ARCHITECTURAL INTERESTS
In restoring the Berlin palace, the Empress Frederick, with her sure, keen eye for the proper style and her sound judgment, helped materially in offsetting the harm and neglect dating from bygone days. My mother's expression of her view ought surely to be of general interest: "Any style is good so long as it is pure." Ihne used to call the eclecticism of the 'nineties "à peu près style" (the "almost style"). The restoration of the Picture Gallery, the last work of Herr Ihne—who died, unfortunately, all too soon—was not completed until during the first half of the war. The palace of my forefathers, erected at much pains and a source of pride to me, was later bombarded, stormed, sacked, and devastated by revolutionary hordes.
These artistic building enterprises, as well as the already-mentioned restoration of the White Drawing Room, belong among the duties of representation devolving upon every Government, be it absolute, constitutional, or democratic in form. They afford a criterion of the national culture and are a means of encouraging artists and, through them, the development of art.
During my vacations I busied myself with archæology and was active in excavation work. Here I kept in view one basic idea: to discover the roots from which ancient Greek art developed and to erect or find a bridge in the endeavor to establish the cultural influence of the East on the West. It appeared to me that Assyriology was important, since from it might be expected an elucidation and vitalizing of the Old Testament, and, hence, of the Holy Scriptures. Therefore, I accepted with pleasure the offer of the presidency of the German Orient Society and devoted myself to the study of its work, which I promoted to the best of my ability, never missing one of its public lectures on the results of its explorations. I had much to do with those at the head of it, and caused detailed reports to be made to me of the excavations at Nineveh, Assur, and Babylon, in Egypt and in Syria, for the protection and facilitation of which I often personally brought influence to bear on the Turkish Government.
Professor Delitzsch, a member of the society gave his well-known and much-attacked lecture on "Babel and Bible," which, unfortunately, fell upon the ears of a public as yet too ignorant and unprepared, and led to all sorts of misinterpretations, some of them in church circles.
I strove hard to clear up the matter. Since I realized that the importance of Assyriology, then enlisting the efforts of many prominent men, including clergymen of both religions, was not yet understood and appreciated by the general public, I had my trusted friend and brilliant theater director, Count Hülsen-Haeseler, produce the play "Assurbanipal," after long preparation, under the auspices of the German Orient Society. Assyriologists of all countries were invited to the dress rehearsal; in the boxes, all mixed up together, were professors, Protestant and Catholic clergymen, Jews and Christians. Many expressed to me their thanks for having shown, by this performance, how far research work had already progressed and for having, at the same time, revealed more clearly to the general public the importance of Assyriology.
My sojourn at Corfu likewise afforded me the pleasure of serving archæology and of busying myself personally with excavation. The accidental discovery of a relief head of a Gorgon near the town of Corfu led me to take charge of the work myself. I called to my aid the experienced excavator and expert in Greek antiques, Professor Dörpfeld, who took over the direction of the excavation work. This savant, who was as enthusiastic as I for the ancient Hellenic world, became in the course of time a faithful friend of mine and an invaluable source of instruction in questions relating to architecture, styles, and so on among the ancient Greeks and Achæans.