Section 12. Critical and Sceptical Opinion in Greece.

And now let us turn to a point for which perhaps some readers have long been waiting, and with which they may have expected us to begin rather than to end. So far, in considering the part played by religion in Greek Life, we have assumed the position of orthodoxy. We have endeavoured to place ourselves at the standpoint of the man who did not criticise or reflect, but accepted simply, as a matter of course, the tradition handed down to him by his fathers. Only so, if at all, was it possible for us to detach ourselves from our habitual preconceptions, and to regard the pagan mythology not as a graceful invention of the poets, but as a serious and, at the time, a natural and inevitable way of looking at the world. Now, however, it is time to turn to the other side, and to consider the Greek religion as it appeared to contemporary critics. For critics there were, and sceptics, or rather, to put it more exactly, there was a critical age succeeding an age of faith. As we trace, however imperfectly, the development of the Greek mind, we can observe their intellect and their moral sense expanding beyond the limits of their creed. Either as sympathetic, though candid, friends, or as avowed enemies, they bring to light its contradictions and defects; and as a result of the process one of two things happens. Either the ancient conception of the gods is transformed in the direction of monotheism, or it is altogether swept away, and a new system of the world built up, on the basis of natural science or of philosophy. These tendencies of thought we must now endeavour to trace; for we should have formed but an imperfect idea of the scope of the religious consciousness of the Greeks if we confined ourselves to what we may call their orthodox faith. It is in their most critical thinkers, in Euripides and Plato, that the religious sense is most fully and keenly developed; and it is in the philosophy that supervened upon the popular creed, rather than in the popular creed itself, that we shall find the highest and most spiritual reaches of their thought.

Let us endeavour, then, in the first place to realise to ourselves how the Greek religion must have appeared to one who approached it not from the side of unthinking acquiescence, but with the idea of discovering for himself how far it really met the needs and claims of the intellect and the moral sense. Let us imagine him turning to his Homer, to those poems which were the Bible of the Greek, his ultimate appeal both in religion and in ethics; which were taught in the schools, quoted in the law-courts, recited in the streets; and from which the teacher drew his moral instances, the rhetorician his allusions, the artist his models, every man his conception of the gods. Let us imagine some candid and ingenuous youth, turning to his Homer and repeating, say, the following passage of the Iliad:—

"Among the other gods fell grievous bitter strife, and their hearts were carried diverse in their breasts. And they clashed together with a great noise, and the wide earth groaned, and the clarion of great Heaven rang around. Zeus heard as he sate upon Olympus, and his heart within him laughed pleasantly when he beheld that strife of the gods." [Footnote: Iliad xxi. 385.—Translated by Lang, Leaf and Myers.]

At this point, let us suppose, the reader pauses to reflect; and is struck, for the first time, with a shock of surprise by the fact that the gods should be not only many but opposed; and opposed on what issue? a purely human one! a war between Greeks and Trojans for the possession of a beautiful woman! Into such a contest the immortal gods descend, fight with human weapons, and dispute in human terms! Where is the single purpose that should mark the divine will? where the repose of the wisdom that foreordained and knows the end? Not, it is clear, in this motley array of capricious and passionate wills! Then, perhaps, in Zeus, Zeus, who is lord of all? He, at least, will impose upon this mob of recalcitrant deities the harmony which the pious soul demands. He, whose rod shakes the sky, will arise and assert the law. He, in his majesty, will speak the words—alas! what words! Let us take them straight from the lips of the King of gods and men:—

"Hearken to me, all gods and all ye goddesses, that I may tell you that my heart within my breast commandeth me. One thing let none essay, be it goddess or be it god, to wit, to thwart my saying; approve ye it all together, that with all speed I may accomplish these things. Whomsoever I shall perceive minded to go, apart from the gods, to succour Trojans or Danaans, chastened in no seemly wise shall he return to Olympus, or I will take and cast him into misty Tartaros, right far away, where is the deepest gulf beneath the earth; there are the gate of iron and threshold of bronze, as far beneath Hades as heaven is high above the earth: then shall ye know how far I am mightiest of all gods. Go to now, ye gods, make trial that ye all may know. Fasten ye a rope of gold from heaven, and all ye gods lay hold thereof and all goddesses; yet could ye not drag from heaven to earth Zeus, counsellor supreme, not though ye toiled sore. But once I likewise were minded to draw with all my heart, then should I draw ye up with very earth and sea withal. Thereafter would I bind the rope about a pinnacle of Olympus, and so should all those things be hung in air. By so much am I beyond gods and beyond men." [Footnote: Iliad viii. 5.—Translated by Lang, Leaf and Myers.]

And is that all? In the divine tug of war Zeus is more than a match for all the other gods together! Is it on this that the lordship of heaven and earth depends? This that we are to worship as highest, we of the brain and heart and soul? And even so, even admitting the ground of supremacy, with what providence or consistency of purpose is it exercised? Why, Zeus himself is as capricious as the rest! Because Thetis comes whining to him about an insult put upon Achilles, he interferes to change the whole course of the war, and that too by means of a lying dream! Even his own direct decrees he can hardly be induced to observe. His son Sarpedon, for example, who is "fated," as he says himself, to die, he is yet at the last moment in half a mind to save alive! How is such division possible in the will of the supreme god? Or is the "fate" of which he speaks something outside himself? But if so, then above him! and if above him, what is he? Not, after all, the highest, not the supreme at all! What then are we to worship? What is this higher "fate?"

Such would be the kind of questions that would vex our candid youth when he approached his Homer from the side of theology. Nor would he fare any better if he took the ethical point of view. The gods, he would find, who should surely at least attain to the human standard, not only are capable of every phase of passion, anger, fear, jealousy and, above all, love, but indulge them all with a verve and an abandonment that might make the boldest libertine pause. Zeus himself, for example, expends upon the mere catalogue of his amours a good twelve lines of hexameter verse. No wonder that Hera is jealous, and that her lord is driven to put her down in terms better suited to the lips of mortal husbands:

"Lady, ever art thou imagining, nor can I escape thee; yet shalt thou in no wise have power to fulfil, but wilt be the further from my heart; that shall be even the worse for thee. Hide thou in silence and hearken to my bidding, lest all the gods that are in Olympus keep not off from thee my visitation, when I put forth my hands unapproachable against thee." [Footnote: Iliad i. 560.—Translated by Leaf, Lang and Myers.]