| Fig. | PAGE |
| [1.] | Tracing-point | [20] |
| [2,] [3.] | Incising knife used downwards like a pencil | [21] |
| [4,] [5.] | Incising knife used upwards | [22] |
| [6,] [7.] | Incising knife held like a graver and pushed forward | [23] |
| [8.] | Executing a slanting cut when the edge of the leather is to be subsequently turned up | [24] |
| [9.] | Opener | [25] |
| [10.] | Enlarging the outline with the opener | [25] |
| [11.] | Slanting cut | [26] |
| [11a.] | Showing the difficulty of raising the inner edge A | [26] |
| [12.] | Lowering the outer edge with a modeller | [29] |
| [13.] | Ball-shaped steel tool with handle | [32] |
| [14.] | Position of hands in embossing leather | [32] |
| [15.] | Tool for working reed decoration | [34] |
| [16.] | Using a hand punch | [36] |
| [17.] | Cutting-out knife | [40] |
| [18.] | Paring knife | [43] |
| [19.] | Paring knife | [43] |
| [20.] | Paring leather | [44] |
| [21.] | Cutting-out knife | [46] |
| [22.] | Cutting-out knife | [46] |
| [23.] | Cutting-out knife | [46] |
| [24.] | Cutting out inlay | [48] |
| [25.] | Using roller to secure adhesion of inlay | [51] |
| [26.] | First position of outlining tool | [53] |
| [27.] | Second position of outlining tool | [53] |
| [28.] | Gouge outliner | [56] |
| [29.] | Outlining wheel | [56] |
| [30.] | Gouge outliner | [56] |
| [31.] | Straight outliner | [56] |
| [32.] | Polishing mosaic | [57] |
| [33,] [34.] | Sticking inlay on morocco ground with tool (Fig. 33) instead of roller, to avoid crushing the grain | [60] |