XXXVII.
On my journey from Turin to Milan, I had the mighty Mont Rosa, with its powerful snow mass, and the St. Bernard, over which Buonaparte led his tattered troops, before my eyes. We went across maize fields, through thickets, over the battlefield of Magenta. From reading Beyle, I had pictured Milan as a beautiful town, full of free delight in life. Only to see it would be happiness. And it was,--the cupola gallery, the dome, from the roof of which, immediately after my arrival, I looked out over the town, shining under a pure, dark-blue sky. In the evening, in the public gardens, I revelled in the beauty of the Milanese women. Italian ladies at that time still wore black lace over their heads instead of hats. Their dresses were open in front, the neck being bare half-way down the chest. I was struck by the feminine type. Upright, slender- waisted women; delicate, generally bare hands; oval faces, the eyebrows of an absolutely perfect regularity; narrow noses, well formed, the nostrils curving slightly upwards and outwards--the models of Leonardo and Luini.
The Last Supper, in the church of St. Maria delle Grazie, and the drawings in the Ambrose Library, brought me closer to Leonardo than I had ever been able to get before, through reproductions; I saw the true expression in the face of the Christ in the Last Supper, which copies cannot avoid distorting.