Chapter II.
I Cannot tell all the steps by which the young soul came forth from its clouds and dreams, but must hurry over the years. This single incident of his boyhood I have told to mark the character and tendency of his development; spirituality made self-conscious only in departing; life, a falling from ideals which grew greater, more beautiful and luminous as the possibility of realizing them died away. But this ebbtide of inner life was not regular and incessant, but rather after the fashion of waves which retreat surely indeed, but returning again and again, seem for moments to regain almost more than their past altitude. His life was a series of such falls and such awakenings. Every new experience which drew his soul from its quietude brought with it a revelation of a spiritual past, in which, as it now seemed, he had been living unconsciously. Every new experience which enriched his mind seemed to leave his soul more barren. The pathetic anguish of these moments had little of the moral element, which was dormant and uncultivated rather than perverted. He did not ponder over their moral aspect, for he shared the superficial dislike to the ethical, which we often see in purely artistic natures, who cannot endure the entrance of restraint or pain upon their beauty. His greatest lack was the companionship of fine men or noble women. He had shot up far beyond the reach of those whom he knew, and wanting this companionship he grew into a cynical or sensuous way of regarding them. He began to write: he had acquired the faculty of vigourous expression by means of such emotions as were tinged with a mystical voluptuousness which was the other pole to his inner, secret and spiritual being. The double strain upon his energies, which daily work and nightly study with mental productiveness involved, acted injuriously upon his health, and after a year he became so delicate that he could carry on neither one nor other of his avocations without an interval of complete rest. Obtaining leave from his employers, he went back for a period of six weeks to the village where he had been born. Here in the early summer and sunshine his health rapidly improved; his mind even more than his body drank deep draughts of life; and here, more than at any period in his life, did his imagination begin to deal with mighty things, and probe into the secret mysteries of life, and here passed into the long descended line by which the human spirit passed from empire; he began to comprehend dimly by what decadence from starry state the soul of man is ushered into the great visible life. These things came to him not clearly as ideas, but rather as shadowy and shining vision thrown across the air of dawn of twilight as he moved about.
Not alone did this opulence of spiritual life make him happy, another cause conspired with it to this end. He had met a nature somewhat akin to his own: Olive Rayne, the woman of his life.
As the days passed over he grew eager not to lose any chance of speech with her, and but two days before his departure he walked to the village hoping to see her. Down the quiet English lane in the evening he passed with the rapid feet that bear onward unquiet or feverish thought. The clear fresh air communicated delight to him; the fields grown dim, the voice of the cuckoo, the moon like a yellow globe cut in the blue, the cattle like great red shadows driven homeward with much unnecessary clamour by the children; all these flashed in upon him and became part of him: ready made accessories and backgrounds to his dreams, their quietness stilled and soothed the troubled beauty of passion. His pace lessened as he came near the village, half wondering what would serve as excuse for visits following one so soon upon the other. Chance served as excuse. He saw her grey dress, her firm upright figure coming out from among the lilac brushes at the gate of her father's house. She saw Harvey coming towards her and waited for him with a pleasant smile. Harvey, accustomed to introspect and ideal imaginings, here encountered no shock gazing upon the external. Some last light of day reflected upward from the white gate-post, irradiated her face, and touched with gold the delicate brown hair, the nosrtils, lips, chin, and the lilac of her throat. Her features were clear-cut, flawless; the expression exquisitely grave and pure; the large grey eyes had that steady glow which shows a firm and undisturbed will. In some undefinable way he found himself thinking of the vague objects of his dreams, delicate and subtle things, dew, starlight, and transparencies rose up by some affinity. He rejected them—not those—then a strong warrior with a look of pity on his face appeared and disappeared: all this quick as a flash before she spoke.
"I am going doctoring," she said. "Old nurse Winder is ill, and my father will not be back until late." Mr. Rayne was the country doctor.
"May I go with you?" he asked.
"Oh, yes, why not? But I have first to call at two or three places on the way."
He went with her. He was full of wonder at her. How could she come out of her own world of aspiration and mystic religion and show such perfect familiarity, ease and interest in dealing with these sordid village complaints, moral and physical? Harvey was a man who disliked things like these which did not touch his sense of beauty. He could not speak to these people as she did: he could not sympathize with them. The pain of the old woman made him shrink into himself almost with more disgust than pity. While Olive was bending over her tenderly and compassionately, he tried to imagine what it was inspired such actions and such self-forgetfulness. Almost it seemed for a moment to him as if some hidden will in the universe would not let beauty rest in its own sphere, but bowed it down among sorrows continually. He felt a feeling of relief as they came out agin into the night.
It was a night of miracle and wonder. Withdrawn far aloft into fairy altitudes, the stars danced with a gaiety which was more tremendous and solemn than any repose. The night was wrought out of a profusion of delicate fires. The grass, trees, and fields glowed with the dusky colours of rich pottery. Everywhere silence; everywhere the exultant breathing of life, subtle, universal, penetrating. Into the charmed heart fell the enchantment we call ancient, though the days have no fellows, nor will ever have any. Harvey, filled up with this wonder, turned to his companion.
"See how the Magician of the Beautiful blows with his mystic breath upon the world! How tremulous the lights are; what still ness! How it banishes the memory of pain!"
"Can you forget pain so easily? I hardly noticed the night—it is wonderful indeed. But the anguish it covers and enfolds everywhere I cannot forget."
"I could not bear to think of pain at any time, still less while these miracles are over and around us. You seem to me almost to seek pain like a lover. I cannot understand you. How can you bear the ugly, the mean, the sordid—the anguish which you meet. You— so beautiful?"
"Can you not understand?" she said, almost impetuously. "Have you never felt pity as universal as the light that floods the world? To me a pity seems to come dropping, dropping, dropping from that old sky, upon the earth and its anguish. God is not indifferent. Love eternal encircles us. Its wishes are for our redemption. Its movements are like the ripples starting from the rim of a pond that overcome the outgoing ripples and restore all to peace.
"But what is pain if there is this love?" asked Harvey.
"Ah, how can I answer you? Yet I think it is the triumph of love pushing back sin and rebellion. The cry of this old nature being overcome is pain. And this is universal, and goes on everywhere, through we cannot comprehend it; and so, when we yield to this divine love, and accept the change, we find in pain a secret sweetness. It is the first thrill that heralds an immense dawn."
"But why do you say it is universal? Is not that a frightful thought?"
"If God is the same yesterday, to-day, and to-morrow, then the life of Christ on earth was a symbol—must be a symbol—of what endures for ever: the Light and Darkness for ever in conflict: a crucifixion in eternity."
This belief, so terrible, so pathetic, so strange, coming from this young girl affected Harvey profoundly. He did not reject it. The firmness and surety of her utterance, the moral purity of her character, appealed to him who felt his own lack of clear belief and heroic purpose. Like all spiritual people, he assimilated easily the spiritual moods of those whom he came into contact with. Coming from her, the moral, pathetic, and Christian doctrine had that element of beauty which made it blend with his ideal paganism. As he went homewards he pondered over her words, her life, her thoughts. He began to find an inexpressible beauty in her pity, as a feeling welling up from unknown depths, out of the ancient heart of things. Filled with this pity he could overcome his dislike of pain and go forth as the strong warrior of his momentary vision. He found himself repeating again and again her words: "We find in pain a secret sweetness—a secret sweetness—a secret sweetness." If he could only find it, what might he not dare, to what might he not attain? And revolving all these things upon his restless pillow, there came over him one of those mystic moods I have spoken of: wandering among dim originals, half in dream and half in trance, there was unfolded within him this ancient legend of the soul:—
There was a great Gloom and a great Glory in nature, and the legions of darkness and the glorious hosts were at war perpetually with one another. Then the Ancient of Days, who holds all this within himself, moved the Gloom and the Glory together: the Sons of the Bright Fire he sent into the darkness, and the children of Darkness he brought unto the gates of the day. And in the new life formed out of the union of these two, pain, self-conscious, became touched with a spiritual beauty, and those who were of the Hosts of Beauty wore each one a Crown of Thorns upon the brow.