III.
A few very cold gray days followed, and then the north wind cleared the sky; and, though it was still cold, it was pleasant. The sky had only a small white cloud here and there to make its blueness the more profound.
Ridgeley dashed up to the door with a hardy little pair of bronchos hitched to a light pair of bobs, and Mrs. Field was tucked in like a babe in a cradle.
Almost the first thing she asked was, "How is Williams?"
"Oh, he's getting on nicely. He refused to sleep with his bunk mate, and finally had to lick him, I understand, to shut him up. Challenged the whole camp then to let him alone or take a licking. They let him alone, Lawson says.—G'lang there, you rats!"
Mrs. Field said no more, for the air was whizzing by her ears, and she hardly dared look out, so keen was the wind, but as soon as they entered the deeps of the forest it was profoundly still.
The ride that afternoon was a glory she never forgot. Everywhere yellow-greens and purple shadows. The sun in a burnished blue sky flooded the forests with light, striking down through even the thickest pines to lay in fleckings of radiant white and gold upon the snow.
The trail (it was not a road) ran like a graceful furrow over the hills, around little lakes covered deep with snow, through tamarack swamps where the tracks of wild things thickened, over ridges of tall pine clear of brush, and curving everywhere amid stumps, where dismantled old shanties marked the site of the older logging camps. Sometimes they met teams going to the store. Sometimes they crossed logging roads—wide, smooth tracks artificially iced, down which mountainous loads of logs were slipping, creaking and groaning. Sometimes they heard the dry click-clock of the woodsmen's axes, or the crash of falling trees deep in the wood. When they reached the first camp, Ridgeley pulled up the steaming horses at the door and shouted, "Hello, the camp!"
A tall old man with a long red beard came out. He held one bare red arm above his eyes. He wore an apron.
"Hello, Sandy!"
"Hello, Mr. Ridgeley!"
"Ready for company?"
"Am always ready for company," he said, with a Scotch accent.
"Well, we're coming in to get warm."
"Vera wal."
As they went in, under the roofed shed between the cook's shanty and the other and larger shanty, Mrs. Field sniffed. Sandy led them past a large pyramid composed of the scraps of beef bones, eggshells, cans, and tea grounds left over during the winter. In the shed itself hung great slabs of beef.
It was as untidy and suggestive of slaughter as the nest of a brood of eagles.
Sandy was beginning dinner on a huge stove spotted with rust and pancake batter. All about was the litter of his preparation. Beef—beef on all sides, and tin dishes and bare benches and huge iron cooking pans.
Mrs. Field was glad to get out into the sunlight again.
"What a horrible place! Are they all like that?"
"No, my camps are not like that—or, I should say, our camps," Ridgeley added, with a smile.
"Not a gay place at all," said Field, in exaggerated reserve.
But Mrs. Field found her own camps not much better. True, the refuse was not raised in pyramidal shape before the front door, and the beef was a little more orderly, but the low log huts, the dim cold light, the dingy walls and floors, the lack of any womanly or home touch, the tin dishes, the wholesale cooking, all struck upon her with terrible force.
"Do human beings live here?" she asked Ridgeley, when he opened the door of the main shanty of No. 6.
"Forty creatures of the men kind sleep and house here," he replied.
"To which the socks and things give evidence," said Field promptly, pointing toward the huge stove which sat like a rusty-red cheese in the center of the room. Above it hung scores of ragged gray and red socks and Mackinac boots and jackets which had been washed by the men themselves.
Around were the grimy bunks where the forty men slept like tramps in a steamer's hold. The quilts were grimy, and the posts greasy and shining with the touch of hands. There were no chairs—only a kind of rude stool made of boards. There were benches near the stove nailed to the rough floor. In each bunk, hanging to a peg, was the poor little imitation-leather hand-bag which contained the whole wardrobe of each man, exclusive of the tattered socks and shirts hanging over the stove.
The room was chill and cold and gray. It had only two small windows. Its doors were low. Even Mrs. Field was forced to stoop in entering. This made it seem more like a den. There were roller towels in the corner, and washbasins, and a grindstone, which made it seem like a barn. It was, in fact, more cheerless than the barn, and less wholesome.
"Doesn't that hay in the bunks get a—a—sometimes?" asked Field.
"Well, yes, I shouldn't wonder, though the men are pretty strict about that. They keep pretty free from that, I think. However, I shouldn't want to run no river chances on the thing myself." Ridgeley smiled at Mrs. Field's shudder of horror.
"Is this the place?" The men laughed. She had asked that question so many times before.
"Yes, this is where Mr. Williams hangs out.—Say, Field, you'll need to make some new move to hold your end up against Williams."
Mrs. Field felt hurt and angry at his rough joke. In the dim corner a cough was heard, and a yellow head raised itself over the bunk board ghastily. His big blue eyes fixed themselves on the lovely woman and he wore a look of childish wonder.
"Hello, Gus—didn't see you. What's the matter—sick?"
"Yah, ai baen hwick two days. Ai tank ai lack to hav doketer."
"All right, I'll send him up. What seems the matter?"
As they talked, Mrs. Field again chilled with the cold gray comfortlessness of it all; to be sick in such a place! The strange appearance of the man out of his grim corner was startling. She was glad when they drove out into the woods again, where the clear sunshine fell, and the pines stood against the blazing winter sky motionless as iron trees. Her pleasure in the ride was growing less. To her delicate sense this life was sordid, not picturesque. She wondered how Williams endured it. They arrived at No. 8 just as the men were trailing down the road to work after eating their dinner. Their gay-colored jackets of Mackinac wool stood out like trumpet notes in the prevailing white and blue and bronze green.
The boss and the scaler came out and met them, and after introductions they went into the shanty to dinner. The cook was a deft young Norwegian—a clean, quick, gentlemanly young fellow with a fine brown mustache. He cleared a place for them at one end of the long table, and they sat down.
It was a large camp, but much like the others. On the table were the same cheap iron forks, the tin plates, and the small tin basins (for tea) which made up the dinner set. Basins of brown sugar stood about.
"Good gracious! Do people still eat brown sugar? Why, I haven't seen any of that for ages," cried Mrs. Field.
The stew was good and savory, and the bread fair. The tea was not all clover, but it tasted of the tin. Mrs. Field said:
"Beef, beef, everywhere beef. One might suppose a menagerie of desert animals ate here. Edward, we must make things more comfortable for our men. They must have cups to drink out of; these basins are horrible."
It was humorous to the men, this housewifely suggestion.
"Oh, make it napkins, Allie!"
"You can laugh, but I sh'an't rest after seeing this. If you thought I was going to say, 'Oh, how picturesque!' you're mistaken. I think it's barbarous."
She was getting impatient of their patronizing laughter, as if she were a child. They changed their manner to one of acquiescence, but thought of her as a child just the same.
After dinner they all went out to see the crew working. It was the biggest crew anywhere in the neighborhood, and they sat a long while and watched the men at work. Ridgeley got out and hitched the team to a tree, and took Field up to the skidway. Mrs. Field remained in the sleigh, however.
Near her "the swamping team," a span of big deep-red oxen, came and went among the green tops of the fallen pines. They crawled along their trails in the snow like some strange machinery, and the boy in a blue jacket moved almost as listlessly. Somewhere in the tangle of refuse boughs the swampers' axes click-clocked, saws uttered their grating, rhythmic snarl, and great trees at intervals shivered, groaned, and fell with soft, rushing, cracking sweeps into the deep snow, and the swampers swarmed upon them like Lilliputians attacking a giant enemy.
There was something splendid (though tragic) in the work, but the thought of the homelessness of the men, their terrible beds, and their long hours of toil oppressed the delicate and refined woman. She began to take on culpability. She was partly in authority now, and this system must be changed. She was deep in plans for change, in shanties and in sleeping places, when the men returned.
Ridgeley was saying: "No, we control about thirty thousand acres of pine as good as that. It ain't what it was twenty years ago, but it's worth money, after all."
It was getting near to dark as they reached No. 6 again, and Ridgeley drew up and helped them out and into the cook's shanty.
Mrs. Field was introduced to the cook, a short, rather sullen, but intelligent man. He stood over the red-hot stove, laying great slices of beef in a huge dripping-pan. He had a taffler or assistant in the person of a half-grown boy, at whom he jerked rough orders like hunks of stove wood. Some hit the boy and produced noticeable effects, others did not.
Meanwhile a triumphant sunset was making the west one splendor of purple and orange and crimson, which came over the cool green rim of the pines like the Valhalla March in Wagner.
Mrs. Field sat there in the dim room by the window, seeing that splendor flush and fade, and thinking how dangerous it was to ask where one's wealth comes from in the world. Outside, the voices of the men thickened; they were dropping in by twos and fours, with teams and on foot.
The assistant arranged the basins in rows, and put one of the iron forks and knives on each side of each plate, and filled the sugar-basins and dumped in the cold beans, and split the bread into slabs, and put small pots of tea here and there ready for the hands of the men.
At last, when the big pans of toast, the big plates of beef, were placed steaming on the table, the cook called Field and Ridgeley and said:
"Set right here at the end." He raised his arm to a ring which dangled on a wire. "Now look out; you'll see 'em come sidewise." He jerked the ring and disappeared into the kitchen.
There came shouts, trampling, laughter, and the door burst open and they streamed in—Norwegians, French, half-breeds, dark-skinned fellows all of them save the Norwegians. They came like a flood, but they fell silent at sight of a woman, so beautiful and strange to them.
All words ceased. They sank into place beside the table with the thump of falling sandbags. They were all in their shirt sleeves, but they were cleanly washed, and the most of them had combed their hair; but they seemed very wild and hairy to Mrs. Field. She looked at her husband and Ridgeley with a grateful pleasure; it was so restful to have them on each side of her.
The men ate like hungry dogs. They gorged in silence. Nothing was heard but the clank of knives on tin plates, the drop of heavy plates of food, and the occasional muttered words of some one asking for the bread and the gravy.
As they ate they furtively looked with great curiosity and admiration up at the dainty woman. Their eyes were bright and large, and gleamed out of the obscure brown of their dimly lighted faces with savage intensity—so it seemed to Mrs. Field, and she dropped her eyes upon her plate.
Her husband and Ridgeley entered into conversation with those sitting near. Ridgeley seemed on good terms with them all, and ventured a joke or word, at which they laughed with terrific energy, and fell as suddenly silent again.
As Mrs. Field looked up the second time she saw the dark, strange face of Williams a few places down, and opposite her. His eyes were fixed on her husband's hands with a singular intensity. Her eyes followed his, and the beauty of her husband's hands came to her again with new force. They were perfectly shaped, supple, warm-colored, and strong. Their color and deftness stood out in vivid contrast to the heavy, brown, cracked, and calloused pawlike hands of the men.
Why should Williams study her husband's hands? If he had looked at her she would not have been surprised. The other men she could read. They expressed either frank, simple admiration or furtive desire. But this man looked at her husband, and his eyes fell often upon his own hands, which trembled with fatigue. He handled his knife clumsily, and yet she could see he, too, had a fine hand—a slender, powerful hand like that people call an artist hand—a craftsmanlike hand.
He saw her looking at him, and he flashed one enigmatical glance into her eyes, and rose to go out.
"How you getting on, Williams?" Ridgeley asked.
Williams resented his question. "Oh, I'm all right," he said sullenly.
The meal was all over in an incredibly short time. One by one, two by two, they rose heavily and lumbered out with one last wistful look at Mrs. Field. She will never know how seraphic she seemed sitting there amid those rough surroundings—the dim red light of the kerosene lamp falling across her clear pallor, out of which her dark eyes shone with liquid softness, made deeper and darker by her half-sorrowful tenderness for these homeless fellows.
An hour later, as they were standing at the door, just ready to take to their sleigh, they heard the scraping of a fiddle.
"Oh, some one is going to play!" Mrs. Field cried, with visions of the rollicking good times she had heard so much about and of which she had seen nothing so far. "Can't I look in?"
Ridgeley was dubious. "I'll go and see," he said, and entered the door. "Boys, Mrs. Field wants to look in a minute. Go on with your fiddling, Sam—only I wanted to see that you weren't sitting around in dishabill."
This seemed a good joke, and they all howled and haw-hawed gleefully.
"So go right ahead with your evening prayers. All but—you understand!"
"All right, captain," said Sam, the man with the fiddle.
When Mrs. Field looked in, two men were furiously grinding axes; several were sewing on ragged garments; all were smoking; some were dressing chapped or bruised fingers. The atmosphere was horrible. The socks and shirts were steaming above the huge stove; the smoke and stench for a moment were sickening, but Ridgeley pushed them just inside the door.
"It's better out of the draught."
Sam jigged away on the violin. The men kept time with the cranks of the grindstone, and all hands looked up with their best smile at Mrs. Field. Most of them shrank a little from her look like shy animals.
Ridgeley threw open the window. "In the old days," he explained to Mrs. Field, "we used a fireplace, and that kept the air better."
As her sense of smell became deadened the air seemed a little more tolerable to Mrs. Field.
"Oh, we must change all this," she said. "It is horrible."
"Play us a tune," said Sam, extending the violin to Field. He did not think Field could play. It was merely a shot in the dark on his part.
Field took it and looked at it and sounded it. On every side the men turned face in eager expectancy.
"He can play, that feller."
"I'll bet he can. He handles her as if he knew her."
"You bet your life.—Tune up, Cap."
Williams came from the obscurity somewhere, and looked over the shoulders of the men.
"Down in front," somebody called, and the men took seats on the benches, leaving Field standing with the violin in hand. He smiled around upon them in a frank, pleased way, quite ready to show his skill. He played "Annie Laurie," and a storm of applause broke out.
"Hoo-ray! Bully for you!"
"Sam, you're out of it."
"Sam, your name is Mud."
"Give us another, Cap."
"It ain't the same fiddle."
He played again some simple tune, and he played it with the touch which showed the skilled amateur. As he played, Mrs. Field noticed a grave restlessness on Williams's part. He moved about uneasily. He gnawed at his finger nails. His eyes glowed with a singular fire. His hands drummed and fingered. At last he approached and said roughly:
"Let me take that fiddle a minute."
"Oh, cheese it, Williams!" the men cried. "Let the other man play."
"What do you want to do with the fiddle—think it's a music box?" asked Sam, its owner.
"Go to hell!" said Williams. As Field gave the violin over to him his hands seemed to tremble with eagerness.
He raised his bow and struck into an imposing brilliant strain, and the men fell back in astonishment.
"Well, I'll be damned!" gasped the owner of the violin.
"Keep quiet, Sam."
Mrs. Field looked at her husband. "Why, Ed, he is playing Sarasate!"
"That's what he is," he returned slangily, too much astonished to do more than gaze. Williams played on.
There was a faint defect in the high notes, as if his fingers did not touch the strings properly, but his bow action showed cultivation and breadth of feeling. As he struck into one of those difficult octave-leaping movements his face became savage. On the E string a squeal broke forth; he flung the violin into Sam's lap with a ferocious curse, and then extending his hands, hard, crooked to fit the axe-helve, calloused and chapped, he said to Field:
"Look at my cursed hands. Lovely things to play with, ain't they?"
His voice trembled with passion. He turned and went outside. As he passed Mrs. Field his head was bowed and he was uttering a groaning cry like one suffering acute physical agony.
She went out quickly, and Field and Ridgeley followed. They were all moved—but the men made little of it, seeing how deeply touched she was.
"That's what drink does for a man," Ridgeley said, as they watched Williams disappear down the swampers' trail.
"That man has been a violinist," said Field. "What's he doing up here?"
"Came up to get away from himself," Ridgeley replied.
"I'm afraid he's failed," said Field, as he put his arm about his wife and led her to the sleigh.
The ride home was made mainly in silence. "Oh, the splendid silence!" the woman kept saying in her heart. "Oh, the splendid moonlight, the marvelous radiance!" Everywhere a heavenly serenity—not a footstep, not a bell, not a cry, not a cracking tree—nothing but vivid light, white snow dappled and lined with shadows, and trees etched against a starlit sky. Splendor of light and sheen and shadow. Wide wastes of snow so white the stumps stood like columns of charcoal. A night of Nature's making when she is tired of noise and blare of color.
And in the midst of it stood the camps and the reek of obscenity, foul odors, and tobacco smoke, to which a tortured soul must return.