SECTION IX.—THE OTHER MARKS.
There are also several other marks, which are occasionally used for various purposes, as follow:—
I. ['] The APOSTROPHE usually denotes either the possessive case of a noun, or the elision of one or more letters of a word: as, "The girl's regard to her parents' advice;"—'gan, lov'd, e'en, thro'; for began, loved, even, through. It is sometimes used in pluralizing a mere letter or sign; as, Two a's—three 6's.[467]
II. [-] The HYPHEN connects the parts of many compound words, especially such as have two accents; as, ever-living. It is also frequently inserted where a word is divided into syllables; as, con-tem-plate. Placed at the end of a line, it shows that one or more syllables of a word are can led forward to the next line.
III. [">[ The DIÆRESIS, or DIALYSIS, placed over either of two contiguous vowels, shows that they are not a diphthong; as, Danäe, aërial.
IV. ['] The ACUTE ACCENT marks the syllable which requires the principal stress in pronunciation; as, e'qual, equal'ity. It is sometimes used in opposition to the grave accent, to distinguish a close or short vowel; as, "Fáncy:" (Murray:) or to denote the rising inflection of the voice; as, "Is it hé?"
V. [`] The GRAVE ACCENT is used in opposition to the acute, to distinguish an open or long vowel; as, "Fàvour:" (Murray:) or to denote the falling inflection of the voice; as, "Yès; it is hè" It is sometimes placed over a vowel to show that it is not to be suppressed in pronunciation; as,
"Let me, though in humble speech,
Thy refinèd maxims teach."—Amer. Review, May, 1848.
VI. [^] The CIRCUMFLEX generally denotes either the broad sound of a or an unusual sound given to some other vowel; as in âll, hêir, machîne. Some use it to mark a peculiar wave of the voice, and when occasion requires, reverse it; as, "If you said s=o, then I said sô."
VII. [~] The BREVE, or STENOTONE, is used to denote either the close, short, shut sound of a vowel, or a syllable of short quantity; as, l~ive, to have life,—r~av'en, to devour,[468]—c~al~am~us, a reed.
VIII. [=] The MACRON, or MACROTONE,[469] is used to denote either the open, long, primal sound of a vowel, or a syllable of long quantity; as, l=ive, having life,—r=a'ven, a bird,—=e'qu=ine, of a horse.
IX. [——] or [* * * *] or [….] The ELLIPSIS, or SUPPRESSION, denotes the omission of some letters or words: as, K—g, for King; c****d, for coward; d….d, for damned.
X. [^] The CARET, used only in writing, shows where to insert words or letters that have been accidentally omitted. XI [{}] The BRACE serves to unite a triplet; or, more frequently, to connect several terms with something to which they are all related. XII. [§] The SECTION marks the smaller divisions of a book or chapter; and, with the help of numbers, serves to abridge references.
XIII. [¶] The PARAGRAPH (chiefly used in the Bible) denotes the commencement of a new subject. The parts of discourse which are called paragraphs, are, in general, sufficiently distinguished by beginning a new line, and carrying the first word a little forwards or backwards. The paragraphs of books being in some instances numbered, this character may occasionally be used, in lieu of the word paragraph, to shorten references.
XIV. ["">[ The GUILLEMETS, or QUOTATION POINTS, distinguish words that are exhibited as those of an other author or speaker. A quotation within a quotation, is usually marked with single points; which, when both are employed, are placed within the others: as, "And again he saith, 'Rejoice, ye Gentiles, with his people.'"—Rom., xv, 10.
XV. [] The CROTCHETS, or BRACKETS, generally inclose some correction or explanation, but sometimes the sign or subject to be explained; as, "He [Mr. Maurice] was of a different opinion."—Allen's Gram., p. 213.
XVI. [Fist] The INDEX, or HAND, points out something remarkable, or what the reader should particularly observe.
XVII. [*] The ASTERISK, or STAR, [Dagger] the OBELISK, or DAGGER, [Double dagger] the DIESIS, or DOUBLE DAGGER, and [||] the PARALLELS, refer to marginal notes. The SECTION also [§], and the PARAGRAPH [¶], are often used for marks of reference, the former being usually applied to the fourth, and the latter to the sixth note on a page; for, by the usage of printers, these signs are commonly introduced in the following order: 1, *; 2, [Dagger]; 3, [Double dagger]; 4, §; 5, ||; 6, ¶; 7, **; 8, [Dagger][Dagger]; &c. Where many references are to be made, the small letters of the alphabet, or the numerical figures, in their order, may be conveniently used for the same purpose.
XVIII. [Asterism] The ASTERISM, or THREE STARS, a sign not very often used, is placed before a long or general note, to mark it as a note, without giving it a particular reference.
XIX. [,] The CEDILLA is a mark borrowed from the French, by whom it is placed under the letter c, to give it the sound of s, before a or o; as in the words, "façade," "Alençon." In Worcester's Dictionary, it is attached to three other letters, to denote their soft sounds: viz., "[,G] as J; [,S] as Z; [,x] as gz."
[Fist][Oral exercises in punctuation should not be confined to the correction of errors. An application of its principles to points rightly inserted, is as easy a process as that of ordinary syntactical parsing, and perhaps as useful. For this purpose, the teacher may select a portion of this grammar, or of any well-pointed book, to which the foregoing rules and explanations may be applied by the pupil, as reasons for the points that occur.]