The Signification of the Story
The physical explanation of this myth is to be found either in the daily setting of the sun (Balder), which sinks beneath the western waves, driven away by darkness (Hodur), or in the ending of the short Northern summer and the long reign of the winter season. “Balder represents the bright and clear summer, when twilight and daylight kiss each other and go hand in hand in these Northern latitudes.”
“Balder’s pyre, of the sun a mark,
Holy hearth red staineth;
Yet, soon dies its last faint spark,
Darkly then Hoder reigneth.”
Viking Tales of the North (R. B. Anderson).
“His death by Hodur is the victory of darkness over light, the darkness of winter over the light of summer; and the revenge by Vali is the breaking forth of new light after the wintry darkness.”
Loki, the fire, is jealous of Balder, the pure light of heaven, who alone among the Northern gods never fought, but was always ready with words of conciliation and peace.
“But from thy lips, O Balder, night or day,
Heard no one ever an injurious word
To God or Hero, but thou keptest back
The others, labouring to compose their brawls.”
Balder Dead (Matthew Arnold).
The tears shed by all things for the beloved god are symbolical of the spring thaw, setting in after the hardness and cold of winter, when every tree and twig, and even the stones drip with moisture; Thok (coal) alone shows no sign of tenderness, as she is buried deep within the dark earth and needs not the light of the sun.
“And as in winter, when the frost breaks up,
At winter’s end, before the spring begins,
And a warm west wind blows, and thaw sets in—
After an hour a dripping sound is heard
In all the forests, and the soft-strewn snow
Under the trees is dibbled thick with holes,
And from the boughs the snow loads shuffle down;
And, in fields sloping to the south, dark plots
Of grass peep out amid surrounding snow,
And widen, and the peasant’s heart is glad—
So through the world was heard a dripping noise
Of all things weeping to bring Balder back;
And there fell joy upon the Gods to hear.”
Balder Dead (Matthew Arnold).
From the depths of their underground prison, the sun (Balder) and vegetation (Nanna) try to cheer heaven (Odin) and earth (Frigga) by sending them the ring Draupnir, the emblem of fertility, and the flowery tapestry, symbolical of the carpet of verdure which will again deck the earth and enhance her charms with its beauty.
The ethical signification of the myth is no less beautiful, for Balder and Hodur are symbols of the conflicting forces of good and evil, while Loki impersonates the tempter.
“But in each human soul we find
That night’s dark Hoder, Balder’s brother blind,
Is born and waxeth strong as he;
For blind is ev’ry evil born, as bear cubs be,
Night is the cloak of evil; but all good
Hath ever clad in shining garments stood.
The busy Loke, tempter from of old,
Still forward treads incessant, and doth hold
The blind one’s murder hand, whose quick-launch’d spear
Pierceth young Balder’s breast, that sun of Valhal’s sphere!”
Viking Tales of the North (R. B. Anderson).