Section 3. Appreciation of Physical Qualities.
While, however, the gifts of a happy fortune are an essential condition of the Greek ideal, they are not to be mistaken for the ideal itself. "A beautiful soul in a beautiful body," to recur to our former phrase, is the real end and aim of their endeavour. "Beautiful and good" is their habitual way of describing what we should call a gentleman; and no expression could better represent what they admired. With ourselves, in spite of our addiction to athletics, the body takes a secondary place; after a certain age, at least, there are few men who make its systematic cultivation an important factor of their life; and in our estimate of merit physical qualities are accorded either none or the very smallest weight. It was otherwise with the Greeks; to them a good body was the necessary correlative of a good soul. Balance was what they aimed at, balance and harmony; and they could scarcely believe in the beauty of the spirit, unless it were reflected in the beauty of the flesh. The point is well put by Plato, the most spiritually minded of the Greeks, and the least apt to underprize the qualities of the soul.
"Surely then," he says, "to him who has an eye to see, there can be no fairer spectacle than that of a man who combines the possession of moral beauty in his soul with outward beauty of form, corresponding and harmonizing with the former, because the same great pattern enters into both.
"There can be none so fair.
"And you will grant that what is fairest is loveliest?
"Undoubtedly it is.
"Then the truly musical person will love those who combine most perfectly moral and physical beauty, but will not love any one in whom there is dissonance.
"No, not if there be any defect in the soul, but if it is only a bodily blemish, he may so bear with it as to be willing to regard it with complacency.
"I understand that you have now, or have had, a favourite of this kind; so I give way." [Footnote: Plato, Rep. 402.—Translated by Davies and Vaughan.]
The reluctance of the admission that a physical defect may possibly be overlooked is as significant as the rest of the passage. Body and soul, it is clear, are regarded as aspects of a single whole, so that a blemish in the one indicates and involves a blemish in the other. The training of the body is thus, in a sense, the training of the soul, and gymnastic and music, as Plato puts it, serve the same end, the production of a harmonious temperament.