CHAPTER X

SHOULD AULD ACQUAINTANCE BE FORGOT

Justin Ware arrived in town the day Persis finished Mildred's wedding dress. She heard the news from Joel, who had been at the station when the train came in. This was not a happy accident, nor was it intended as a spontaneous welcome to the returning son of Clematis. Year in and year out, except when the state of his health prevented, Joel kept a standing engagement with the four-twenty train, and few left town or entered it without his knowledge.

"He's filled out considerable, Justin Ware has, but except for that he hasn't changed much. Got a seal ring and silk lining to his overcoat. He ain't what you call a flashy dresser, but he lays it all over the young chaps like Thad West who think they're so swell."

Persis listened without comment. She had worked unusually hard that week, and the tired lines of her face acknowledged as much. She set them at defiance in a peculiarly feminine fashion by dressing that evening in the unbecoming henrietta and doing her hair in the plainest, most severe fashion. At half past seven Thomas Hardin came.

"That Ware feller is going to put up at the Clematis House. He's a big bug all right. Wanted a private setting-room, he did," Thomas chuckled. "Guess he's the sort that can't remember back further than he feels like doing. Old man Ware's private setting-room was a keg o' nails in Sol Peter's store. Nobody else ever thought of taking that particular keg. Stood right back of the stove, I remember. You never caught old man Ware putting on any airs."

"Justin and me was always the best of friends," said Joel, puffing out his thin chest pompously, as if he felt himself vicariously honored by Mr. Ware's tendency to exclusiveness. "We took a shine to each other when we were little shavers. As Addison says:

"'Great souls by instinct to each other turn
Demand alliance, and in friendship burn!'

"Yes, sir, it was a real David and Jonathan affair. That's his picture upon the mantel now."

Thomas Hardin turned his head. "'Tis so," he assented. "Hasn't changed such an all-fired lot only now he looks as if he'd cut his wisdom teeth quite a spell back." His gaze wandered to Persis, silently basting the breadths of a gray crêpe skirt. "You must have been acquainted with him, too," he said politely, striving to include her in the conversation.

"Yes, I knew him." Persis did not lift her eyes.

"All the family knew Justin," Joel explained. "Him and me being such friends, he was in and out of the house same as if he belonged here. I didn't speak to him to-day, because I never was one to cheapen myself by doing my visiting on a depot platform. We'll have plenty of chances to talk over old times.

"'There is nothing can equal the tender hours
When life is first in bloom.'"

It seemed to Persis during the next two days that wherever she turned she heard of Justin Ware. There was no escaping the subject. Without question Justin's business methods were the acme of up-to-date effectiveness. An outbreak of war could hardly have stirred the town to more seething excitement than the advent of this well-dressed young man with his self-confident air and full pocketbook. Clematis was apple-mad. The Apple of Eden Investment Company and its optimistic promises eclipsed in interest the combined fascinations of politics and scandal. The groups in those local lounging-places, which in rural communities are the legitimate successors of the Roman forum, passed over prospective congressional legislation and Annabel Sinclair's latest escapade in favor of apple orchards. The statistics which fell so convincingly from Ware's lips were quoted, derided, defended, denied. The hardest argument the objectors had to encounter was Ware himself. The atmosphere of prosperity surrounding him, his air of familiarity with luxury, could not be offset by logic. The program of the Clematis Woman's Club was fairly swamped by the eagerness of the members to question Mrs. Hornblower as to the possibilities of profit in this form of investment. Persis, who had come to the meeting late, went away early while the discussion was at its height and missed a paper by Gladys Wells entitled, No Knot at the End of the Thread.

Persis Dale was not lacking in self-respect. But for twenty years her self-respect had been identical with her loyalty. She could not fancy the one arrayed against the other. She clung desperately to the hope that Justin would explain. For half her lifetime she had found excuses for his silence, and the habit was too strong to be smothered overnight. But even her prejudiced tenderness recognized the insufficiency of the grounds on which she had exonerated the lover of her girlhood from blame. It was no longer possible to judge his faith by her own, scorning all doubt of him as she would have scorned the grossest of temptations. She could have borne the news of his death without outward evidence of emotion, but this bewilderment and uncertainty taxed her strength almost to the breaking point. Through the days, with the help of her work, she kept herself so well in hand as almost to believe that the victory was lasting. But as the dusk settled down, the old questioning began. Would he come? Could he stay away longer? He had been in town five days without seeing her, six days, seven. Against her will and her judgment, she found herself waiting, listening, hoping. Footsteps echoed outside, lagging feet, reluctant to leave comfort behind, swift feet, hurrying to keep some tryst with joy. She heard them pass and repass while her pulses leaped with a hope she knew to be folly, and then steadied to the old monotonous beat. She grew to hate the face of the tall clock in the corner ticking off the seconds glibly, leering as the time grew late, as if it alone knew her secret and mocked her disappointment. Thomas Hardin, coming in on one or two occasions, had exclaimed at the sight of her colorless face. Ordinarily she knew his step, but now her strained nerves misinterpreted the most familiar sights and sounds.

If the days were hard, the nights were torture. Even that poor, tormenting, futile hope that left her sick and shaken was better than hopelessness. There were no stars in the darkness that brooded over her heart after the sun went down. As she lay with clenched hands, counting the ten thousand woolly sheep whose agility in overleaping an obstructive wall is for some mysterious reason assumed to be soporific in its influence, she was conscious of a sort of terror of the thoughts lurking in ambush, ready to spring out upon her if she were off her guard for an instant. It was useless to tell herself that she was no poorer than before, that nothing had changed. In her heart she knew better. She had worked on through the gray years, facing a colorless future, without a word from her one-time lover, to tell her that he lived or ever thought of her, and yet a dream, too vague and illusory to be named hope, had been her stay and solace. Now as she stared wide-eyed into the dark, she asked herself what was left.

It was no wonder that the gray crêpe grew apace. For the first time in her well-disciplined life, Persis gave up the struggle with refractory nerves, left her bed night after night and sewed till daybreak. For whatever might fail, her work was left, that grim consoler, who, masking benignity by a scowl, has kept ten million hearts from breaking.

The gown was finished at daybreak, one bright October morning, and that evening Persis tried it on, in the apathetic mood that mercifully relieves tense feelings when the limit of endurance has been reached. It was late, according to Clematis standards. For almost twenty-four hours that dreadful, unbeaten hopefulness would be quiescent. Thomas Hardin had come and gone. Joel was in bed. Persis Dale put on her new gray gown and scrutinized herself in the mirror. She had lost interest in her personal appearance, but her professional instinct told her that the dress was a success.

"It would be real becoming if my hair wasn't strained back so. A dress can't do much for you when you look like a skinned rabbit, all on account of your hair." She recalled the coiffure in which Annabel Sinclair had presented herself the previous day, and loosening the coil of her hair, as glossy and abundant as ever, she imitated with a skill which surprised herself, Annabel's version of the latest mode. She was studying the effect when some one knocked.

It was quarter of nine. It occurred to Persis that some one of the neighbors must be ill. There seemed no other explanation for such a summons at that hour. She crossed the room hurriedly and opened the door.

A man stood outside, and after a moment of hesitation he entered, putting out his hand.

"Good evening, Miss Dale. I hope you haven't forgotten me."

Persis recalled afterward with the amazement self-discovery so frequently entails, that the one thought for which her mind had room was an intense thankfulness that she had arrayed herself in the gray dress. That emotion was infinitely removed from vanity. The new gown had become an armor. Except for its aid she would have been at too great a disadvantage in this encounter.

The hand she extended was quite steady. "Of course I haven't forgotten you, Justin. Won't you sit down?"

Justin pulled up a chair for her before seating himself. He had an impulse to gain time, the result of being taken by surprise. This was not quite the Persis he had expected to find. In recalling that early affair of the heart with the indulgent smile its absurdity demanded, Justin's imagination had drawn an unflattering sketch of the object of his boyish devotion. But his first glance told him that Persis Dale was still a good-looking woman, with an unmistakable dignity of manner, and, surprising as it seemed, some commendable ideas as to dress. His eyes dwelt on her with approval. He really wished he had called earlier.

They talked for a little of the most obvious matters as old friends will, meeting after many years. He was less at ease than she, and asked her permission to smoke, finding the manipulation of his cigarette a help in concealing if not overcoming his unwonted sense of embarrassment. The talk turned presently to common acquaintances, dangerous ground, he realized, though he asked himself what other interest they had in common. Persis was able to give him considerable information concerning friends, some of whose very names he had forgotten. She left him to direct the conversation as he would. He reflected that she was more quiet than he would have expected to find her, more reserved, but by no means a woman to laugh at. That had been his mistake.

He was lighting his second cigarette when he caught sight of the plush-framed photograph. He stared till his match went out, and rising, crossed the room. As he scrutinized the likeness of his callow self, he gave way to laughter, his first spontaneous expression of feeling since he entered the room.

"Upon my word, Persis," he cried gaily, using her name for the first time and seemingly unconscious that he had done so. "It's been extremely charitable of you to give this jay house-room for so long." He scratched another match, lit his cigarette and laughed again. "I wonder if I could have been such an unconscionable donkey as I looked."

Persis moved slightly in her chair, but failed to reassure him on that point.

"We really wore our hair in that style, didn't we?" he continued humorously. "And yet the thunderbolts spared us. And that classy thing in ties! By jove! Persis, you'll have to make me a present of this for old times' sake. This pretty picture of smiling innocence gets on my nerves. I shall feel easier when it has been consigned to the flames."

From the armchair Persis spoke. Her voice was low and distinct.

"Let that picture alone."

The accent of authority was unmistakable. Justin Ware turned, and stood transfixed by what he saw. Persis' cheeks were crimson, her eyes ablaze. His astonishment over the discovery that she was angry, blended with surprised admiration. Persis in a fury was almost a handsome woman.

He went back to his chair, a trifle uncertain as to the next move. He had made a study of women, too, but this country dressmaker baffled him for the moment. Her heated defense of his picture would have suggested a conclusion flattering to his vanity had it not been for the incongruous fact that seemingly her anger was directed against himself. There was a piquant flavor to the situation gratifying to his epicure's taste.

"It's good of you to stand up for the fellow, Persis. You always were kind-hearted, I remember. But really isn't this stretching charity too far? Such a Rube is meant to be laughed at. There's nothing else to do with him. And to think that he and I were one only—let's see, how many years has it been?"

"We won't talk about that picture any more."

He regarded her humorously through the haze of smoke. "And why not?"

"He's a friend of mine. I don't care to have him laughed at!"

"But you forget my relation to the gentleman, my dear Persis. If any one should be sensitive, it surely is I."

"You've nothing to do with him," Persis declared, biting off her words in peppery mouthfuls. "You're as much of a stranger to him as you are to me. We'll just let him alone. There's things enough to talk about, I should hope, without making fun of that poor boy."

"Suppose I give you one of my late photographs in exchange for the cherub with the curly locks."

"I don't want it."

Justin was a trifle taken aback. He had hardly made the offer before he had accused himself of indiscretion. To be sure Persis was taking a very proper attitude. She showed no inclination to presume on the sentimental phase of their former acquaintance. She had said distinctly that they were strangers. And yet it was as well to be guarded. The bluntness of her retort gave him an almost rueful conviction of the needlessness of caution.

The flame of Persis' anger had burned itself out almost immediately,
but the red embers still glowed in her eyes, and her cheeks were hot.
She changed the subject with no pretense at finesse: "You seen Minerva
Leveridge yet?"

"I don't seem to recall any one of that name."

"She was Minerva Bacon, and she married Joe Leveridge, old Doctor Whitely's nephew. You must remember him. Quiet sort of boy with a cast in his eye."

"Oh, yes. I remember the fellow now. His name was Leveridge, was it?"

"Yes. He died six or seven years ago. He left Minerva comf'tably fixed, judging from the mourning she wore. When a widow's crêpe veil reaches to her heels it's pretty sure her husband left her some life insurance. You been to the Sinclairs' yet?"

"Why, yes." Justin looked a little guilty. As a matter of fact he had found time to drop in to see Annabel more than once. "I met Mrs. Sinclair on the street near the hotel one afternoon, and she asked me to call."

"That's why she was in such a hurry for the net," thought Persis. Aloud she said: "Her Diantha is an awfully pretty girl, as much of a belle as ever her mother was."

"No? I haven't happened to see the girl, but it's hard to think of
Mrs. Sinclair as the mother of a grown daughter."

Ware realized with amazement that he would not again be allowed to broach the subject of the photograph. He had that fondness for playing with fire which so frequently survives in the adults of both sexes, and he gave the conversation a semi-sentimental twist more than once, only to be brought back sharply to practicalities by the lady in gray. There was no doubt that Persis meant to be mistress of the situation.

"I shall see you very soon again," he said, as he shook hands for good night. He would probably have said this in any case, such consolatory assurances being instinctive with him, but for a wonder he meant it. He had looked forward to this meeting with reluctance and had only made the call because even his complacent conscience had assured him that to omit it would be inexcusable. And virtue had been unexpectedly rewarded. He had enjoyed himself. He wanted to call again.

"Good night," said Persis, and neglected to assure him of her pleasure in the anticipation of his speedy return. She withdrew her hand. "Good night," she repeated. And if she recalled their last parting in that very room, she was not sure whether the contrast was a ground for laughter or for tears.