Transcriber's note
Minor punctuation errors have been changed without notice. Printer errors have been changed, and they are indicated with a [mouse-hover] and listed at the [end of this book]. All other inconsistencies are as in the original.
BY THE SAME AUTHOR
Another Book on the Theater
Europe After 8.15 (in collaboration
with H. L. Mencken)
Bottoms Up
Mr. George Jean Nathan Presents
In Preparation:
The Democratic Theatre
I Love You: A Reminiscence
A
BOOK WITHOUT
A TITLE
BY
GEORGE JEAN NATHAN
PHILIP GOODMAN COMPANY
NEW YORK NINETEEN EIGHTEEN
COPYRIGHT 1918 BY
PHILIP GOODMAN COMPANY
Titles of books: Decoys to catch purchasers—Chatfield.
À
Mademoiselle Ex
CONTENTS
| I | The Atheist | [7] |
| II | Allies | [8] |
| III | Viewpoint | [9] |
| IV | The Mistake | [10] |
| V | Tempora Mutantur | [11] |
| VI | Love | [12] |
| VII | Flippancy | [13] |
| VIII | The Gift | [14] |
| IX | Sic Transit— | [15] |
| X | The Intruder | [16] |
| XI | Memory | [17] |
| XII | Maxim | [18] |
| XIII | The Greater Love | [19] |
| XIV | The Public Taste | [20] |
| XV | The Future | [21] |
| XVI | Sic Passim | [22] |
| XVII | The Severer Sentence | [23] |
| XVIII | Rache | [24] |
| XIX | Sic Semper Tyrannis | [25] |
| XX | Respect | [26] |
| XXI | Temperament | [27] |
| XXII | [Immortality] | [28] |
| XXIII | Inspiration | [29] |
| XXIV | Recipé | [30] |
| XXV | Transmigration | [31] |
| XXVI | The Savant | [32] |
| XXVII | Companion | [33] |
| XXVIII | Good Fairy | [34] |
| XXIX | The External Feminine | [35] |
| XXX | Fraternité | [36] |
| XXXI | Reputation | [37] |
| XXXII | The Lariat | [38] |
| XXXIII | The Analyst | [39] |
| XXXIV | Couplet | [40] |
| XXXV | The Philosopher | [41] |
| XXXVI | Rosemary | [42] |
| XXXVII | Strategy | [43] |
| XXXVIII | A Work of Art | [44] |
| XXXIX | Offspring | [45] |
| XL | V. C. | [46] |
| XLI | But— | [47] |
| XLII | Conjecture | [48] |
| XLIII | The Judgment of Solomon | [49] |
| XLIV | The Supernatural | [50] |
| XLV | Curiosity | [51] |
| XLVI | The Mirror | [52] |
| XLVII | Patria | [53] |
| XLVIII | The Lover | [54] |
| XLIX | The Public | [55] |
| L | [The Scholar] | [56] |
| LI | [Grotesquerie] | [57] |
| LII | Contretemps | [58] |
| LIII | Dramatic Criticism | [59] |
| LIV | Nepenthe | [60] |
| LV | Ecce Homo | [61] |
| LVI | The Actor | [62] |
| LVII | Vade Mecum | [63] |
| LVIII | Butterflies | [64] |
| LIX | Boomerang | [65] |
| LX | Advice | [66] |
| LXI | Pastel | [67] |
| LXII | Imitations | [68] |
| LXIII | The Coquette | [69] |
| LXIV | Moonlight | [70] |
| LXV | The Eternal Masculine | [71] |
| LXVI | Satire | [72] |
| LXVII | Glory | [73] |
| LXVIII | Romance | [74] |
| LXIX | The Spider and the Fly | [75] |
| LXX | Veritas | [76] |
| LXXI | The Reformer | [78] |
| LXXII | Fatalism | [79] |
| LXXIII | Technique | [80] |
| LXXIV | Finis | [81] |