§ 5.
Socialism would reduce life to one monotonous dead level! This in a world in which the majority of people live in cheap cottages, villa residences and tenement houses, read halfpenny newspapers and wear ready-made clothes!
Socialism would destroy Art, Invention and Literature. I do not know why this objection is made, unless it be that the objectors suppose that artists will not create, inventors will not think, and no one write or sing except to please a wealthy patron. Without his opulent smile, where would they be? Well, do not let us be ungrateful; the arts owe much to patronage. Go to Venice, go to Florence, and you will find a glorious harvest of pictures and architecture, sown and reaped by a mercantile plutocracy. But then in Rome, in Athens, you will find an equal accumulation made under very different conditions. Reach a certain phase of civilization, a certain leisure and wealth, and art will out, however the wealth may be distributed. In certain sumptuous directions art flourishes now, and would certainly flourish less in a Socialist State; in the gear of ostentatious luxury, in private furniture of all sorts, in palace building, in the exquisite confections of costly feminine adornment, in the luxurious binding of books, in the cooking of larks, in the distinguished portraiture of undistinguished persons, in the various refinements of prostitution, in the subtle accommodations of mystic theology, in jewellery. It is quite conceivable that in such departments Socialism will discourage and limit æsthetic and intellectual effort. But no mercantile plutocracy could ever have produced a Gothic cathedral, a folk-lore, a gracious natural type of cottage or beautiful clothing for the common people, and no mercantile plutocracy will ever tolerate a literature of power. If the coming of Socialism destroys arts, it will also create arts; the architecture of private palaces will give place to an architecture of beautiful common homes, cottages and colleges, and to a splendid development of public buildings, the Sargents of Socialism will paint famous people instead of millionaires’ wives, poetry and popular romantic literature will revive. For my own part I have no doubt where the balance of advantage lies.
It seems reasonable to look to the literary and artistic people themselves for a little guidance in this matter. Well, we had in the nineteenth century an absolute revolt of artists against Individualism. The proportion of open and declared Socialists among the great writers, artists, playwrights, critics, of the Victorian period was out of all proportion to the number of Socialists in the general population. Wilde in his Soul of Man under Socialism, Ruskin in many volumes of imperishable prose, Morris in all his later life, have witnessed to the unending protest of the artistic spirit against the rule of gain. Some of these writers are not, perhaps, to be regarded as orthodox Socialists in the modern sense, but their disgust with and contempt for Individualist competition is entirely in the vein of our teaching.
Even this Individualistic country of ours, after the shameful shock of the Great Exhibition of 1851, decided that it could no longer leave art to private enterprise, and organized that systematic government Art Teaching that has, in spite of its many defects, revolutionized the æsthetic quality of this country. And so far as research and invention go, one may very reasonably appeal to such an authority on the other side, as the late Mr. Beit, of Wernher Beit & Co. The outcome of his experience as an individualist financier was to convince him that the only way to raise the standard of technical science in England, and therewith of economic enterprise, was by the endowment of public teaching, and the huge “London Charlottenburg” rises—out of his conviction. Even Messrs. Rockefeller and Carnegie admit the failure of Individualism in this matter by pouring money into public universities and public libraries. All these heads of the commercial process confess by such acts just exactly what this objection of the inexperienced denies, that is to say the power of the State to develop art, invention and knowledge; the necessity that this duty should be done if not by, then at any rate through, the State.
Socialism may very seriously change the direction of intellectual and æsthetic endeavour; that one admits. But there is no reason whatever for supposing it will not, and there are countless reasons for supposing that it will, enormously increase the opportunities and encouragements for æsthetic and intellectual endeavour.