The Bed-Book of Happiness / Being a colligation or assemblage of cheerful writings brought together from many quarters into this one compass for the diversion, distraction, and delight of those who lie abed,—a friend to the invalid, a companion to the sleepless, an excuse to the tired

by Harold Begbie

WIT ON OCCASION

Lamb said that the greatest pleasure in life was to do good in secret and be found out by accident.

* * * * *

"_I suppose" said Lamb, "that Johnson was thinking of Shakespeare making Hector talk about Aristotle when he says,

And panting Time toils after him in vain_."

* * * * *

_A clergyman who had several livings was under discussion. "Why, such fellows look at a cure of souls like a cure of herrings—so much per hundred."

"Ah, but the herring cures fulfil their contract," said Jerrold.

He called clerical pluralists_ polypi, parsons with many stomachs and no hearts.

* * * * *

A young prince had just been born and they were firing royal salutes to celebrate the occasion. A bystander exclaimed, "How they do powder these babies!"

* * * * *

In a pompous speech of self-defence the orator wound up by declaring himself the guardian of his own honour. "What a sinecure!" murmured his opponent.

"How do you like babies, Mr. Lamb?" cried the gushing mother.

"Boi-boi-boiled," answered the stammering old bachelor.

* * * * *

Foote used to say that the Irish take us in and the Scots turn us out.

* * * * *

A stout duellist once said to his diminutive antagonist, "It is a perfectly unequal contest. It is almost impossible to hit any one of your size, or to miss any one of mine."

"I agree," said his opponent. "And I will chalk my size on your body. We will not count the shots that go out of the ring."

* * * * *

"Ah," said Curran, noticing an Irish friend walking along absent-mindedly with his tongue out, "he is evidently trying to catch the English accent."

* * * * *

Sydney Smith was asked his opinion of Newton's portrait of Tom Moore. "Couldn't you," he asked the painter, "put more hostility to the Established Church into the face?"

* * * * *

An intemperate duke asked Foote how he should go to a masquerade. "Go sober," said Foote.

* * * * *

"_I'm afraid the salad is gritty," apologised the host.

"Gritty!" mumbled the guest, "it's a gravel path with a few weeds in it_."

* * * * *

"I never read a book before reviewing it" said Sydney Smith to a friend. "It is so apt to prejudice one."

* * * * *

Bentley, the publisher, said to Jerrold, "I thought of calling my magazine The Wits' Miscellany, but I have decided on Bentley's Miscellany."

"My dear fellow," said Jerrold, "why go to the other extreme?"

* * * * *

"_What a magnificent-looking man!" said Goldsmith of a stranger; "he ought to be a Lord Chancellor."

He was, in fact, a rich baker.

"Not Chancellor," whispered a friend; "only Master of the Rolls_."

* * * * *

Coleridge was dreaming of the time when he was a minister. "Ah, Charles, you never heard me preach." "My dear fellow," cried Lamb, "I never heard you do anything else."

* * * * *

Sydney Smith said that the whole of his life had been spent like a razor—in hot water or a scrape.

* * * * *

As a means of bragging of his acquaintance, a man was remarking to the company that, although he had often dined at the Duke of Devonshire's, there had never been any fish. "Is it not extraordinary?" he asked. Jerrold said, "Hardly. They ate it all upstairs."

* * * * *

_A jealous general was abusing Wolfe to the King.

"The man is mad," he declared bitterly.

George sighed. "I wish," he said, "that I could persuade him to bite all my generals."_

* * * * *

_A rich man, formerly a cheesemonger, was discussing the Poor Law with Lamb, and boasted that he had got rid of all the sentimental stuff called the milk of human kindness.

"Yes," said Lamb sadly, "you turned it into cheese long ago_."

* * * * *

Jerrold said of some one who sent his wife effusive letters but not a farthing of money, that he was full of "unremitting kindness."

* * * * *

A Turkish proverb says, "The devil tempts the busy man, but the idle man tempts the devil."

* * * * *

Gladstone once asked, "In what country except ours would (as I know to have happened) a Parish Ball have been got up in order to supply funds for a Parish Hearse?"

* * * * *

"They're rising in Connaught," shouted a scaremonger, dashing into Chesterfield's room. Quietly he drew out his watch. "Nine o'clock," he said gently. "They ought to be."

* * * * *

"He is one of those people," said Jerrold of a mistaken philanthropist, "who would vote for a supply of tooth-picks in a time of famine"; and of another—"He would hold an umbrella over a duck while it was raining."

* * * * *

"Hark at Boswell," muttered Wilkes, "telling every one how he has had his handkerchief picked from his pocket—it's merely brag, to show us he had one."

* * * * *

"Do you approve of clergymen riding?" Sydney Smith was asked. "Well, it depends," he replied thoughtfully; "yes, if they turn their toes out."

* * * * *

"The testator meant to keep a life interest in the estate himself," remarked the judge, who was trying a will case.

"Surely, my lord," said the barrister, "you are taking the will for the deed."

* * * * *

Sydney Smith said of an obstinate man, "You might as well try to poultice the humps off a camel's back."

A MASTER WITH BRAINS
[Sidenote: Memorials of Edward Burne-Jones]

At Bideford, died the only master I ever had who had any brains. When I was fourteen or fifteen he taught me to place my knowledge as it came, to have its proportion. He so kept me to the drawing of maps that the earth has ever since lain beneath me as if I could see it all from a great height, and he so taught me history that I see it now as a panorama, from the first days. In his time I could draw the coasts of all the world in very fair proportion, without looking at a map, and I think I could do it now, though not so well as then, perhaps; and always afterwards, if ever I heard or saw or read up a thing, I knew in what little pocket of the mind to put it. Right up to the end of Oxford days no one could compare with him. His name was Abraham Thompson, a doctor of divinity he was; black hair grew on the back of his hands which I used to marvel at, he was very handsome and dark. Funny little boys are—how they watch. He could be very angry and caned furiously; at times I caught it. I think he grew poor in his last years and had the school at Bideford. I never heard about him at the end. I worshipped him when I was little, and we used to look at each other in class. I wonder what he thought when he looked; I used to think Abraham of Ur of the Chaldees was like him, and I am sure if he had bought a piece of land to bury his Sarah in, he would have been just as courteous as the first Abraham. I was always sorry that he was called Thompson, for I like lovely names—should have liked one myself and a handsome form—yes, I should. So that was Thompson. I have thought how far more needful with a lad is one year with a man of intellect than ten years of useless teaching. He taught us few facts, but spent all the time drilling us that we might know what to do with them when they came. Abraham Kerr Thompson, that was his name. I wonder if any one remembers him. A strange thing he would do, unlike any other I ever heard of; he would call up the class, and open any book and make the head boy read out a chance sentence, and then he would set to work with every word—how it grew and came to mean this or that. With the flattest sentence in the world he would take us to ocean waters and the marshes of Babylon and the hills of Caucasus and wilds of Tartary and the constellations and abysses of space. Yes, no one ever taught me anything but he only—I hope he made a good end. But how long ago it all was! It is forty-five years since I saw him.

A SPLENDID ADVENTURER
[Sidenote: Memorials of Edward Burne-Jones]

When I was fifteen or sixteen he (Newman) taught me so much I do mind—things that will never be out of me. In an age of sofas and cushions he taught me to be indifferent to comfort, and in an age of materialism he taught me to venture all on the unseen, and this so early that it was well in me when life began, and I was equipped before I went to Oxford with a real good panoply, and it has never failed me. So if this world cannot tempt me with money or luxury—and it can't—or anything it has in its trumpery treasure-house, it is most of all because he said it in a way that touched me, not scolding nor forbidding, nor much leading—walking with me a step in front. So he stands to me as a great image or symbol of a man who never stooped, and who put all this world's life in one splendid venture, which he knew as well as you or I might fail, but with a glorious scorn of everything that was not his dream.

RED LION MARY
[Sidenote: Memorials of Edward Burne-Jones]

The life in Red Lion Square was a very happy one in its freedom. Red Lion Mary's originality all but equalled that of the young men, and she understood them and their ways thoroughly. Their rough and ready hospitality was seconded by her with unfailing good temper; she cheerfully spread mattresses on the floor for friends who stayed there, and when the mattresses came to an end it was said that she built up beds with boots and portmanteaus. Cleanliness, beyond the limits of the tub, was impossible in Red Lion Square, and hers was not a nature to dash itself against impossibilities, so the subject was pretty much ignored, but she was ready to fulfil any mission or do anything for them at a moment's notice, which was much more important. Never did she dishonour their bills.

"Mary!" cried Edward one evening when ordering breakfast over-night for Rossetti, who was staying with them, "let us have quarts of hot coffee, pyramids of toast, and multitudinous quantities of milk"; which to her meant all he intended. "Dear Mary," wrote Rossetti, "please go and smash a brute in Red Lion passage to-morrow. He had to send a big book, a scrapbook, to Master Crabb, 34, Westbourne Place, Eaton Square, and he hasn't done it. I don't know his name, but his shop is dirty and full of account books. This book was ordered ten days ago, and was to have been sent home the next day and was paid for—so sit on him hard to-morrow and dig a fork into his eye, as I can't come that way to murder him myself." From these hints she knew exactly what to say.

Her memory was excellent and sense of humour keen, so that some of the commissions on which she was sent gave her great enjoyment—as one day when Edward told her to take a cab and go to Mr. Watts at Little Holland House, and ask him for the loan of "whatever draperies and any other old things he could spare," and Mr. Watts, amused at the form of the request, sent her back with a parcel of draperies and an old pair of brown trousers, bidding her tell Mr. Jones those were the only "old things" he could spare. This delighted Edward, and he detained Mary while he took down his "Vasari" and read to her of the old Italian painter who had his breeches made of leather because they wore out so quickly; and then he professed to be grateful for Mr. Watts' gift, and said he would have the brown trousers made to fit him.

Mary wrote a good hand and spelled well, and would sit down and write with gravity such a note as the following, dictated to her by Edward. "Mr. Bogie Jones' compts. to Mr. Price and begs to inform him he expects to be down for Commemoration and that he hopes to meet him, clean, well shaved, and with a contrite heart." Morris' quick temper annoyed her, but she once prettily said, "Though he was so short-tempered, I seemed so necessary to him at all times, and felt myself his man Friday."

ELEPHANT
[Sidenote: Memorials of Edward Burne-Jones]

My reading aloud to him began soon after our marriage, with Plutarch's "Lives"—an old folio edition. Holland's translation of Pliny's "Natural History" was also a treasure for the purpose, and the "Arabian Nights" were ever fresh. The description of "Mrs. Gamp's apartment in Kingsgate Street, High Holborn," was read over and over again until I, but not he, was wearied for a time. These were all classics admitting of no criticism, but some books were illuminated by commentary. For instance, the frequent comparison of Goethe with Shakespeare which G.H. Lewes makes in his "Life of Goethe" grew tiresome to the hearer, who quietly asked me to read the word Elephant instead of Shakespeare next time it occurred, and the change proved refreshing. But there was a kind of book that he reserved for himself and never liked any one to read to him—"The Broad Stone of Honour" and "Mores Catholici" are instances: they were kept in his own room, close to his hand, and often dipped into in wakeful nights or early mornings.

"Sillyish books both," he once said, "but I can't help it, I like them."
And no wonder, for his youth lay enclosed in them.

MY FACES
[Sidenote: Memorials of Edward Burne-Jones]

"Of course my faces have no expression in the sense in which people use the word. How should they have any? They are not portraits of people in paroxysms—paroxysms of terror, hatred, benevolence, desire, avarice, veneration, and all the 'passions' and emotions that Le Brun and that kind of person find so magnifique in Raphael's later work—mostly painted by his pupils and assistants, by the way. It is Winckelmann, isn't it, who says that when you come to the age of expression in Greek art you have come to the age of decadence? I don't remember how or where it is said, but of course it is true—can't be otherwise in the nature of things."

"Portraiture," he also said, "may be great art. There is a sense, indeed, in which it is perhaps the greatest art of any. Any portraiture involves expression. Quite true, but expression of what? Of a passion, an emotion, a mood? Certainly not. Paint a man or woman with the damned 'pleasing expression,' or even the 'charmingly spontaneous' so dear to the 'photographic artist,' and you see at once that the thing is a mask, as silly as the old tragic and comic mask. The only expression allowable in great portraiture is the expression of character and moral quality, not of anything temporary, fleeting, accidental. Apart from portraiture you don't want even so much, or very seldom: in fact you only want types, symbols, suggestions. The moment you give what people call expression, you destroy the typical character of heads and degrade them into portraits which stand for nothing."

FATHERS AND DAUGHTERS
[Sidenote: Memorials of Edward Burne-Jones]

The different stages of his children's lives were of profound interest to him, and as they grew up they found in him an elder brother as well as a father. As soon as Margaret was old enough she began to share and then almost entirely to take my post as reader-aloud in the studio. Beside many other books she went through the whole of Thackeray twice in this way; Dickens was my special province. She and Edward had their own world of fun, and for her he invented a "little language," besides the most unheard-of names. I remember hearing him and Millais once talk to each other about their daughters, each boasting that he was the most devoted father. "Ah, but you don't take your daughter's breakfast up to her in bed," said Edward, certain that the prize belonged to him. Millais' triumphant "Yes, I do!" left them only equal.

"ANNA KARENINA"
[Sidenote: Memorials of Edward Burne-Jones]

"Don't lend me any sad stories—no, not if they are masterpieces. I cannot afford to be made unhappy, and I suspect that book 'Anna Karenina'—I suspect it is Russian, and if it is I know what to expect, and I couldn't bear it. There would be a beautiful woman in it—all that is best in a woman, and she would be miserable and love some trumpery frip (as they do) and die of finding out she had been a fool—and it would be beautifully written and full of nature and just like life, and I couldn't bear it. These books are written for the hard-hearted, to melt them into a softer mood for once before they congeal again—as much music is written—not for poets but for stockjobbers, to wring iron tears from them for once; that is the use of sorrowful art, to penetrate the thick hide of the obtuse, and I have grown to be a coward about pain. I should like that Anna so much and be so sorry for her and wish I had been the man instead of that thing she would have—and it wouldn't be happy. Look! tells me it ends well and that the two lovers marry and are happy ever afterwards, and I'll read it gratefully—and I shall wait your answer."

TWO TRIALS
[Sidenote: Memorials of Edward Burne-Jones]

Whilst the Commission was sitting he went once or twice with Sir George Lewis to the Law Courts and closely listened and watched, sitting where he could see the face of Mr. Parnell clearly. "Charles Stewart Parnell," he once said, "God only knows what he really was, but I saw him in court and watched him the day long: he was like Christ."

Of the miserable Pigott, the perjured witness against Parnell, he wrote: "And I have grown philosophical—it came of seeing Pigott in the witness-box, who looked like half the dreary men one meets, and I don't see why the rest of the Pigotts shouldn't be found out too. So it made me reflect on crime and its connection with being found out and made me philosophical and depressed."

But on another day his mind turned to a more cheerful exercise: "Legal testimony doesn't affect me at all, and I want people tried for their faces—so I spent the time in court settling things all my own way, and I tried the Judges first and acquitted one, so that he sits in court without a blemish on his character; and one I admitted to mercy, and of the other have postponed the trial for further evidence: and then I tried the counsel on both sides, and one of them I am sorry to say will have to be hanged for his face."

THE FOUR HISTORIANS
[Sidenote: Memorials of Edward Burne-Jones]

On hearing some one quote Carlyle's contempt for invented stories and his saying that facts were better worth writing of, Edward exclaimed: "'Frederick the Great's' a romance; 'Monte Cristo' is real history, and so is 'The Three Musketeers.'" And another time he said: "Ah, the historians are so few. There's Dumas, there's Scott, there's Thackeray, and there's Dickens, and no more—after you have said them, there's an end."

SWINBURNE AND PADEREWSKI
[Sidenote: Memorials of Edward Burne-Jones]

"There's a beautiful fellow in London named Paderewski—and I want to have a face like him and look like him, and I can't—there's trouble. He looks so like Swinburne looked at twenty that I could cry over past things, and has his ways too—the pretty ways of him—courteous little tricks and low bows and a hand that clings in shaking hands, and a face very like Swinburne's, only in better drawing, but the expression the same, and little turns and looks and jerks so like the thing I remember that it makes me fairly jump. I asked to draw from him, and Henschel brought him and played on the organ and sang while I drew—which was good for the emotions but bad for the drawing. And knowing people say he is a great master in his art, which might well be, for he looks glorious. I praised Allah for making him and felt myself a poor thing for several hours. Have got over it now."

THE VIVACIOUS VIVIER
[Sidenote: H. Sutherland-Edwards]

I "breakfasted" again and again with Adolphe Sax, and had always the same fare—"un bifteck et des oeufs sur le plat." …

On one occasion Vivier turned up. He was the natural enemy of Sax, for Sax, by his system of keys, brought effective horn-playing within the reach of ordinary performers, which lessened the immense superiority of Vivier over horn-players in general. Vivier, however, was troubled by no considerations of that kind. The Saxhorn, moreover, did not possess the timbre of the horn.

I had already met this remarkable engineer, musician, diplomatist and professor of mystification, in London, when he was complaining with facetious bitterness that Mr. Frederic Gye had not sent him a box for one of Angiolina Bosio's touching performances of "La Traviata."

He had written to the manager explaining that he was ready to shed tears, and that he possessed a pocket handkerchief, but wanted something more. "J'ai un mouchoir, mais pas de loge," he said. Yet his letter was left without a reply. After waiting a day or two, and still receiving no answer, Vivier engaged the dirtiest crossing-sweeper he could find, made him put on a little extra mud, and sent him with a letter to Mr. Gye demanding "the return of his correspondence." The courteous manager of the Royal Italian Opera could scarcely have known that, besides being one of the finest musicians and quite the finest horn player of his day, Eugene Vivier was the most charming of men, and the spoiled child of nearly every Court in Europe. Speaking to me once of the Emperor Napoleon, he said, in answer to a question I had put to him as to Napoleon III's characteristics: "He is the most gentlemanly Emperor I know."

"What can I do for you?" said this gentlemanly Emperor one day, when
Vivier had gone to see him at the Tuileries.

"Come out on the balcony with me, sire," replied the genial cynic. "Some of my creditors are sure to be passing, and it will do me good to be seen in conversation with your Majesty."

Besides speaking to him familiarly within view of his creditors, the Emperor Napoleon III conferred on Vivier several well-paid sinecures. He appointed him "Inspector of Mines," which, from conscientious motives, knowing very little of mining, Vivier never inspected; and he was once accused by a facetious journal of having received the post of "Librarian to the Forest of Fontainebleau," with its multitudinous leaves.

There were only two other Emperors at that time in Europe, and to one of them, the Emperor of Austria, Vivier was sent on a certain occasion with despatches—not, I fancy, in the character of Vely Pacha's secretary, the only quasi-diplomatic post he held, but partly to facilitate his travelling, and partly, it may be, for some private political reason. Instead of being delayed, questioned, and searched at the frontier, as generally happened in those days—the days before 1859—Vivier was treated by the Custom House officials, and by the police, with all possible respect; and journeying as an honoured personage—an emissary from the Emperor of the French—he in due time reached Vienna, where, hastening to the palace, he made known the object of his visit. It seems quite possible that the despatches carried by Vivier may have possessed particular importance, and that Napoleon III had motives of his own for not forwarding them through the ordinary diplomatic channels. Vivier had, in any case, been instructed to deliver them to the Emperor in person—one of those Emperors whom he numbered among his private acquaintances.

A Court Chamberlain had hurried out to receive the distinguished messenger, ready after a due interchange of compliments to usher him into the Imperial presence.

"Your Excellency!" began the Chamberlain, in the most obsequious manner.

"I am not an Excellency!" replied Vivier.

"General, then—Monsieur le Général?"

"I am not a General!"

"Colonel, perhaps, and aide-de-camp to his Imperial Majesty?"

"I am not in the army. I have no official rank—no rank of any kind whatever."

"Good heavens! then what are you?" exclaimed the Chamberlain, indignant with himself for having treated as high-born and high-placed one who was apparently a mere nobody.

"I am a musician," said Vivier.

Bounding with rage, the Court functionary made an unbecoming gesture, such as Mephistopheles, according to the stage directions, should make in one of the passages of Goethe's Faust.

"Very well, my friend," said Vivier to himself, "I will tell the Emperor of your rude behaviour; I will get you rapped on the knuckles" ("Je t'en ferai donner sur les doigts"); and the uncourtly courtier was, in fact, severely reprimanded.

At St. Petersburg Vivier took such liberties with the Emperor Nicholas that, if half the stories of that monarch were true, the imprudent Frenchman would have been arrested, knouted, and sent to Siberia.

He had just brought to perfection the art of blowing soap bubbles. The whole secret of his process consisted, as he once informed me, in mixing with the soap-suds a little gum. Using a solution of soap and gum, he was able to produce bubbles of such size and solidity that they floated in the air for an almost indefinite time, like so many small balloons. In order to entertain the St. Petersburg public, Vivier would, in the most benevolent manner, take his seat at an open window, and blow his gigantic and many-coloured bubbles, until these prodigies of aerostation had attracted a multitude of lookers-on. The delighted crowd applauded with enthusiasm. Vivier rose from his seat and bowed. Then the applause was renewed, and Vivier blew larger and brighter bubbles than before.

One evening, or rather afternoon, the rays of the setting sun were illuminating a number of iridescent balloons floating high above the point where the Nevsky Prospect runs into the Admiralty Square, when the Emperor Nicholas drove past, or tried to do so—for his progress was interrupted at every step by the density of the crowd.

"What is the meaning of all this?" asked the Emperor Nicholas.

"It is M. Vivier blowing his soap bubbles," replied the aide-de-camp in attendance.

"What! Vivier, the French musician, who played the horn so wonderfully the other night at the Winter Palace, and afterwards entertained us so much with his conversation?"

"The same, sire."

"Go to him, then, and tell him that I should be glad if he would choose some other time for his soap-bubble performances. How wonderful they are!"

The aide-de-camp forced his way through the crowd, went upstairs to Vivier's apartments, and told him that the Emperor desired him not to give his exhibition of soap bubbles at half-past three in the afternoon, that being the time when his Majesty usually went for a drive.

Vivier took out a pocket-book, consulted it carefully, and, turning to the aide-de-camp, said with the utmost gravity, "That is the only hour I have disengaged."

Vivier, meanwhile, had had his joke; and his exhibition of soap bubbles, or rather of gum-and-soap balloons, was now discontinued.

The horn-playing performance to which the Emperor Nicholas had made reference was marked by one strange, marvellous, almost inexplicable peculiarity. The player sounded on his instrument, simultaneously, a chord of four notes. To produce at the same time four different notes from one and the same tube seems, and must be, an impossibility. But Vivier did it, and the fact was certified to by Meyerbeer, Auber, Halévy, Adolphe Adam, and other musicians of eminence.

The only possible explanation of the matter is that Vivier executed a very rapid arpeggio, so that the four notes which apparently were heard together were, in fact, heard one after the other. The effect, however, was not that of an arpeggio, but of a chord of four different notes played simultaneously on four different instruments.

Both for home and for out-of-doors use the mystifications practised by Vivier were as numerous as they were varied. In an omnibus, when some grave old lady had just risen from her seat, Vivier would assume an expression of the utmost astonishment, and suddenly take from the place where she had been sitting an egg, which meanwhile he had been concealing up his sleeve.

Or, asked to pass a coin to the conductor, he would gravely put it into his pocket. A well-dressed, well-bred gentleman, of charming manners, could scarcely be suspected of any intention to misappropriate a two-sous piece. But it interested Vivier to see what, in the circumstances, the lawful owner of the coin would do. On one occasion Vivier, in an omnibus, alarmed his fellow passengers by pretending to be mad. He indulged in the wildest gesticulations, and then, as if in despair, drew a pistol from his pocket. The conductor was called upon by acclamation to interfere, and Vivier was on the point of being disarmed when suddenly he broke the pistol in two, handed half to the conductor and began to eat the other half himself. It was made of chocolate!

Vivier could not bear to see people in a hurry. According to him, there was nothing in life worth hurrying for; and living on the Boulevard just opposite the Rue Vivienne, he was much annoyed at seeing so many persons hastening, towards six o'clock, to the post office on the Place de la Bourse. He determined to pay them out, and for that purpose bought a calf, which he took up to his apartments at night and exhibited the next afternoon at a few minutes before six o'clock, in the balcony of his second floor. In spite of their eagerness to catch the post, many persons could not help stopping to look at the calf. Soon a crowd collected, and messengers stayed their steps in order to gaze at the unwonted apparition. Six o'clock struck, and soon after a number of men who had missed the post returned in an irritated condition, and, stopping before Vivier's house, shook their fists at him. Vivier went down to them, and asked the meaning of this insolence.

"We were not shaking our fists at you," replied the angered ones, "but at that calf."

"Ah! you know him then?" returned Vivier. "I was not aware of it."

In time Vivier's calf became the subject of a legend, according to which the animal (still in Vivier's apartments) grew to be an ox, and so annoyed the neighbours by his lowing that; the proprietor of the house insisted on its being sent away. Vivier told him to come; and take it, when it was found that the calf of other days had grown to such a size that it was impossible to get it downstairs.

MONSIEUR SYLVESTRE BONNARD: A CONFESSION
[Sidenote: Anatole France, translated by Lafcadio Hearn]

I can see once more, with astonishing vividness, a certain doll which, when I was eight years old, used to be displayed in the window of an ugly little shop of the Rue de la Seine. I was very proud of being a boy; I despised little girls; and I longed impatiently for the day (which, alas! has come) when a strong white beard should bristle on my chin. I played at being a soldier; and, under the pretext of obtaining forage for my rocking-horse, I used to make sad havoc among the plants my poor mother used to keep on her window-sill. Manly amusements those, I should say! and nevertheless, I was consumed with longing for a doll. Characters like Hercules have such weaknesses occasionally. Was the one I had fallen in love with at all beautiful? No. I can see her now. She had a splotch of vermilion on either cheek, short soft arms, horrible wooden hands, and long sprawling legs. Her flowered petticoat was fastened at the waist with two pins. It was a decidedly vulgar doll—smelt of the faubourg. I remember perfectly well that, even child as I was then, before I had put on my first pair of trousers, I was quite conscious in my own way that this doll lacked grace and style—that she was gross, that she was coarse. But I loved her in spite of that; I loved her just for that; I loved her only; I wanted her. My soldiers and my drums had become as nothing in my eyes. I ceased to stick sprigs of heliotrope and veronica into the mouth of my rocking-horse. That doll was all the world to me. I invented ruses worthy of a savage to oblige Virginie, my nurse, to take me by the little shop in the Rue de la Seine. I would press my nose against the window until my nurse had to take my arm and drag me away. "Monsieur Sylvestre, it is late, and your mamma will scold you." Monsieur Sylvestre in those days made very little of either scoldings or whippings. But his nurse lifted him up like a feather, and Monsieur Sylvestre yielded to force. In after years, with age, he degenerated, and sometimes yielded to fear. But at that time he used to fear nothing.

I was unhappy. An unreasoning but irresistible shame prevented me from telling my mother about the object of my love. Thence all my sufferings. For many days that doll, incessantly present in fancy, danced before my eyes, stared at me fixedly, opened her arms to me, assuming in my imagination a sort of life which made her appear at once mysterious and weird, and thereby all the more charming and desirable.

Finally, one day—a day I shall never forget—my nurse took me to see my uncle, Captain Victor, who had invited me to breakfast. I admired my uncle a great deal, as much because he had fired the last French cartridge at Waterloo as because he used to make with his own hands, at my mother's table, certain chapons-à-l'ail, which he afterwards put into the chicory-salad. I thought that was very fine! My Uncle Victor also inspired me with much respect by his frogged coat, and still more by his way of turning the whole house upside down from the moment he came into it. Even now I cannot tell just how he managed it, but I can affirm that whenever my Uncle Victor found himself in any assembly of twenty persons, it was impossible to see or to hear anybody but him. My excellent father, I have reason to believe, never shared my admiration for Uncle Victor, who used to sicken him with his pipe, gave him great thumps on the back by way of friendliness, and accused him of lacking energy. My mother, though always showing a sister's indulgence to the captain, sometimes advised him to fondle the brandy bottle a little less frequently. But I had no part either in these repugnances or these reproaches, and Uncle Victor inspired me with the purest enthusiasm. It was therefore with a feeling of pride that I entered into the little lodging-house where he lived, in the Rue Guénégaud. The entire breakfast, served on a small table close to the fireplace, consisted of pork-meats and confectionery.

The Captain stuffed me with cakes and pure wine. He told me of numberless injustices to which he had been a victim. He complained particularly of the Bourbons; and as he neglected to tell me who the Bourbons were, I got the idea—I can't tell how—that the Bourbons were horse-dealers established at Waterloo. The Captain, who never interrupted his talk except for the purpose of pouring out wine, furthermore made charges against a number of morveux, of jeanfesses, and "good-for-nothings" whom I did not know anything about, but whom I hated from the bottom of my heart. At dessert, I thought I heard the Captain say my father was a man who could be led anywhere by the nose; but I am not quite sure that I understood him. I had a buzzing in my ears; and it seemed to me that the table was dancing.

My uncle put on his frogged coat, took his chapeau tromblon, and we descended to the street, which seemed to me singularly changed. It looked to me as if I had not been in it before for ever so long a time. Nevertheless, when we came to the Rue de la Seine, the idea of my doll suddenly returned to my mind, and excited me in an extraordinary way. My head was on fire. I resolved upon a desperate expedient. We were passing before the window. She was there, behind the glass—with her red cheeks, and her flowered petticoat, and her long legs.

"Uncle," I said, with a great effort, "will you buy that doll for me?"

And I waited.

"Buy a doll for a boy—sacré bleu!" cried my uncle, in a voice of thunder. "Do you wish to dishonour yourself? And it is that old Mag there that you want! Well, I must compliment you, my young fellow! If you grow up with such tastes as that, you will never have any pleasure in life; and your comrades will call you a precious ninny. If you asked me for a sword or a gun, my boy, I would buy them for you with the last silver crown of my pension. But to buy a doll for you—a thousand thunders!—to disgrace you! Never in the world! Why, if I were even to see you playing with a puppet rigged out like that, monsieur, my sister's son, I would disown you for my nephew!"

On hearing these words, I felt my heart so wrung that nothing but pride—a diabolic pride—kept me from crying.

My uncle, suddenly calming down, returned to his ideas about the Bourbons; but I, still smarting from the blow of his indignation, felt an unspeakable shame. My resolve was quickly made. I promised myself never to disgrace myself—I firmly and for ever renounced that red-cheeked doll.

I felt that day, for the first time, the austere sweetness of sacrifice.

Captain, though it be true that all your life you swore like a pagan, smoked like a beadle, and drank like a bell-ringer, be your memory nevertheless honoured—not merely because you were a brave soldier, but also because you revealed to your little nephew in petticoats the sentiment of heroism! Pride and laziness had made you almost insupportable, O my Uncle Victor!—but a great heart used to beat under those frogs upon your coat. You always used to wear, I now remember, a rose in your button-hole. That rose which you allowed, as I now have reason to believe, the shop-girls to pluck for you—that, large, open-hearted flower, scattering its petals to all the winds, was the symbol of your glorious youth. You despised neither absinthe nor tobacco; but you despised life. Neither delicacy nor common sense could have been learned from you, captain; but you taught me, even at an age when my nurse had to wipe my nose, a lesson of honour and self-abnegation that I will never forget.

THOUGHTS ON VARIOUS SUBJECTS
[Sidenote: Dean Swift]

We have just enough religion to make us hate, but not enough to make us love one another.

* * * * *

The latter part of a wise man's life is taken up in curing the follies, prejudices, and false opinions he had contracted in the former.

* * * * *

When a true genius appeareth in the world you may know him by this infallible sign, that the dunces are all in confederacy against him.

* * * * *

Although men are accused of not knowing their own weakness, yet perhaps as few know their own strength. It is in men as in soils, where sometimes there is a vein of gold, which the owner knows not of.

* * * * *

If a man would register all his opinions upon love, politics, religion, learning, etc., beginning from his youth, and so go on to old age, what a bundle of inconsistencies and contradictions would appear at last!

* * * * *

The reason why so few marriages are happy is because young ladies spend their time in making nets, not in making cages.

* * * * *

"He who does not provide for his own house," St. Paul says, "is worse than an infidel." And I think, he who provides only for his own house is just equal with an infidel.

* * * * *

An idle reason lessens the value of the good ones you gave before.

* * * * *

When I am reading a book, whether wise or silly, it seems to me to be alive and talking to me.

* * * * *

Very few men, properly speaking, live at present, but are providing to live another time.

* * * * *

If the men of wit and genius would resolve never to complain in their works of critics and detractors, the next age would not know that they ever had any.

* * * * *

As universal a practice as lying is, and as easy a one as it seems, I do not remember to have heard three good lies in all my conversation, even from those who were most celebrated in that faculty.

GOETHE IN HIS OLD AGE
[Sidenote: W.M. Thackeray]

In 1831, though he had retired from the world, Goethe would nevertheless very kindly receive strangers. His daughter-in-law's tea-table was always spread for us. We passed hour after hour there, and night after night, with the pleasantest talk and music. We read over endless novels and poems in French, English, and German. My delight in those days was to make caricatures for children. I was touched to find (in 1855) that they were remembered and some even kept to the present time; and very proud to be told, as a lad, that the great Goethe had looked at some of them.

He remained in his private apartments, where only a very few privileged persons were admitted; but he liked to know all that was happening, and interested himself about all strangers. Whenever a countenance took his fancy there was an artist settled in Weimar who made a portrait of it. Goethe had quite a gallery of heads, in black and white, taken by this painter. His house was all over pictures, drawings, casts, statues and medals.

Of course, I remember very well the perturbation of spirit with which, as a lad of nineteen, I received the long-expected intimation that the Herr Geheimrath would see me on such a morning. This notable audience took place in a little antechamber of his private apartments, covered all round with antique carts and bas-reliefs. He was habited in a long grey or drab redingote, with a white neckcloth and a red ribbon in his button-hole. He kept his hands behind his back just as in Rauch's statuette. His complexion was very clear, bright, and rosy. His eyes extraordinarily dark, piercing, and brilliant. I felt quite afraid before them, and remember comparing them to the eyes of the hero of a certain romance called "Melmoth the Wanderer," which used to alarm us boys thirty years ago; eyes of an individual who had made a bargain with a Certain Person, and at an extreme old age retained these eyes in their awful splendour. I fancy Goethe must have been still more handsome as an old man than even in the days of his youth. His voice was very rich and sweet. He asked me questions about myself, which I answered as best I could. I recollect I was at first astonished, and then somewhat relieved, when I found he spoke French with not a good accent.

Vidi tantum. I saw him but three times. Once walking in the garden of his house in the Frauenplan; once going to step into his chariot on a sunshiny day, wearing a cap and a cloak with a red collar. He was caressing at the time a beautiful little golden-haired granddaughter, over whose sweet fair face the earth has long since closed, too.

Any of us who had books or magazines from England sent them to him, and he examined them eagerly. Fraser's Magazine had recently come out, and I remember he was interested in those admirable outline portraits which appeared for a while in its pages. But there was one, a very ghastly caricature of Mr. Rogers, which, as Madame de Goethe told me, he shut up and put away from him angrily. "They would make me look like that," he said; though, in truth, I can fancy nothing more serene, majestic, and healthy-looking than the grand old Goethe.

Though his sun was setting, the sky round about was calm and bright, and that little Weimar illumined by it. In every one of those kind salons the talk was still of Art and Letters. The theatre, though possessing no extraordinary actors, was still connected with a noble intelligence and order. The actors read books and were men of letters and gentlemen, holding a not unkindly relationship with the Adel. At Court the conversation was exceedingly friendly, simple, and polished…. In the respect paid by this court to the Patriarch of Letters, there was something ennobling, I think, alike to the subject and the sovereign. With a five-and-twenty years' experience since those happy days of which I write, and an acquaintance with an immense variety of human kind, I think I have never seen a society more simple, charitable, courteous, gentlemanlike, than that of the dear little Saxon city where the good Schiller and the great Goethe lived and lie buried.

LITTLE BILLEE
[Sidenote: W.M. Thackeray]

Air—"Il y avait un petit navire"

There were three sailors of Bristol city,
Who took a boat and went to sea.
But first with beef and captain's biscuits
And pickled pork they loaded she.

There was gorging Jack and guzzling Jimmy,
And the youngest he was little Billee.
Now when they got as far as the Equator
They'd nothing left but one split pea.

Says gorging Jack to guzzling Jimmy,
"I am extremely hungaree."
To gorging Jack says guzzling Jimmy,
"We've nothing left, us must eat we."

Says gorging Jack to guzzling Jimmy,
"With one another we shouldn't agree!
There's little Bill, he's young and tender,
We're old and tough, so let's eat he.

"Oh, Billy, we're going to kill and eat you,
So undo the button of your chimie."
When Bill received this information,
He used his pocket-handkerchie.

"First let me say my catechism
Which my poor mammy taught to me."
"Make haste, make haste," says guzzling Jimmy,
While Jack pulled out his snickersnee.

So Billy went up to the main-top gallant mast,
And down he fell on his bended knee.
He scarce had come to the twelfth commandment
When up he jumps, "There's land I see.

"Jerusalem and Madagascar,
And North and South Amerikee:
There's the British flag a-riding at anchor,
With Admiral Napier, K.C.B."

So when they got aboard of the Admiral's
He hanged fat Jack and flogged Jimmee;
But as for little Bill, he made him
The Captain of a Seventy-Three.

THE SOUTH COUNTRY
[Sidenote: Hilaire Belloc]

When I am living in the Midlands
That are sodden and unkind,
I light my lamp in the evening:
My work is left behind;
And the great hills of the South Country
Come back into my mind.

The great hills of the South Country,
They stand along the sea:
And it's there walking in the high woods,
That I could wish to be,
And the men that were boys when I was a boy,
Walking along with me.

The men that live in North England,
I saw them for a day:
Their hearts are set upon the waste fells,
Their skies are fast and grey;
From their castle walls a man may see
The mountains far away.

The men that live in West England
They see the Severn strong,
A-rolling on rough water brown
Light aspen leaves along.
They have the secret of the rocks,
And the oldest kind of song.

But the men that live in the South Country
Are the kindest and most wise,
They get their laughter from the loud surf,
And the faith in their happy eyes
Comes surely from our Sister the Spring,
When over the sea she flies;
The violets suddenly bloom at her feet
She blesses us with surprise.

I never get between the pines
But I smell the Sussex air;
Nor I never come on a belt of sand
But my home is there.
And along the sky the line of the Downs
So noble and so bare.

A lost thing could I never find,
Nor a broken thing mend:
And I fear I shall be all alone
When I get towards the end.
Who will there be to comfort me,
Or who will be my friend?

I will gather and carefully make my friends
Of the men of the Sussex Weald,
They watch the stars from silent folds,
They stiffly plough the field.
By them and the God of the South Country
My poor soul shall be healed.

If ever I become a rich man,
Or if ever I grow to be old,
I will build a house with deep thatch
To shelter me from the cold,
And there shall the Sussex songs be sung
And the story of Sussex told.

I will hold my house in the high wood
Within a walk of the sea,
And the men that were boys when I was a boy
Shall sit and drink with me.

ARAB LOVE-SONG
[Sidenote: Francis Thompson]

The hunchèd camels of the night[11]
Trouble the bright
And silver waters of the moon.
The Maiden of the Morn will soon
Through Heaven stray and sing,
Star gathering.

Now while the dark about our loves is strewn,
Light of my dark, blood of my heart, O come!
And night will catch her breath up, and be dumb.

Leave thy father, leave thy mother
And thy brother;
Leave the black tents of thy tribe apart!
Am I not thy father and thy brother,
And thy mother?
And thou—what needest with thy tribe's black tents
Who hast the red pavilion of my heart?

OUT OF THE MOUTH OF BABES
[Sidenote: Wilfrid Maynell]

As high up in a house as a nest
In a tree,
They have gone for the night to their rest,
The Babes three.

One will say, when they wake, with arms crossed,
"Jesus blest!"
One will cry "Mother mine"—and be lost
In that breast.

"Ta-ra-ra," then the littlest maid saith,
Two and gay;
And loud laughs with the last of her breath,
"Boom-de-ay!"

What they say, in their nests, these dear birds,
Is all even:
For their speech, be whatever their words,
Is of Heaven.

THEIR BEST
[Sidenote: Wilfrid Maynell]

She is a very simple maid—
Nicknamed a "tweeny";
The cook's and housemaid's riven aid,
Christ-named Irene.
And when, in lower regions, she
Hears hurled request,
She laughs or cries: "Oh, right you be,
I'll do my best."

Her very best, be very sure!
She holds it fast—
Religion undefiled and pure.
And, at the last,
When Life, from this sad house of her,
Flits like a guest,
She'll curtsy to the Judge: "O Sir,
I did my best."

The Judge, for sure, will bow His head;
And, round the throne,
Angels will know to God they've led
His very own.
This sentence then shall gently fall:
"Irene, you
Have done your best: and that is all
Even God can do."

MAGNIFICENT ENDS
[Sidenote: Disraeli in "Vivian Grey"]

In the plenitude of his ambition he stopped one day to enquire in what manner he could obtain his magnificent ends: "The Bar—pooh! law and bad jokes till we are forty; and then with the most brilliant success, the prospect of gout and a coronet. Besides, to succeed as an advocate, I must be a great lawyer, and to be a great lawyer, I must give up my chance of being a great man. The Services in war time are only fit for desperadoes (and that truly am I); but, in peace, are fit only for fools. The Church is more rational. Let me see: I should certainly like to act Wolsey, but the thousand and one chances against me! and truly I feel my destiny should not be on a chance. Were I the son of a millionaire, or a noble, I might have all. Curse on my lot! that the want of a few rascal counters, and the possession of a little rascal blood should mar my fortunes!"

GENIUS, WHEN YOUNG
[Sidenote: Disraeli in "Coningsby"]

"Nay," said the stranger; "for life in general there is but one decree. Youth is a blunder; Manhood a struggle; Old Age a regret. Do not suppose," he added smiling, "that I hold that youth is genius; all that I say is that genius, when young, is divine. Why, the greatest captains of ancient and modern times both conquered Italy at five-and-twenty! Youth, extreme youth, overthrew the Persian Empire. Don John of Austria won Lepanto at twenty-five, the greatest battle of modern time; had it not been for the jealousy of Philip, the next year he would have been Emperor of Mauretania. Gaston de Foix was only twenty-two when he stood a victor on the plain of Ravenna. Every one remembers Condé and Rocroy at the same age. Gustavus Adolphus—look at his captains; that wonderful Duke of Weimar, only thirty-six when he died. Banier himself, after all his miracles, died at forty-five. Cortes was little more than thirty when he gazed upon the golden cupolas of Mexico. When Maurice of Saxony died, at thirty-two, all Europe acknowledged the loss of the greatest captain and the profoundest statesman of the age. Then there is Nelson, Clive; but these are warriors, and perhaps you may think there are greater things than war. I do not: I worship the Lord of Hosts. But take the most illustrious achievements of civil prudence. Innocent III., the greatest of the Popes, was the despot of Christendom at thirty-seven. John de Medici was a Cardinal at fifteen, and, according to Guicciardini, baffled with his statecraft Ferdinand of Aragon himself. He was Pope as Leo X. at thirty-seven. Luther robbed even him of his richest province at thirty-five. Take Ignatius Loyola and John Wesley; they worked with young brains. Ignatius was only thirty when he made his pilgrimage and wrote the "Spiritual Exercises." Pascal wrote a great work at sixteen, and died at thirty-seven, the greatest of Frenchmen.

"Ah, that fatal thirty-seven, which reminds me of Byron, greater even as a man than a writer. Was it experience that guided the pencil of Raphael when he painted the palaces of Rome? He, too, died at thirty-seven. Richelieu was Secretary of State at thirty-one. Well then, there were Bolingbroke and Pitt, both ministers before other men left off cricket. Grotius was in great practice at seventeen, and Attorney-General at twenty-four. And Acquaviva; Acquaviva was General of the Jesuits, ruled every Cabinet in Europe, and colonised America before he was thirty-seven. What a career!" exclaimed the stranger; rising from his chair and walking up and down the room; "the secret sway of Europe! That was indeed a position! But it is needless to multiply instances! The history of Heroes is the history of Youth."

GUARDIAN ANGELS
[Sidenote: Disraeli in "Tancred"]

"What should I be without my debts?" he would sometimes exclaim; "dear companions of my life that never desert me! All my knowledge of human nature is owing to them: it is in managing my affairs that I have sounded the depths of the human heart, recognised all the combinations of human character, developed my own powers and mastered the resources of others. What expedient in negotiation is unknown to me? What degree of endurance have I not calculated? What play of the countenance have I not observed? Yes, among my creditors I have disciplined that diplomatic ability that shall some day confound and control Cabinets. Oh, my debts, I feel your presence like that of guardian angels! If I be lazy, you prick me to action; if elate, you subdue me to reflection; and thus it is that you alone can secure that continuous yet controlled energy which conquers mankind."

AN EVENING IN SPAIN
[Sidenote: Disraeli to his Mother (1830)]

After dinner you take your siesta. I generally sleep for two hours. I think this practice conducive to health. Old people, however, are apt to carry it to excess. By the time I have risen and arranged my toilette it is time to steal out, and call upon any agreeable family whose Tertullia you may choose to honour, which you do, after the first time, uninvited, and with them you take your tea or chocolate. This is often al fresco, under the piazza or colonnade of the patio. Here you while away the time until it is cool enough for the alameda or public walk. At Cadiz, and even at Seville, up the Guadalquivir, you are sure of a delightful breeze from the water. The sea-breeze comes like a spirit. The effect is quite magical. As you are lolling in listless languor in the hot and perfumed air, an invisible guest comes dancing into the party and touches them all with an enchanted wand. All start, all smile. It has come; it is the sea-breeze. There is much discussion whether it is as strong, or whether weaker, than the night before. The ladies furl their fans and seize their mantillas, the cavaliers stretch their legs and give signs of life. All rise. I offer my arm to Dolores or Florentina (is not this familiarity strange?), and in ten minutes you are in the alameda. What a change? All is now life and liveliness. Such bowing, such kissing, such fluttering of fans, such gentle criticism of gentle friends! But the fan is the most wonderful part of the whole scene. A Spanish lady with her fan might shame the tactics of a troop of horse. Now she unfurls it with the slow pomp and conscious elegance of a peacock. Now she flutters it with all the languor of a listless beauty, now with all the liveliness of a vivacious one. Now in the midst of a very tornado, she closes it with a whir which makes you start, pop! In the midst of your confusion Dolores taps you on the elbow; you turn round to listen, and Florentina pokes you in your side. Magical instrument! You know that it speaks a particular language, and gallantry requires no other mode to express its most subtle conceits or its most unreasonable demands than this slight, delicate organ. But remember, while you read, that here, as in England, it is not confined to your delightful sex. I also have my fan, which makes my cane extremely jealous. If you think I have grown extraordinarily effeminate, learn that in this scorching clime the soldier will not mount guard without one. Night wears on, we sit, we take a panal, which is as quick work as snapdragon, and far more elegant; again we stroll. Midnight clears the public walks, but few Spanish families retire till two. A solitary bachelor like myself still wanders, or still lounges on a bench in the warm moonlight. The last guitar dies away, the cathedral clock wakes up your reverie, you too seek your couch, and amid a gentle, sweet flow of loveliness, and light, and music, and fresh air, thus dies a day in Spain. Adieu, my dearest mother. A thousand loves to all.

A MALTESE SENSATION
[Sidenote: Disraeli to his Father (1830)]

I had no need of letters of introduction here, and have already "troops of friends." The fact is, in our original steam-packet there were some agreeable fellows, officers, whom I believe I never mentioned to you. They have been long expecting your worship's offspring, and have gained great fame in repeating his third-rate stories at second hand; so in consequence of these messengers I am received with branches of palm. Here the younkers do nothing but play rackets, billiards, and cards, race and smoke. To govern men, you must either excel them in their accomplishments, or despise them. Clay does one, I do the other, and we are both equally popular. Affectation tells here even better than wit. Yesterday, at the racket court, sitting in the gallery among strangers, the ball entered, and lightly struck me and fell at my feet. I picked it up, and observing a young rifleman excessively stiff, I humbly requested him to forward its passage into the court, as I really had never thrown a ball in my life. This incident has been the general subject of conversation at all the messes to-day!

HIS FUTURE WIFE
[Sidenote: Disraeli to his Sister (1832)]

The soirée last night at Bulwer's was really brilliant, much more so than the first. There were a great many dames of distinction, and no blues. I should, perhaps, except Sappho, who was quite changed; she had thrown off Greco-Bromptonian costume and was perfectly à la Française and really looked pretty. At the end of the evening I addressed a few words to her, of the value of which she seemed sensible. I was introduced, "by particular desire," to Mrs. Wyndham Lewis, a pretty little woman, a flirt and a rattle; indeed, gifted with a volubility I should think unequalled, and of which I can convey no idea. She told me that she liked "silent, melancholy men." I answered that "I had no doubt of it."

KNOWSLEY OR THE PARTHENON
[Sidenote: Disraeli to Mrs. Brydges Willyams (1862)]

They say the Greeks, resolved to have an English King, in consequence of the refusal of Prince Alfred to be their monarch, intend to elect Lord Stanley. If he accepts the charge, I shall lose a powerful friend and colleague. It is a dazzling adventure for the House of Stanley, but they are not an imaginative race, and I fancy they will prefer Knowsley to the Parthenon, and Lancashire to the Attic plains. It is a privilege to live in this age of rapid and brilliant events. What an error to consider it a utilitarian age! It is one of infinite romance. Thrones tumble down, and crowns are offered like a fairy tale; and the most powerful people in the world, male and female, a few years ago were adventurers, exiles, and demireps.

JENNY KISSED ME
[Sidenote: Leigh Hunt]

Jenny kissed me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in:
Say I'm weary, say I'm sad,
Say that health and wealth have missed me,
Say I'm growing old, but add,
Jenny kissed me.