Recollections of My Childhood and Youth

by Georg Brandes

XII.

I was not given to looking at life in a rosy light. My nature, one uninterrupted endeavour, was too tense for that. Although I occasionally felt the spontaneous enjoyments of breathing the fresh air, seeing the sun shine, and listening to the whistling of the wind, and always delighted in the fact that I was in the heyday of my youth, there was yet a considerable element of melancholy in my temperament, and I was so loth to abandon myself to any illusion that when I looked into my own heart and summed up my own life it seemed to me that I had never been happy for a day. I did not know what it was to be happy for a whole day at a time, scarcely for an hour. I had only known a moment's rapture in the companionship of my comrades at a merry-making, in intercourse with a friend, under the influence of the beauties of Nature, or the charm of women, or in delight at gaining intellectual riches--during the reading of a poem, the sight of a play, or when absorbed in a work of art.

Any feeling that I was enriching my mind from those surrounding me was unfortunately rare with me. Almost always, when talking to strangers, I felt the exact opposite, which annoyed me exceedingly, namely, that I was being intellectually sucked, squeezed like a lemon, and whereas I was never bored when alone, in the society of other people I suffered overwhelmingly from boredom. In fact, I was so bored by the visits heaped upon me by my comrades and acquaintances, who inconsiderately wasted my time, in order to kill a few hours, that I was almost driven to despair; I was too young obstinately to refuse to see them.

By degrees, the thought of the boredom that I suffered at almost all social functions dominated my mind to such an extent that I wrote a little fairy tale about boredom, by no means bad (but unfortunately lost), round an idea which I saw several years later treated in another way in Sibbern's well-known book of the year 2135. This fairy tale was read aloud to Nutzhorn's band and met with its approval.

But although I could thus by no means be called of a happy disposition, I was, by reason of my overflowing youth, in a constant state of elation, which, as soon as the company of others brought me out of my usual balance, acted like exuberant mirth and made me burst out laughing.

I was noted, among my comrades, and not always to my advantage, for my absolutely ungovernable risibility. I had an exceedingly keen eye for the ridiculous, and easily influenced as I still was, I could not content myself with a smile. Not infrequently, when walking about the town, I used to laugh the whole length of a street. There were times when I was quite incapable of controlling my laughter; I laughed like a child, and it was incomprehensible to me that people could go so soberly and solemnly about. If a person stared straight at me, it made me laugh. If a girl flirted a little with me, I laughed in her face. One day I went out and saw two drunken labourers, in a cab, each with a wreath on his knee; I was obliged to laugh; I met an old dandy whom I knew, with two coats on, one of which hung down below the other; I had to laugh at that, too. Sometimes, walking or standing, absorbed in thoughts, I was outwardly abstracted, and answered mechanically, or spoke in a manner unsuited to my words; if I noticed this myself, I could not refrain from laughing aloud at my own absent-mindedness. It occasionally happened that at an evening party, where I had been introduced by the son of the house to a stiff family to whom I was a stranger, and where the conversation at table was being carried on in laboured monosyllables, I would begin to laugh so unrestrainedly that every one stared at me in anger or amazement. And it occasionally happened that when some sad event, concerning people present, was being discussed, the recollection of something comical I had seen or heard the same day would crop up in my mind to the exclusion of all else, and I would be overtaken by fits of laughter that were both incomprehensible and wounding to those round me, but which it was impossible to me to repress. At funeral ceremonies, I was in such dread of bursting out laughing that my attention would involuntarily fix itself on everything it ought to avoid. This habit of mine was particularly trying when my laughter had a ruffling effect on others in a thing that I myself was anxious to carry through. Thus I spoilt the first rehearsals of Sophocles' Greek play Philoctetes, which a little group of students were preparing to act at the request of Julius Lange. Some of them pronounced the Greek in an unusual manner, others had forgotten their parts or acted badly--and that was quite enough to set me off in a fit of laughter which I had difficulty in stopping. Thus I often laughed, when I was tormented at being compelled to laugh, in reality feeling melancholy, and mentally worried; I used to think of Oechlenschläger's Oervarodd, who does not laugh when he is happy, but breaks into a guffaw when he is deeply affected.

These fits of laughter were in reality the outcome of sheer youthfulness; with all my musings and reflection, I was still in many ways a child; I laughed as boys and girls laugh, without being able to stop, and especially when they ought not. But this painful trait in myself directed my thoughts to the nature proper of laughter; I tried to sum up to myself why I laughed, and why people in general laughed, pondered, as well as I was capable of doing the question of what the comical consisted of, and then recorded the fruits of my reflections in my second long treatise, On Laughter, which has been lost.

As I approached my twentieth year, these fits of laughter stopped. "I have," wrote I at the time, "seen into that Realm of Sighs, on the threshold of which I--like Parmeniscus after consulting the Oracle of Trophonius--have suddenly forgotten how to laugh."