AUBER.
Daniel François Esprit Auber, one of the most prominent representatives of the opera comique, was born at Caen, in Normandy, Jan. 29, 1784. He first attracted attention in the musical world by his songs and ballads, written when a mere boy. Young as he was, they were great favorites in French and English drawing-rooms, and their success diverted him from his commercial intentions to that profession in which he was destined to achieve such popularity. His début was made as an instrumental composer in his twentieth year, but before he had reached his thirtieth he was engrossed with operatic composition. His first two works were unsuccessful; but the third, "La Bergère Châtelaine," proved the stepping-stone to a career of remarkable popularity, during which he produced a large number of dramatic works, which not only secured for him the enthusiastic admiration of the Parisians, with whom he was always a favorite, but also carried his name and fame throughout the world, and obtained for him marks of high distinction from royalty, such as the office of Director of the Conservatoire from Louis Philippe, and that of Imperial Maître de Chapelle from Louis Napoleon. He died May 13, 1871, amid the fearful scenes of the Paris Commune. His best-known operas are: "Masaniello" (1828); "Fra Diavolo" (1830); "The Bronze Horse" (1835); "The Black Domino" (1837); "The Crown Diamonds" (1841); and "Zerline" (1851),—the last-named written for the great contralto, Mme. Alboni. Of these, "Fra Diavolo," "Masaniello," and "The Crown Diamonds" are as fresh as ever in their French and Italian settings, though their finest successes in this country have been made in their English dress.