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One of the six most famous American men novelists wrote about Michael Arlen a year or so ago, as follows:

“He is one of the phenomena of our time. You may or may not like phenomena”—this seems a little gratuitous. “But anyway, you probably like an original story, so in Michael Arlen’s case you can compromise on that. He himself does not compromise on anything, though he did once say that ‘discretion is the better part of literature.’ Since then, however, his novel, ‘Piracy,’ in which half London society figures, has run into many editions. The other half is no doubt wondering what he will say next.

“Michael Arlen is 25 years old; and, having served the usual terms at an English public school and University he is, so he says, entirely self-educated. There was also a war. And yet, though no human eye has ever seen him at work, he has written four successful books.

“The first, which he published at the age of twenty, was his memoirs and confessions, for he thought that he would be done with them at the beginning. Many people thought that the book, A London Venture, was by George Moore under a pseudonym; some papers stated the fact with authority. Since then he has been more frequently compared to Guy de Maupassant.

MICHAEL ARLEN

Photograph by Maurice Beck and Helen Macgregor, London.

“Michael Arlen believes in working hard and living hard. He lives in Mayfair. Most of the summer he spends between Deauville and Biarritz, and most of the winter he may be found on the Riviera. The spring he spends in Venice. He also likes dancing and baccarat, and is a tournament tennis player.

“It is his considered opinion that if one had no enemies one would have no time to do any writing at all. So he has collected quite a number, whom he embitters by the amount of good work he does, while he amuses himself and his friends by never appearing to do any at all. That is, of course, a pose; but it is not a pose that everyone has the ability to wear. Try it and see.

“The New Statesman has called him ‘the romantic comedian of our time’; adding that he has no present equal in ‘the dandysme of the soul.’ While the Daily Telegraph has said of him: ‘He concerns himself with people who are bored to death unless they are in some sort of mischief. The ladies carry their frailty as the gentlemen carry their drink—like gentlemen. Michael Arlen writes with the truculence of a Mohawk and the suavity of a Beau Nash....’

“This young man is among the last of those who believe that manners are worth while as manners. The chivalry of daily life is to him the king of indoor sports. And he has written that ‘a gentleman is a man who is never unintentionally rude to anyone.’”[81]

Now who is the famous American novelist who could have written thus and thus of Mr. Arlen? Tell it not in Gath; publish it not in Main Street, Ascalon. We are not allowed to reveal his chaste identity. If he had an Armenian name, perhaps....

As a matter of fact, Michael Arlen was born in a Bulgarian village on the Danube. When he was five years old his parents decided to move to England. After he had been at an English public school the usual term of years he went to Switzerland to learn English. He was then seventeen. After he had been seventeen for some months, his parents called him back to Manchester, where they lived. He got as far as London. His parents then abandoned him with rather less than the customary shilling. He started to write. His first book, A London Venture, was a book of confessions, as at eighteen he had nothing else to write about. His confessions confessed little except poverty and loneliness.

He was foreign, young, careless of literary cliques, stayed up dancing all night and worked all day. London got to hear about him. He got a name in Fleet Street by never going to see an editor in his office. Michael Arlen always asked the editor to come outside and face him over a cocktail.

The Romantic Lady arrived, greatly disappointing the publishers, as she was a book of short stories. Arlen said she would get on and she did, in moderation.

Piracy” was perhaps the book of a young man who had lived hard and fought hard, with his tailors. It enabled him to pay them; but it was Arlen’s opinion that he had not yet begun to write. In an interview he said that so far he had been playing scales in public. These Charming People came on, but the author was writing his big novel, The Dark Angel, and gave little heed to anything else. The Dark Angel took him a year. He destroyed it. He realized that it was not the advance on “Piracy” which he and the most intelligent part of his public expected. The Green Hat more nearly satisfies him.