No, she was only a woman, with a soul for harmony.
"I beg your pardon," she said, "I thought it was Baby."
She went on, reassured, to an ending that came very soon. It left in me a desire for more, but I could not ask her to continue. She had brought a tiny bit of herself into the room, but she belonged body and soul to the mite in the other.
"I am ever so much obliged to you," I said, as she rose.
"Madame," said Gordon, "it was indeed a treat."
"I am very glad you liked it," she said very simply, "and—and now I must go back."
She smiled, faintly, and inclined her head. We had both risen and thanked her again. She passed out of the room and, once she had regained her own, I heard her faint, husky voice.
"It's mother's own wee lamb!" it said.
Gordon picked up one of my cigarettes, looked at it, put it down, and took one of his own from his case. Then, he went and stood in front of my open window, looking out, with his hands stuffed deeply in his trousers pockets. I maintained a discreet silence.
"Come over here," he ordered, brusquely, as is often his way, and I complied, holding on to my calabash and filling it from my pouch.
"Dave," he said, very low, that his voice might not carry through the open doors into the next room. "Those powder-wagons aren't in it. When the dynamite happens to blow up some Dago, it's a mere accident; the stuff itself is intended for permissible purposes. A woman like that is bound to play havoc with some one, and I'm afraid you're the poor old idiot marked by fate. You're as weak as a decrepit cat. I can see the whole programme; sympathy at first and the desire to console, all mixed up with the imagination that has permitted you to write that 'Land o' Love.' My dear man, you might just as well go and commit suicide in some decent way. If you don't look out, you're done for!"
"Don't be an ass, Gordon," I told him, lighting my pipe.
"All right, it's your own funeral. But don't come to me, afterwards, and weep on my shirtfront, that's all. Women get over the loss of a husband, they even become reconciled to the death of a baby, sometimes. And this one has music in her soul, and for ever and a day she is going to deplore the song that fled from her lips. She'll always be unhappy and you'll have to keep on consoling, and the freedom of your thoughts will vanish, and, when you try to write, you will have her and her miseries always before you. Then you will shed tears on your typewriter instead of producing anything. Better give Frieda some money for her and go fishing. Don't come back until the Milliken woman sends a postal telling you that the coast is clear."
"I know nothing about fishing," I answered.
"Then go and learn."
"You're talking arrant nonsense," I informed him.
"I am giving you the quintessence of solid wisdom," he retorted. "But now I'll tell you about her posing for me. I'm not doing this for your sake or hers, but because she has a really interesting head, and I know myself. I can get a good picture out of her, and I'll employ her for about three weeks. That'll be plenty. After that, I expect to go away and stay with the Van Rossums in the country. While Mrs. Dupont is busy posing for me, you and Frieda can look up another job for her. Let me see; I might possibly be able to pass her on to some other studio, if she takes to posing, properly."
I put my pipe down, intending to strike while the iron was hot.
"Come in with me," I told him.
"Of course you understand that in some ways she's going to be a good deal of a nuisance," he said hurriedly. "The baby squalling when I've just happened to get into my stride and the mother having to retire to feed the thing. But never mind, she's got quite a stunning face."
I knocked at her door, although I could see her sitting at the window with the baby in her arms.
"Please don't trouble to get up," I said. "My friend Gordon happens to need a model; he's thinking of a picture of a mother and child and has told me that, if you could pose for him, he would be glad to employ you. It wouldn't last very long, but you would have the baby with you. By the way, painters have to think very hard when they're at work and so they can't talk much at the same time, so that models have to keep very still. I know you won't mind that, because it's part of the work."
The top button of her waist was open. Instinctively her hand went up to it and covered the very small expanse of white neck that had been revealed.
"A model!" she exclaimed huskily. "I—I don't know——"
Gordon's face looked as if it was graven in stone.
"It is just for the face and hands," he said coldly. "It will be a picture of a woman sitting at an open window; just as you were when we came in. Of course, if you don't care to——"
"Oh! Indeed, I shall be very glad and—and grateful," she answered, very low. "I will do my best to please you."
"Thanks! I shall be obliged, if you will come on Monday morning at ten."
"Certainly. I shall be there without fail," she answered.
"Very well. I am glad to have met you, Mrs. Dupont. David, I wish I could dine with you at Camus, this evening, but I have an appointment to meet some people at Claremont. Good-by."
He bowed civilly to Frances Dupont, waved a hand at me, and was gone.
"Gordon is a tip-top painter," I told her. "His ways are sometimes rather gruff, but you mustn't mind them. He means all right."
"Oh! That makes no difference. Some of my teachers were pretty gruff, but I paid no attention. I only thought of the work to be done."
"Of course, that's the only thing to keep in mind," I answered.
"Yes, and I am ever so much obliged to you," she said gratefully. "You're the best and kindest of friends."
With this I left her and returned to my room, hoping that Gordon wouldn't be too exacting with her, and thinking with much amusement of all his warnings and his fears for my safety. That's the trouble with being so tremendously wise and cynical; it doesn't make for optimism.