LIST OF DIAGRAMS

I.[TYPES OF FIRST DRAWINGS BY CHILDREN]
II.[SHOWING WHERE SQUARENESSES MAY BE LOOKED FOR]
III.[A DEVICE FOR ENABLING STUDENTS TO OBSERVE APPEARANCES AS A FLAT SUBJECT]
IV.[SHOWING THREE PRINCIPLES OF CONSTRUCTION USED IN OBSERVING MASSES, CURVES, AND POSITION OF POINTS]
V.[PLAN OF CONE ILLUSTRATING PRINCIPLES OF LIGHT AND SHADE]
VI.[ILLUSTRATING SOME POINTS CONNECTED WITH THE EYES]
VII.[EGG AND DART MOULDING]
VIII.[ILLUSTRATING VARIETY IN SYMMETRY]
IX.[ILLUSTRATING VARIETY IN SYMMETRY]
X.[ILLUSTRATING INFLUENCE OF HORIZONTAL LINES]
XI.[ILLUSTRATING INFLUENCE OF VERTICAL LINES]
XII.[ILLUSTRATING INFLUENCE OF THE RIGHT ANGLE]
XIII.[LOVE AND DEATH]
XIV.[ILLUSTRATING POWER OF CURVED LINES]
XV.[THE BIRTH OF VENUS]
XVI.[THE RAPE OF EUROPA]
XVII.[BATTLE OF S. EGIDIO]
XVIII.[SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY]
XIX.[SHOWING HOW LINES UNRELATED CAN BE BROUGHT INTO HARMONY]
XX.[THE ARTIST'S DAUGHTER]
XXI.[THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR]
XXII.[THE INFLUENCE ON THE FACE OF DIFFERENT WAYS OF DOING THE HAIR]
XXIII.[EXAMPLES OF EARLY ITALIAN TREATMENT OF TREES]
XXIV.[THE PRINCIPLE OF MASS OR TONE RHYTHM]
XXV.[MASS OR TONE RHYTHM IN "ULYSSES DERIDING POLYPHEMUS"]
XXVI.[EXAMPLE OF COROT'S SYSTEM OF MASS RHYTHM]
XXVII.[ILLUSTRATING HOW INTEREST MAY BALANCE MASS]
XXVIII.[PROPORTION]