ANOTHER

A creature plucked at me in the street

But well I knew the reason why

The red stars sickened in the sky

And Hell gaped open at my feet!

IMPRESSIONS

This is the Gate of the Gray City—wrought

With piled roofs and steeples dimly seen

Thru the gray dusk—pale, wistful flakes of fire

Kindled about its lower fringe—vast murk—

A snuffling monster with an evil eye

That surly pants to work some will unknown,

Blowing white breaths—a semaphore

With lifted arm—a form that swings a light

In arcs, against infinitude of gray,

Uneasy sounds, the clink and clank and groan;

Of things inanimate—the curves of rails

In rhythmical convergence gathered up—

(And gathering up what burdens from afar!)

Monotony—monotony—despair!

This is the Gate of the Gray City.

Whatever our immitigable end,

The earth’s our home and prison thru whose windows

Our wistful scrutinizing minds traverse

The sky’s dissolving continents, exult

In melancholy mountains or, shackled,

Envy the inconstant sea that seems

An uncontaminated god, alone, complete

In mighty passion and the scorn of time.

* * *

I love the skyward-spiring tree

For its supreme unconsciousness of me.

So let us seek the lands that the Gods love,

The soil unsown, the isles of sumptuous store;

Where fallow fields yield yearly fee of grain,

And vines unpruned produce perennial bloom,

And olive slips engender faithfully,

And dark figs deck their trees; the cavernous oaks

Bleed honey’d drops, and from high hills descend

The nimble waters with melodious feet.

PRELUDE TO A PHANTASY

I will tell thee of Far-Away, of Far-Away, of Far-Away,

I will tell thee of Far-Away

The home of wandering dreams;

For they come out of Far-Away

To show us how to love and play,

And when they’ve wandered for a day

Must return, it seems.

There’s more than gold in Far-Away, in Far-Away, in Far-Away,

There’s more than gold in Far-Away,

There’s more than jewelled gleams.

There’s more than smiles in Far-Away,

And coronals of laughter gay;

There’s crystal tears that bloom alway

Beside forgotten streams.

We’ll gather gold from Far-Away, from Far-Away, from Far-Away,

We’ll gather gold from Far-Away,

We’ll steal the jewelled gleams.

We’ll hunt for smiles from Far-Away;

Following laughter by the way,

But we must for another day

Leave the tears it seems.

We’ll find the road to Far-Away, to Far-Away, to Far-Away,

We’ll know the road to Far-Away

By the feet of dreams;

For they come out of Far-Away

To love a little and to play,

And when they’ve wandered for a day

Must return it seems.

RUNNING WATER

Oh you who stand by the river in a gown of willow-green,

I will make you an eager song of my heart to-night;

I will find me a feather of a singing bird that has seen

And touched the blue targe of the sky in its flight.

I will make me a quill of it, and dip in my heart and write!

I would not make you a threnody of sorrow that has been,

For you are no more than an eager child who demand

Magical tales of me, of lacquered Arabian sheen;

I will speak very softly then with your hand

In mine, a rose petal, the things that you understand.

On the waxen and beautiful tablet that is your heart

With a singing quill and the stain of my heart I will write;

I will write with the simplest words and the simplest art

All the splendors that glow so by night—

Of the Genie and the Bottle, and carpets of orient flight.

And you who are more than a princess in your gown of yellow-green

With your bird-like and trembling heart will understand

All the luxurious sorrows and loves that have been

Written on parchment at a king’s demand—

And the simple words of them will flutter like birds in your hand.

EPITHALAMION

The pale dawn went down unto the sea,

Past the gray ships in the offing.

The salt wind found her blowing hair

And closed his wings and nested there,

And the salt sea hungered for her rare

Sweet body and forgot his scoffing.

The pale dawn went down unto the sea

When all the world was sleeping;

She lifted veils and veils of air

Until her eager limbs were bare,

And the salt sea shook his manéd hair,

And the curl’d waves came to her, leaping.

MARSH-LANDS

Sure in this spongy and luxuriant retreat—

This lovely lyric little marsh

Which nothing hath of fierce or harsh,

Unhappy fancies to evoke,

Where all life is most delicately attuned to sweet

Melodious living, here we’ll meet

Naiads dainty and discreet

With other watery folk

And watch the twinkle of their iridescent feet.

Upon a reed’s high silver point

Which early dews anoint,

The Red-wing lights and poises, swaying,

With throaty and delicious whistle playing

Pan-music in the mellow morning light.

It is like running water’s flow

A bit unearthly, and celestial quite—

A golden tremolo;

And satin robes of air half veil him from our sight.

The gay marsh-marigold

Delights its small sun to unfold;

And many a bulbous goblin thing,

Ugly and grave,

Into the dull mud burrowing

Draws from some secret treasure-cave

And to the sunlight heaves

Green breadth—great leaves

To build a vessel floating on an inland wave.

We’ll be as busy as the clouds, with naught to do,

And we will wonder at the curious striping,

In saffron glimpses, of more distant pools

Which the wind cools

With deep reflected blue.

And we will listen now to Hyla’s piping—

A thin small sprite

That one may never see

Calling to the sky his clear delight

Filled with insatiate and unbounded ecstasy.

SPRING FANCY

There is an orchard, old and rare,

(I cannot tell you where!)

With green doors opening to the sun;

And the sky-children gather there

To watch the blossoms, one by one,

Falling wistfully thru the air

From the trees’ dishevelled hair.

The sky-children shake their wings

With flutterings and gurglings—

And love the light and kiss the sun,

Nor heed the blossoms that have blown

From the fruit-wives’ ancient hair

Earthward thru the glowing air,

Wistfully—one by one.

SONG

A Flicker, a Robin, a Song-sparrow

Have come from Arcady.

The Flicker was an imp that shouted in a tree;

The Robin was a winged laugh that Spring set free;

The Song-sparrow was a liquid arrow

That pierced to the heart of me.

PLAYING

Three little girls and one little boy

Out in the first warm sunshine;

The wind blows in and the wind blows out

Voices cool as moonshine.

Six tin cans and a pile of dirt

And the air smiles like a mother—

The wind blows in and the wind blows out

As they play with each other.

Sparrows on the fence and clothes on the line

And somewhere someone’s laughter—

The wind blows in and the wind blows out

And it could not blow much softer!

Three little girls and one little boy

Out in the first warm weather—

The wind blows in and the wind blows out

While they play together.

SONG

Hi! hi! hi!

On this green morning

My soul is as taut as a greenwood-bow,

Feeling the sap in it mounting so,

Needs but a jog to loose without warning

An arrow into the infinite sky—

Hi! hi! hi!

On this green morning!

A BUST BY RODIN, KNOWN AS CERES

With rhythmic feet and garments flowing free

Draw near, draw near, bring largesse in full hand;

Move as to music of the saraband

Stately, before this Woman-deity.

Woman’s—these billows of thick hair that roll

Down the billowing breasts of her, and close

Shadows of pain and mirth in firm repose—

This delicate mask drawn tight across a soul!

A Goddess—Ultima Thule in her eye;

For the sad wisdom of its steady gaze,

Fixed on far, wintry fields and frozen ways,

Goes out to larger things than you or I:

The Titan-sap makes gods of the spring hours,

And Earth renews its children and its flowers!

THE FLOWER’S WAY

I have stood long in the night

Under a star;

I have stood still with shadowy head

And arrowy leaves outspread

Under its trembling light

Where green things are.

I have crept close to the grass

Where the beetles dart,

And the humming-bird and the dragon-fly

Were visions in the sky,

And the mendicant bees that pass

Rifled my heart.

I have lain long in the day

Under the sun,

With my burning face in the arms of the wind,

And my petals unconfin’d

And my virginal robes a-sway—

Thus joy is won!

THE TREE’S WAY

The high trees are honest folk;

They do not stand so much aloof

Up under heaven’s roof,

Altho they are earth’s fairest cloak.

Their lives are very calm and slow;

They wait for coming things to come,

They wait, they rest, they ponder some

Purpose forgotten long ago

Like quiet folk;

And sometimes I am moved to stroke

Hand-greeting as I pass them near,

And often I am sure I hear

An answer from these stately folk!

CHILDREN

What a garden of surprise

Out beyond my window lies!

Fancy, when the night is there

Gentle trees with drooping hair

Rocking, rocking cradle-wise

Little stars with yellow eyes!

VERSES TO A LITTLE CHILD
(From Hofmannsthal)

Your feet have been fashioned as roses

To seek the lands of the rainbow—

The rainbow-kingdoms are open.

There, haunting the taciturn tree-tops

Millennial prophecies linger,

The inexhaustible waters

Abide there forever and aye.

Beside the immeasurable forest

From wooden bowl brimming will you then

Apportion your milk with a hop-toad?

So festive a banqueting almost

Entices the stars to their fall!

By borders of measureless waters

Soon you will discover a playmate,

A dolphin engaging and kind.

He’ll leap to dry-land at your bidding,

And if he shall fail you sometimes

The tender, innumerable zephyrs

Will still your tempestuous sobbing.

You’ll find in the rainbow-kingdom

The ancient exalted traditions

Forever and ever unchanged.

The sun with mysterious power

Has fashioned your feet as the roses

To enter his measureless kingdom.

NIGHT-FLOWERS

This night hath no disease;

It knows not wrecks nor wars

Nor deaths of human minds.

The feet of the sweet winds

Break all the river’s peace

Into marmoreal bars.

The tops of moonlit trees

Have blossomed with white stars,

And perfumes that one finds

In old Arabian jars

Had never blooms like these!

THE NIGHT

Sorrows confide their secrets; joys lead lives

Of lonely splendor. Mankind tells all things

To me, knowing I will not ever speak.