XXV
In Virginia at the time of which I am writing, everybody, men, women, and children, read books and talked about them. The annual output of the publishers was trifling then, as compared with the present flood of new books, and as a consequence everybody read all the new books and magazines, and everybody talked about them as earnestly as of politics or religion. Still more diligently they read old books, the classics of the language. Literature was regarded as a vital force in human affairs, and books which in our time might relieve the tedium of a railway journey and be forgotten at its end, were read with minute attention and discussed as earnestly as if vital interests had depended upon an accurate estimation of their quality.
As a consequence, authorship was held in strangely glamorous esteem. I beg pardon of the English language for making that word "glamorous"; it expresses my thought, as no other term does, and it carries its meaning on its face.
The "Solitary Horseman"
I remember that in my student days in Richmond there came a visitor who had written one little book—about Rufus Choate, I think, though I can find no trace of it in bibliographies. I suspect that he was a very small author, indeed, in Boston, whence he came, but he was an AUTHOR—we always thought that word in capital letters—and so he was dined and wined, and entertained, and not permitted to pay his own hotel bills or cab charges, or anything else.
Naturally a people so disposed made much of their own men of letters, of whom there was quite a group—if we reckon their qualifications as generously as the Virginians did. Among them were three at least whose claim to be regarded as authors was beyond dispute. These were John Esten Cooke, John R. Thompson, and the English novelist, G. P. R. James, who at that time was serving as British consul at Richmond. And there was Mrs. Anna Cora Mowatt Ritchie, who played the part of literary queen right royally.
Mr. James was a conspicuous figure in Richmond. He was a robust Englishman in his late fifties, rather short and rather stout. The latter impression was aided by the fact that in his afternoon saunterings about the town, he usually wore a sort of roundabout, a coat that ended at his waist and had no tails to it. To the ribald and the jocular he was known as "the Solitary Horseman" because of his habit of introducing novels or chapters with a lonely landscape in which a "solitary horseman" was the chief or only figure. To those of us who were disposed to be deferential he was known as "the Prince Regent," in memory of the jest perpetrated by one of the wits of the town. Mr. James's three initials, which prompted John G. Saxe to say that he "got at the font his strongest claims to be reckoned a man of letters"—stood for "George Payne Rainsford," but he rarely used anything more than the initials—G. P. R. When a certain voluble gentlewoman asked Tom August what the initials stood for he promptly replied:
"Why, George Prince Regent, of course. And his extraordinary courtesy fully justifies his sponsors in baptism for having given him the name."
The lady lost no time in telling everybody of the interesting fact—and the novelist became "Prince Regent James" to all his Richmond friends from that hour forth.
John R. Thompson was the editor of the Southern Literary Messenger. Scholar, poet, and man of most gentle mind, it is not surprising that in later years, when the old life was war-wrecked, Mr. William Cullen Bryant made him his intimate friend and appointed him to the office of literary editor of the Evening Post, which Mr. Bryant always held to be the supreme distinction possible to an American man of letters. I being scarcely more than a boy studying law in the late fifties, knew him only slightly, but my impression of him at that time was, that with very good gifts and a certain charm of literary manner, he was not yet fully grown up in mind. He sought to model himself, I think, upon his impressions of N. P. Willis, and his aspiration to be recognized as a brilliant man of society was quite as marked as his literary ambition. He was sensitive to slights and quite morbidly apprehensive that those about him might think the less of him because his father was a hatter. Socially at that time and in that country men in trade of any kind were regarded as rather inferior to those of the planter class.
When I knew Thompson better in after years in New York he had outgrown that sort of nonsense, and was a far more agreeable companion because of the fact.
John Esten Cooke—Gentleman
Chief among the literary men of Richmond was John Esten Cooke. His novel "The Virginia Comedians" had made him famous in his native state, and about the time I write of—1858-9—he supplemented it with another story of like kind, "Henry St. John, Gentleman." As I remember them these were rather immature creations, depending more upon a certain grace of manner for their attractiveness than upon any more substantial merit. Certainly they did not compare in vigor or originality with "Surrey of Eagle's Nest" or any other of the novels their author wrote after his mind had been matured by strenuous war experience. But at the time of which I write they gave him a literary status such as no other Virginian of the time could boast, and for a living he wrote ceaselessly for magazines and the like.
The matter of getting a living was a difficult one to him then, for the reason that with a pride of race which some might think quixotic, he had burdened his young life with heavy obligations not his own. His father had died leaving debts that his estate could not pay. As the younger man got nothing by inheritance, except the traditions of honor that belonged to his race, he was under no kind of obligation with respect to those debts. But with a chivalric loyalty such as few men have ever shown, John Esten Cooke made his dead father's debts his own and little by little discharged them with the earnings of a toilsome literary activity.
His pride was so sensitive that he would accept no help in this, though friends earnestly pressed loans upon him when he had a payment to meet and his purse was well-nigh empty. At such times he sometimes made his dinner on crackers and tea for many days together, although he knew he would be a more than welcome guest at the lavish tables of his many friends in Richmond. It was a point of honor with him never to accept a dinner or other invitation when he was financially unable to dine abundantly at his own expense.
The reviewer of one of my own stories of the old Virginia life, not long ago informed his readers that of course there never were men so sensitively and self-sacrificingly honorable as those I had described in the book, though my story presented no such extreme example of the man of honor as that illustrated in Mr. Cooke's person and career.
I knew him intimately at that time, his immediate friends being my own kindred. Indeed, I passed one entire summer in the same hospitable house with him.
Some years after the war our acquaintance was renewed, and from that time until his death he made my house his abiding place whenever he had occasion to be in New York. Time had wrought no change in his nature. He remained to the end the high-spirited, duty-loving man of honor that I had known in my youth; he remained also the gentle, affectionate, and unfailingly courteous gentleman he had always been.
He went into the war as an enlisted man in a Richmond battery, but was soon afterward appointed an officer on the staff of the great cavalier, J. E. B. Stuart.
"I wasn't born to be a soldier," he said to me in after years. "Of course I can stand bullets and shells and all that, without flinching, just as any man must if he has any manhood in him, and as for hardship and starvation, why, a man who has self-control can endure them when duty demands it, but I never liked the business of war. Gold lace on my coat always made me feel as if I were a child tricked out in red and yellow calico with turkey feathers in my headgear to add to the gorgeousness. There is nothing intellectual about fighting. It is the fit work of brutes and brutish men. And in modern war, where men are organized in masses and converted into insensate machines, there is really nothing heroic or romantic or in any way calculated to appeal to the imagination. As an old soldier, you know how small a part personal gallantry plays in the machine work of war nowadays."
How Jeb Stuart Made a Major
Nevertheless, John Esten Cooke was a good soldier and a gallant one. At Manassas I happened to see him at a gun which he was helping to work and which we of the cavalry were supporting. He was powder-blackened and he had lost both his coat and his hat in the eagerness of his service at the piece; but during a brief pause in the firing he greeted me with a rammer in his hand and all the old cheeriness in his face and voice.
On Stuart's staff he distinguished himself by a certain laughing nonchalance under fire, and by his eager readiness to undertake Stuart's most perilous missions. It was in recognition of some specially daring service of that kind that Stuart gave him his promotion, and Cooke used to tell with delight of the way in which the great boyish cavalier did it.
"You're about my size, Cooke," Stuart said, "but you're not so broad in the chest."
"Yes, I am," answered Cooke.
"Let's see if you are," said Stuart, taking off his coat as if stripping for a boxing match. "Try that on."
Cooke donned the coat with its three stars on the collar, and found it a fit.
"Cut off two of the stars," commanded Stuart, "and wear the coat to Richmond. Tell the people in the War Department to make you a major and send you back to me in a hurry. I'll need you to-morrow."
When I visited him years afterwards at The Briars, his home in the Shenandoah Valley, that coat which had once been Stuart's, hung upon the wall, as the centerpiece of a collection of war relics, cherished with pride of sentiment but without a single memory that savored of animosity. The gentle, courteous, kindly man of letters who cherished these things as mementoes of a terrible epoch had as little in his bearing to suggest the temper of the war time as had his old charger who grazed upon the lawn, exempt from all work as one who had done his duty in life and was entitled to ease and comfort as his reward.