VI
Cambridgeshire is one of the so-called ugly counties; which means that it is observably flat. It is for this reason that Newmarket is, in its own peculiar fashion, so thriving a locality. The country is like a board of green cloth; the turf presents itself as a friendly provision of nature. Nature offers her gentle bosom as a gaming-table; card-tables, billiard-tables are but a humble imitation of Newmarket Heath. It was odd to think that amid this gentle, pastoral scenery, there is more betting than anywhere else in the world. The large, neat English meadows roll away to a humid-looking sky, the young partridges jump about in the hedges, and nature does not look in the least as if she were offering you odds. The gentlemen do, though—the gentlemen whom you meet on the roads and in the railway carriage; they have that indefinable look—it pervades a man from the cut of his whisker to the shape of his boot-toe—which denotes a familiarity with the turf. It is brought home to you that to an immense number of people in England the events in the Racing Calendar constitute the most important portion of contemporary history. The very air about Newmarket appears to contain a vague echo of stable-talk, and you perceive that this is the landscape depicted in those large coloured prints of the "sporting" genus which you have admired in inn-parlours.
The destruction of partridges is, if an equally classical, a less licentious pursuit, for which, I believe, Cambridgeshire offers peculiar facilities. Among these is a certain shooting-box, which is a triumph of accidental picturesqueness (the highest order) and a temple of delicate hospitality. The shooting belongs to the autumn, not to this vernal period; but as I have spoken of echoes, I suppose that if I had listened attentively I might have heard the ghostly crack of some of the famous shots that have been discharged there. The air, I believe, had vibrated to several august rifles, but all that I happened to hear by listening was some excellent talk.
In England, I said just now, a couple of places may be very near together, and yet have what the philosophers call a connotation strangely different. Only a few miles beyond Newmarket lies Bury St. Edmunds, a town whose tranquil antiquity makes horse-racing, and even partridge-shooting, appear a restless and fidgety mode of passing the time. I confess that I went to Bury St. Edmunds simply on the strength of its name, which I had often encountered, and which had always seemed to me to have a high value for the tourist I knew that St. Edmund had been an Anglo-Saxon worthy, but my conviction that the little town that bore his name would afford entertainment between trains had nothing definite to rest upon. The event, however, rewarded my faith—rewarded it with the sight of a magnificent old gatehouse of the thirteenth century, the most substantial of many relics of the great abbey which once flourished there. There are many others; they are scattered about the old precinct of the abbey, a large portion of which has been converted into a rambling botanic garden, the resort at Whitsuntide of a thousand very modern merrymakers. The monument I speak of has the proportions of a triumphal arch; it is at once a gateway and a fortress; it is covered with beautiful ornament, and is altogether the lion of Bury.
XV
AN ENGLISH NEW YEAR
1879
It will hardly be pretended this year that the English Christmas has been a merry one, or that the New Year has the promise of being particularly happy. The winter is proving very cold and vicious—as if nature herself were loath to be left out of the general conspiracy against the comfort and self-complacency of man. The country at large has a sense of embarrassment and depression, which is brought home more or less to every class in the closely-graduated social hierarchy, and the light of Christmas firesides has by no means dispelled the gloom. Not that I mean to overstate the gloom. It is difficult to imagine any combination of adverse circumstances powerful enough to infringe very sensibly upon the appearance of activity and prosperity, social stability and luxury, which English life must always present to a stranger. Nevertheless, the times are distinctly hard—there is plenty of evidence of it—and the spirits of the public are not high. The depression of business is extreme and universal; I am ignorant whether it has reached so calamitous a point as that almost hopeless prostration of every industry which you have lately witnessed in America, and I believe things are by no means so bad as they have been on two or three occasions within the present century. The possibility of distress among the lower classes has been minimised by the gigantic poor-relief system, which is so characteristic a feature of English civilisation, and which on particular occasions is supplemented (as is the case at present) by private charity proportionately huge. I notice, too, that in some parts of the country discriminating groups of work-people have selected these dismal days as a happy time for striking. When the labouring classes are able to indulge in the luxury of a strike I suppose the situation may be said to have its cheerful side. There is, however, great distress in the North, and there is a general feeling of impecuniosity throughout the country. The Daily News has sent a correspondent to the great industrial regions, and almost every morning for the last three weeks a very cleverly-executed picture of the misery of certain parts of Yorkshire and Lancashire has been served up with the matutinal tea and toast. The work is a good one and, I take it, eminently worth doing, as it appears to have had a visible effect upon the purse-strings of the well-to-do. There is nothing more striking in England than the success with which an "appeal" is always made. Whatever the season or whatever the cause, there always appears to be enough money and enough benevolence in the country to respond to it in sufficient measure—a remarkable fact when one remembers that there is never a moment of the year when the custom of "appealing" intermits. Equally striking, perhaps, is the perfection to which the science of distributing charity has been raised—the way it has been analysed and explored and made one of the exact sciences. One perceives that it has occupied for a long time a foremost place among administrative questions, and has received all the light that experience and practice can throw upon it. The journal I quoted just now may perhaps, without reproach, be credited with a political arrière-pensée. It would obviously like its readers to supply in this matter of the stagnation of trade the missing link between effect and cause—or the link which, if not absolutely missing, is at any rate difficult to lay one's hand upon. The majority in Parliament were not apparently of the opinion that the disorganisation of business is the fault of Lord Beaconsfield; but there is no doubt that it is a misfortune for the Conservative party that this bad state of things coincides very much with its tenure of office. When an Administration may be invidiously described as "restless," "reckless," and "adventurous," and when at the same time business is very bad and distress increasing, it requires no great ingenuity to represent the former fact as responsible for the latter.
I have spoken of the rigour of the time in the lower walks of English life; and it is not out of place to say that among those happier people who stand above the reach of material incommodity, the Christmas season has been overshadowed sentimentally—or at least conventionally—by the death of Princess Alice. If I had written to you at the moment this event occurred I should have been tempted to make some general reflections upon it, and it is even now perhaps not too late to say that there was, to an observer, something very interesting and characteristic in the manner in which the news was received. Broadly speaking, it produced much more commotion than I should have expected; the papers overflowed with articles on the subject, the virtues of the deceased lady and the grief of the Queen were elaborately commemorated; many shops, on the day of the Princess's funeral, were partially closed, and the whole nation, it may be said—or the whole of what professes, in any degree whatever, to be "society"—went into mourning. There was enough in all this to make a stranger consider and interrogate; and the result of his reflections would, I think, have been that, after all abatements are made, the monarchy has still a great hold upon the affections of the people. The people takes great comfort in its royal family. The love of social greatness is extraordinarily strong in England, and the royal family appeals very conveniently to this sentiment. People in the immense obscurity of that middle class which constitutes the bulk of the English world like to feel that they are related in some degree to something that is socially great. They cannot pretend that they are related to dukes and earls and people of that sort; but they are able to cultivate a certain sense of being related to the royal family. They may talk of "our" princes and princesses—and the most exalted members of the peerage may do no more than that; they may possess photographs of the Queen's children, and read of their daily comings and goings with an agreeable sense of property, and without incurring that reproach of snobbishness which sometimes attaches to too eager an interest in the doings of the great nobility. There is no reason to suppose that the Queen takes the humorous view of this situation; her Majesty is indeed credited with a comfortable, motherly confidence in the salutary effect of the court-circle upon the mind of the middle class; and there is a kind of general feeling that, socially speaking, the Queen and the middle class understand each other. There was something natural, therefore, in the great impression made by the death of a princess who was personally known but to an incalculably small proportion of the people who mourned for her, and on whose behalf propriety would have resented the idea that she could personally be missed. It is nevertheless true that Lord Beaconsfield is felt rather to have overdone his part in announcing the event to the House of Lords in language in which he might have proclaimed some great national catastrophe. I was told by a person who was present that the House felt itself to be at the mercy of his bad taste—that men looked at each other with a blush and a kind of shudder, and asked each other what was coming next. He remarked, among other things, that the manner in which the Princess Alice had contracted her fatal illness (her tender imprudence in kissing her sick children) was an act worthy to be commemorated in art—"in painting, in sculpture, and in gems." I have heard these last two words wittily quoted in illustration of his Semitic origin. An ordinarily florid speaker would have contented himself with saying "in painting and in sculpture." The addition "in gems" betrays the genius of the race which supplies the world with pawnbrokers.
I left town a short time before Christmas and went to spend the festive season in the North, in a part of the country with which I was unacquainted. It was quite possible to absent one's self from London without a sense of sacrifice, for the charms of the metropolis during the last several weeks have been obscured by peculiarly atrocious weather. It is, of course, a very old story that London is foggy, and this simple statement is not of necessity alarming. But there are fogs and fogs, and these murky visitations, during the present winter, have been of the least tolerable sort. The fog that draws down and absorbs the smoke of the housetops, causes it to hang about the streets in impenetrable density, forces it into one's eyes and down one's throat, so that one is half-blinded and quite sickened—this atmospheric abomination has been much more frequent than usual. Just before Christmas, too, there was a heavy snow-storm, and even a tolerably light fall of snow has London quite at its mercy. The emblem of purity is almost immediately converted into a sticky, lead-coloured mush, the cabs skulk out of sight or take up their stations before the lurid windows of a public-house, which glares through the sleety darkness at the desperate wayfarer with an air of vulgar bravado. This state of things in the London streets made a rather sorry Christmas, though I believe the Christmas hearth is supposed to burn the more brightly in proportion as the outer world is less attractive. The wonderful London shops were, of course, duly transfigured, but they seemed to me, for the most part, to have an aspect of vain expectation, and I hear that their proprietors give a melancholy account of the profits of the season. It was only at a certain charming little French establishment in Bond Street that I observed any great activity—a little chocolate-shop where light-fingered young women from Paris dispense the most wonderful bonbonnières.
To keep one's self in good humour with English civilisation, however, one must do what I alluded to just now—one must go into the country; one must limit one's horizon, for the time, to the spacious walls of one of those admirable homes which at this season overflow with hospitality and good cheer. By this means the result is triumphantly attained—these are conditions that you cordially appreciate. Of all the great things that the English have invented and made a part of the glory of the national character, the most perfect, the most characteristic, the one they have mastered most completely in all its details, so that it has become a compendious illustration of their social genius and their manners, is the well-appointed, well-administered, well-filled country-house. The grateful stranger makes these reflections—and others besides—as he wanders about in the beautiful library of such a dwelling of an inclement winter afternoon just at the hour when six o'clock tea is impending. Such a place and such a time abound in agreeable episodes; but I suspect that the episode from which, a fortnight ago, I received the most ineffaceable impression was but indirectly connected with the charms of a luxurious fireside. The country I speak of was a populous manufacturing region, full of tall chimneys and of an air that is gray and gritty. A lady had made a present of a Christmas-tree to the children of a workhouse, and she invited me to go with her and assist at the distribution of the toys. There was a drive through the early dusk of a very cold Christmas eve, followed by the drawing-up of a lamp-lit brougham in the snowy quadrangle of a grim-looking charitable institution. I had never been in an English workhouse before, and this one transported me, with the aid of memory, to the early pages of Oliver Twist. We passed through certain cold, bleak passages, to which an odour of suet-pudding, the aroma of Christmas cheer, failed to impart an air of hospitality; and then, after waiting a while in a little parlour appertaining to the superintendent, where the remainder of a dinner of by no means eleemosynary simplicity and the attitude of a gentleman asleep with a flushed face on the sofa seemed to effect a tacit exchange of references, we were ushered into a large frigid refectory, chiefly illumined by the twinkling tapers of the Christmas-tree. Here entered to us some hundred and fifty little children of charity, who had been making a copious dinner, and who brought with them an atmosphere of hunger memorably satisfied—together with other traces of the occasion upon their pinafores and their small red faces. I have said that the place reminded me of Oliver Twist, and I glanced through this little herd for an infant figure that should look as if it were cut out for romantic adventures. But they were all very prosaic little mortals. They were made of very common clay indeed, and a certain number of them were idiotic. They filed up and received their little offerings, and then they compressed themselves into a tight infantine bunch, and lifting up their small hoarse voices, directed a melancholy hymn toward their benefactress. The scene was a picture I shall not forget, with its curious mixture of poetry and sordid prose—the dying wintry light in the big, bare, stale room; the beautiful Lady Bountiful, standing in the twinkling glory of the Christmas-tree; the little multitude of staring and wondering, yet perfectly expressionless, faces.
XVI
AN ENGLISH WINTER
WATERING-PLACE
1879
I have just been spending a couple of days at a well-known resort upon the Kentish coast, and though such an exploit is by no means unprecedented, yet, as to the truly observing mind no opportunity is altogether void and no impressions are wholly valueless, I have it on my conscience to make a note of my excursion. Superficially speaking, it was certainly wanting in originality; but I am afraid that it afforded me as much entertainment as if the idea of paying a visit to Hastings had been an invention of my own. This is so far from being the case that the most striking feature of the town in question is the immense provision made there for the entertainment of visitors. Hastings and St. Leonard's, standing side by side, present a united sea-front of more miles in length than I shall venture to compute. It is sufficient that in going from one end of the place to the other I had a greater sense of having taken a long, straight walk, than I had done since I last measured the remarkable length of Broadway. This is not a strikingly picturesque image, and it must be confessed that the beauty of Hastings does not reside in a soft irregularity or a rural exuberance. Like all the larger English watering-places it is simply a little London super mare. The pictorial is always to be found in England if one will take the trouble of looking for it; but it must be conceded that at Hastings this element is less obtrusive than it might be. I had heard it described as a "dull Brighton," and this description had been intended to dispose of the place. In fact, however—such is the perversity of the inquiring mind—it had rather quickened than quenched my interest. It occurred to me that it might be entertaining to follow out the variations and modifications of Brighton. Four or five miles of lodging-houses and hotels staring at the sea across a "parade" adorned with iron benches, with hand-organs and German bands, with nursemaids and British babies, with ladies and gentleman of leisure—looking rather embarrassed with it, and trying, rather unsuccessfully, to get rid of it—this is the great feature which Brighton and Hastings have in common. At Brighton there is a certain variety and gaiety of colour—something suggesting crookedness and yellow paint—which gives the place a kind of cheerful, easy, more or less vulgar, foreign air. But Hastings is very gray and sober and English, and, indeed, it is because it seemed to me so English that I gave my best attention to it. If one is attempting to gather impressions of a people and to learn to know them, everything is interesting that is characteristic, quite apart from its being beautiful. English manners are made up of such a multitude of small details that the portrait a stranger has privately sketched in is always liable to receive new touches. And this, indeed, is the explanation of his noting a great many small points, on the spot, with a degree of relish and appreciation which must often, to persons who are not in his position, appear exaggerated. He has formed a mental picture of the civilisation of the people he lives among, and whom, when he has a great deal of courage, he makes bold to say he is "studying;" he has drawn up a kind of tabular view of their manners and customs, their idiosyncrasies, their social institutions, their general features and properties; and when once he has suspended this rough cartoon in the chambers of his imagination, he finds a great deal of occupation in touching it up and filling it in. Wherever he goes, whatever he sees, he adds a few strokes. That is how I spent my time at Hastings.
I found it, for instance, a question more interesting than it might superficially appear, to choose between the inns—between the Royal Hotel upon the Parade and an ancient hostel—a survival of the posting-days—in a side-street. A Mend had described the latter establishment to me as "mellow," and this epithet complicated the problem. The term mellow, as applied to an inn, is the comparative degree of a state of things of which (say) "musty" would be the superlative. If you can seize this tendency in its comparative stage you may do very well indeed; the trouble is that, like all tendencies, it contains, even in its earlier phases, the germs of excess. I thought it very possible that the Swan would be over-ripe; but I thought it equally probable that the Royal would be crude. I could claim a certain acquaintance with "royal" hotels—I knew just how they were constituted. I foresaw the superior young woman sitting at a ledger, in a kind of glass cage, at the bottom of the stairs, and expressing by refined intonations her contempt for a gentleman who should decline to "require" a sitting-room. The functionary whom in America we know and dread as an hotel-clerk belongs in England to the sex which, when need be, has an even more perfect command of the supercilious. Large hotels here are almost always owned and carried on by companies, and the company is represented by a well-shaped female figure belonging to the class whose members are more particularly known as "persons." The chambermaid is a young woman, and the female tourist is a lady; but the occupant of the glass cage, who hands you your key and assigns you your apartment, is designated in the manner I have mentioned. The "person" has various methods of revenging herself for her shadowy position in the social scale, and I think it was from a vague recollection of having on former occasions felt the weight of her embittered spirit that I determined to seek the hospitality of the humbler inn, where it was probable that one who was himself humble would enjoy a certain consideration. In the event, I was rather oppressed by the featherbed quality of the welcome extended to me at the Swan. Once established there, in a sitting-room (after all), the whole affair was as characteristically English as I could desire.
I have sometimes had occasion to repine at the meagreness and mustiness of the old-fashioned English inn, and to feel that in poetry and in fiction these defects had been culpably glossed over. But I said to myself the other evening that there is a kind of venerable decency even in some of its dingiest idiosyncrasies, and that in an age of vulgarisation one should do justice to an institution which is still more or less of a stronghold of the ancient amenities. It is a satisfaction in moving about the world to be treated as a gentleman, and this gratification appears to be more than, in the light of modern science, a Company can profitably undertake to bestow. I have an old friend, a person of admirably conservative instincts, from whom, a short time since, I borrowed a hint of this kind. This lady had been staying at a small inn in the country, with her daughter; the daughter, whom we shall call Mrs. B., had left the house a few days before the mother. "Did you like the place?" I asked of my friend; "was it comfortable?" "No, it was not comfortable; but I liked it. It was shabby, and I was much overcharged; but it pleased me." "What was the mysterious charm?" "Well, when I was coming away, the landlady—she had cheated me horribly—came to my carriage, and dropped a curtsey, and said: 'My duty to Mrs. B., ma'am.' Que voulez-vous? That pleased me." There was an old waiter at Hastings who would have been capable of that—an old waiter who had been in the house for forty years, and who was not so much an individual waiter as the very spirit and genius, the incarnation and tradition of waiter-hood. He was faded and weary and rheumatic, but he had a sort of mixture of the paternal and the deferential, the philosophic and the punctilious, which seemed but grossly requited by a present of a small coin. I am not fond of jugged hare for dinner, either as a light entrée or as a pièce de resistance; but this accomplished attendant had the art of presenting you such a dish in a manner that persuaded you, for the time, that it was worthy of your serious consideration. The hare, by the way, before being subjected to the mysterious operation of jugging, might have been seen dangling from a hook in the bar of the inn, together with a choice collection of other viands. You might peruse the bill of fare in an elementary form as you passed in and out of the house, and make up your menu for the day by poking with your stick at a juicy-looking steak or a promising fowl. The landlord and his spouse were always on the threshold of the bar, polishing a brass candlestick and paying you their respects; the place was pervaded by an aroma of rum-and-water and of commercial travellers' jokes.
This description, however, is lacking in the element of gentility, and I will not pursue it farther, for I should give a very false impression of Hastings if I were to omit so characteristic a feature. It was, I think, the element of gentility that most impressed me. I know that the word I have just ventured to use is under the ban of contemporary taste; so I may as well say outright that I regard it as indispensable in almost any attempt at portraiture of English manners. It is vain for an observer of such things to pretend to get on without it. One may talk of foreign life indefinitely—of the manners and customs of France, Germany, and Italy—and never feel the need of this suggestive, yet mysteriously discredited, epithet. One may survey the remarkable face of American civilisation without finding occasion to strike this particular note. But in England no circumlocution will serve—the note must be definitely struck. To attempt to speak of an English watering-place in winter and yet pass it over in silence, would be to forfeit all claims to analytic talent. For a stranger, at any rate, the term is invaluable—it is more convenient than I should find easy to say. It is instantly evoked in my mind by long rows of smuttily-plastered houses, with a card inscribed "Apartments" suspended in the window of the ground-floor sitting-room—that portion of the dwelling which is known in lodging-house parlance as "the parlours." Everything, indeed, suggests it—the bath-chairs, drawn up for hire in a melancholy row; the innumerable and excellent shops, adorned with the latest photographs of the royal family and of Mrs. Langtry; the little reading-room and circulating library on the Parade, where the daily papers, neatly arranged, may be perused for a trifling fee, and the novels of the season are stacked away like the honeycombs in an apiary; the long pier, stretching out into the sea, to which you are admitted by the payment of a penny at a wicket, and where you may enjoy the music of an indefatigable band, the enticements of several little stalls for the sale of fancy-work, and the personal presence of good local society. It is only the winking, twinkling, easily-rippling sea that is not genteel. But, really, I was disposed to say at Hastings that if the sea were not genteel, so much the worse for Neptune; for it was the favourable aspect of the great British proprieties and solemnities that struck me. Hastings and St. Leonards, with their long, warm seafront, and their multitude of small, cheap comforts and conveniences, offer a kind of résumé of middle-class English civilisation and of advantages of which it would ill become an American to make light. I don't suppose that life at Hastings is the most exciting or the most gratifying in the world, but it must certainly have its advantages. If I were a quiet old lady of modest income and nice habits—or even a quiet old gentleman of the same pattern—I should certainly go to Hastings. There, amid the little shops and the little libraries, the bath-chairs and the German bands, the Parade and the long Pier, with a mild climate, a moderate scale of prices, and the consciousness of a high civilisation, I should enjoy a seclusion which would have nothing primitive or crude.
XVII
SARATOGA
1870
The sentimental tourist makes images in advance; they grow up in his mind by a logic of their own. He finds himself thinking of an unknown, unseen place, as having such and such a shape and figure rather than such another. It assumes in his mind a certain complexion, a certain colour which frequently turns out to be singularly at variance with reality. For some reason or other, I had supposed Saratoga to be buried in a sort of elegant wilderness. I imagined a region of shady forest drives, with a bright, broad-terraced hotel gleaming here and there against a background of mysterious groves and glades. I had made a cruelly small allowance for the stem vulgarities of life—for the shops and sidewalks and loafers, the complex machinery of a city of pleasure. The fault was so wholly my own that it is quite without bitterness that I proceed to affirm that the Saratoga of experience is sadly different from this. I confess, however, that it has always seemed to me that one's visions, on the whole, gain more than they lose by being transmuted into fact. There is an essential indignity in indefiniteness; you cannot allow for accidents and details until you have seen them. They give more to the imagination than they receive from it I frankly admit, therefore, that the Saratoga of reality is a much more satisfactory place than the all-too-primitive Elysium I had constructed. It is indeed, as I say, immensely different. There is a vast number of brick—nay, of asphalt—sidewalks, a great many shops, and a magnificent array of loafers. But what indeed are you to do at Saratoga—the morning draught having been achieved—unless you loaf? "Que faire en un gîte à moins que l'on ne songe?" Loafers being assumed, of course shops and sidewalks follow. The main avenue of Saratoga does not scruple to call itself Broadway. The untravelled reader may form a very accurate idea of it by recalling as distinctly as possible, not indeed the splendours of that famous thoroughfare, but the secondary charms of the Sixth Avenue. The place has what the French would call the "accent" of the Sixth Avenue. Its two main features are the two monster hotels which stand facing each other along a goodly portion of its course. One, I believe, is considered much better than the other,—less of a monster and more of a refuge,—but in appearance there is little choice between them. Both are immense brick structures, directly on the crowded, noisy street, with vast covered piazzas running along the façade, supported by great iron posts. The piazza of the Union Hotel, I have been repeatedly informed, is the largest "in the world." There are a number of objects in Saratoga, by the way, which in their respective kinds are the finest in the world. One of these is Mr. John Morrissey's casino. I bowed my head submissively to this statement, but privately I thought of the blue Mediterranean, and the little white promontory of Monaco, and the silver-gray verdure of olives, and the view across the outer sea toward the bosky cliffs of Italy. The Congress waters, too, it is well known, are excellent in the superlative degree; this I am perfectly willing to maintain.
The piazzas of these great hotels may very well be the biggest of all piazzas. They have not architectural beauty; but they doubtless serve their purpose—that of affording sitting-space in the open air to an immense number of persons. They are, of course, quite the best places to observe the Saratoga world. In the evening, when the "boarders" have all come forth and seated themselves in groups, or have begun to stroll in (not always, I regret to say; to the sad detriment of the dramatic interest, bisexual) couples, the big heterogeneous scene affords a great deal of entertainment. Seeing it for the first time, the observer is likely to assure himself that he has neglected an important item in the sum of American manners. The rough brick wall of the house, illumined by a line of flaring gas-lights, forms a natural background to the crude, impermanent, discordant tone of the assembly. In the larger of the two hotels, a series of long windows open into an immense parlour—the largest, I suppose, in the world, and the most scantily furnished in proportion to its size. A few dozen rocking-chairs, an equal number of small tables, tripods to the eternal ice-pitcher, serve chiefly to emphasise the vacuous grandeur of the spot. On the piazza, in the outer multitude, ladies largely prevail, both by numbers and (you are not slow to perceive) by distinction of appearance. The good old times of Saratoga, I believe, as of the world in general, are rapidly passing away. The time was when it was the chosen resort of none but "nice people." At the present day, I hear it constantly affirmed, "the company is dreadfully mixed." What society may have been at Saratoga when its elements were thus simple and severe, I can only vaguely and mournfully conjecture. I confine myself to the dense, democratic, vulgar Saratoga of the current year. You are struck, to begin with, at the hotels, by the numerical superiority of the women; then, I think, by their personal superiority. It is incontestably the case that in appearance, in manner, in grace and completeness of aspect, American women surpass their husbands and brothers; the relation being reversed among some of the nations of Europe. Attached to the main entrance of the Union Hotel, and adjoining the ascent from the street to the piazza, is a "stoop" of mighty area, which, at most hours of the day and evening, is a favoured lounging-place of men. I should add, after the remark I have just made, that even in the appearance of the usual American male there seems to me to be a certain plastic intention. It is true that the lean, sallow, angular Yankee of tradition is dignified mainly by a look of decision, a hint of unimpassioned volition, the air of "smartness." This in some degree redeems him, but it fails to make him handsome. But in the average American of the present time, the typical leanness and sallowness are less than in his fathers, and the individual acuteness is at once equally marked and more frequently united with merit of form. Casting your eye over a group of your fellow-citizens in the portico of the Union Hotel, you will be inclined to admit that, taking the good with the bad, they are worthy sons of the great Republic. I have found, at any rate, a great deal of entertainment in watching them. They suggest to my fancy the swarming vastness—the multifarious possibilities and activities—of our young civilisation. They come from the uttermost ends of the Union—from San Francisco, from New Orleans, from Alaska. As they sit with their white hats tilted forward, and their chairs tilted back, and their feet tilted up, and their cigars and toothpicks forming various angles with these various lines, I seem to see in their faces a tacit reference to the affairs of a continent They are obviously persons of experience—of a somewhat narrow and monotonous experience certainly; an experience of which the diamonds and laces which their wives are exhibiting hard by are, perhaps, the most substantial and beautiful result; but, at any rate, they have lived, in every fibre of the will. For the time, they are lounging with the negro waiters, and the boot-blacks, and the news-vendors; but it was not in lounging that they gained their hard wrinkles and the level impartial regard which they direct from beneath their hat-rims. They are not the mellow fruit of a society which has walked hand-in-hand with tradition and culture; they are hard nuts, which have grown and ripened as they could. When they talk among themselves, I seem to hear the cracking of the shells.
If the men are remarkable, the ladies are wonderful Saratoga is famous, I believe, as the place of all places in America where women adorn themselves most, or as the place, at least, where the greatest amount of dressing may be seen by the greatest number of people. Tour first impression is therefore of the—what shall I call it?—of the abundance of petticoats. Every woman you meet, young or old, is attired with a certain amount of richness, and with whatever good taste may be compatible with such a mode of life. You behold an interesting, indeed a quite momentous spectacle; the democratisation of elegance. If I am to believe what I hear—in fact, I may say what I overhear—many of these sumptuous persons have enjoyed neither the advantages of a careful education nor the privileges of an introduction to society. She walks more or less of a queen, however, each uninitiated nobody. She often has, in dress, an admirable instinct of elegance and even of what the French call "chic." This instinct occasionally amounts to a sort of passion; the result then is wonderful. You look at the coarse brick walls, the rusty iron posts of the piazza, at the shuffling negro waiters, the great tawdry steamboat-cabin of a drawing-room—you see the tilted ill-dressed loungers on the steps—and you finally regret that a figure so exquisite should have so vulgar a setting. Your resentment, however, is speedily tempered by reflection. You feel the impertinence of your old reminiscences of English and French novels, and of the dreary social order in which privacy was the presiding genius and women arrayed themselves for the appreciation of the few. The crowd, the tavern-loungers, the surrounding ugliness and tumult and license, constitute the social medium of the young lady you are so inconsistent as to admire; she is dressed for publicity. The thought fills you with a kind of awe. The social order of tradition is far away indeed, and as for the transatlantic novels, you begin to doubt whether she is so amiably curious as to read even the silliest of them. To be dressed up to the eyes is obviously to give pledges to idleness. I have been forcibly struck with the apparent absence of any warmth and richness of detail in the lives of these wonderful ladies of the piazzas. We are freely accused of being an eminently wasteful people; and I know of few things which so largely warrant the accusation as the fact that these conspicuous élégantes adorn themselves, socially speaking, to so little purpose. To dress for every one is, practically, to dress for no one. There are few prettier sights than a charmingly-dressed woman, gracefully established in some shady spot, with a piece of needlework or embroidery, or a book. Nothing very serious is accomplished, probably, but an æsthetic principle is recognised. The embroidery and the book are a tribute to culture, and I suppose they really figure somewhere out of the opening scenes of French comedies. But here at Saratoga, at any hour of morning or evening, you may see a hundred rustling beauties whose rustle is their sole occupation. One lady in particular there is, with whom it appears to be an inexorable fate that she shall be nothing more than dressed. Her apparel is tremendously modern, and my remarks would be much illumined if I had the learning necessary for describing it I can only say that every evening for a fortnight she has revealed herself as a fresh creation. But she especially, as I say, has struck me as a person dressed beyond her life and her opportunities. I resent on her behalf—or on behalf at least of her finery—the extreme severity of her circumstances. What is she, after all, but a "regular boarder"? She ought to sit on the terrace of a stately castle, with a great baronial park shutting out the undressed world, and bandy quiet small-talk with an ambassador or a duke. My imagination is shocked when I behold her seated in gorgeous relief against the dusty clapboards of the hotel, with her beautiful hands folded in her silken lap, her head drooping slightly beneath the weight of her chignon, her lips parted in a vague contemplative gaze at Mr. Helmbold's well-known advertisement on the opposite fence, her husband beside her reading the New York Herald.
I have indeed observed cases of a sort of splendid social isolation here, which are not without a certain amount of pathos—people who know no one, who have money and finery and possessions, only no friends. Such at least is my inference, from the lonely grandeur with which I see them invested. Women, of course, are the most helpless victims of this cruel situation, although it must be said that they befriend each other with a generosity for which we hardly give them credit I have seen women, for instance, at various "hops," approach their lonely sisters and invite them to waltz, and I have seen the fair invited surrender themselves eagerly to this humiliating embrace. Gentlemen at Saratoga are at a much higher premium than at European watering-places. It is an old story that in this country we have no "leisure-class"—the class from which the Saratogas of Europe recruit a large number of their male frequenters. A few months ago, I paid a visit to an English "bath," commemorated in various works of fiction, where, among many visible points of difference from American resorts, the most striking was the multitude of young men who had the whole day on their hands. While their sweethearts and sisters are waltzing together, our own young men are rolling up greenbacks in counting-houses and stores. I was recently reminded in another way, one evening, of the unlikeness of Saratoga to Cheltenham. Behind the biggest of the big hotels is a large planted yard, which it is the fashion at Saratoga to talk of as a "park," and which is perhaps believed to be the biggest in the world. At one end of it stands a great ballroom, approached by a range of wooden steps. It was late in the evening; the room, in spite of the intense heat, was blazing with light and the orchestra thundering a mighty waltz. A group of loungers, including myself, were hanging about to watch the ingress of the festally-minded. In the basement of the edifice, sunk beneath the ground, a noisy auctioneer, in his shirt and trousers, black in the face with heat and vociferation, was selling "pools" of the races to a dense group of frowsy betting-men. At the foot of the steps was stationed a man in a linen coat and straw hat, without waistcoat or necktie, to take the tickets of the ball-goers. As the latter failed to arrive in sufficient numbers, a musician came forth to the top of the steps and blew a loud summons on a horn. After this they began to straggle along. On this occasion, certainly, the company promised to be decidedly "mixed." The women, as usual, were much bedizened, though without any constant adhesion to the technicalities of full-dress. The men adhered to it neither in the letter nor the spirit. The possessor of a pair of satin-shod feet, twinkling beneath an uplifted volume of gauze and lace and flowers, tripped up the steps with her gloved hand on the sleeve of a railway "duster." Now and then two ladies arrived alone; generally a group of them approached under convoy of a single man. Children were freely scattered among their elders, and frequently a small boy would deliver his ticket and enter the glittering portal, beautifully unembarrassed. Of the children of Saratoga there would be wondrous things to relate. I believe that, in spite of their valuable aid, the festival of which I speak was rated rather a "fizzle." I see it advertised that they are soon to have, for their own peculiar benefit, a "Masquerade and Promenade Concert, beginning at 9 P.M." I observe that they usually open the "hops," and that it is only after their elders have borrowed confidence from the sight of their unfaltering paces that the latter dare to dance. You meet them far into the evening, roaming over the piazzas and corridors of the hotels—the little girls especially—lean, pale, formidable. Occasionally childhood confesses itself, even when maternity resists, and you see at eleven o'clock at night some poor little bedizened precocity collapsed in slumber in a lonely wayside chair. The part played by children in society here is only an additional instance of the wholesale equalisation of the various social atoms which is the distinctive feature of collective Saratoga. A man in a "duster" at a ball is as good as a man in regulation-garments; a young woman dancing with another young woman is as good as a young woman dancing with a young man; a child of ten is as good as a woman of thirty; a double negative in conversation is rather better than a single.
An important feature in many a watering-place is the facility for leaving it a little behind you and tasting of the unmitigated country. You may wander to some shady hillside and sentimentalise upon the vanity of a high civilisation. But at Saratoga civilisation holds you fast. The most important feature of the place, perhaps, is the impossibility of carrying out any such pastoral dream. The surrounding country is a charming wilderness, but the roads are so abominably bad that walking and driving are alike unprofitable. Of course, however, if you are bent upon a walk, you will take a walk. There is a striking contrast between the concentrated prodigality of life in the immediate neighbourhood of the hotels and the pastoral solitudes into which a walk of half an hour may lead you. You have left the American citizen and his wife, the orchestras, the pools, the precocious infants, the cocktails, the importations from Worth, but a mile or two behind, but already the forest is primeval and the landscape is without figures. Nothing could be less manipulated than the country about Saratoga. The heavy roads are little more than sandy wheel-tracks; by the tangled wayside the blackberries wither unpicked. The horizon undulates with an air of having it all its own way. There are no white villages gleaming in the distance, no spires of churches, no salient details. It is all green, lonely, and vacant. If you wish to enjoy a detail, you must stop beneath a cluster of pines and listen to the murmur of the softly-troubled air, or follow upward the scaly straightness of their trunks to where the afternoon light gives it a colour. Here and there on a slope by the roadside stands a rough unpainted farmhouse, looking as if its dreary blackness were the result of its standing dark and lonely amid so many months—and such a wide expanse—of winter snow. It has turned black by contrast. The principal feature of the grassy unfurnished yard is the great wood-pile, telling grimly of the long reversion of the summer. For the time, however, it looks down contentedly enough over a goodly appanage of grain-fields and orchards, and I can fancy that it may be amusing to be a boy there. But to be a man, it must be quite what the lean, brown, serious farmers physiognomically hint it to be. You have, however, at the present season, for your additional beguilement, on the eastern horizon, the vision of the long bold chain of the Green Mountains, clad in that single coat of simple, candid blue which is the favourite garment of our American hills. As a visitor, too, you have for an afternoon's excursion your choice between a couple of lakes. Saratoga Lake, the larger and more distant of the two, is the goal of the regular afternoon drive. Above the shore is a well-appointed tavern—"Moon's" it is called by the voice of fame—where you may sit upon a broad piazza and partake of fried potatoes and "drinks;" the latter, if you happen to have come from poor dislicensed Boston, a peculiarly gratifying privilege. You enjoy the felicity sighed for by that wanton Italian lady of the anecdote, when, one summer evening, to the sound of music, she wished that to eat an ice were a sin. The other lake is small, and its shores are unadorned by any edifice but a boat-house, where you may hire a skiff and pull yourself out into the minnow-tickled, wood-circled oval. Here, floating in its darkened half, while you watch on the opposite shore the tree-stems, white and sharp in the declining sunlight, and their foliage whitening and whispering in the breeze, and you feel that this little solitude is part of a greater and more portentous solitude, you may recall certain passages of Ruskin, in which he dwells upon the needfulness of some human association, however remote, to make natural scenery fully impressive. You may recall that magnificent page in which he relates having tried with such fatal effect, in a battle-haunted valley of the Jura, to fancy himself in a nameless solitude of our own continent. You feel around you, with irresistible force, the eloquent silence of undedicated nature—the absence of serious associations, the nearness, indeed, of the vulgar and trivial associations of the least complete of all the cities of pleasure—you feel this, and you wonder what it is you so deeply and calmly enjoy. You make up your mind, possibly, that it is a great advantage to be able at once to enjoy Mr. Ruskin and to enjoy Mr. Ruskin's alarms. And hereupon you return to your hotel and read the New York papers on the plan of the French campaign and the Nathan murder.
XVIII
NEWPORT
1870
The season at Newport has an obstinate life. September has fairly begun, but as yet there is small visible diminution in the steady stream—the splendid, stupid stream—of carriages which rolls in the afternoon along the Avenue. There is, I think, a far more intimate fondness between Newport and its frequenters than that which in most American watering-places consecrates the somewhat mechanical relation between the visitors and the visited. This relation here is for the most part slightly sentimental. I am very far from professing a cynical contempt for the gaieties and vanities of Newport life: they are, as a spectacle, extremely amusing; they are full of a certain warmth of social colour which charms alike the eye and the fancy; they are worth observing, if only to conclude against them; they possess at least the dignity of all extreme and emphatic expressions of a social tendency; but they are not so untouched with Philistinism that I do not seem to overhear at times the still, small voice of this tender sense of the sweet, superior beauty of the natural things that surround them, pleading gently in their favour to the fastidious critic. I feel almost warranted in saying that here the background of life has sunk less in relative value and suffered less from the encroachments of pleasure-seeking man than the scenic dispositions of any other watering-place. For this, perhaps, we may thank rather the modest, incorruptible integrity of the Newport landscape than any very intelligent forbearance on the part of the summer colony. The beauty of this landscape is so subtle, so essential, so humble, so much a thing of character and expression, so little a thing of feature and pretension, that it cunningly eludes the grasp of the destroyer or the reformer, and triumphs in impalpable purity even when it seems to make concessions. I have sometimes wondered, in rational moods, why it is that Newport is so much appreciated by the votaries of idleness and pleasure. Its resources are few in number. It is extremely circumscribed. It has few drives, few walks, little variety of scenery. Its charms and its interest are confined to a narrow circle. It has of course the unlimited ocean, but seafaring idlers are not true Newporters, for any other sea would suit them as well. Last evening, it seemed to me, as I drove along the Avenue, that I guessed the answer to the riddle. The atmospheric tone, the careful selection of ingredients, your pleasant sense of a certain climatic ripeness—these are the real charm of Newport, and the secret of her supremacy. You are affected by the admirable art of the landscape, by seeing so much that is lovely and impressive achieved with such a frugality of means—with so little parade of the vast, the various, or the rare, with so narrow a range of colour and form. I could not help thinking, as I turned from the harmonies and purities which lay deepening on the breast of nature, with the various shades of twilight, to the heterogeneous procession in the Avenue, that, quite in their own line of effect, the usual performers in this exhibition might learn a few good lessons from the daily prospect of the great western expanse of rock and ocean in its relations with the declining sun. But this is asking too much. Many persons of course come to Newport simply because others come, and in this way the present brilliant colony has grown up. Let me not be suspected, when I speak of Newport, of the untasteful heresy of meaning primarily rocks and waves rather than ladies and gentlemen.
The ladies and gentlemen are in great force—the ladies, of course, especially. It is true everywhere, I suppose, that women are the animating element of "society;" but you feel this to be especially true as you pass along Bellevue Avenue. I doubt whether anywhere else so many women have a "good time" with so small a sacrifice of the luxury of self-respect. I heard a lady yesterday tell another, with a quiet ecstasy of tone, that she had been having a "most perfect time." This is the very poetry of pleasure. It is a part of our complacent tradition that in those foreign lands where women are supposed to be socially supreme, they maintain their empire by various clandestine and reprehensible arts. With us—we say it at Newport without bravado—they are both conspicuous and unsophisticated. You feel this most gratefully as you receive a confident bow from a pretty girl in her basket-phaeton. She is very young and very pretty, but she has a certain habitual assurance which is only a grace the more. She combines, you reflect with respectful tenderness, all that is possible in the way of modesty with all that is delightful in the way of facility. Shyness is certainly very pretty—when it is not very ugly; but shyness may often darken the bloom of genuine modesty, and a certain frankness and confidence may often incline it toward the light. Let us assume, then, that all the young ladies whom you may meet here are of the highest modern type. In the course of time they ripen into the delightful matrons who divide your admiration. It is easy to see that Newport must be a most agreeable sojourn for the male sex. The gentlemen, indeed, look wonderfully prosperous and well-conditioned. They gallop on shining horses or recline in a sort of coaxing Herculean submission beside the lovely mistress of a curricle. Young men—and young old men—I have occasion to observe, are far more numerous than at Saratoga, and of vastly superior quality. There is, indeed, in all things a striking difference in tone and aspect between these two great centres of pleasure. After Saratoga, Newport seems really substantial and civilised. Æsthetically speaking, you may remain at Newport with a fairly good conscience; at Saratoga you linger under passionate protest. At Newport life is public, if you will; at Saratoga it is absolutely common. The difference, in a word, is the difference between a group of undiscriminating hotels and a series of organised homes. Saratoga perhaps deserves our greater homage, as being characteristically democratic and American; let us, then, make Saratoga the heaven of our aspiration, but let us yet a while content ourselves with Newport as the lowly earth of our residence.
The villas and "cottages," the beautiful idle women, the beautiful idle men, the brilliant pleasure-fraught days and evenings, impart, perhaps, to Newport life a faintly European expression, in so far as they suggest the somewhat alien presence of leisure—"fine old Leisure," as George Eliot calls it. Nothing, it seems to me, however, can take place in America without straightway seeming very American; and, after a week at Newport, you begin to fancy that to live for amusement simply, beyond the noise of commerce or of care, is a distinctively national trait. Nowhere else in this country—nowhere, of course, within the range of our better civilisation—does business seem so remote, so vague, and unreal. It is the only place in America in which enjoyment is organised. If there be any poetry in the ignorance of trade and turmoil and the hard processes of fortune, Newport may claim her share of it. She knows—or at least appears to know—for the most part nothing but results. Individuals here, of course, have private cares and burdens to preserve the balance and the dignity of life; but collective society conspires to forget everything that worries. It is a singular fact that a society that does nothing is decidedly more pictorial, more interesting to the eye of contemplation, than a society which is hard at work. Newport, in this way, is infinitely more fertile in combinations than Saratoga. There you feel that idleness is occasional, empirical. Most of the people you see are asking themselves, you imagine, whether the game is worth the candle and work is not better than such difficult play. But here, obviously, the habit of pleasure is formed, and (within the limits of a severe morality) many of the secrets of pleasure are known. Do what we will, on certain lines Europe is in advance of us yet. Newport lags altogether behind Trouville and Brighton in her exhibition of the unmentionable. All this is markedly absent from the picture, which is therefore signally destitute of the enhancing tints produced by the mysteries and fascinations of vice. But idleness per se is vicious, and of course you may imagine what you please. For my own part, I prefer to imagine nothing but the graceful and the pure; and with the help of such imaginings you may construct a very pretty sentimental undercurrent to the superficial movement of society. This I lately found very difficult to do at Saratoga. Sentiment there is pitifully shy and elusive. Here, the multiplied relations of men and women, under the permanent pressure of luxury and idleness, give it a very fair chance. Sentiment, indeed, of masterly force and interest, springs up in every soil, with a sovereign disregard of occasion. People love and hate and aspire with the greatest intensity when they have to make their time and opportunity. I should hardly come to Newport for the materials of a tragedy. Even in their own kind, the social elements are as yet too light and thin. But I can fancy finding here the motive of a drama which should depend more on smiles than tears. I can almost imagine, indeed, a transient observer of the Newport spectacle dreaming momentarily of a great American novel, in which the heroine might be infinitely realistic and yet neither a schoolmistress nor an outcast. I say intentionally the "transient" observer, because it is probable that here the suspicion only is friendly to dramatic point; the knowledge is hostile. The observer would discover, on a nearer view, I rather fear, that his possible heroines have too perfect a time.
This will remind the reader of what he must already have heard affirmed, that to speak of a place with abundance you must know it, but not too well. I suffer from knowing the natural elements of Newport too well to attempt to describe them. I have known them so long that I hardly know what I think of them. I have little more than a simple consciousness of enjoying them very much. Even this consciousness at times lies dumb and inert. I wonder at such times whether, to appeal fairly to the general human sense, the horizon has not too much of that mocking straightness which is such a misrepresentation of the real character of the sea—as if, forsooth, it were level. Life seems too short, space too narrow, to warrant you in giving in an unqualified adhesion to a pay sage which is two-thirds ocean. For the most part, however, I am willing to take the landscape as it stands, and to think that, without the water to make it precious, the land would be much less lovable. It is, in fact, a land exquisitely modified by marine influences. Indeed, in spite of all the evil it has done me, I could almost speak well of the ocean when I remember the charming tricks it plays with the Newport promontories.
The place consists, as the reader will know, of an ancient and honourable town, a goodly harbour, and a long, broad neck of land, stretching southward into the sea and forming the chief habitation of the summer colony. Along the greater part of its eastward length, this projecting coast is bordered with cliffs of no great height, and dotted with seaward-gazing villas. At the head of the promontory the villas enjoy a magnificent reach of prospect. The pure Atlantic—the old world westward tides—expire directly at their feet. Behind the line of villas runs the Avenue, with more villas yet—of which there is nothing at all to say but that those built recently are a hundred times prettier than those built fifteen years ago, and give one some hope of a revival of the architectural art. Some years ago, when I first knew Newport, the town proper was considered remarkably quaint. If an antique shabbiness that amounts almost to squalor is a pertinent element, as I believe it is, of this celebrated quality, the little main street at least—Thames Street by name—still deserves the praise. Here, in their crooked and dwarfish wooden mansions, are the shops that minister to the daily needs of the expanded city; and here of a summer morning, jolting over the cobble stones of the narrow roadway, you may see a hundred superfine ladies seeking with languid eagerness what they may buy—to "buy something," I believe, being a diurnal necessity of the conscientious American woman. This busy region gradually melts away into the grass-grown stillness of the Point, in the eyes of many persons the pleasantest quarter of Newport. It has superficially the advantage of being as yet uninvaded by fashion. When I first knew it, however, its peculiar charm was even more undisturbed than at present. The Point may be called the old residential, as distinguished from the commercial, town. It is meagre, shallow and scanty—a mere pinch of antiquity—but, so far as it goes, it retains an exquisite tone. It leaves the shops and the little wharves, and wanders close to the harbour, where the breeze-borne rattle of shifted sails and spars alone intrudes upon its stillness, till its mouldy-timbered quiet subsides into the low, tame rocks and beaches which edge the bay. Several matter-of-course modern houses have recently been erected on the water-side, absorbing the sober, primitive tenements which used to maintain the picturesque character of the place. They improve it, of course, as a residence, but they injure it as an unexpected corner. Enough of early architecture still remains, however, to suggest a multitude of thoughts as to the severe simplicity of the generation which produced it. The plain gray nudity of these little warped and shingled boxes seems to make it a hopeless task on their part to present any positive appearance at all. But here, as elsewhere, the magical Newport atmosphere wins half the battle. It aims at no mystery—it simply makes them scintillate in their bareness. Their homely notches and splinters twinkle till the mere friendliness of the thing makes a surface. Their steep gray roofs, barnacled with lichens, remind you of old barges, overturned on the beach to dry.
One of the more recent monuments of fashion is the long drive which follows the shore. The Avenue, where the Neck abruptly terminates, has been made to extend itself to the west, and to wander for a couple of miles over a lovely region of beach and lowly down and sandy meadow and salt brown sheep-grass. This region was formerly the most beautiful part of Newport—the least frequented and the most untamed by fashion. I by no means regret the creation of the new road, however. A walker may very soon isolate himself, and the occupants of carriages axe exposed to a benefit quite superior to their power of injury. The peculiar charm of this great westward expanse is very difficult to define. It is in an especial degree the charm of Newport in general—the combined lowness of tone, as painters call it, in all the elements of terra firma, and the extraordinary elevation of tone in the air. For miles and miles you see at your feet, in mingled shades of yellow and gray, a desolate waste of mossclad rock and sand-starved grass. At your left is nothing but the shine and surge of the ocean, and over your head that wonderful sky of Newport, which has such an unexpected resemblance to the sky of Venice. In spite of the bare simplicity of this prospect, its beauty is far more a beauty of detail than that of the average American landscape. Descend into a hollow of the rocks, into one of the little warm climates, five feet square, which you may find there, beside the grateful ocean glare, and you will be struck quite as much by their fineness as by their roughness. From time to time, as you wander, you will meet a lonely, stunted tree, which is sure to be a charming piece of the individual grotesque. The region of which I speak is perhaps best seen in the late afternoon, from the high seat of a carriage on the Avenue. You seem to stand just outside the threshold of the west. At its opposite extremity sinks the sun, with such a splendour, perhaps, as I lately saw—a splendour of the deepest blue, more luminous and fiery than the usual redness of evening, and all streaked and barred with blown and drifted gold. The whole large interval, with its rocks and marshes and ponds, seems bedimmed with a kind of purple glaze. The near Atlantic fades and turns cold with that desolate look of the ocean when the day ceases to care for it. In the foreground, a short distance from the road, an old orchard uplifts its tangled stems and branches against the violet mists of the west. It seems strangely grotesque and enchanted. No ancient olive-grove of Italy or Provence was ever more hoarily romantic. This is what people commonly behold on the last homeward bend of the drive. For such of them as are happy enough to occupy one of the villas on the cliffs, the beauty of the day has even yet not expired. The present summer has been emphatically the summer of moonlights. Not the nights, however, but the long days, in these agreeable homes, are what especially appeal to my fancy. Here you find a solution of the insoluble problem—to combine an abundance of society with an abundance of solitude. In their charming broad-windowed drawing-rooms, on their great seaward piazzas, within sight of the serious Atlantic horizon, which is so familiar to the eye and so mysterious to the heart, caressed by the gentle breeze which makes all but simple, social, delightful now and here seem unreal and untasteful—the sweet fruit of the lotus grows more than ever succulent and magical. How sensible they ought to be, the denizens of these pleasant places, of their peculiar felicity and distinction! How it should purify their temper and refine their tastes! How delicate, how wise, how discriminating they should become! What excellent manners—what enlightened opinions—their situation should produce! How it should purge them of vulgarity! Happy villeggianti of Newport!