Candlesticks.
The ornaments of the altar in Christian churches are for the most part simple in design. There are, however, many varieties of candlesticks, varying in size and degree from the larger ones which hold the Communion candles to the decorative seven-branched candelabra of light and tasteful design. The more important specimens are the massive candlesticks which are used in the chancel and in some of the larger cathedrals in other parts of the building. Such ecclesiastical bronzes are seldom obtainable, although there are some fine examples in the Victoria and Albert Museum in this country, and in the chief Continental museums. The donors of such objects spared no expense, and the modellers and founders treated such work very elaborately. Flemish and Spanish churches are especially rich in large candlesticks, and many of the Continental cathedrals possess wonderful examples. The prominence which has been given to candlesticks in public worship dates back to a period long before the foundation of the Christian Church, for the seven-branched candlestick was an important feature in the Jewish ceremonial. When the Roman conquerors took possession of Jerusalem, among the treasures taken from the Temple on the sack of the city, they carried away the golden candlesticks from the altar. So important was this sacred trophy that it was represented on the triumphal arch of Titus, preserving to the artists of the future its general characteristics of design.
The great bronze candlesticks in St Paul's Cathedral and in other English churches are to be admired but not collected; nevertheless there are some fine candlesticks in bronze and of polished brass offered for sale in the curio shops, and from time to time brought under the hammer in the London auction rooms. The illustration given in Fig. 19 is a remarkable example which may be seen in the Victoria and Albert Museum. A fine Venetian bronze candelabrum (one of a pair), now in a private collection, is shown in Fig. 20.