LIST OF ILLUSTRATIONS

Printed Separately

The Title-page of the unwritten “Death in London” [▶]Frontispiece

The Third Marquis of Hertford. (From the engraving by W. Holl, of the painting by Sir Thomas Lawrence) [▶]Between pages 20 and 21

The Fourth Marquis of Hertford. (From a photograph) [▶]Between pages 20 and 21

The Third Marquis of Hertford when Lord Yarmouth. (From the coloured caricature by Richard Dighton) [▶]Facing page 24

The suppressed portrait of Charles Dickens [▶]Facing page 28

The “Pickwick” suppressed plate: “The Cricket Match.” (By R. W. Buss) [▶]Facing page 30

The “Pickwick” suppressed plate: “Tupman and Rachel.” (By R. W. Buss) [▶]Between pages 32 and 33

“Tupman and Rachel.” (By H. K. Browne) [▶]Between pages 32 and 33

“The Last Song,” with the suppressed border (By George Cruikshank) [▶]Facing page 40

The suppressed plate from “Oliver Twist” [▶]Facing page 48

1. “The Fireside Scene”

2. “The Fireside Scene,” as worked upon by Cruikshank

The suppressed plate from “Sketches by Boz” [▶]Facing page 56

“A Financial Survey of Cumberland or the Beggar’s Petition.” (From the only known uncoloured impression of the plate) [▶]Between pages 64 and 65

“A Financial Survey of Cumberland or the Beggar’s Petition.” (From a coloured impression of the plate, with the figure of the valet oblit­er­at­ed with lamp-black) [▶]Between pages 64 and 65

“Enthusiasm Delineated. (Humbly dedicated to his Grace the Arch Bishop of Canterbury by his Graces most obedient humble Servant Wm. Hogarth”) [▶]Between pages 88 and 89

“Credulity, Superstition, and Fanaticism. A Medley” [▶]Between pages 88 and 89

Portrait of Hogarth with his Dog Trump [▶]Facing page 112

The plate reversed and in its last state, now en­ti­tled “The Bruiser” … Facing page 112

The Cancelled Cartoon. (By Charles Keene) [▶]Facing page 128

The Cancelled “Social.” (By Charles Keene) [▶]Facing page 136

Suggestion by Joseph Crawhall for the Cancelled “Social” … Facing page 136

“The Painted Chamber.” (From Antiquities of West­min­ster, 1807) [▶]Facing page 150

The suppressed portrait of “John Jorrocks, Esq., M.F.H., etc.” (By Henry Alken, the younger) [▶]Facing page 160

The suppressed frontispiece for “Omar Khayyam.” (By Edwin Edwards) [▶]Facing page 188

“L’Europe alarmée pour le Fils d’un Meunier.” (The plate in its first state) [▶]Between pages 204 and 205

The plate in its second state, now entitled “La Cour de Paix solitaire, entre les Roses piquantes et les Lis” [▶]Between pages 204 and 205

Queen Anne presiding over the House of Lords. (The plate in its first state) [▶]Between pages 236 and 237

The plate in its second state, now representing George I. presiding over the House of Lords [▶]Between pages 236 and 237

“The Races of the Europeans, with their Keys.” (The plate in its first state) [▶]Between pages 238 and 239

“A Skit on Britain.” (The plate in its second state) [▶]Between pages 238 and 239

The Headless Horseman. (The plate with the head burnished out) [▶]Facing page 240

The plate with Cromwell’s head [▶]Between pages 242 and 243

The plate with Charles I.’s head [▶]Between pages 242 and 243

Undescribed palimpsest plate. (First state and second state) [▶]Facing page 244

Undescribed palimpsest plate. (First state and second state) [▶]Facing page 246

Printed in the Text

1. The Suppressed Portrait of the Marquis of Steyne [▶] … 15

2. The Battle of Life. “Leech’s Grave Mistake” [▶] … 35

3. Rose Maylie and Oliver at Agnes’s Tomb. (The substituted plate in two states) [▶] … 51

4. The Strange Gentleman [▶] … 55

5. “A Trifling Mistake”—Corrected— [▶] … 71

6. Philoprogenitiveness [▶] … 77

7. “Drop it!” [▶] … 79

8. Enlarged detail of Hogarth’s “Enthusiasm Delineated” [▶] … 85

9. The Chandelier in “Enthusiasm” [▶] … 95

The Chandelier in “Credulity” … 95

10. The Man of Taste [▶] … 105

11. Burlington Gate as it appeared prior to 1868 [▶] … 109

12. Don Quixote, No. 1.—The Innkeeper [▶] … 115

13. Don Quixote, No. 2.—The Funeral of Chrysostom [▶] … 117

14. Don Quixote, No. 3.—The Innkeeper’s Wife and Daughter [▶] … 119

15. Don Quixote, No. 4.—Don Quixote seizes the Barber’s Basin [▶] … 120

16. Don Quixote, No. 5.—Don Quixote releases the Galley Slaves [▶] … 122

17. Don Quixote, No. 6.—The First Interview [▶] … 123

18. Don Quixote, No. 7.—The Curate and the Barber [▶] … 125

19. Danaë in the Brazen Chamber [▶] … 143

20. Suppressed Illustration from The Vicar of Wakefield [▶] … 172

21. Het beest van Babel, etc. (The plate in its first state) [▶] … 218

22. Het beest van Babel, etc. (The plate in its second state) [▶] … 219

23. Aan der Meester Tonge-Slyper. (The plate in its first state) [▶] … 229

Aan der Meester Tonge-Slyper. (As adapted by the Anti-Jesuits) … 229

24. The Stature of a Great Man, or the English Colossus [▶] … 234

25. The Stature of a Great Man, or the Scotch Colossus [▶] … 235

26. Aan den Experten Hollandschen Hoofd-Smith. (The plate in its first state) [▶] … 245

27. Aan den Experten Hollandschen Hoofd-Smith. (As adapted by the Anti-Jesuits) [▶] … 245

28. An adapted Copperplate. (First state) [▶] … 247

29. An adapted Copperplate. (Second state) [▶] … 247

30. A History of the New Plot. (First state) [▶] … 249

31. A History of the New Plot. (Second state) [▶] … 249

SUPPRESSED PLATES, ETC.