years Garland's first work and perhaps had an influence upon it. Her strong story "The Bishop's Vagabond" appeared in the Atlantic as early as 1884 and her collection Knitters in the Sun by Octave Thanet came out in 1887. Her work, however, has not the originality and the sharpness of outline of Garland's and it has failed to hold the high place that was at first assigned to it. She is to be classed with Miss Woolson rather than with Mrs. Wilkins Freeman, with Miss Murfree rather than with Harris. She was not a native of the regions she chose as her literary field, but she entered them with curiosity and studied their peculiarities carefully with open note-book for Northern readers.
Her father and her brothers were extensive manufacturers, and contact with their work gave her a knowledge of labor conditions and of economic problems that enabled her in the early eighties to contribute to the Atlantic and other magazines able papers, such as "The Indoor Pauper" and "Contented Masses," papers widely commented upon for their brilliancy and breadth of view. But the success won everywhere by the feminine short story writers tempted her from these economic studies, and for a time she wrote local color tales with variety of background—Canada, Florida, Iowa. Then, with ample means at her disposal, she built at Clover Bend, Arkansas, a summer home on the banks of the Black River, and, like Miss Murfree, became interested in the crude social conditions about her, so different from those of her native New England or her adopted Iowa city of Davenport. Stories like "Whitsun Harp, Regulator" and "Ma' Bowlin'" followed, then the fine studies entitled "Plantation Life in Arkansas" and "Town Life in Arkansas."
These earlier stories are often dramatic, even melodramatic, and they abound in sentiment. Sometimes a character stands out with sharpness, but more often the tale impresses one as a performance rather than a bit of actual life. The intense feeling that Garland, who wrote as if his material came from out his own bitter heart, throws into his stories she does not have. She stands as an outsider and looks on with interest and takes notes, often graphic notes, then displays her material as an exhibitor sets forth his curious collection.
More and more the sociological specialist and the reformer took control of her pen. Even her short stories are not free from special pleading: "Convict Number 49," for instance, is not so much a story as a tract for the times. In her novels the problem dominates. The Man of the Hour and The Lion's Share treat phases of the labor problem, and By Inheritance is a study of the negro question with an attempted solution. The story, despite dramatic intensity at times and lavish sentiment, fails often to interest the reader unless he be a sociologist or a reformer. Already she holds her place by reason of a few of her earlier short stories, and it would seem that even these are now losing the place that once undoubtedly was theirs.
More convincing, though perhaps they have had smaller influence upon their time, have been the Vermont stories of Rowland E. Robinson, which are genuine at every point and full of subtle humor, and the Adirondack stories of Philander Deming, which began to appear in the Atlantic in the mid-seventies. Both men have written out of their own lives with full hearts, and both have added to their material a touch of originality that has made it distinctive.