VIOLIN MASTERY
"And what is mastery of the whole? Mastery of the whole, real violin mastery, I think, lies in the control of the interpretative problem, the power to awaken emotion by the use of the instrument. Many feel more than they can express, have more left hand than bow technic and, like Kubelik, have not the perfected technic for which perfected playing calls. The artist who feels beauty keenly and deeply and whose mechanical equipment allows him to make others feel and share the beauty he himself feels is in my opinion worthy of being called a master of the violin."