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I arrived at Neufchâtel at the gracious hour when the sun is paling; and I was at once charmed with the kindly aspect of this little Norman town.

The house-fronts gleaming with fresh paint, the pigeons picking their way across the streets, the grass growing between the cobble-stones, the flowers outside the windows and doors, a cleanliness that adorns the smallest details: all this is so calm and so empty that our life at once settles there as in a frame that takes with equal ease the happy or the sad picture which we propose to fit into it.

It reminds me of Bruges, whose infinite, patient calm is a clean page on which the visitor's life is printed, happy or distressful at will, since there is nothing to define its character. It also has the silence of the little Flemish towns, with their streets without carriages or wayfarers. The gardens look as though they were artificial; and in the frame of the open windows we see interiors which are as sharp as pictures.

Leading out of the main street is a mysterious little alley, dark and badly paved. It runs upwards and ends in a clump of trees arching against the blue of the sky. There is no visible gate or doorway. I turn up it. All along a high wall hang old fire-backs, bas-reliefs of cracked, rusty-red iron, once licked by the flames, now washed by the rain.

I loiter to examine the subjects: coats of arms, trophies of weapons, or allegories and half-obliterated love-scenes. It is curious to see these homely relics thus exposed in the street, conjuring up the peaceful soul of families gathered round the hearth. From over the wall, the air reaches me laden with hallowed fragrance. I picture the box-bordered walks on the other side.

Then I climb higher; and, when I come to the trees, I find a charming surprise. The public gardens lie in front of me. In the shade of the public gardens we seem to find the very spirit of a town; it is to the gardens or to the church that our curiosity always turns in the first place. Here is the walk edged with stone benches on which old men and old women sit coughing and gossiping; here mothers bring their work, while their children run about; and in the centre, at the junction of the paths, is the platform where the regimental band plays on Sundays.

The Neufchâtel gardens are in no way elaborate: a number of avenues have been cut out of an ancient wood; and that is all. There are no shrubs; just a patch of dahlias, with a ridiculous little iron railing round them. But its whole charm lies in its picturesque situation up above the town. In between the tall trees with their interlacing boughs, one can see the slopes of the hills, the plains, the meadows, the gleaming roofs and the church with its twin spires piercing the blue of the sky. Then, in the foreground, I see, behind the houses, the little gardens whose breath reached me just now. They are there, divided into small plots of equal size, simple or pretentious, sometimes humble kitchen-gardens, but sometimes also a patchwork adorned with grottoes, arbours and glass bells.

Rose mentioned a garden which brightens her little home. Suppose it were one of these!... A woman appears over there: she is tall and fair-haired. She stoops over a well; I cannot make out her features. She draws herself up again. Oh, no, her figure is clumsy, her hair looks dull and colourless and her clothes vulgar. Rose would never dress like that, in two colours that clash! Rose would never ...

I wander into a delicious reverie. How infinitely superior Rose is to all these people whose lives I can picture around me. Two women sit cackling beside me on the bench: they are at once guileless and bad, with their mania for eternally wagging tongues that know no rest. A little farther on, a good housewife is shaking her troublesome child; a stout, overdressed woman of the shop-keeping class is flaunting her finery down one of the walks; a priest passes and, while his lips mumble prayers, his eyes, held in leash by fear, prowl around me; one of his flock curtseys to the ground as she meets him.

A protest rises in my heart at each of the little incidents: is not Rose rid of all that? Rose long ago gave up going to mass and confession. She has lost the hypocritical sense of shame, knows neither envy nor malice and is a stranger to all ostentation.

I often used to reproach her with her extreme humility. How wrong I was! I now think that this humility can achieve the same result as pride itself. One looks too high, the other too low; but both pass by the petty vanities of life and either of them can keep us equally indifferent to those vanities.