506.
The Necessary Desiccation of Everything Good.—What! must we conceive of a work exactly in the spirit of the age that has produced it? but we experience greater delight and surprise, and get more information out of it when we do not conceive it in this spirit! Have you not remarked that every new and good work, so long as it is exposed to the damp air of its own age is least valuable—just because it still has about it all the odour of the market, of opposition, of modern ideas, and of all that is transient from day to day? Later on, however, it dries up, its “actuality” dies away: and then only does it obtain its deep lustre and its perfume—and also, if it is destined for it, the calm eye of eternity.