ACQUAINTANCES AND FRIENDS: CHERUBINI, BAILLOT, FRANCHOMME, LISZT, MILLER, OSBORNE, MENDELSSOHN.—CHOPIN AND KALKBRENNER.—CHOPIN'S AIMS AS AN ARTIST.—KALKBRENNER'S CHARACTER AS A MAN AND ARTIST.- -CHOPIN'S FIRST PARIS CONCERT.—FETIS.—CHOPIN PLAYS AT A CONCERT GIVEN BY THE PRINCE DE LA MOSKOWA.—HIS STATE OF MIND.— LOSS OF HIS POLISH LETTERS.—TEMPORARILY STRAITENED CIRCUMSTANCES AND BRIGHTENING PROSPECTS.—PATRONS AND WELL-WISHERS.—THE "IDEAL."—A LETTER TO HILLER.CHOPIN'S SUCCESS IN SOCIETY AND AS A TEACHER.—VARIOUS CONCERTS AT WHICH HE PLAYED.—A LETTER FROM CHOPIN AND LISZT TO HILLER.— SOME OF HIS FRIENDS.—STRANGE BEHAVIOUR.—A LETTER TO FRANCHOMME.- -CHOPIN'S RESERVE.—SOME TRAITS OF THE POLISH CHARACTER.—FIELD.- -BERLIOZ.—NEO-ROMANTICISM AND CHOPIN'S RELATION TO IT.—WHAT INFLUENCE HAD LISZT ON CHOPIN'S DEVELOPMENT—PUBLICATION OF WORKS.—THE CRITICS.—INCREASING POPULARITY.—JOURNEY IN THE COMPANY OF HILLER TO AIX-LA-CHAPELLE.—A DAY AT DUSSELDORF WITH MENDELSSOHN.CHAPTER XVI.
1832-1834.