INDEX
Aaron, [141].
Abraham and Isaac, [25].
Adoration of the Wise Men, [25].
Æschylus, [20]
Æsop, [182].
Allott, R., [124].
All's Well that Ends Well, [110], [121], [174-176].
Amyot, J., [108].
Anders, H. R. D., [112].
Angelo, [176].
Antonio, [160].
Antonius, Life of M., [192], [195].
Antony, [178].
Antony and Cleopatra, [47], [75], [83], [102], [109], [121], [190-192], [193].
Apemantus, [194].
Apocrypha, Shakespeare, [120], [210].
Apollonius and Silla, [171].
Arden of Feversham, [211].
Aren en Titus, [142].
Ariel, [206].
Ariosto, [167].
Aristophanes, [20].
Aristotle, [30].
Arthur, Prince, [137].
As You Like It, [102], [110], [121], [167-169], [172].
Ayrer, J., [207].
Bacon controversy, [212-214].
Baker, G. P., [104].
Bale, J., [138].
Bandello, [109], [110], [144], [167], [171].
Bankside, [37].
Barnard, Lady, [19].
Bear-rings as stages, [37].
Beatrice, [166].
Benedick, [166].
Benedicke and Betteris, [167].
Bermuda, [207].
Besant, Sir W., [59].
Blackfriars Theater, [14], [45-46], [49], [57], [58].
Boccaccio, G., [110], [176], [202].
Boisteau, [144].
Bolingbroke, [138].
Book of Martyrs, [207].
Booke of Plaies, [189].
Boswell, J., [129].
Boy-actors, [49].
Bradley, A. C., [195].
Brodmeier, [50].
Brome play, [25].
Brooke, A., [145].
Brooke, C. F. T., [214].
Buckingham, [207].
Building of the Arke, [25].
Bullen (Boleyn), Anne, [207].
Burbage, James, [37].
Burbage, R., [12], [14], [17], [19], [37], [38], [45], [48], [49].
Busby, J., [118].
Butler, N., [120].
Caesar, Life of J., [193]; see also Julius.
Caliban, [206].
Camden, R., [11].
Capell, E., [129].
Cassius, [178].
Caxton, W., [174].
Chamberlain's Company, see Lord.
Chambers, E. K., [34].
Character-study, [90].
Charlecote, [7].
Chaucer, G., [67], [109], [151], [152], [174], [201].
Chettle, H., [9], [12], [174].
Chetwind, P., [125].
Children of Paul's, [46].
Children of the Chapel, [46].
Children's companies, [48].
Chronicle of Holinshed, [107-108], [187]. See also Holinshed.
Church, Origin of drama in, [20-23]
Cinthio, G., [109], [177], [184].
Citizens of London, [55].
City of London, [53].
Clark, A., [4] n.
Clark and Wright, [129], [189].
Classical drama, [29-31].
Cloten, [200].
Cock-pit, [46].
Colin Clout, etc., [10].
Comedy of Errors, [10], [77], [83], [110], [121], [147-148].
Condell, Henry, [12], [19], [122].
Confessio Amantis, [109], [200].
Constance, [137].
Contention, First, [111], [134], [135].
Contention, Second, [111], [134], [135]. See Richard, True Tragedy of.
Contention, Whole, [111], [120], [134].
Cordelia, [185].
Coriolanus, [109], [121], [192-193].
Coryat, T., [39].
Cotes, R., [124].
Cotes, T., [124].
Cranmer, [208].
Cromwell, Thos., Lord, [125], [211].
Curtain Theater, [37].
Cycles of miracle plays, [24].
Cymbeline, [41], [71], [83], [103], [108], [112], [121], [200-202].
Danter, J., [118].
Dates of plays, [83].
Davies, Archdeacon, [7].
De Clerico et Puella, [28].
Decameron, [110], [176], [202].
Deer-stealing, tradition of, [7].
Dekker, T., [174].
Delius, N., [129].
Deluge, The, [25].
Desdemona, [184].
Diana Enamorada, [110], [149], [151].
Dorastus and Fawnia, [204].
Dowden, E., [84].
Drama before Shakespeare, [20].
Dramatic technique, [94-100].
Drayton, M., [11].
Droeshout, M., [18].
Dromio, [147].
Dux Moraud, [28].
Easter drama, [22].
Eden, [207].
Editing, Problems of, [126-127].
Edmund, [186].
Edward III, [211].
Edward IV, [134].
Ely Palace portrait, [18].
End-stopped lines, [79-80].
Endymion, [33].
Euripides, [20].
Every Man in his Humour, [12].
Every Man out of his Humour, [158], [179].
External evidence, [75-77].
Fair Em, [211].
Falstaff, Sir John, [7], [156-159], [164].
Faulconbridge, [137].
Faustus, [32].
Felix and Philiomena, [149].
Female parts, [48].
Feminine endings, [80].
Field, Henry, [16].
Field, Richard, [113].
First Folio, [11], [30], [75], [114], [119], [120-124], [136], [137], etc.
Fisher, T., [120].
Fletcher, J., [2], [196], [197], [209].
Florio, G., [207].
Flower portrait, [18].
Fluellen, [158].
Folios, Second, Third, and Fourth, [124-125].
Forgeries, Shakespeare, [211].
Forman, Dr. S., [189], [202], [204].
Fortune Theater, [38-40].
Four periods, [101-104].
Foxe, R., [209].
Fuller, H. De W., [142].
Fuller, T., [56].
Gamelyn, Tale of, [169].
Gammer Gurton's Needle, [29].
Garnett, H., [189].
Gascoigne, G., [163].
Geoffrey of Monmouth, [187].
German and Dutch plays like Shakespeare's, [112].
Gesta Romanorum, [200].
Glendower, [155].
Globe Theater, [1], [38], [39], [57], [58].
Gloucester, [186].
Gorboduc, [29].
Gosson, S., [161].
Greek drama, [30].
Greene, R., [8], [9], [110], [115], [134], [135], [204].
Groatsworth of Witte, etc., [9].
Gunpowder Plot, [190].
Hal, Prince, [155].
Hall, Dr. J., [17].
Halliwell-Phillipps, J. O., [19], [129].
Hamlet, [12], [32], [33], [34], [41], [83], [93-94], [100], [102], [111], [112], [116], [117], [119], [121], [128], [142], [177], [180-182].
Hanmer, T., [128].
Harsnett, [186].
Hart, Joan, [19].
Hawkins, A., [124].
Hazlitt, W. C., [112].
Heccatommithi, Gli, [109], [179], [184].
Hector, [173].
Hegge plays, [24].
Helena, [174].
Heminge or Hemings, J., [12], [19], [122].
Henley Street House, [19].
I Henry IV, [6], [10], [33], [41], [83], [99], [101], [111], [117], [119], [121], [154-157], [164], [165], [208].
II Henry IV, [121], [126], [157-158].
Henry V, [78], [83], [101], [111], [117], [119], [120], [158-159], [165].
Henry V, Famous Victories of, [111].
I Henry VI, [111], 133-134.
II Henry VI, [111], [117], 134-135.
III Henry VI, [8], [83], [98], [121], 134-135.
Henry VIII, [34], [84], [103], [112], [121], [197], [207-209].
Henslowe, P., [37], [45], [48].
Henslowe's Diary, [50], [182].
Heptameron of Civil Discourses, [177].
Hermia, [150].
Hermione, [203].
Hero, [166].
Herod, [24].
Heywood, J., [28].
Histoires Tragiques, [182].
Historia Danica, [181].
Histories, [97-98].
Holinshed, [107-108], [134], [136], [140], [156], [159], [180], [190], [202], [209].
Holland (author), [184].
Horace, [11].
Hotspur, [155].
Hubert, [137].
Humphrey of Gloucester, [134].
Iachimo, [202].
Iago, [183].
Iambic pentameter, [61].
Imogen, [200-202].
Ingannati, Gl', [171].
Ingram, [81] n.
Inn-yards as theaters, [35].
Internal evidence, [77-82].
Ireland, W. H., [211].
Isabella, [176].
Italian novelle, [109-110].
Italy, Influence of, on masque, [34].
Jaggard, W., [70], [113], [120-121], [124].
Jaques, [169].
Jessica, [160].
Jew of Malta, [132].
Joan of Arc, [133].
John, Troublesome Reigne of, [111], [137-138].
Johnson, A., [120].
Johnson, S., [129].
Jonson, Ben, [11], [12], [31], [34], [50], [56], [158], [174], [179], [204].
Jourdan, S., [207].
Julia, [149].
Julius Caesar, [44], [83], [100], [102], [109], [121], [122], [126], [172], [177-180], [184], [190], [193].
Kemp, W., [12].
Kind-Harts Dreame, [9].
King John, [11], [77], [83], [111], [135], [136-138].
King Lear, [77], [83], [100], [102], [108], [117], [126], [185-187], [195].
King Leir, etc., [111], [187].
Knight's Tale, [151].
Kyd, T., [31], [32], [142], [182].
Lady Macbeth, [188].
Lambert, D., [84].
Legend of Good Women, [152].
Leopold Shakespeare, [129].
Locrine, Tragedy of, [125], [211].
Lodge, T., [31], [111], [135], [169].
London, [51-59].
London Prodigal, A., [125], [211].
Lord Admiral's Men, [45], [48].
Lord Chamberlain's Company, [12], [48].
Lounsbury, T. R., [130].
Love's Labour's Lost, [10], [33], [77], [83], [91], [95], [99], [101], [106], [117], [121], [132], [145-146].
Love's Labour's Wonne, [10], [77], [175].
Lover's Complaint, A, [70].
Lucian, [195].
Lucrece, Rape of, [10], [62-63], [67], [113].
Lucy, Sir T., [7].
Ludus Coventriae, see Hegge.
Luigi da Porto, [144].
Lydgate, J., [33].
Lyly, J., [32], [132], [135], [145-146].
Lysander, [150].
Macbeth, [41], [44], [83], [92], [100], [102], [103], [108], [121], [187-190], [191], [202].
Malone, E., [129], [184], [207].
Malvolio, [170].
Manly, J. M., [34].
Manningham, J., diary, [76], [171].
Marlowe, C., [2], [31-32], [132], [135], [136], [140], [153], [163].
Masculine endings, [80].
Masque, [33].
Masque of Oberon, [204].
Mass, Drama at, [21].
Measure for Measure, [76], [83], [109], [112], [121], [176-177].
Meighen, [124].
Menaechmi, [110].
Menander, [20].
Mennes, Sir J., [3].
Merchant of Venice, [10], [42], [44], [77], [83], [96], [97], [101], [110], [112], [117], [120], [132], [133], [159-161].
Mercutio, [144].
Meres, F., [10], [67] n., [76-77], [137], [142], [149], [151], [156], [161], [167], [169], [171], [175], [179].
Merry Devil of Edmonton, [211].
Merry Wives of Windsor, [110], [117], [118], [120], [124], [163-165].
Meter, [86-87].
Middle Temple, [171].
Middleton, T., [189].
Midsummer Night's Dream, [10], [77], [83], [117], [120], [132], [133], [149-151].
Miracle plays, [23].
Miranda, [206].
Mirrour for Magistrates, [187].
Mirrour of Martyrs, [179].
Montaigne, Essays of, [207].
Montemayor, J. de, [149].
Moralities, [26-27].
More, Sir T., [136]. See under Sir.
Mountjoy, C., [13-14].
Mountjoy, Mary, [13].
Much Ado About Nothing, [71], [83], [101], [110], [121], [165-167], [169].
Myrrha, [177].
Nash, T., [8], [31], [135], [182].
Nashe, T., [19].
Neilson, W. A., [129], [135], [205].
News out of Purgatorie, [165].
Nice Wanton, [27].
North, Sir T., [108], [158], [179], [192], [193].
Oberon, [149].
Octavia, [190].
Oldcastle, Sir John, [120], [125], [211].
Olivia, [170].
Orator, The, [161].
Order of the plays, [83].
Ordish, T. F., [59].
Orlando, [168].
Orlando Furioso, [167].
Othello, [100], [101], [109], [117], [124], [182-185], [191].
Pageants, [25].
Painter, W., [110], [148], [176], [195].
Palace of Pleasure, [110], [195]. See Painter.
Pandarus, [172].
Passionate Pilgrim, [70], [71], [113].
Patterne of Painful Adventures, [200].
Pavy, S., [50].
Pecorone, Il, [110].
Pembroke, Earl of, [67].
Pericles, [103], [109], [117], [119], [120], [128], [129], [197-200].
Petrarch, [64].
Petruchio, [162].
Phoenix and the Turtle, The, [70].
Plautus, [10], [11], [29], [110], [148].
Pliny, [184].
Plots, [106].
Plutarch's Lives, 108-109, [179], [192], [193], [195].
Poetaster, [174].
Pollard, A. W., [120].
Polonius, [181].
Popish Impostures, Declaration of, [186].
Posthumus, [200].
Printing, Conditions of, [114-116].
Private theaters, [45].
Promos and Cassandra, [112], [177].
Proteus, [149].
Puck (Robin Goodfellow), [149].
Puritan Widow, v.s.
Puritans, [15].
Pyramus and Thisbe, [150], [152].
Quartos, [114].
Quiney, T., [17].
Ralph Roister Doister, [29].
Rare Triumphs, etc., [202].
Reformation, [52].
Reynolds, G. F., [50].
Richard, Duke of York, True Tragedy of, [134]. Same as II Contention, q.v.
Richard II, [10], [77], [83], [117], [119], [121], [137], [138-140], [154].
Richard III, [10], [32], [77], [83], [91], [92], [98-99], [101], [111], [117], [119], [121], [133], [135-136], [137].
Richardus Tertius, [136].
Richard III, True Tragedy of, [111], [136].
Riche, B., [171].
Roberts, J., [120].
Robertson, W., [142].
Rome, [21].
Romeo and Giulietta, [144].
Romeo and Juliet, [11], [41], [42], [71], [77], [83], [90], [101], [112], [116], [117-119], [121], [122], [131], [132], [143-145], [150], [185].
Romeus and Juliet, [145].
Roofs on theaters, [46].
Rosalind, [166].
Rosalynde, [110], [169], [171].
Rowley, W., [200].
Run on lines, [79] ff.
Rutland, Earl of, [17].
Salisbury Court, [46].
Saxo Grammaticus, [182].
Schelling, F. E., [34], [50], [135].
School of Abuse, [161].
Second Shepherd's Play, [25].
Sejanus, [12].
Seneca, [10], [20], [29], [30].
Sequence, see Sonnet.
Sequence of plays, [83].
Shakespeare Allusion Book, [11] n.
Shakespeare, Hamnet, [5], [6], [17].
Shakespeare, John, [3], [4], [6], [16], [17].
Shakespeare, Judith, [5], [17], [18], [19].
Shakespeare, Richard, [4].
Shakespeare, Susanna, [5], [17], [19].
Shakespeare, William, our knowledge of his life, [1]; birth, [2]; education, [4]; marriage, [5]; deer-stealing, [7]; life in London, [8-16]; return to Stratford, [16]; death, [17]; portraits, tomb, will, [18]; descendants, [19]; allusions to, [8-17]; as an actor, [12]; residence with Mountjoy, [13]; income, [15]; grant of arms to, [16]; compared with Jonson, [56]; and passim.
Shakespearean Tragedy, [195].
Shottery, [6].
Shylock, [92-93], [159], [160].
Sidea, Die Schöne, [207].
Sidney, Sir P., [111], [115], [187].
Silvayn, A., [161].
Silver Street, [13].
Silvia, [149].
Sims, V., [119].
Sir Andrew, [170].
Sly, [162].
Smethwick, I., [121-124].
Somers, Sir G., [78].
Sophocles, [20].
Southampton, Earl of, [10], [67-68].
Stage, The, [40-45].
Stage costumes and settings, [42-44].
Stage, Effect of, on drama, [46].
Stationers' Register, [75], [114-115], [118], etc.
Steevens, G., [129].
Stephenson, H. T., [59].
Strachey, W., [207].
Straparola, [110].
Stratford, [2].
Supposes, [163].
Surrey, Earl of, [65].
Swan Theater, [37].
Talbot, [133].
Taming of a Shrew, [112], [121], [163].
Taming of the Shrew, [83], [111], [161-163].
Tamora, [141].
Tarlton, [165].
Taste, growth of, [89-90].
Taverns, [56-57].
Tempest, The, [34], [41], [71], [78], [81], [84], [87], [103], [121], [136], [205-207].
Terence, [29].
Thaïsa, [198].
Thames, [54].
Theater, The, [37].
Theobald, L., [128].
Thomas More, Sir, [211].
Thorpe, T., [113].
Three Ladies of London, [205].
Timon (by Lucian), [195].
Timon of Athens, [109], [112], [121], [122], [193-195].
Titania, [149].
Tito Andronico, [142].
Tittus and Vespacia, [142].
Titus Andronicus, [11], [32], [77], [83], [117], [119], [123], [132], [141-143].
Touchstone, [166].
Travaile, History of, [207].
Tredici Piacevole Notte, [110].
Troilus and Cressida, [117], [122], [172-174], [195].
Troilus and Criseyde, [109], [174].
Troye, Recuyell of, [174].
Twelfth Night, [6], [76], [83], [101], [110], [112], [121], [169-171], [172], [174].
Twine, L., [200].
Two Gentlemen of Verona, [10], [71], [77], [83], [96], [101], [110], [112], [121], [148-149].
Two Noble Kinsmen, [211].
Tyrwhitt, [129].
Udall, N., [29].
Unities, Three dramatic, [30] n.
Valentine, [149].
Venus and Adonis, [10], [16], [61], [63], [67], [113].
Viola, [170].
Vortigern, [211].
Wagner (Death of Siegfried), [23].
Wakefield, see Towneley.
Wallace, Prof. C. W., [13], [14], [19].
Warburton, [128].
Weak endings, [81].
Westminster, [54].
White, R. G., [129].
Wilkins, G., [200].
Wilson, R., [205].
Winter's Tale, The, [34], [80], [83], [103], [110], [112], [121], [202-205].
Wolsey, [208].
Worcester, [155].
Wotton, Sir H., [209].
Wyatt, Sir T., [65].
Yonge, B., [149].
York and Lancaster, [134].
York plays, [24].
Yorkshire Tragedy, A, [120], [125], [211].