XXI.
BIBLIOGRAPHY.
As an aid to those who may wish to carry further the preceding study of George Eliot, the following bibliography and lists of references have been compiled. In their preparation constant use has been made of Poole's Index of Periodical Literature, the bibliography contained in The Manchester Literary Club Papers for 1881, and a list of references published in The Literary World (Boston) for February 24, 1883. Numerous additions have been made to these bibliographies, while the references have been verified as far as possible. An occasional reference given in these lists has not been discoverable, as that of the Manchester Club to the London Quarterly Review for January, 1874, for an article on "George Eliot and Comtism," and Poole's reference to the same article in the London Quarterly, 47:446. This will be found in the number for January 1877, volume ninety-four.
1. WRITINGS.
1846. The Life of Jesus, by Strauss. Translated from the fourth German edition, 3 vols. Chapman Brothers, London.
1852-3. Assistant editor of the Westminster Review.
1852. The Westminster Review for January contained her notice of Carlyle's Life of John Sterling.
In the July number appeared her article on The Lady Novelists.
1854. The Essence of Christianity, by Feuerbach. Translated from the
second German edition. John Chapman, London.
The Westminster Review for October published her Woman in France:
Madame de Sablé.
She wrote, it is supposed, occasionally for The Leader newspaper, of which journal Lewes was the literary editor. None of her contributions have been identified. [Footnote: There is a nearly complete set of The Leader in the Boston Athenaeum Library.]
1855. Westminster Review, October, Evangelical Teaching: Dr. Cumming.
1856. Westminster Review, January, German Wit: Heinrich Heine. July, The Natural History of German Life. October, Silly Novels by Lady Novelists.
1857. Westminster Review, January, Worldliness and other-Worldliness: the Poet Young.
In Blackwood's Magazine for January and February appeared The Sad
Fortunes of the Reverend Amos Barton; in March, April, May and
June, Mr. Gilfil's Love Story; from July to December, Janet's
Repentance. In December these stories were published in two
volumes under the title of Scenes of Clerical Life, by George
Eliot. Edinburgh, Blackwood & Sons. Reprinted in Living Age from
April to December, 1857.
1859. In February, Adam Bede appeared in three volumes, Blackwoods.
Blackwood's Magazine for July contained The Lifted Veil.
1860. In April, The Mill on the Floss was published in three volumes, Blackwoods.
1861. Silas Marner in March, one volume, Blackwoods.
1863. Romola appeared in the Cornhill Magazine from July, 1862, to July, 1863, and was illustrated. It was published in three volumes in July; Smith, Elder & Co., London.
1864. The Cornhill Magazine for July contained Brother Jacob, with
illustrations.
1865. The Fortnightly Review for May 15 contained The Influence of
Rationalism, and a review of Owen Jones's Grammar of Ornament.
1866. In June, Felix Holt was issued in three volumes, Blackwoods.
1868. Blackwood's Magazine, January, contained an Address to Workingmen, by Felix Holt.
In June, The Spanish Gypsy was published by Blackwoods.
1869. Blackwood's Magazine for May printed How Lisa Loved the King.
The Atlantic Monthly for August contained Agatha.
1870. In Macmillan's Magazine for May, The Legend of Jubal.
1871. Macmillan's Magazine for July, Armgart.
Middlemarch was issued in twelve monthly numbers, beginning with
December, by Blackwoods.
1874. The Legend of Jubal and other Poems was published by Blackwoods. It contained: The Legend of Jubal, Agatha, Armgart, How Lisa Loved the King, A Minor Prophet, Brother and Sister, Stradivarius, Two Lovers, Arion, O May I Join the Choir Invisible.
1876. Daniel Deronda was issued in eight monthly parts, beginning in February, by Blackwoods.
1878. Macmillan's Magazine for July, A College Breakfast Party.
1879. The Impressions of Theophrastus Such was published in June by Blackwoods.
The Legend of Jubal and Other Poems, Old and New, was issued by Blackwoods, containing, in addition to those in the first edition, A College Breakfast Party, Self and Life, Sweet Evenings Come and Go, Love, The Death of Moses.
In Blackwood's cabinet edition of George Eliot's complete works, The Lifted Veil and Brother Jacob are reprinted with Silas Marner.
After the death of Lewes she edited his Study of Psychology and
his Mind as a Function of the Organism.
1881. The Pall Mall Gazette of January 6 contained her letter to Sara
Hennell concerning the origin of Adam Bede.
Three letters to Professor David Kaufmann appeared in the Athenaeum
of November 26, 1881.
The following articles also contain sayings of George Eliot's, or extracts from her letters: In the Contemporary Review, by "One who knew her," on the Moral Influence of George Eliot; C. Kegan Paul in Harper's Magazine; F.W.H. Myers in The Century; W.M.W. Call in the Westminster Review, and a nephew of William Blackwood in Blackwood's Magazine.
1882. In Harper's Magazine for March, Elizabeth Stuart Phelps published numerous extracts from George Eliot's letters under the title of Last Words from George Eliot.
1883. George Eliot, by Mathilde Blind,—London, W.H. Allen, and Boston, Roberts Brothers,—contains extracts from several letters.
The Essays of George Eliot, collected by Nathan Sheppard,—New York, Funk & Wagnalls,—contains Carlyle's Life of Sterling, Woman in France, Evangelical Teaching, German Wit, Natural History of German Life, Silly Novels by Lady Novelists, Worldliness and other-Worldliness, The Influence of Rationalism, The Grammar of Ornament, Felix Holt's Address to Workingmen.
The Complete Essays of George Eliot, Boston, Estes & Lauriat, 1883, in addition to the above, contains The Lady Novelists, George Foster, the German Naturalist, Weimar and its Celebrities.
2. SELECTIONS, TRANSLATIONS AND PORTRAITS.
Wise, Witty and Tender Sayings in Prose and Verse, Selected by Alexander
Main. Blackwoods, 1872.
Wit and Wisdom of George Eliot. Boston, Roberts Brothers, 1878; enlarged and with a biographical memoir prefixed, 1881.
George Eliot Birthday Book. Blackwoods, 1878.
George Eliot: Fragments et Pensées, extraits et traduits des ses Oeuvres, par Ch. Ritter. Genève, Georges, 1879.
Character Readings from George Eliot, selected and arranged by Nathan
Sheppard. New York, Harpers, 1882.
The following translations have been published:—
French.—Adam Bede, by A. Durade; Mill on the Floss, by A. Durade; Silas Marner, by Durade; Romola, by Durade; Mr. Gilfil's Love Story, by E. Pasquet; Dorlcote Mill, by E.D. Forques in Revue des Deux Mondes, June 15, 1860; The Lifted Veil, in Revue des Deux Mondes, September, 1880.
Dutch.—Felix Holt, by Merv. Van Westrheeve, 1867, and by P. Bruyn, 1873; Middlemarch, by Merv. Van Westrheeve, 1873; Adam Bede, by P. Bruyn, 1870; Mill on the Floss, by P. Bruyn, 1870; Romola, by P. Bruyn, 1870, and by J.C. Van Deventer, 1864; Novelettes, by P. Bruyn, 1870.
German.—Adam Bede, by J. Frese; Silas Marner, by J. Frese, 1861;
Mill on the Floss, by J. Frese, 1861; Romola, by A.V. Metzsch, 1864;
Middlemarch, by E. Lehmann, 1872-3; Daniel Deronda, by Strodtmann, 1876;
Felix Holt (no translator's name given), 1867. Der Gelüftche Schleier,
Bruder Jakob, by Lehmann.
The portrait of George Eliot appearing as the frontispiece to this volume is from that published in The Century for November, 1881. Accompanying it was the following account of it and of other portraits:—
"We have the pleasure of presenting to our readers an authentic portrait of George Eliot, the only one by which it is likely that she will be known to posterity. We are indebted for this privilege, as we shall presently explain, to the kindness and courtesy of her husband, Mr. J.W. Cross, who has allowed us to be the first to usher this beautiful work of art to the world. In doing so, we believe it will interest readers of The Century Magazine to learn, for the first time, the exact truth regarding the portraits of George Eliot, and we have therefore obtained from the three artists to whom, at different times in her life, she sat, some particulars of those occasions.
"Miss Evans passed the winter of 1849-50 at Geneva, in the house of M.F. d'Albert Durade, the well-known Swiss water-color painter, who is also the translator of the authorized French version of her works. At that time she had, however, written nothing original, and had attracted no general interest. While she stayed with M. Durade and his wife, the Swiss painter amused himself by making a small portrait of her in oils—a head and shoulders. This painting remains in the possession of M. Durade, who has not merely refused to sell it, but will not allow it to be photographed or reproduced in any form. He has, however, we understand, consented to make a replica of it for Mr. Cross. We have not seen this interesting work, but we hear that it is considered, by those who still remember the great writer as she looked in her thirtieth year, to be remarkably faithful. M. Durade recently exhibited this little picture for a few days at the Athénée in Geneva, but has refused to allow it to be brought to London.
"Ten years after this, in 1859, as the distinguished portrait-painter, Mr. Samuel Laurence, was returning from America, he happened to meet with 'Adam Bede,' then just published. He was so delighted with the book that he was determined to know the author, and it was revealed to him that to do so he had but to renew his old acquaintance with Mr. George Henry Lewes, whom he had met years before at Leigh Hunt's. He made George Eliot's acquaintance, and was charmed with her, and before long he asked leave to make a study of her head. She assented without any affectation, and, in the early months of 1861, Mr. Lewes commissioned the painter to make a drawing of her. She gave him repeated sittings in his studio at 6 Wells Street, London, and Mr. Laurence looks back with great pleasure on the long conversations that those occasions gave him with his vivacious sitter. The drawing was taken front face, with the hair uncovered, worn in the fashion then prevalent, and it was made in chalks. While it was proceeding, Mr. Laurence asked her if he might exhibit it, when finished, at the Royal Academy, and she at once consented. But when the time for sending in drew near, the artist received a letter from Mr. Lewes absolutely withholding this consent, and a certain strain, of which this was the first symptom, began to embarrass the relations of the two gentlemen, until Mr. Lewes finally refused to take the drawing at all. But before the summer was out, Mr. Langford, the reader of Messrs. Blackwood of Edinburgh, who published George Eliot's works, called on Mr. Laurence, and asked if he would consent to make a copy of the drawing for the firm. The artist replied that he should be happy to sell them the original, and accordingly it passed from his studio, in June, 1861, into the back parlor of Mr. Blackwood's shop, where it now hangs. Like that of M. Durade, Mr. Laurence's portrait of George Eliot is not to be in any way reproduced.
"The remaining portrait is that which we reproduce with this number. It is an elaborate chalk drawing, in black and white, with a slight touch of color in the eyes, and was executed in the latter part of 1868 and the early part of 1867, by Mr. Frederick W. Burton, at that time member of the Society of Painters in Watercolors, and now director of the National Gallery in London. George Eliot gave Mr. Burton many sittings in his studio at Kensington, and the picture was eventually exhibited in the Royal Academy, in 1867, as No. 735, 'The Author of "Adam Bede."' It passed into Mr. Lewes's possession, was retained at his death by George Eliot, and is now the property of Mr. J.W. Cross. In the spring of this year, Mr. Cross came to the conclusion that—as the shop windows were likely to become filled with spurious and hideous 'portraits' of George Eliot—it was necessary to overcome the dislike felt by the family of the great novelist to any publication of her features, to which in life she had been averse, and he thereupon determined to record in a monumental way what he felt to be the best existing likeness. Mr. Cross took the drawing over to M. Paul Rajon, who is acknowledged to be the prince of modern etchers, and in his retirement at Auvers-sur-Oise, the great French artist has produced the beautiful etching which we have been permitted to reproduce in engraving. For this permission, and for great courtesy and kindness under circumstances the peculiar nature of which it is not necessary here to specify, we have to tender our most sincere thanks to Mr. J.W. Cross and to Mr. Burton.
"These are regarded by her friends to be the only important portraits of George Eliot which exist, but Mr. Cross possesses a very interesting black silhouette, cut with scissors, when she was sixteen. In this profile, the characteristics of the mature face are seen in the course of development. There is also a photograph, the only one ever taken, dating from about 1850, the eyes of which are said to be exceedingly fine. As an impression of later life, there should be mentioned a profile drawn in pencil by Mrs. Alma Tadema, in March, 1877. Of all the portraits here alluded to, the one we engrave is the only one at present destined for publication. It may be added that there exist one or two other profile sketches, which, however, are not approved by the friends of George Eliot."
3. BIOGRAPHICAL.
Atlantic Monthly, 14:66, December, 1864, Kate Field on "English Authors in
Florence." Louise M. Alcott in the Independent for Nov. 1,1866. The Galaxy,
7:801, June, 1869, Justin McCarthy on "George Eliot and George Lewes;"
reprinted in "Modern Leaders," 1872 "Home Sketches in France and other
Papers," by the late Mrs. Henry M. Field, G.P. Putnam's Sons, 1875, p. 208,
"The Author of Adam Bede in Her own Home." International Review, 10:447,
497, May and June, 1881, W. Fraser Rae. The Century. 23:55, with portrait,
F.W.H. Myers, reprinted in Essays: Modern, London, 1883; 23:47, "The
Portrait of George Eliot." The Nineteenth Century, 9:778, Edith Simcox.
Blackwood's Magazine February, 1881. Harper's Magazine, May, 1881, C. Kegan
Paul; reprinted in Biographical Sketches, London, 1883; March, 1882,
E.S. Phelps. Westminster Review, 116:154, July, 1881, W.M.W. Call, "George
Eliot: her Life and Writings." Le Livre, April 10, 1881, "Life in Geneva."
London Daily Graphic, 23:27, January 8, 1851, "Reminiscences of George
Eliot." Lippincott's Magazine, 31:510, May, 1883, J.A. Dickson, "An
Afternoon at Ashbourne." Inquirer, January, 1881, Dr. Sadler's address.
Pall Mall Gazette, December 30, 1880, "Early Life." London Daily News,
December, 30, 1880, account of her funeral. Eclectic Magazine, March, 1881,
account of her early life and of her funeral; April, A personal sketch.
"George Eliot," Mathilde Blind, 1883, W.H. Allen, London. "Pen pictures of
Modern Authors," Wm. Sheppard, 1882, G.P. Putnam's Sons, New York. The
Congregationalist, May 28, 1879, Mrs. Annie Downs, "A Visit to George
Eliot." The Christian Leader, October 27,1881, Mrs. M.E. Bruce.
4. GENERAL CRITICISMS.
Quarterly Review, 108:469. Macmillan's Magazine, 14:272, J. Morley; same,
Eclectic Magazine, 67:488; reprinted in "Critical Miscellanies," first
series. Atlantic Monthly, 18:479, H. James. Christian Examiner, 70:227,
I.M. Luyster. North British Review, 45:141, 197. H.H. Lancaster; reprinted
in "Essays and Reviews," Edinburgh, 1876. National Review, 11:191. Home and
Foreign Review, 3:522, Richard Simpson. Fraser's Magazine, 103:263,
February, 1881, T.E. Kebbel, "Village Life according to George Eliot;"
same, Living Age, 148:608. National Quarterly, 1:455, E.L. Wentworth.
Potter's American Monthly, 9:260, 334. British Quarterly Review, 45:141.
Catholic World, 17:775, J. McCarthy, "Comparison between George Eliot and
Fleurange." Canadian Monthly, 11:261, "Later Manner of George Eliot."
Dublin Review, 88:371. Southern Review (new style), 13:205, Mrs. S.B.
Herrick. R.H. Hutton, "Essays, Theological and Literary," 2d vol. 1871.
Contemporary Review, 20:403; same, Living Age, 115:109, Eclectic Magazine,
79:562, Professor E. Dowden; reprinted in "Studies of Literature." Atlantic
Monthly, 33:681, June, 1874, George P. Lathrop, "The Growth of the Novel."
A.C. Swinburne, "A Note on Charlotte Brontë," 1877. International Review,
7:17, July, 1879, Francis Maguire, Jr. Cornhill Magazine, 43:152, Leslie
Stephen, "Critical Study of George Eliot;" same, Living Age, 148:731,
Eclectic Magazine, 96:443. Month, 42:272. Every Saturday, 10:186. North
British Review, 33:165, "George Eliot and Hawthorne." Eclectic Magazine,
88:111, "George Eliot and George Sand." The Nation, 32:201, J. Bryce,
"George Eliot and Carlyle;" 31:456, W.C. Brownell. London Quarterly,
57:154. Blackwood's Magazine, 129:255; same, Living Age, 148:664; Eclectic
Magazine, 96:433. St. Paul's, 12:592, G.B. Smith. Living Age, 58:274;
148:318. Eclectic Magazine, 96:353. Southern Monthly, 14:65. Tinsley's
Monthly, 3:565. Victoria, 31:56. The Century, 23:619, February, 1882,
"George Eliot and Emerson." Library Magazine, 7:84, Nathan Sheppard,
"George Eliot's Analysis of Motives;" reprinted as an introduction to
George Eliot's Essays, Funk & Wagnalls, 1883. Macmillan's Magazine, 46:488,
October, 1882, Annie Matheson, "George Eliot's Children;" same, Living Age,
155:211. The Critic, January, 1881, Edward Eggleston; reprinted in Essays
from the Critic, 1881. Christian Union, February, 1881, Noah Porter. The
Independent, February 17, 1881, Mrs. Lippincott, "Three Great Women." A
History of English Prose Fiction from Sir Thomas Malory to George Eliot,
Bayard Tuckerman, New York, 1882. The English Novel and the Principle of
its Development, Sidney Lanier, New York, 1883. Modern Review, 2:399,
April, 1881, George Sarson, "George Eliot and Thomas Carlyle." Literary
World (London), January, 1881, Peter Bayne Athenaeum, January 1, 1881:20.
The Academy, 19:27, January 8, 1881. Temps, December 26, 1880, Edmond
Scherer. Le Roman Naturaliste, Ferdinand Brunetère, 1883, has a chapter on
"English Naturalism: a Study of George Eliot." Études sur la Littérature
Contemporaine, E. Scherer, Paris, 1878. The Pen, 1880, Robert E.
Francillon. East and West: 1:203, June, 1881. Papers of the Manchester
Literary Club, 1881; Bibliography, Charles W. Sutton; "George Eliot as a
Poet," George Milner; "George Eliot as a Novelist," John Mortimer; "George
Eliot's Use of Dialect," William E.A. Axon. National Review, April, 1883,
"New School of Fiction." Merry England, May, 1883, C. Kegan Paul, "The
Rustic of George Eliot and Thomas Hardy." Blackwood's Magazine, April,
1883. Nineteenth Century, October, 1881, John Buskin on "Fiction: Fair and
Foul."
5. DISCUSSIONS OF HER TEACHINGS.
Penn Monthly, 10:579, "The Art of George Eliot." Dublin Review, 89:433,
"Religion of George Eliot." Unitarian Review, 3:357, J.E. Carpenter,
"Religious Influence of George Eliot." "The Ethics of George Eliot's
Works," J.C. Brown, Wm. Blackwood & Sons, Edinburgh, 1879. Mind, 6:378,
July. 1881, "George Eliot's Art," James Sully. The Spectator, 52:751,
"George Eliot's Ideal Ethics;" same, Littell's Living Age, 142:123, July
12, 1879. Scribner's Magazine. 8:685, Wm. C. Wilkinson; reprinted in
"A Free Lance in the Field of Life and Letters," 1874. Westminster Review,
117:65, January, 1882, "George Eliot as a Moral Teacher." Contemporary
Review, 39:173, February, 1881, "Moral Influence of George Eliot;" same,
Living Age, 148:501. Unitarian Review, 16:125, 216, August and September,
1881, John A. Bellows, "Religious Tendency of George Eliot's Writings."
Atlantic Monthly, 51:243, February, 1883, M.L. Henry, "The Morality of
Thackeray and George Eliot." The Independent, March 24, 1883, Stopford A.
Brooke, "George Eliot and Thomas Carlyle." "The Religion of Our
Literature," George MacCrie, London, 1875. "George Eliot and Judaism,"
David Kaufmann, Blackwoods, 1878.
6. SCENES OF CLERICAL LIFE.
Atlantic Monthly, 1:890.
7. ADAM BEDE.
Blackwood's Magazine, 85:490, April, 1859. Dublin Review, 47:33, November, 1859. Edinburgh Review, 110:223, July, 1859. Westminster Review, 71:486, April, 1859. Athenaeum, February 26, 1859. Saturday Review, February 26, 1859:191 Atlantic Monthly, 4:521. Christian Examiner, 70:227, I.M. Luyster. "Seth Bede, the Methody: his Life and Labors," chiefly by Himself. London: Tallant & Co., 1859. "George Eliot in Derbyshire," London Society, 27:311, 439; 28:20, by Guy Roslyn (Joshua Hatton); reprinted in book form, London, 1876.
8. THE MILL ON THE FLOSS.
Blackwood's Magazine, 87:611, May, 1860. Dublin University Review, 57:192.
Macmillan's Magazine, 3:441. Westminster Review, 74:24, July, 1860.
Christian Examiner, 69:145, L.G. Ware.
9. SILAS MARNER.
Christian Examiner, 70:227, I.M. Luyster. Macmillan's Magazine, 4:305.
Revue des Deux Mondes, September, 1861, C. Clarigny.
10. ROMOLA.
Blackwood's Magazine, 116:72. Land We Love, 1:134. Westminster Review, 80:344, October, 1863. Christian Remembrancer, 52:445. Revue des Deux Mondes, December, 1863, E.D. Forques.
11. FELIX HOLT, THE RADICAL.
Blackwood's Magazine, 100:94, July, 1866. Edinburgh Review, 124:435,
October, 1866; same, Living Age, 91:432. North American Review, 103:557,
July, 1866, A.G. Sedgwick. The Nation, 3:127, Henry James. Contemporary
Review, 3:51. Eclectic Review, 124:34. Chambers's Journal, 43:508.
Westminster Review, 86:200, July, 1866.
12. THE SPANISH GYPSY.
Atlantic Monthly, 22:380, W.D. Howells. North American Review, 107:620,
October, 1868, Henry James. The Nation, 7:13, July 2, 1868, Henry James.
Edinburgh Review, 128:525. Westminster Review, 90:183, Macmillan's
Magazine, 18:281, J. Morley; same, Eclectic Magazine, 71:1276. Blackwood's
Magazine, 103:760. British Quarterly Review, 48:503, Fraser's Magazine,
78:468, J. Skelton. St. James's, 22:478. St. Paul's, 2:583. London
Quarterly, 31:160. Southern Review (new Style), 4:383, W.H. Browne. Every
Saturday, 6:1.
13. POEMS.
Contemporary Review, 8:387, July 1868, Matthew Browne (W.B. Rands); same,
Every Saturday, 6:79. Every Saturday, 16:667, G.A. Simcox. The Argosy,
2:437, November, 1866, Matthew Browne. Saturday Review, 37:75. Macmillan's
Magazine, 22:1. North American Review, 119:484, Heary James. Atlantic
Monthly, 34:102, July, 1874, W.D. Howells. Harper's Magazine, 49:887.
Academy, 5:33, May 10, 1874, G.A. Simcox. Edinburgh Review, 128:523,
October, 1868. Papers of the Manchester Literary Club, 1881, p. 108, George
Milner. The Nation, 19:124. "Our Living Poets: an Essay in Criticism,"
H. Buxton Forman, London, 1871.
14. MIDDLEMARCH.
Quarterly Review, 134:336, April, 1873. Edinburgh Review, 137:246, January, 1873. Fortnightly Review, 19:142, Sidney Colvin. Blackwood's Magazine, 112:727; same, Living Age, 116:131; Eclectic Magazine, 80:215. The Nation, 16:60, 76, January, 1873, A.V. Dicey. North American Review, 116:432, April, 1873, T.S. Perry. British Quarterly Review, 57:407, April, 1883. London Quarterly Review, 40:99, April, 1873. Canadian Monthly, 3:549. Old and New, 7:352, H.G. Spaulding. Southern Monthly, 12:373, W.H. Browne. Atlantic Monthly, 31:490, A.G. Sedgwick. Catholic World, 17:775, September, 1873. Die Gegen-wart, 1874, Freidrich Speilhagen.
15. DANIEL DERONDA.
Atlantic Monthly, 38:084, Henry James, December, 1876. North American Review, 124:31, E.P. Whippie, January, 1877. Edinburgh Review, 144:442, October, 1876. Fortnightly Review, 26:601, November, 1876, Sidney Colvin. The Nation, 23:230, 245, October 12, 19, 1876, A.V. Dicey. British Quarterly Review, 64:472. Eclectic Magazine, 87:657. International Review, 4:68, R.R. Bowker. The Western, 3:603, O.G. Garrison. Potter's American Monthly, 8:75. Gentleman's Magazine (new style), 17:593, November, 1876, J. Picciotto; 17:411, R.E. Francillon. Canadian Monthly, 9:250, 343; 10:362. Victoria, 28:227, A.S. Richardson. Temple Bar, 49:542, "Deronda's Mother;" same, Living Age, 133:248; same, Eclectic Magazine, 88:751. Macmillan's Magazine, 36:101, J. Jacobs, "Mordecai: a Protest against the Critics, by a Jew;" same, Living Age, 134:112. Athenacum, 1876:160, 327, 461, 593, 762. Westminster Review, 106:280,574. Appleton's Journal (new style), 3:274, September, 1877, Wirt Sikes. Deutsche Rundachau, February 7, 1877. Contemporary Review, 29:348, February, 1877, Edward Dowden, reprinted in "Studies of Literature."
16. IMPRESSIONS OF THEOPHRASTUS SUCH.
Edinburgh Review, 150:557. Fortnightly Review, 32:144, G. Allen.
Westminster Review, 112:185, July, 1879. The Nation, 28:422, June 19, 1879,
G.E. Woodberry. Fraser's Magazine, 100:103. Canadian Monthly, 16.333.
Unitarian Review, 12:292, R.W. Boodle.