Aid from Picturing Power.
A picturing faculty such as comes to the flower in an inventor may often be observed in a skilful workman. In a shoe factory a veteran will lift a hide, utterly irregular in form, and cut soles and heels from it, so that the remaining scraps are a mere trifle, while flaws have been avoided.
Hugh Miller, in “My Schools and Schoolmasters,” thus speaks of a fellow stone-mason:—“John Fraser’s strength had never been above the average of that of Scotchmen, and it was now considerably reduced; nor did his mallet deal more or heavier blows than that of the common workman. He had, however, an extraordinary power of conceiving of the finished piece of work, as lying within the rude stone from which it was his business to disinter it; and while ordinary stone-cutters had to repeat and re-repeat their lines and draughts, and had in this way virtually to give their work several surfaces in detail ere they reached the true one, old John cut upon the true figure at once, and made one surface serve for all. In building, too, he exercised a similar power; he hammer-dressed his stones with fewer strokes than other workmen, and in fitting the interspaces between the stones already laid, always picked from out the heap at his feet the stone that exactly filled the place; while other operatives busied themselves in picking up stones that were too small or too large; or, if they set themselves to reduce the too large ones, reduced them too little or too much, and had to fit and fit again. Whether building or hewing, John never seemed in a hurry. He has been seen, when far advanced in life, working very leisurely, as became his years, on one side of a wall, and two stout young fellows building against him on the other side—toiling, apparently, twice harder than he, but the old man always contriving to keep a little ahead of them both.”
Henry Maudslay, famous as an inventor, had the same exquisite sense of form. When he executed a piece of work he was greatly indebted to the dexterity he had acquired as a blacksmith in early life. He used to say that to be a good smith you must be able to see in an iron bar the object you mean to get out of it with hammer and chisel, just as the sculptor sees the statue he intends to carve from a block of marble.