VIII
Thus the fiction of the period has expressed itself prevailingly in short-breathed work. Compared with the fiction of France or England or Russia, with the major work of Balzac or Thackeray or Tolstoy, it has been a thing of seeming fragments. Instead of writing "the great American novel," which was so eagerly looked for during all the period, its novelists have preferred to cultivate small social areas and to treat even these by means of brief sketches.
The reasons are obvious. American life during the period was so heterogeneous, so scattered, that it has been impossible to comprehend any large part of it in a single study. The novelist who would express himself prevailingly in the larger units of fiction, like Henry James, for instance, or F. Marion Crawford, has been forced to take his topics from European life. The result has been narrowness, cameos instead of canvases, short stories rather than novels. In a period that over enormous areas was transforming thousands of discordant elements into what was ultimately to be a unity, nothing else was possible. Short stories were almost imperative. He who would deal with crude characters in a bare environment can not prolong his story without danger of attenuation. The failure of Miss Murfree, and indeed of nearly all of the short story writers when they attempted to expand their compressed and carefully wrought tales into novels, has already been dwelt upon.
But shortness of unit is not a fault. The brevity of the form, revealing as it does with painful conspicuousness all inferior elements, has resulted in an excellence of workmanship that has made the American short story the best art form of its kind to be found in any literature. The richness of the materials used has also raised the quality of the output. The picturesqueness of American life during the period has made possible themes of absorbing interest and unusual vividness of picturing, and the elemental men and passions found in new and isolated areas have furnished abundance of material for characterization. Until the vast field of American life becomes more unified and American society becomes less a matter of provincial varieties, the short story will continue to be the unit of American fiction.