CHAPTER IV

THE DERELICT

The tramp walked down the road, first on the grizzled grass, then, the earth under it baked to an iron hardness, back on the softened dust. He passed Tito Murano's cottage with dogs and chickens and little Muranos sporting about the kitchen door and then noticed a diminishing of trees and a sudden widening of the prospect. From here the road dwindled to a trail that sloped to the marsh which spread before him. He sat down on a bank by the roadside and looked at it.

Under the high, unsullied heavens it lay like an unrolled map, green-painted, divisions and subdivisions marked by the fine tracings of streams. His eye traveled down its length to where in a line, ruler-straight, it met the sky, then shifted to its upper end, a jagged point reaching to the hills. He had heard of it on the ranches where he had been picking fruit—"It's easy traveling till you reach the tules, but it's some pull round them." He gauged the distance round the point, and oaths, picturesque and fluent, came from him. He had sixteen dollars in the lining of his coat, and for days as he tramped and worked, he saw this hoard expended in San Francisco—a bath, clean linen, and a dinner, a dinner in a rôtisserie with a pint of red wine and a cigar. He saw no further than that—sixteen dollars' worth of comfort and good living.

Now he was like a child deprived of its candy. He ached with fatigue, his feet were blistered, his throat dry as a kiln. Throwing off his hat, he leaned forward, his elbows on his knees, and cursed the marsh as if it were a living thing, cursed it with a slow, unctuous zest, spat out upon it the venom and wrath that had accumulated within him.

Seeing him thus, his hat off, sullen indifference replaced by a malign animation, he was a very different being from the man who had accosted Mark. A dangerous chap beyond doubt, dangerous from a dark soul and a stored power of malevolence. His face, vitalized with rage, was handsome; a narrow forehead, the hair receding from the temples, a high-bridged nose with wide-cut nostrils, lips thin and fine, moving flexibly as they muttered. It matched with what the voice had told Mark, was not the face of the brutalized hobo or low-bred vagrant, but beneath its hair and dirt showed as the mask of a man who might have fallen from high places. Even his curses went to prove it. They were not the dull profanities of the loafer, but were varied, colorful, imaginative, such curses as might come from one who had read and remembered.

Suddenly they stopped and his glance deflected, alert and apprehensive—his ear had caught a low crooning of song. It came from a small boy who, a little wooden boat in his hand, was advancing up the slope. This was Tito Murano, Junior, Tito's first-born, nine years old, softly footing it home after a joyous hour along the edge of the tules.

Tito's mother was Irish, but the Latin strain had flowered forth strong in her son. He was bronze-brown, with a black bullet head and eyes like shoe buttons. A pair of cotton trousers and a rag of shirt clothed him and his feet were bare and caked with mud. A happy day behind him and the prospect of supper made his heart light and he gave forth its joy in fresh, bird-sweet carolings.

He did not see the tramp and a sharp, "Hey, there, kid," made him halt, startled, gripping the treasured boat against his breast. Then he made out the man, and stood staring, poised to run.

"Is there any way of getting across this infernal place?" The tramp's hand swept the prospect.

Bashfulness held Tito speechless, and he stood rubbing one foot across the other.

The man's eyes narrowed with a curious, ugly look.

"Are you deaf?" he said very quietly.

A muttered negative came from the child. The question contained a quality of scorn that he felt and resented.

"I want to cross the marsh, get to the railway. What's the best way to go?"

Tito's arm made a sweeping gesture round the head of the tules.

"That. There's a trail. You go round."

"Good God—that's miles. How do people go, the people here, when they want to get to the other side?"

"That way." Tito repeated his gesture. "But they don't go often, and they mostly rides."

The man gave a groaning oath, picked up his hat, then cast it from him with fury, and, planting his elbows on his knees, dropped his forehead on his hands. Tito was sorry for him, and advanced charily, his heart full of sympathy.

"The duck shooters have laid planks," he murmured encouragingly.

The man raised his head.

"Planks—where?"

Tito indicated the marsh.

"All along. They lay 'em when they come to shoot and then they let 'em lay. Nobody don't ever go there 'cept the duck shooters."

"You mean I can get across by the planks?"

Tito forgot his bashfulness and drew nearer. He was emboldened by the thought that he could help the tramp, give assistance as man to man.

"You couldn't. It's all mud and water, and turns too, like you was goin' round in rings. But I could—I bin acrost, right over to the Ariel Club." He pointed to a small white square on the opposite side. "That's where. The railroad's a ways beyont that, but it ain't awful far."

The man looked and nodded, then smiled, a slight curling of his lip, a slight contraction of the skin round his eyes.

"If you show me the way I'll give you a quarter," he said, turning the smile on Tito.

Tito did not like the smile; it suggested a dog's lifted lip when contemplating battle. Also he had been forbidden to go into the marsh; some of the streams were deep, the mud treacherous. But a quarter had seldom crossed his palm. He saw himself spending it at the crossroads store, and, tucking his boat up under his arm, said manfully:

"All right—I'll get you over before sundown."

They started, the child running fleet-footed ahead, the man following with long strides. There was evidently a way and Tito knew it. His black head bobbed along in front, now a dark sphere glossed by the sunlight, now an inky silhouette against the white shine of water. There were creeks to jump and pools to wade—the duck shooters' planks only spanned the deep places—and the way was hard.

Once the tramp stopped, surly-faced, and measured the distance to the Ariel Club house. It seemed but little nearer. He told Tito so, and the child, pausing to look back, cheered him with heartening phrases. But it was a hard pull, crushing through the dense growth, staggering on the slippery ooze, and he began to mutter his curses again. Tito, hearing them, made no reply, a little scared in the sun-swept loneliness with the swearing in his ears.

Finally the man, floundering on a bank of mud, slipped and fell to his knees. He groveled, his hands caked, and when he rose a fearful stream of profanity broke from him. Tito stopped, chilled, peering back between the rushes. If it had been a rancher or one of the boys he would have laughed. But he had no inclination to laugh at the staggering figure, with the haggard, sweat-beaded face and furious eyes.

"I said it was long, but we're gettin' there. We're halfway acrost now," his little pipe, mellow-sweet, was in strange contrast with what had come before.

"You're a liar, a damnable liar. You've led me into the middle of this—place that you don't know any more of than I do."

His eyes, ranging about in helpless desperation, saw, some distance beyond, a rise of dry ground. The sight appeared to divert him, and he stood looking at it. He had the appearance of having forgotten Tito, and the child, uneasy at this sudden stillness as he was ready to be at anything the tramp did, said with timid urgence:

"Say, come on. I got to get home for supper or I'll get licked."

For answer the man moved in an opposite direction, to where the stream widened. He saw there was deep water between him and the dry place, but he wanted to get there, rest, smoke, unroll his blanket and sleep. Tito's uneasiness increased.

"You're goin' the wrong way," he pleaded. "You can't get round there, it's all water."

Suddenly the man turned on him savagely. His brooding eyes widened and their look, a threatening glare, made the boy's heart quail.

"Get out," he shouted, "get out, I'm done with you. You're a fakir."

Tito retreated, crushing the rushes under his naked feet, his face extremely fearful.

"But I was takin' you. I sure was—"

"Get out. You don't know anything about it. You're a liar."

"I do. I was takin' you straight—and you promised me a quarter."

"To hell with you and your quarter. Didn't you hear me say get out?"

The thought of the quarter gave Tito a desperate courage; his voice rose in a protesting wail:

"But I done half already—you're halfway acrost. You'd oughter give me a dime. I've done more than a dime's worth."

The tramp, with a smothered ejaculation, bent and picked up a bit of iron, relic of some sportsman's passage. Tito saw the raised hand and ducked, hearing the missile hurtle over his head and plop into the water behind him. It frightened him, but not so much as the man's face. Like a small, terrified animal he bent and fled. The breaths came quick from his laboring breast, and as he ran, his head low, the rushes swaying together over his wake, sobs burst from him, not alone for fear, but for his lost quarter.

The sun was the dazzling core of a golden glow when he crept on to the dry ground, mud-soaked, tear-streaked, his wooden boat still in his hand. His terror was over and he padded home in deep thought, inventing a lie. For if his parents knew of his wanderings he would be beaten and sent to bed without supper.

The tramp picked his way round to the stream that separated him from the desired ground, slipped out of his clothes and, putting them in the basket, plunged in the current. On the opposite bank he stood up, a lean, shining shape, the sunlight gilding his wet body, till it looked like a statue of brass. The bath refreshed him; he would eat some fruit he had in his basket, take a smoke, and rest there for the night.

Still wet, he pulled on his clothes, stretched out, and drawing a pear from the basket began to eat it. As he did so his glance explored the place and brought up on a mark at the water's edge. It interested him, and still gnawing the pear, he crawled down to it—a footprint, large and as clearly impressed as if cast in plaster. Not far from it was a triangular indentation, its point driven deep—the mark of a boat's prow.

Both looked fresh, the uppressed outlines of mud crisp and flakey, which would happen quickly under such a sun. Among his fellow vagrants he had learned a good deal about the tules, one fact, corroborated by the child, that at this season no one ever disturbed their loneliness. Still squatting he glanced about—at the foot of the rush wall behind him were two burnt matches. Men had recently been there, come in a boat, and smoked; there were no traces of a fire.

To perceptions used to the open dealings of an unobservant honesty, it would have signified nothing. But to his, trained for duplicity, learned in the ways of a world where concealments were a part of life, it carried a meaning. His face took on an animal look of cunning, his movements became alert and stealthy. Rising to his feet, he moved about, staring, studying, saw other footprints and then a break in the rushes at the back. He went there, parted the broken spears and came on a space where some were cut away, the ground disturbed, and still moist.

Half an hour later, the sun, sending its last long shafts across the marsh, played on a strange picture—a tramp, white-faced, with trembling hands, and round him, on the ground, about his sprawled legs, falling from his shaking fingers, yellow in the yellow light, gold, gold, gold!