III
It was at the Opéra, between two of the acts in Robert the Devil. In the stalls, the men were standing up, with their hats on, their waistcoats cut very low so as to show a large amount of white shirt front, in which the gold and precious stones of their studs glistened, and were looking at the boxes full of ladies in low dresses, covered with diamonds and pearls, and who were expanding like flowers in that illuminated hothouse, where the beauty of the faces and the whiteness of their shoulders seemed to bloom in order to be looked at, in the midst of the music and of human voices.
Two friends, with their backs to the orchestra were scanning those rows of elegance, that exhibition of real or false charms, of jewels, of luxury and of pretensions which showed itself off all round the Grand-Théâtre, and one of them Roger de Salnis, said to his companion, Bernard Grandin: "Just look how beautiful Countess de Mascaret still is."
Then the older, in turn, looked through his opera glasses at a tall lady in a box opposite, who appeared to be still very young, and whose striking beauty seemed to appeal to the eyes in every corner of the house. Her pale complexion, of an ivory tint, gave her the appearance of a statue, while a small, diamond coronet glistened on her black hair like a milky way.
When he had looked at her for some time, Bernard Grandin replied with a jocular accent of sincere conviction: "You may well call her beautiful." "How old do you think she is?" "Wait a moment. I can tell you exactly, for I have known her since she was a child, and I saw her make her debut into society when she was quite a girl. She is ... she is ... thirty ... thirty-six." "Impossible!" "I am sure of it." "She looks twenty-five." "She has had seven children." "It is incredible." "And what is more, they are all seven alive, as she is a very good mother. I go to the house, which is a very quiet and pleasant one, occasionally, and she realizes the phenomenon of the family in the midst of the world." "How very strange! And have there never been any reports about her?" "Never." "But what about her husband? He is peculiar, is he not?"
"Yes, and no. Very likely there has been a little drama between them, one of those little domestic dramas which one suspects, which one never finds out exactly, but which one guesses pretty nearly." "What is it?" "I do not know anything about it. Mascaret leads a very fast life now, after having been a model husband. As long as he remained a good spouse, he had a shocking temper and was crabbed and easily took offense, but since he has been leading his present, rackety life, he has become quite indifferent; but one would guess that he has some trouble, a worm gnawing somewhere, for he has aged very much."
Thereupon the two friends talked philosophically for some minutes about the secret, unknowable troubles, which differences of character or perhaps physical antipathies, which were not perceived at first, give rise to in families, and then Roger de Salnis, who was still looking at Madame de Mascaret through his opera-glasses, said: "It is almost incredible that that woman has had seven children!" "Yes, in eleven years; after which, when she was thirty, she put a stop to her period of production in order to enter into the brilliant period of representation, which does not seem near coming to an end." "Poor women!" "Why do you pity them?"
"Why? Ah! my dear fellow, just consider! eleven years of pregnancy, for such a woman! What a hell! All her youth, all her beauty, every hope of success, every poetical ideal of a bright life, sacrificed to that abominable law of reproduction which turns the normal woman into a mere machine for reproduction." "What would you have? It is only nature!"
"Yes, but I say that nature is our enemy, that we must always fight against nature, for she is continually bringing us back to an animal state. You may be sure that God has not put anything onto this earth that is clean, pretty, elegant, or accessory to our ideal, but the human brain has done it. It is we who have introduced a little grace, beauty, unknown charm and mystery into creation by singing about it, interpreting it, by admiring it as poets, idealizing it as artists, and by explaining it as learned men who make mistakes, but who find ingenious reasons, some grace and beauty, some unknown charm and mystery in the various phenomena of nature. God only created coarse beings, full of the germs of disease, and who, after a few years of bestial enjoyment, grow old and infirm, with all the ugliness and all the want of power of human decrepitude. He only seems to have made them in order that they may reproduce their species in a dirty manner, and then die like ephemeral insects. I said, reproduce their species in a dirty manner, and I adhere to that expression. What is there, as a matter of fact, more ignoble and more repugnant than that filthy and ridiculous act of the reproduction of living beings, against which all delicate minds always have revolted, and always will revolt? Since all the organs which have been invented by this economical and malicious Creator serve two purposes, why did he not choose others that were not dirty and sullied, in order to entrust them with that sacred mission, which is the noblest and the most exalted of all human functions? The mouth, which nourishes the body by means of material food, also diffuses abroad speech and thought. Our flesh revives itself by means of itself, and at the same time, ideas are communicated by it. The sense of smell, which gives the vital air to the lungs, imparts all the perfumes of the world to the brain: the smell of flowers, of woods, of trees, of the sea. The ear, which enables us to communicate with our fellow men, has also allowed us to invent music, to create dreams, happiness, the infinite and even physical pleasure, by means of sounds! But one might say that the cynical and cunning Creator wished to prohibit man from ever ennobling and idealizing his commerce with women. Nevertheless, man has found love, which is not a bad reply to that sly Deity, and he has ornamented it so much with literary poetry, that woman often forgets the contact she is obliged to submit to. Those among us who are powerless to deceive themselves, have invented vice and refined debauchery, which is another way of laughing at God, and of paying homage, immodest homage, to beauty.
"But the normal man makes children; just a beast that is coupled with another by law.
"Look at that woman! Is it not abominable to think that such a jewel, such a pearl, born to be beautiful, admired, fêted and adored, has spent eleven years of her life in providing heirs for the Count de Mascaret?"
Bernard Grandin replied with a laugh: "There is a great deal of truth in all that, but very few people would understand you."
Salnis got more and more animated. "Do you know how I picture God myself?" he said. "As am enormous creative organ, unknown to us, who scatters millions of worlds into space, just as one single fish would deposit its spawn in the sea. He creates, because it is His function as God to do so, but He does not know what He is doing, and is stupidly prolific in His work, and is ignorant of the combinations of all kinds which are produced by his scattered germs. Human thought is a lucky little local, passing accident, which was totally unforeseen and condemned to disappear with this earth, and to recommence perhaps here or elsewhere, the same or different, with fresh combinations of eternally new beginnings. We owe it to this slight accident which has happened to His intellect, that we are very uncomfortable in this world, which was not made for us, which had not been prepared to receive us, to lodge and feed us or to satisfy reflecting beings, and we owe it to Him also that we have to struggle without ceasing against what are still called the designs of Providence, when we are really refined and civilized beings."
Grandin, who was listening to him attentively, as he had long known the surprising outbursts of his fancy, asked him: "Then you believe that human thought is the spontaneous product of blind, divine parturition?" "Naturally? A fortuitous function of the nerve-centers of our brain, like some unforeseen chemical action which is due to new mixtures, and which also resemble a product of electricity, caused by friction, or the unexpected proximity of some substance, which lastly resemble the phenomena caused by the infinite and fruitful fermentations of living matter.
"But, my dear fellow, the truth of this must be evident to any one who looks about him. If human thought, ordained by an omniscient Creator, had been intended to be what it has become, altogether different from mechanical thoughts and resignation, so exacting, inquiring, agitated, tormented, would the world which was created to receive the beings which we now are, have been this unpleasant little dwelling place for poor fools, this salad plot, this rocky wooded and spherical kitchen garden where your improvident Providence had destined us to live naked, in caves or under trees, nourished on the flesh of slaughtered animals, our brethren, or on raw vegetables nourished by the sun and the rain?
"But it is sufficient to reflect for a moment, in order to understand that this world was not made for such creatures as we are. Thought, which is developed by a miracle in the nerves of the cells in our brain, powerless, ignorant and confused as it is, and as it will always remain, makes all of us, who are intellectual beings, eternal and wretched exiles on earth.
"Look at this earth, as God has given it to those who inhabit it. Is it not visibly and solely made, planted and covered with forests, for the sake of animals? What is there for us? Nothing. And for them, everything, and they have nothing to do but to eat, or go hunting and eat each other, according to their instincts, for God never foresaw gentleness and peaceable manners; He only foresaw the death of creatures which were bent on destroying and devouring each other. Are not the quail, the pigeon and the partridge the natural prey of the hawk? the sheep, the stag and the ox that of the great flesh-eating animals, rather than meat that has been fattened to be served up to us with truffles, which have been unearthed by pigs, for our special benefit?
"As to ourselves, the more civilized, intellectual and refined we are, the more we ought to conquer and subdue that animal instinct, which represents the will of God in us. And so, in order to mitigate our lot as brutes, we have discovered and made everything, beginning with houses, then exquisite food, sauces, sweetmeats, pastry, drink, stuffs, clothes, ornaments, beds, mattresses, carriages, railways, and innumerable machines, besides arts and sciences, writing and poetry. Every ideal comes from us and all the amenities of life, in order to make our existence as simple reproducers, for which divine Providence solely intended us, less monotonous and less hard.
"Look at this theater. Is there not here a human world created by us, unforeseen and unknown by Eternal destinies, comprehensible by our minds alone, a sensual and intellectual distraction, which has been invented solely by and for that discontented and restless little animal that we are.
"Look at that woman, Madame de Mascaret. God intended her to live in a cave naked, or wrapped up in the skins of wild animals, but is she not better as she is? But, speaking of her, does anyone know why and how her brute of a husband, having such a companion by his side, and especially after having been boorish enough to make her a mother seven times, has suddenly left her, to run after bad women?"
Grandin replied: "Oh! my dear fellow, this is probably the only reason. He found that always sleeping with her was becoming too expensive in the end, and from reasons of domestic economy, he has arrived at the same principles which you lay down as a philosopher."
Just then the curtain rose for the third act, and they turned round, took off their hats, and sat down.