VOLUME II
NEW YORK AND LONDON:
HARPER & BROTHERS, PUBLISHERS.
1902.
BRADBURY, AGNEW, & CO. LD., PRINTERS,
LONDON AND TONBRIDGE.
All rights reserved.
December, 1901.
CONTENTS.
| Page | |
|---|---|
| CHAPTER VIII. THE ARTISTIC JOKE. | |
| The First Idea--How it was Made--"Fire!"--I am a Somnambulist--My Workshop--My Business "Partner"--Not by Gainsborough--Lord Leighton--The Private View--The Catalogue--Sold Out--How the R.A.'s Took It--How a Critic Took It--Curious Offers--Mr. Sambourne as a Company Promoter--A One-man Show--Punch's Mistake--A Joke within a Joke--My Offer to the Nation | pp. [1]--[25] |
| CHAPTER IX. CONFESSIONS OF A COLUMBUS. | |
| The Cause of my Cruise--No Work--The Atlantic Greyhound--Irish Ship--Irish Doctor--Irish Visitors--Queenstown--A Surprise--Fiddles--Edward Lloyd--Lib--Chess--The Syren--The American Pilot--Real and Ideal--Red Tape--Bribery--Liberty--The Floating Flower Show--The Bouquet--A Bath and a Bishop--"Beastly Healthy"--Entertainment for Shipwrecked Sailors--Passengers--Superstition. | |
| America in a Hurry--Harry Columbus Furniss--The Inky Inquisition--First Impressions--Trilby--Tempting Offers--Kidnapped--Major Pond--Sarony--Ice--James B. Brown--Fire!--An Explanation. | |
| Washington--Mr. French of Nowhere--Sold--Interviewed--The Sporting Editor--Hot Stuff--The Capitol--Congress--House of Representatives--The Page Boys--The Agent--Filibuster--The "Reccard"--A Pandemonium--Interviewing the President. | |
| Chicago--The Windy City--Blowers--Niagara--Water and Wood--Darkness to Light--My Vis-à-Vis--Mr. Punch--My Driver--It Grows upon Me--Inspiration--Harnessing Niagara--The Three Sisters--Incline Railway--Captain Webb. | |
| Travelling--Tickets--Thirst--Sancho Panza--Proclaimed States--"The Amurrican Gurl"--A Lady Interviewer--The English Girl--A Hair Restorer--Twelfth Night Club Reception at a Ladies' Club--The Great Presidential Election--Sound Money v. Free Silver--Slumland--Detective O'Flaherty. | pp. [26]--[130] |
| CHAPTER X. AUSTRALIA. | |
| Quarantined--The Receiver-General of Australia--An Australian Guide-book--A Death Trap--A Death Story--The New Chum--Commercial Confessions--Mad Melbourne--Hydrophobia--Madness--A Land Boom--A Paper Panic--Ruin. | |
| Sydney--The Confessions of a Legislator--Federation--Patrick Francis Moran. | |
| Adelaide--Wanted, a Harbour--Wanted, an Expression--Zoological--Guinea-pigs--Paradise!--Types--Hell Fire Jack--The Horse--The Wrong Room! | pp. [131]--[153] |
| CHAPTER XI. PLATFORM CONFESSIONS. | |
| Lectures and Lecturers--The Boy's Idea--How to Deliver It--The Professor--The Actors--My First Platform--Smoke--Cards--On the Table--Nurses--Some Unrehearsed Effects--Dress--A Struggle with a Shirt--A Struggle with a Bluebottle--Sir William Harcourt Goes out--My Lanternists Go Out--Chairmen--The Absent Chairman--The Ideal Chairman--The Political Chairman--The Ignorant Chairman--Chestnuts--Misunderstood--Advice to Those about to Lecture--I am Overworked--"'Arry to Harry." | pp. [154]-[189] |
| CHAPTER XII. MY CONFESSIONS AS A "REFORMER." | |
| Portraiture Past and Present--The National Portrait Gallery Scandal--Fashionable Portraiture--The Price of an Autograph--Marquis Tseng--"So That's My Father!"--Sala Attacks Me--My Retort--Du Maurier's Little Joke--My Speech--What I Said and What I Did Not Say--Fury of Sala--The Great Six-Toe Trial--Lockwood Serious--My Little Joke--Nottingham Again--Prince of Journalists--Royal Academy Antics--An Earnest Confession--My Object--My Lady Oil--Congratulations--Confirmations--The Tate Gallery--The Proposed Banquet--The P.R.A. and Modern Art--My Confessions in the Central Criminal Court--Cricket in the Park--Reform!--All About that Snake--The Discovery--The Capture--Safe--The Press--Mystery--Evasive--Experts--I Retaliate--The Westminster Gazette--The Schoolboy--The Scare--Sensation--Death--Matters Zoological--Modern Inconveniences--Do Women Fail in Art?--Wanted a Wife | pp. [190]-[234] |
| CHAPTER XIII. MY CONFESSIONS AS A "REFORMER." | |
| My First City Dinner--A Minnow against the Stream--Those Table Plans--Chaos--The City Alderman, Past and Present--Whistler's Lollipops--Odd Volumes--Exchanging Names--Ye Red Lyon Clubbe--The Pointed Beard--Baltimore Oysters--The Sound Money Dinner--To Meet General Boulanger--A Lunch at Washington--No Speeches. | |
| The Thirteen Club--What it was--How it was Boomed--Gruesome Details--Squint-Eyed Waiters--Superstitious Absentees--My Reasons for being Present--'Arry of Punch--The Lost "Vocal" Chords--The Undergraduate and the Undertaker--Model Speeches--Albert Smith--An Atlantic Contradiction--The White Horse--The White Feather--Exit 13 | pp. [235]-[271] |
| CHAPTER XIV. THE CONFESSIONS OF AN EDITOR. | |
| Editors--Publishers--An Offer--Why I Refused it--The Pall Mall Budget--Lika Joko--The New Budget--The Truth about my Enterprises--Au Revoir! | pp. [272]-[280] |
HARRY FURNISS'S (EGYPTIAN STYLE).
From "Punch."
LIST OF ILLUSTRATIONS.
| PAGE | |
| An Artistic Joke. A London Slum. My Parody of the Venetian School. | Frontispiece. |
| My Studio during the Progress of "An Artistic Joke" | [1] |
| Harry Furniss's Royal Academy | [3] |
| Throwing myself into it | [5] |
| Fire! | [6] |
| The Pictures by R. Macbeth: | |
| Potato Gang in the Fens; | |
| Twitch-burning in the Fens; | |
| A Flood in the Fens | [8] |
| Macbeth in the Fens | [9] |
| Letter from the President of the Royal Academy | [11] |
| "An Artistic Joke" | [15] |
| Mr. Sambourne's Prospectus | [18] |
| Cover of "How he did it" | [20] |
| Initial "T" | [20] |
| My Portrait. Frontispiece for "How he did it" | [21] |
| Harry Furniss and his "Lay Figure" | [22] |
| Letter from the President of the Royal Academy | [25] |
| Initial "I" | [26] |
| A "T—Tonic" | [27] |
| An Atlantic "Greyhound." | [28] |
| The Saloon of the Teutonic. The First Morning at Breakfast | [30] |
| At Queenstown—A Reminiscence | [33] |
| Bog-Oak Souvenirs | [34] |
| The Captain's Table | [36] |
| Not up in a Balloon | [38] |
| Chess | [40] |
| Mr. Lloyd and the Lady. "If you will sing, I will!" | [42] |
| The American Pilot—Ideal | [43] |
| The American Pilot—Real | [43] |
| The Health Officer comes on Board | [45] |
| Just in Time | [46] |
| "A Floating Flower Show" | [47] |
| The Bath Steward and the Bishop. "Your Time, Sir! Your Time!" | [48] |
| Americans and English on Deck | [49] |
| American Interviewing—Imaginary | [52] |
| American Interviewing—Real | [53] |
| "Sandy." | [55] |
| Chiropody | [57] |
| "New Trilby." | [58] |
| "Amiable Mr. Harry Furniss" | [59] |
| Major Pond | [59] |
| The Great Sarony | [61] |
| James B. Brown | [63] |
| Fire! | [65] |
| The Alarm | [67] |
| The Throne in the Senate | [72] |
| The Throne, House of Representatives | [73] |
| Initial "T" | [74] |
| The House of Representatives | [75] |
| An ex-Speaker | [77] |
| An ex-Minister | [80] |
| Anglophobia | [82] |
| The President—Ideal | [83] |
| The President—Real | [83] |
| Initial "A" | [84] |
| A Buffalo Girl | [84] |
| President Harrison's Reply | [85] |
| Mr. Punch at Niagara | [86] |
| Hebe | [86] |
| My Driver | [87] |
| Fra' Huddersfield | [87] |
| Niagara growing upon Me | [88] |
| I admire the great Horseshoe Fall | [89] |
| Jonathan harnessing Niagara | [90] |
| "The Three Sisters." | [91] |
| Inclined Railway, Niagara | [92] |
| Where Captain Webb was Killed | [93] |
| Tourists | [94] |
| American Travelling. Nothing to Eat | [96] |
| American Travelling. Nothing to Drink | [97] |
| Sleep(!) | [100] |
| A Washington Lady | [102] |
| A Lady Interviewer | [104] |
| A Sketch at "Del's" | [105] |
| Young America | [106] |
| An American Menu | [107] |
| My Portrait—in the Future | [108] |
| I am Entertained at the Twelfth Night Club | [110] |
| Reception at a Ladies' Club | [112] |
| Wife and Husband | [113] |
| A Dream of the White House | [114] |
| The Political Quartette | [116] |
| After the Great Parade: "Am I to sit on an ordinary seat to-night?" | [120] |
| Italians | [123] |
| Where the Deed was done! | [125] |
| "A Youth with a Crutch" | [127] |
| In an Opium Joint | [128] |
| "In His Own Black Art" | [128] |
| "Hitting the Pipe" | [129] |
| "Good-bye" | [130] |
| Initial "W" | [131] |
| Coaling | [132] |
| Quarantine | [133] |
| Initial "T" | [134] |
| Sleepy Hollow | [135] |
| Prospectors | [138] |
| Quarantine Island | [141] |
| I am invited to present myself | [143] |
| Landing at Adelaide | [148] |
| Pondicherry Vultures | [150] |
| The Maid of the Inn | [150] |
| The Way into Paradise | [151] |
| Paradise | [151] |
| Adam and Eve | [152] |
| A Type | [153] |
| Queen's Hall, London. I was the first to speak from the Platform | [154] |
| "Parliament by Day" | [156] |
| "Parliament by Night" | [157] |
| Miss Mary Anderson | [159] |
| Initial "By" | [159] |
| Giving My "Humours of Parliament" to the Nurses | [162] |
| Speaker Brand, afterwards Viscount Hampden | [164] |
| The Surprise Shirt | [166] |
| Discovered! | [168] |
| The Fly in the Camera | [169] |
| Late Arrivals | [171] |
| Reserved Seats | [172] |
| Chairman No. 1 | [174] |
| Chairman No. 2 | [177] |
| The Pumpkin—a Chestnut | [178] |
| In "The Humours of Parliament." Ballyhooley Pathetic | [181] |
| Harry Furniss as a Pictorial Entertainer | [182] |
| "Grandolph ad Leones." Reduction of a Page Drawing for Punch made by me whilst travelling by Train | [185] |
| Down with Dryasdust | [189] |
| From a Photo by Debenham and Gould | [190] |
| G. A. Sala | [195] |
| "Art Critic of the Daily Telegraph" | [199] |
| Counsel for the Plaintiff | [200] |
| Mr. F. C. Gould's Sketch in the Westminster, which Sala maintained was mine | [200] |
| Defendant | [202] |
| My Hat | [202] |
| The Plaintiff | [203] |
| The Editor of Punch supports me | [203] |
| Sir F. Lockwood and Myself | [204] |
| "Six Toes" Signature | [205] |
| The Sequel—I Distribute the Prizes at Nottingham | [205] |
| Initial "T" | [206] |
| The See-Saw Antic | [207] |
| The first P.R.A. | [209] |
| No Water-Colour or Black-and-White need apply | [210] |
| A National Academy | [211] |
| The Central Criminal Court. From Punch | [215] |
| "Thank Y-o-o-u!" | [216] |
| Regent's Park as it was. From Punch. A Rough Sketch on Wood | [217] |
| The Late Mr Bartlett | [220] |
| Sketch by Mr. F. C. Gould | [223] |
| The Lady and Her Snakes | [226] |
| Do Women fail in Art—The Chrysalis | [228] |
| The Butterfly | [230] |
| Early Victorian Art | [232] |
| Young Lady's Portrait of her Brother | [233] |
| Waiting | [234] |
| Initial "P" | [235] |
| Menu of the Dinner given to me by the Lotos Club, New York | [237] |
| Alderman—Ideal. Real | [239] |
| J. Whistler, after a City Dinner (Drawn with my Left Hand) | [241] |
| An Odd Volume | [241] |
| My Design for Sette of Odd Volumes | [242] |
| My Design (reduced) for the Dinner of Ye Red Lyon Clubbe | [243] |
| A Distinguished "Lyon" | [243] |
| Headpiece and Initial "S" | [245] |
| A Sound Money Dinner | [249] |
| A Sketch of Boulanger | [251] |
| Address of Boulanger's Retreat | [252] |
| A Note on My Menu | [253] |
| Remarkable and much-talked-of Lunch to me at Washington. The Autographs on back of Menu | [254] |
| Mr. Punch and his Dog Toby | [256] |
| A Memorandum in Pencil | [258] |
| Thirteen Club Banquet. The Table Decorations | [259] |
| Mr. W. H. Blanch | [260] |
| The Broken Looking-Glass | [261] |
| The Badge | [261] |
| Squint-Eyed Waiter | [263] |
| Coffins, Sir! | [266] |
| "The Chairman will be Pleased to Spill Salt with You." From the St. James's Budget | [267] |
| A Knife I was Presented with | [268] |
| Tailpiece | [271] |
| "Au Revoir" | [280] |