FOOTNOTES:

[6] "Boreen," Irish for a deep, stone-paved lane.


[CHAPTER XXX]

THE BITTER END

It was indeed a sad sight for those joyous riders, exulting but a moment before, in all the triumph and excitement of their gallop. Saddest and most pitiable for the General, thus to find and recognise the woman he had loved and lost. While they took her gently out from under the dead mare's carcase, she groaned feebly, and they said, "Thank God!" for at least there seemed left a faint spark of life. Assistance, too, was near at hand. As Norah observed, "'Twasn't like Kildare, where ye wouldn't have seen a shealing or may be so much as a potato-garden for miles! But every farm here was kept like a domain, and they'd built a dwelling-house almost in every field!" Within a short distance stood the comfortable mansion, surrounded by its well-stocked fold-yards, of a substantial yeoman; and Bill, with two falls, was there in two minutes! A few of the second flight also, persevering resolutely on the line the hounds had gone, straggled up and did good service. What became of the Field, and where the deer was taken, none of these had opportunity to ascertain. All their energies, all their sympathies, were engrossed by that helpless, motionless form, that beautiful rigid face, so wan and white, beneath its folds of glossy raven hair.

Carrying her softly and carefully on a gate to her place of shelter, it looked as if they formed a funeral procession, of which the General seemed chief-mourner.

His bearing was stern and composed, his step never faltered, nor did his hand shake; but he who wrestled with the angel of old, and prevailed against him, could scarcely have out-done this loving, longing heart in earnestness of purpose and passionate pleading of prayer.

"But once more!" was his petition. "Only that she may know me, and look on me once more!" and it was granted.

For two days Blanche Douglas never spoke nor stirred. Mrs. Walters constituted herself head-nurse, and never left her pillow. The General remained the whole time at the threshold of her chamber.

The surgeon, a country practitioner of high repute, who saw her within an hour of her accident, committed himself to no opinion by word or sign, but shook his head despondingly the moment he found himself alone. The famous London doctor, telegraphed for at once, preserved an ominous silence. He, too, getting into the fly that took him back to the station, looked grave and shook his head. The hospitable yeoman, who placed his house and all he had freely at the sufferer's disposal, packing off the very children to their aunt's, at the next farm, felt, as he described it, "Down-hearted—uncommon." His kindly wife went about softly and in tears. Daisy and Bill hurried to and fro, in every direction, as required, by night and day; while Norah, watching in the darkened room, tried to hope against hope, and pray for that which she dared not even think it possible could be granted.

The General looked the quietest and most composed of all. Calm and still, he seemed less to watch than to wait. Perhaps some subtler instinct than theirs taught him the disastrous certainty, revealed to him the inevitable truth.

Towards evening of the second day Norah came into the passage and laid her hand on his shoulder, as he sat gazing vacantly from the window, over the fields and orchards about the farm. They loomed hazy and indistinct in the early winter twilight, but the scene on which he looked was clear enough—a bright sunny slope, a golden gleam in the sky above, and on earth a dark heap, with a trailing habit, and a slender riding-whip clenched in a small gloved hand.

"She has just asked for you," whispered Norah. "Go to her—quick! God bless you, General! Try and bear it like a man!"

The room was very dark. He stole softly to her bedside, and felt his fingers clasped in the familiar clinging touch once more.

"My darling!" he murmured, and the strong man's tears welled up, thick and hot, like a child's.


Her voice came, very weak and low. "The poor mare!" she said; "is she much hurt? It was no fault of hers."

He must have answered, and told her the truth without knowing it; for she proceeded more feebly than before.

"Both of us! Then it's no use. I was going to give her to you, dear, and ask you to take care of her for my sake. Have you—have you forgiven?"

"Forgiven!" His failing accents were even less steady than her own.

"I vexed you dreadfully," she continued. "I was not good enough for you. I see it all; and, if it could come again, I would never leave you—never! But I did it for the best. I took great pains to hide myself away down here; but I'm glad. Yes, I'm very glad you found me out at last. How dark it is! Don't let go my hand. Kiss me, my own! I know now that I did love you dearly—far better than I thought."

The feeble grasp tightened, stronger, stronger, yet. The shadows fell, the night came down, and a pale moon threw its ghostly light into the chamber. But the face he loved was fixed and grey now, the hand he still clasped was stiff and cold in death.


The General carried to India a less sore heart, perhaps, than he had expected. There was no room left for the gnawing anxiety, the bitter sense of humiliation, the persistent struggle against self, that distressed and troubled him in his previous relations with her he had loved so dearly, and lost so cruelly even in the hour she became his own. He was grave and silent, no doubt, in feelings and appearance, many years beyond his real age; but every fresh grey hair, every additional symptom of decay, seemed only a milestone nearer home. Without speculating much on its locality, he cherished an ardent hope that soon he might follow to the place where she had gone before. None should come between them there, he thought, and they need never part again.

Soldier Bill and Daisy saw the last of him when he left England; the former rather envied every one who was bound for a sphere in which there seemed a possibility of seeing real service, the latter comparing his senior's lonely life and blighted hopes with his own happy lot, felt a humbler, a wiser, and a better man for the contrast.

Mrs. Walters, though losing none of her good nature and genial Irish humour, became more staid in manner, altogether more matronly; and though she went out hunting on occasion, certainly rode less boldly than before the catastrophe. Her sister Mary, however, who came over to stay with her about this time, kept up the family credit for daring, and would have taken Bill's heart by storm if she had not won it already with the fearlessness she displayed in following him over the most formidable obstacles. After a famous day on Boneen, when she bustled that lazy little gentleman along in a manner that perfectly electrified him, Bill could hold out no longer, but placed himself, his fortunes, Catamount, and Benjamin, at her disposal. All these she was good enough to accept but the badger; and that odorous animal was compelled to evacuate his quarters in the wardrobe for a more suitable residence out of barracks, at a livery-stable. So they were married in London, and inaugurated the first day of their honeymoon by a quick thing with the Windsor drag-hounds.

Of Mrs. Lushington there is little more to be said. The sad fate of her former friend she accepted with the resignation usually displayed by those of her particular set in the face of such afflictions as do not immediately effect themselves and their pleasures. She vowed it was very sad, talked of wearing black—but didn't! and went out to dinner much as usual. Even Bessie Gordon showed more feeling, for she did cry when she heard the news, and appeared that night at a ball with swollen eyelids and a red place under her nose. Many people asked what had become of Miss Douglas? The answer was usually something to this effect—

"Don't you remember? Painful business; shocking accident. Killed out hunting. Odd story; odd girl. Yes, handsome, but peculiar style!"

They buried the good black mare where she fell. Long before the grass was green over her grave, rider and horse had been very generally forgotten. Yet in their own circle both had created no small sensation in their time. But life is so far like the chase, that it admits of but little leisure for hesitation; none whatever for regret. How should we ever get to the finish if we must needs stop to pick up the fallen, or to mourn for the dead?

In certain kind and faithful hearts, however, it is but justice to say the memory of that hapless pair remains fresh and vivid as on the day of their fatal downfall.

There is a stern, grey-headed soldier in the East who sees Blanche Douglas nightly in his dreams; and Daisy Walters, in his highest state of exultation, when he has been well-carried, as often happens, through a run, heaves a sigh, and feels something aching at his heart, that recalls the black mare and her lovely wayward rider, while it reminds him in a ghostly whisper that "there never was one yet like Satanella!"

UNWIN BROTHERS, THE GRESHAM PRESS, WOKING AND LONDON.

ADVERTISEMENTS

New Complete Library Edition of

G.J. Whyte=Melville's Novels.

Complete in about 25 Volumes.

Large Crown 8vo, Cloth Gilt, 3s. 6d. each.

The publishers have pleasure in announcing a monthly issue of novels by the late G.J. Whyte-Melville, who, uniting, as he did, the qualities of poet, novelist, sportsman, and leader of society, has long been acknowledged to stand above rivalry when dealing with sport and the romance of old. Each volume will be illustrated by front-rank artists, well printed from type specially cast, on best antique paper, and handsomely bound.

1 KATERFELTO. With four illustrations by Lucy E. Kemp-Welch.
2 CERISE. With four illustrations by G.P. Jacomb-Hood.
3 SARCHEDON. With four illustrations by S.E. Waller.
4 SONGS AND VERSES, and THE TRUE CROSS.
With five illustrations by S.E. Waller.
5 MARKET HARBOROUGH, and INSIDE THE BAR.
With four illustrations by John Charlton.
6 BLACK BUT COMELY. With four illustrations by S.E. Waller.
7 ROY'S WIFE. With four illustrations by G.P. Jacomb-Hood.
8 ROSINE, and SISTER LOUISE.
With four illustrations by G.P. Jacomb-Hood.
9 KATE COVENTRY.
With four illustrations by Lucy E. Kemp-Welch.
10 THE GLADIATORS.
With four illustrations by J. Ambrose Walton.
11 RIDING RECOLLECTIONS.
With four illustrations by John Charlton.
12 THE BROOKES OF BRIDLEMERE.
With four illustrations by S.E. Waller.
13 SATANELLA. With four illustrations by Lucy E. Kemp-Welch.
14 HOLMBY HOUSE. With four illustrations by Lucy E. Kemp-Welch.

Novels by Guy Boothby.

SPECIAL AND ORIGINAL DESIGNS.

Each volume attractively illustrated by Stanley L. Wood and others.

Crown 8vo, Cloth Gilt, Trimmed Edges, 5s.


Mr. RUDYARD KIPLING says:

"Mr. Guy Boothby has come to great honours now. His name is large upon hoardings, his books sell like hot cakes, and he keeps a level head through it all. I've met him several times in England, and he added to my already large respect for him."

LOVE MADE MANIFEST.
PHAROS, THE EGYPTIAN.
ACROSS THE WORLD FOR A WIFE.
THE LUST OF HATE.
BUSHIGRAMS.
THE FASCINATION OF THE KING.
DR. NIKOLA.
THE BEAUTIFUL WHITE DEVIL.
A BID FOR FORTUNE; or, Dr. Nikola's Vendetta.
IN STRANGE COMPANY: A Story of Chili and the Southern Seas.
THE MARRIAGE OF ESTHER: A Torres Straits Sketch.

New Library Edition of

Henry Kingsley's Novels.

Edited by Clement K. Shorter.

Well printed on good paper, from type specially cast.
Neatly and handsomely bound. Illustrated by eminent artists.
Cloth gilt, 3s. 6d. per volume.

Press Opinions.

"To Mr. Clement Shorter and to the publishers the unreserved thanks of the public are warmly due. There can be no finer mission from the world of fiction to the world of fact than the putting forth of these ennobling novels afresh and in a fitting form."—Daily Chronicle.

"To renew your acquaintance with Henry Kingsley is for Henry Kingsley to stand forth victorious all along the line. His work, in truth, is moving and entertaining now as it was moving and entertaining thirty odd years ago."—Pall Mall Gazette.

1. THE RECOLLECTIONS OF GEOFFRY HAMLYN. With a Photogravure Portrait of Henry Kingsley, and a Memoir by Clement K. Shorter. Illustrated by Herbert Railton.

2. RAVENSHOE. With Frontispiece by R. Caton Woodville.

3. THE HILLYARS AND THE BURTONS. With a note on Old Chelsea Church by Clement K. Shorter. Illustrated by Herbert Railton.

4. SILCOTE OF SILCOTES. With Frontispiece by Lancelot Speed.

5. STRETTON. With Frontispiece by George M. Henton.

6. AUSTIN ELLIOT, and THE HARVEYS. With Frontispiece by Walter Paget.

7. MDLLE. MATHILDE. With Frontispiece by Holland Tringham.

8. OLD MARGARET, and Other Stories. With a Frontispiece by Robert Sauber.

9. VALENTIN, and NUMBER SEVENTEEN. With a Frontispiece by R. Caton Woodville.

10. OAKSHOTT CASTLE, and THE GRANGE GARDEN. With a Frontispiece by W.H. Overend.

11. REGINALD HETHEREGE, and LEIGHTON COURT. With a Frontispiece by Gordon Browne.

12. THE BOY IN GREY, and Other Stories. With a Frontispiece by A. Forestier.

Novels by Joseph Hocking.

CROWN 8vo, CLOTH GILT, 3s. 6d. EACH.

(EACH VOLUME UNIFORM.)

Though Mr. Joseph Hocking's novels have been (by the Spectator) compared to Mr. Baring-Gould's and (by the Star) to Mr. Thomas Hardy's—next to whom it placed him as a writer of country life—and by other journals to Mr. Hall Caine and Mr. Robert Buchanan, they are, one and all, stamped with striking and original individuality. Bold in conception, pure in tone, strenuously high and earnest in purpose, daring in thought, picturesque and life-like in description, worked out with singular power and in nervous and vigorous language, it is not to be wondered at that Mr. Hocking's novels are eagerly awaited by a large and ever increasing public.

WEAPONS OF MYSTERY.

With Frontispiece and Vignette.

FIELDS OF FAIR RENOWN.

With Frontispiece and Vignette by J. Barnard Davis.

ALL MEN ARE LIARS.

With Frontispiece and Vignette by Gordon Browne.

ISHMAEL PENGELLY: An Outcast.

With Frontispiece and Vignette by W.S. Stacey.

THE STORY OF ANDREW FAIRFAX.

With Frontispiece and Vignette by Geo. Hutchinson.

JABEZ EASTERBROOK.

With Frontispiece and Vignette by Stanley L. Wood.

ZILLAH.

With Frontispiece by Powell Chase.

THE MONK OF MAR-SABA.

With Frontispiece and Vignette by W.S. Stacey.

WORKS BY
E. Phillips Oppenheim.

Crown 8vo, Cloth Gilt Uniform, 3s. 6d.

THE MAN AND HIS KINGDOM.

Illustrated by J. Ambrose Walton.

"A thoroughly interesting and exciting story."—Pall Mall Gazette.

"This is a brilliant and virile story of adventure, and the reader's interest is maintained at a high pitch throughout a long series of exciting and romantic adventures."—St. James's Budget.

MYSTERIOUS MR. SABIN.

Illustrated by J. Ambrose Walton.

"One of the brightest and best managed yarns we have read for many a day. We can recommend Mr. Sabin to all who like a thoroughly robust mystery tale."—Sheffield Independent.

"A distinctly clever and interesting story of state-craft and intrigue.... Full of dramatic incidents and surprises."—St. James's Gazette.

AS A MAN LIVES.

Illustrated by Stanley L. Wood.

"If you feel the need of a stimulant of this kind (an exciting story), I can recommend you a singularly stirring sensational novel."—Truth.

"A deeply interesting volume. The story is a strangely exciting one."—Manchester Courier.

A MONK OF CRUTA.

"Mr. Oppenheim excels himself in 'A Monk of Cruta.' His latest is his greatest work. A high standard of merit is maintained from end to end, and there is enough of thrilling incident to satisfy the most exacting."—The Scotsman.

A DAUGHTER OF THE MARIONIS.

"As a story pure and simple, we have read few books for a long time to be compared with it."—Weekly Sun.

"The story is not only intensely interesting and exciting, but the characters are powerfully drawn, and their individuality preserved. This is a book to read breathlessly from start to finish."—Pall Mall Gazette.

Works by Ethel Turner.
(MRS. H.R. CURLEWIS.)

Crown 8vo, cloth gilt, bevelled boards, gilt edges, 3s. 6d. each.

"Miss Ethel Turner is Miss Alcott's true successor. The same healthy, spirited tone is visible which girls and boys recognised and were grateful for in 'Little Women' and 'Little Men,' the same absence of primness, and the same love of adventure."—The Bookman.

THE CAMP AT WANDINONG.

Illustrated by Frances Ewan and others.

MISS BOBBIE.

Illustrated by Harold Copping.

THE LITTLE LARRIKIN.

Illustrated by A.J. Johnson.

SEVEN LITTLE AUSTRALIANS.

Illustrated by A.J. Johnson.

THE FAMILY AT MISRULE.

A SEQUEL TO THE ABOVE.

Illustrated by A.J. Johnson.


Square Fcap. 8vo, cloth elegant, gilt top, 2s. 6d. each.

THE STORY OF A BABY.

Illustrated by St. Clair Simmons.

THE LITTLE DUCHESS, & other Stories.

Illustrated by Sidney Cowell.

Recent 3/6 Novels.

CROWN 8vo, CLOTH GILT, ILLUSTRATED.

THE DATCHET DIAMONDS.

By Richard Marsh. Illustrated by Stanley L. Wood.

THE CRIME AND THE CRIMINAL.

By Richard Marsh. Illustrated by Harold Piffard.

A SENSATIONAL CASE.

By Florence Warden. Illustrated by St. Clair Simmons.

THE UNSEEN HAND.

By Lawrence L. Lynch. Illustrated by St. Clair Simmons.

A SOCIAL HIGHWAYMAN.

By E.P. Train. Illustrated by F. McKernan.

THE SWORD OF ALLAH.

By T.R. Threlfall. Illustrated by Powell Chase.

OUT FROM THE NIGHT.

By Alice Maud Meadows. Illustrated by St. Clair Simmons.

THE DEATH THAT LURKS UNSEEN.

By J.S. Fletcher. Illustrated by Hounson Byles.

THE HOUSE OF RIMMON.

By Mrs. Coulson Kernahan. Illustrated by R. Anning Bell.

PHILLIPI, THE GUARDSMAN.

By T.R. Threlfall. Illustrated by Powell Chase.

COURTSHIP AND CHEMICALS.

By Emily Cox. Illustrated by St. Clair Simmons.

2/= Copyright Novels.

Crown 8vo, Litho Picture Boards, Cloth Back.

1 THE CURSE OF CLEMENT WAYNFLETE.

By Bertram Mitford. Illustrated by Stanley L. Wood.

2 THE CRIME AND THE CRIMINAL.

By Richard Marsh. Illustrated by Harold Piffard.

3 CAPTAIN SHANNON.

By Coulson Kernahan. Illustrated by F.S. Wilson.

4 CHRONICLES OF MARTIN HEWITT.

By Arthur Morrison. Illustrated by D. Murray Smith.

5 THE QUEEN OF NIGHT.

By Headon Hill. Illustrated by Harold Piffard.

6 A MAN'S FOES.

By E.H. Strain. Illustrated by A. Forestier.

7 A SECRET SERVICE.

By William Le Queux. Illustrated by Harold Piffard.

8 A VELDT OFFICIAL.

By Bertram Mitford. Illustrated by Stanley L. Wood.

9 WOMAN, THE MYSTERY.

By Henry Herman. Illustrated by George Hutchinson.

10 MARTIN HEWITT, INVESTIGATOR.

By Arthur Morrison. Illustrated by Sidney Paget.

11 A STOLEN LIFE.

By M. McDonnell Bodkin. Illustrated by Frances Ewan.

12 A SOCIAL HIGHWAYMAN.

By E.P. Train. Illustrated by F. McKernan.

13 THE DATCHET DIAMONDS.

By Richard Marsh. Illustrated by Stanley L. Wood.

14 AT MIDNIGHT.

By Ada Cambridge. Illustrated by F. Frenzeny and others.

15 LADY TURPIN.

By Henry Herman. Illustrated by Stanley L. Wood.

16 ADVENTURES OF MARTIN HEWITT.

By Arthur Morrison. Illustrated by T.S.C. Crowther.

THE
Nineteenth Century Classics


Edited by Clement K. Shorter.

CROWN 8vo, ART CANVAS GILT. 2s. 6d.

Throughout the whole history of English literature there is no period which impresses one with its variety and helpfulness in any way comparable to the first half of the nineteenth century. No period certainly has produced so many books which it is essential for our own age to read. The idea of "The Nineteenth Century Classics" is to place these permanent treasures of the century before the public in an attractive and serviceable form. Each volume is beautifully printed on fine paper, well bound, with photogravure frontispiece.

1 SARTOR RESARTUS. By Thomas Carlyle. With an Introduction by Edward Dowden, LL.D.

2 ALARIC AT ROME, and other Poems. By Matthew Arnold. With an Introduction by Richard Garnett, C.B., LL.D.

3 HEROES AND HERO-WORSHIP. By Thomas Carlyle. With an Introduction by Edmund Gosse.

4 PROMETHEUS BOUND, and other Poems. By Elizabeth Barrett Browning. With an Introduction by Alice Meynell.

5 BELLS AND POMEGRANATES, and other Poems. By Robert Browning. With an Introduction by Thos. J. Wise.

6 BELLS AND POMEGRANATES (Second Series). By Robert Browning.

7 PAST AND PRESENT. By Thomas Carlyle. With an Introduction by Frederic Harrison.

8 THE OPIUM EATER. By Thomas de Quincey. With an Introduction by Richard le Gallienne.

9 CRANFORD. By Mrs. Gaskell. With an Introduction by W. Robertson Nicoll, LL.D.

10 THE AUTOCRAT OF THE BREAKFAST TABLE. By Oliver Wendell Holmes. With an Introduction by Andrew Lang.

11 SCENES OF CLERICAL LIFE. By George Eliot.

With an Introduction and Biography by Clement K. Shorter.

You cannot beat the Best.

THE
Windsor
MAGAZINE
... Always contains the ...
BEST WORK BY THE
... BEST AUTHORS ...
AND BEST ARTISTS.

It has eclipsed every other Sixpenny Magazine, and has achieved the most Brilliant Success of the day.

Holds the Record

for giving the Best Serial Story of the Year.

Holds the Record

for giving Splendid Exclusive Articles by recognised specialists.

Holds the Record

for being the Most Varied, the Most Entertaining, and the Most Instructive of Magazines.

The "Times" calls it "Wonderful."