HALBERT AND HOB
Here is a thing that happened. Like wild beasts whelped, for den,
In a wild part of North England, there lived once two wild men
[277] Inhabiting one homestead, neither a hovel nor hut,
Time out of mind their birthright: father and son, these—but—
Such a son, such a father! Most wildness by degrees
Softens away: yet, last of their line, the wildest and worst were these.
Criminals, then? Why, no: they did not murder and rob;
But, give them a word, they returned a blow—old Halbert as young Hob:
Harsh and fierce of word, rough and savage of deed,
Hated or feared the more—who knows?—the genuine wild-beast breed.
Thus were they found by the few sparse folk of the countryside;
But how fared each with other? E'en beasts couch, hide by hide,
In a growling, grudged agreement: so, father and son aye curled
The closelier up in their den because the last of their kind in the world.
Still, beast irks beast on occasion. One Christmas night of snow,
Came father and son to words—such words! more cruel because the blow
To crown each word was wanting, while taunt matched gibe, and curse
Completed with oath in wager, like pastime in hell,—nay, worse:
For pastime turned to earnest, as up there sprang at last
The son at the throat of the father, seized him and held him fast.
[278] "Out of this house you go!"—(there followed a hideous oath)—
"This oven where now we bake, too hot to hold us both!
If there's snow outside, there's coolness: out with you, bide a spell
In the drift and save the sexton the charge of a parish shell!"
Now, the old trunk was tough, was solid as stump of oak
Untouched at the core by a thousand years: much less had its seventy broke
One whipcord nerve in the muscly mass from neck to shoulder-blade
Of the mountainous man, whereon his child's rash hand like a feather weighed.
Nevertheless at once did the mammoth shut his eyes,
Drop chin to breast, drop hands to sides, stand stiffened—arms and thighs
All of a piece—struck mute, much as a sentry stands,
Patient to take the enemy's fire: his captain so commands.
Whereat the son's wrath flew to fury at such sheer scorn
Of his puny strength by the giant eld thus acting the babe new-born:
And "Neither will this turn serve!" yelled he. "Out with you! Trundle, log!
If you cannot tramp and trudge like a man, try all-fours like a dog!"
Still the old man stood mute. So, logwise,—down to floor
Pulled from his fireside place, dragged on from hearth to door,—
Was he pushed, a very log, staircase along, until
A certain turn in the steps was reached, a yard from the house-door-sill.
[279] Then the father opened eyes—each spark of their rage extinct,—
Temples, late black, dead-blanched,—right-hand with left-hand linked,—
He faced his son submissive; when slow the accents came,
They were strangely mild though his son's rash hand on his neck lay all the same.
"Hob, on just such a night of a Christmas long ago,
For such a cause, with such a gesture, did I drag—so—
My father down thus far: but, softening here, I heard
A voice in my heart, and stopped: you wait for an outer word.
"For your own sake, not mine, soften you too! Untrod
Leave this last step we reach, nor brave the finger of God!
I dared not pass its lifting: I did well. I nor blame
Nor praise you. I stopped here: and, Hob, do you the same!"
Straightway the son relaxed his hold of the father's throat.
They mounted, side by side, to the room again: no note
Took either of each, no sign made each to either: last
As first, in absolute silence, their Christmas-night they passed.
At dawn, the father sate on, dead, in the self-same place,
With an outburst blackening still the old bad fighting-face:
But the son crouched all a-tremble like any lamb new-yeaned.
When he went to the burial, someone's staff he borrowed—tottered and leaned.
But his lips were loose, not locked,—kept muttering, mumbling. "There!
At his cursing and swearing!" the youngsters cried: but the elders thought "In prayer."
[280] A boy threw stones: he picked them up and stored them in his vest.
So tottered, muttered, mumbled he, till he died, perhaps found rest.
"Is there a reason in nature for these hard hearts?" O Lear,
That a reason out of nature must turn them soft, seems clear!
In the "Inn Album," a degenerate type of Nineteenth-Century Englishman is dissected with the keen knife of a surgeon, which Browning knows so well how to wield. The villain of this poem was a real personage, a Lord de Ros, a friend of the Duke of Wellington. The story belongs to the annals of crime and is necessarily unpleasant, but in order to see how Browning has worked up the episode it is interesting to know the bare facts as Furnivall gives them in "Notes and Queries" March 25, 1876. He says "that the gambling lord showed the portrait of the lady he had seduced and abandoned and offered his dupe an introduction to her, as a bribe to induce him to wait for payment of the money he had won; that the young gambler eagerly accepted the offer; and that the lady committed suicide on hearing of the bargain between them." Dr. Furnivall heard the story from some one who well remembered the sensation it had made in London[281] years ago. In his management of the story, Browning has intensified the villainy of the Lord at the same time that he has shown a possible streak of goodness in him. The young man, on the other hand, he has made to be of very good stuff, indeed, notwithstanding his year of tutelage from the older man. He makes one radical change in the story as well as several minor ones. In the poem the younger man had been in love with the girl whom the older man had dishonorably treated, and had never ceased to love her. Of course, the two men do not know this. By the advice of the elder man, the younger one has decided to settle down and marry his cousin, a charming young girl, who is also brought upon the scene. The other girl is represented as having married an old country parson, who sought a wife simply as a helpmeet in his work. By thus complicating the situations, room has been given for subtle psychic development. The action is all concentrated into one morning in the parlor of the old inn, reminding one much of the method of Ibsen in his plays of grouping his action about a final catastrophe. At the inn one is introduced first to the two gamblers in talk, the young man having won his ten thousand pounds from the older man, who had intended[282] to fleece him. The inn album plays an important part in the action, innocent as its first appearance upon the scene seems to be. The description of this and the inn parlor opens the poem.