The Real Thing and Other Tales

by Henry James

II.

Lady Maresfield had given her boy a push in his plump back and had said to him, “Go and speak to her now; it’s your chance.” She had for a long time wanted this scion to make himself audible to Rose Tramore, but the opportunity was not easy to come by. The case was complicated. Lady Maresfield had four daughters, of whom only one was married. It so happened moreover that this one, Mrs. Vaughan-Vesey, the only person in the world her mother was afraid of, was the most to be reckoned with. The Honourable Guy was in appearance all his mother’s child, though he was really a simpler soul. He was large and pink; large, that is, as to everything but the eyes, which were diminishing points, and pink as to everything but the hair, which was comparable, faintly, to the hue of the richer rose. He had also, it must be conceded, very small neat teeth, which made his smile look like a young lady’s. He had no wish to resemble any such person, but he was perpetually smiling, and he smiled more than ever as he approached Rose Tramore, who, looking altogether, to his mind, as a pretty girl should, and wearing a soft white opera-cloak over a softer black dress, leaned alone against the wall of the vestibule at Covent Garden while, a few paces off, an old gentleman engaged her mother in conversation. Madame Patti had been singing, and they were all waiting for their carriages. To their ears at present came a vociferation of names and a rattle of wheels. The air, through banging doors, entered in damp, warm gusts, heavy with the stale, slightly sweet taste of the London season when the London season is overripe and spoiling.

Guy Mangler had only three minutes to reëstablish an interrupted acquaintance with our young lady. He reminded her that he had danced with her the year before, and he mentioned that he knew her brother. His mother had lately been to see old Mrs. Tramore, but this he did not mention, not being aware of it. That visit had produced, on Lady Maresfield’s part, a private crisis, engendered ideas. One of them was that the grandmother in Hill Street had really forgiven the wilful girl much more than she admitted. Another was that there would still be some money for Rose when the others should come into theirs. Still another was that the others would come into theirs at no distant date; the old lady was so visibly going to pieces. There were several more besides, as for instance that Rose had already fifteen hundred a year from her father. The figure had been betrayed in Hill Street; it was part of the proof of Mrs. Tramore’s decrepitude. Then there was an equal amount that her mother had to dispose of and on which the girl could absolutely count, though of course it might involve much waiting, as the mother, a person of gross insensibility, evidently wouldn’t die of cold-shouldering. Equally definite, to do it justice, was the conception that Rose was in truth remarkably good looking, and that what she had undertaken to do showed, and would show even should it fail, cleverness of the right sort. Cleverness of the right sort was exactly the quality that Lady Maresfield prefigured as indispensable in a young lady to whom she should marry her second son, over whose own deficiencies she flung the veil of a maternal theory that his cleverness was of a sort that was wrong. Those who knew him less well were content to wish that he might not conceal it for such a scruple. This enumeration of his mother’s views does not exhaust the list, and it was in obedience to one too profound to be uttered even by the historian that, after a very brief delay, she decided to move across the crowded lobby. Her daughter Bessie was the only one with her; Maggie was dining with the Vaughan-Veseys, and Fanny was not of an age. Mrs. Tramore the younger showed only an admirable back—her face was to her old gentleman—and Bessie had drifted to some other people; so that it was comparatively easy for Lady Maresfield to say to Rose, in a moment: “My dear child, are you never coming to see us?”

“We shall be delighted to come if you’ll ask us,” Rose smiled.

Lady Maresfield had been prepared for the plural number, and she was a woman whom it took many plurals to disconcert. “I’m sure Guy is longing for another dance with you,” she rejoined, with the most unblinking irrelevance.

“I’m afraid we’re not dancing again quite yet,” said Rose, glancing at her mother’s exposed shoulders, but speaking as if they were muffled in crape.

Lady Maresfield leaned her head on one side and seemed almost wistful. “Not even at my sister’s ball? She’s to have something next week. She’ll write to you.”

Rose Tramore, on the spot, looking bright but vague, turned three or four things over in her mind. She remembered that the sister of her interlocutress was the proverbially rich Mrs. Bray, a bankeress or a breweress or a builderess, who had so big a house that she couldn’t fill it unless she opened her doors, or her mouth, very wide. Rose had learnt more about London society during these lonely months with her mother than she had ever picked up in Hill Street. The younger Mrs. Tramore was a mine of commérages, and she had no need to go out to bring home the latest intelligence. At any rate Mrs. Bray might serve as the end of a wedge. “Oh, I dare say we might think of that,” Rose said. “It would be very kind of your sister.”

“Guy’ll think of it, won’t you, Guy?” asked Lady Maresfield.

“Rather!” Guy responded, with an intonation as fine as if he had learnt it at a music hall; while at the same moment the name of his mother’s carriage was bawled through the place. Mrs. Tramore had parted with her old gentleman; she turned again to her daughter. Nothing occurred but what always occurred, which was exactly this absence of everything—a universal lapse. She didn’t exist, even for a second, to any recognising eye. The people who looked at her—of course there were plenty of those—were only the people who didn’t exist for hers. Lady Maresfield surged away on her son’s arm.

It was this noble matron herself who wrote, the next day, inclosing a card of invitation from Mrs. Bray and expressing the hope that Rose would come and dine and let her ladyship take her. She should have only one of her own girls; Gwendolen Vesey was to take the other. Rose handed both the note and the card in silence to her mother; the latter exhibited only the name of Miss Tramore. “You had much better go, dear,” her mother said; in answer to which Miss Tramore slowly tore up the documents, looking with clear, meditative eyes out of the window. Her mother always said “You had better go”—there had been other incidents—and Rose had never even once taken account of the observation. She would make no first advances, only plenty of second ones, and, condoning no discrimination, would treat no omission as venial. She would keep all concessions till afterwards; then she would make them one by one. Fighting society was quite as hard as her grandmother had said it would be; but there was a tension in it which made the dreariness vibrate—the dreariness of such a winter as she had just passed. Her companion had cried at the end of it, and she had cried all through; only her tears had been private, while her mother’s had fallen once for all, at luncheon on the bleak Easter Monday—produced by the way a silent survey of the deadly square brought home to her that every creature but themselves was out of town and having tremendous fun. Rose felt that it was useless to attempt to explain simply by her mourning this severity of solitude; for if people didn’t go to parties (at least a few didn’t) for six months after their father died, this was the very time other people took for coming to see them. It was not too much to say that during this first winter of Rose’s period with her mother she had no communication whatever with the world. It had the effect of making her take to reading the new American books: she wanted to see how girls got on by themselves. She had never read so much before, and there was a legitimate indifference in it when topics failed with her mother. They often failed after the first days, and then, while she bent over instructive volumes, this lady, dressed as if for an impending function, sat on the sofa and watched her. Rose was not embarrassed by such an appearance, for she could reflect that, a little before, her companion had not even a girl who had taken refuge in queer researches to look at. She was moreover used to her mother’s attitude by this time. She had her own description of it: it was the attitude of waiting for the carriage. If they didn’t go out it was not that Mrs. Tramore was not ready in time, and Rose had even an alarmed prevision of their some day always arriving first. Mrs. Tramore’s conversation at such moments was abrupt, inconsequent and personal. She sat on the edge of sofas and chairs and glanced occasionally at the fit of her gloves (she was perpetually gloved, and the fit was a thing it was melancholy to see wasted), as people do who are expecting guests to dinner. Rose used almost to fancy herself at times a perfunctory husband on the other side of the fire.

What she was not yet used to—there was still a charm in it—was her mother’s extraordinary tact. During the years they lived together they never had a discussion; a circumstance all the more remarkable since if the girl had a reason for sparing her companion (that of being sorry for her) Mrs. Tramore had none for sparing her child. She only showed in doing so a happy instinct—the happiest thing about her. She took in perfection a course which represented everything and covered everything; she utterly abjured all authority. She testified to her abjuration in hourly ingenious, touching ways. In this manner nothing had to be talked over, which was a mercy all round. The tears on Easter Monday were merely a nervous gust, to help show she was not a Christmas doll from the Burlington Arcade; and there was no lifting up of the repentant Magdalen, no uttered remorse for the former abandonment of children. Of the way she could treat her children her demeanour to this one was an example; it was an uninterrupted appeal to her eldest daughter for direction. She took the law from Rose in every circumstance, and if you had noticed these ladies without knowing their history you would have wondered what tie was fine enough to make maturity so respectful to youth. No mother was ever so filial as Mrs. Tramore, and there had never been such a difference of position between sisters. Not that the elder one fawned, which would have been fearful; she only renounced—whatever she had to renounce. If the amount was not much she at any rate made no scene over it. Her hand was so light that Rose said of her secretly, in vague glances at the past, “No wonder people liked her!” She never characterised the old element of interference with her mother’s respectability more definitely than as “people.” They were people, it was true, for whom gentleness must have been everything and who didn’t demand a variety of interests. The desire to “go out” was the one passion that even a closer acquaintance with her parent revealed to Rose Tramore. She marvelled at its strength, in the light of the poor lady’s history: there was comedy enough in this unquenchable flame on the part of a woman who had known such misery. She had drunk deep of every dishonour, but the bitter cup had left her with a taste for lighted candles, for squeezing up staircases and hooking herself to the human elbow. Rose had a vision of the future years in which this taste would grow with restored exercise—of her mother, in a long-tailed dress, jogging on and on and on, jogging further and further from her sins, through a century of the “Morning Post” and down the fashionable avenue of time. She herself would then be very old—she herself would be dead. Mrs. Tramore would cover a span of life for which such an allowance of sin was small. The girl could laugh indeed now at that theory of her being dragged down. If one thing were more present to her than another it was the very desolation of their propriety. As she glanced at her companion, it sometimes seemed to her that if she had been a bad woman she would have been worse than that. There were compensations for being “cut” which Mrs. Tramore too much neglected.

The lonely old lady in Hill Street—Rose thought of her that way now—was the one person to whom she was ready to say that she would come to her on any terms. She wrote this to her three times over, and she knocked still oftener at her door. But the old lady answered no letters; if Rose had remained in Hill Street it would have been her own function to answer them; and at the door, the butler, whom the girl had known for ten years, considered her, when he told her his mistress was not at home, quite as he might have considered a young person who had come about a place and of whose eligibility he took a negative view. That was Rose’s one pang, that she probably appeared rather heartless. Her aunt Julia had gone to Florence with Edith for the winter, on purpose to make her appear more so; for Miss Tramore was still the person most scandalised by her secession. Edith and she, doubtless, often talked over in Florence the destitution of the aged victim in Hill Street. Eric never came to see his sister, because, being full both of family and of personal feeling, he thought she really ought to have stayed with his grandmother. If she had had such an appurtenance all to herself she might have done what she liked with it; but he couldn’t forgive such a want of consideration for anything of his. There were moments when Rose would have been ready to take her hand from the plough and insist upon reintegration, if only the fierce voice of the old house had allowed people to look her up. But she read, ever so clearly, that her grandmother had made this a question of loyalty to seventy years of virtue. Mrs. Tramore’s forlornness didn’t prevent her drawing-room from being a very public place, in which Rose could hear certain words reverberate: “Leave her alone; it’s the only way to see how long she’ll hold out.” The old woman’s visitors were people who didn’t wish to quarrel, and the girl was conscious that if they had not let her alone—that is if they had come to her from her grandmother—she might perhaps not have held out. She had no friends quite of her own; she had not been brought up to have them, and it would not have been easy in a house which two such persons as her father and his mother divided between them. Her father disapproved of crude intimacies, and all the intimacies of youth were crude. He had married at five-and-twenty and could testify to such a truth. Rose felt that she shared even Captain Jay with her grandmother; she had seen what he was worth. Moreover, she had spoken to him at that last moment in Hill Street in a way which, taken with her former refusal, made it impossible that he should come near her again. She hoped he went to see his protectress: he could be a kind of substitute and administer comfort.

It so happened, however, that the day after she threw Lady Maresfield’s invitation into the wastepaper basket she received a visit from a certain Mrs. Donovan, whom she had occasionally seen in Hill Street. She vaguely knew this lady for a busybody, but she was in a situation which even busybodies might alleviate. Mrs. Donovan was poor, but honest—so scrupulously honest that she was perpetually returning visits she had never received. She was always clad in weather-beaten sealskin, and had an odd air of being prepared for the worst, which was borne out by her denying that she was Irish. She was of the English Donovans.

“Dear child, won’t you go out with me?” she asked.

Rose looked at her a moment and then rang the bell. She spoke of something else, without answering the question, and when the servant came she said: “Please tell Mrs. Tramore that Mrs. Donovan has come to see her.”

“Oh, that’ll be delightful; only you mustn’t tell your grandmother!” the visitor exclaimed.

“Tell her what?”

“That I come to see your mamma.”

“You don’t,” said Rose.

“Sure I hoped you’d introduce me!” cried Mrs. Donovan, compromising herself in her embarrassment.

“It’s not necessary; you knew her once.”

“Indeed and I’ve known every one once,” the visitor confessed.

Mrs. Tramore, when she came in, was charming and exactly right; she greeted Mrs. Donovan as if she had met her the week before last, giving her daughter such a new illustration of her tact that Rose again had the idea that it was no wonder “people” had liked her. The girl grudged Mrs. Donovan so fresh a morsel as a description of her mother at home, rejoicing that she would be inconvenienced by having to keep the story out of Hill Street. Her mother went away before Mrs. Donovan departed, and Rose was touched by guessing her reason—the thought that since even this circuitous personage had been moved to come, the two might, if left together, invent some remedy. Rose waited to see what Mrs. Donovan had in fact invented.

“You won’t come out with me then?”

“Come out with you?”

“My daughters are married. You know I’m a lone woman. It would be an immense pleasure to me to have so charming a creature as yourself to present to the world.”

“I go out with my mother,” said Rose, after a moment.

“Yes, but sometimes when she’s not inclined?”

“She goes everywhere she wants to go,” Rose continued, uttering the biggest fib of her life and only regretting it should be wasted on Mrs. Donovan.

“Ah, but do you go everywhere you want?” the lady asked sociably.

“One goes even to places one hates. Every one does that.”

“Oh, what I go through!” this social martyr cried. Then she laid a persuasive hand on the girl’s arm. “Let me show you at a few places first, and then we’ll see. I’ll bring them all here.”

“I don’t think I understand you,” replied Rose, though in Mrs. Donovan’s words she perfectly saw her own theory of the case reflected. For a quarter of a minute she asked herself whether she might not, after all, do so much evil that good might come. Mrs. Donovan would take her out the next day, and be thankful enough to annex such an attraction as a pretty girl. Various consequences would ensue and the long delay would be shortened; her mother’s drawing-room would resound with the clatter of teacups.

“Mrs. Bray’s having some big thing next week; come with me there and I’ll show you what I mane,” Mrs. Donovan pleaded.

“I see what you mane,” Rose answered, brushing away her temptation and getting up. “I’m much obliged to you.”

“You know you’re wrong, my dear,” said her interlocutress, with angry little eyes.

“I’m not going to Mrs. Bray’s.”

“I’ll get you a kyard; it’ll only cost me a penny stamp.”

“I’ve got one,” said the girl, smiling.

“Do you mean a penny stamp?” Mrs. Donovan, especially at departure, always observed all the forms of amity. “You can’t do it alone, my darling,” she declared.

“Shall they call you a cab?” Rose asked.

“I’ll pick one up. I choose my horse. You know you require your start,” her visitor went on.

“Excuse my mother,” was Rose’s only reply.

“Don’t mention it. Come to me when you need me. You’ll find me in the Red Book.”

“It’s awfully kind of you.”

Mrs. Donovan lingered a moment on the threshold. “Who will you have now, my child?” she appealed.

“I won’t have any one!” Rose turned away, blushing for her. “She came on speculation,” she said afterwards to Mrs. Tramore.

Her mother looked at her a moment in silence. “You can do it if you like, you know.”

Rose made no direct answer to this observation; she remarked instead: “See what our quiet life allows us to escape.”

“We don’t escape it. She has been here an hour.”

“Once in twenty years! We might meet her three times a day.”

“Oh, I’d take her with the rest!” sighed Mrs. Tramore; while her daughter recognised that what her companion wanted to do was just what Mrs. Donovan was doing. Mrs. Donovan’s life was her ideal.

On a Sunday, ten days later, Rose went to see one of her old governesses, of whom she had lost sight for some time and who had written to her that she was in London, unoccupied and ill. This was just the sort of relation into which she could throw herself now with inordinate zeal; the idea of it, however, not preventing a foretaste of the queer expression in the excellent lady’s face when she should mention with whom she was living. While she smiled at this picture she threw in another joke, asking herself if Miss Hack could be held in any degree to constitute the nucleus of a circle. She would come to see her, in any event—come the more the further she was dragged down. Sunday was always a difficult day with the two ladies—the afternoons made it so apparent that they were not frequented. Her mother, it is true, was comprised in the habits of two or three old gentlemen—she had for a long time avoided male friends of less than seventy—who disliked each other enough to make the room, when they were there at once, crack with pressure. Rose sat for a long time with Miss Hack, doing conscientious justice to the conception that there could be troubles in the world worse than her own; and when she came back her mother was alone, but with a story to tell of a long visit from Mr. Guy Mangler, who had waited and waited for her return. “He’s in love with you; he’s coming again on Tuesday,” Mrs. Tramore announced.

“Did he say so?”

“That he’s coming back on Tuesday?”

“No, that he’s in love with me.”

“He didn’t need, when he stayed two hours.”

“With you? It’s you he’s in love with, mamma!”

“That will do as well,” laughed Mrs. Tramore. “For all the use we shall make of him!” she added in a moment.

“We shall make great use of him. His mother sent him.”

“Oh, she’ll never come!”

“Then he sha’n’t,” said Rose. Yet he was admitted on the Tuesday, and after she had given him his tea Mrs. Tramore left the young people alone. Rose wished she hadn’t—she herself had another view. At any rate she disliked her mother’s view, which she had easily guessed. Mr. Mangler did nothing but say how charming he thought his hostess of the Sunday, and what a tremendously jolly visit he had had. He didn’t remark in so many words “I had no idea your mother was such a good sort”; but this was the spirit of his simple discourse. Rose liked it at first—a little of it gratified her; then she thought there was too much of it for good taste. She had to reflect that one does what one can and that Mr. Mangler probably thought he was delicate. He wished to convey that he desired to make up to her for the injustice of society. Why shouldn’t her mother receive gracefully, she asked (not audibly) and who had ever said she didn’t? Mr. Mangler had a great deal to say about the disappointment of his own parent over Miss Tramore’s not having come to dine with them the night of his aunt’s ball.

“Lady Maresfield knows why I didn’t come,” Rose answered at last.

“Ah, now, but I don’t, you know; can’t you tell me?” asked the young man.

“It doesn’t matter, if your mother’s clear about it.”

“Oh, but why make such an awful mystery of it, when I’m dying to know?”

He talked about this, he chaffed her about it for the rest of his visit: he had at last found a topic after his own heart. If her mother considered that he might be the emblem of their redemption he was an engine of the most primitive construction. He stayed and stayed; he struck Rose as on the point of bringing out something for which he had not quite, as he would have said, the cheek. Sometimes she thought he was going to begin: “By the way, my mother told me to propose to you.” At other moments he seemed charged with the admission: “I say, of course I really know what you’re trying to do for her,” nodding at the door: “therefore hadn’t we better speak of it frankly, so that I can help you with my mother, and more particularly with my sister Gwendolen, who’s the difficult one? The fact is, you see, they won’t do anything for nothing. If you’ll accept me they’ll call, but they won’t call without something ‘down.’” Mr. Mangler departed without their speaking frankly, and Rose Tramore had a hot hour during which she almost entertained, vindictively, the project of “accepting” the limpid youth until after she should have got her mother into circulation. The cream of the vision was that she might break with him later. She could read that this was what her mother would have liked, but the next time he came the door was closed to him, and the next and the next.

In August there was nothing to do but to go abroad, with the sense on Rose’s part that the battle was still all to fight; for a round of country visits was not in prospect, and English watering-places constituted one of the few subjects on which the girl had heard her mother express herself with disgust. Continental autumns had been indeed for years, one of the various forms of Mrs. Tramore’s atonement, but Rose could only infer that such fruit as they had borne was bitter. The stony stare of Belgravia could be practised at Homburg; and somehow it was inveterately only gentlemen who sat next to her at the table d’hôte at Cadenabbia. Gentlemen had never been of any use to Mrs. Tramore for getting back into society; they had only helped her effectually to get out of it. She once dropped, to her daughter, in a moralising mood, the remark that it was astonishing how many of them one could know without its doing one any good. Fifty of them—even very clever ones—represented a value inferior to that of one stupid woman. Rose wondered at the offhand way in which her mother could talk of fifty clever men; it seemed to her that the whole world couldn’t contain such a number. She had a sombre sense that mankind must be dull and mean. These cogitations took place in a cold hotel, in an eternal Swiss rain, and they had a flat echo in the transalpine valleys, as the lonely ladies went vaguely down to the Italian lakes and cities. Rose guided their course, at moments, with a kind of aimless ferocity; she moved abruptly, feeling vulgar and hating their life, though destitute of any definite vision of another life that would have been open to her. She had set herself a task and she clung to it; but she appeared to herself despicably idle. She had succeeded in not going to Homburg waters, where London was trying to wash away some of its stains; that would be too staring an advertisement of their situation. The main difference in situations to her now was the difference of being more or less pitied, at the best an intolerable danger; so that the places she preferred were the unsuspicious ones. She wanted to triumph with contempt, not with submission.

One morning in September, coming with her mother out of the marble church at Milan, she perceived that a gentleman who had just passed her on his way into the cathedral and whose face she had not noticed, had quickly raised his hat, with a suppressed ejaculation. She involuntarily glanced back; the gentleman had paused, again uncovering, and Captain Jay stood saluting her in the Italian sunshine. “Oh, good-morning!” she said, and walked on, pursuing her course; her mother was a little in front. She overtook her in a moment, with an unreasonable sense, like a gust of cold air, that men were worse than ever, for Captain Jay had apparently moved into the church. Her mother turned as they met, and suddenly, as she looked back, an expression of peculiar sweetness came into this lady’s eyes. It made Rose’s take the same direction and rest a second time on Captain Jay, who was planted just where he had stood a minute before. He immediately came forward, asking Rose with great gravity if he might speak to her a moment, while Mrs. Tramore went her way again. He had the expression of a man who wished to say something very important; yet his next words were simple enough and consisted of the remark that he had not seen her for a year.

“Is it really so much as that?” asked Rose.

“Very nearly. I would have looked you up, but in the first place I have been very little in London, and in the second I believed it wouldn’t have done any good.”

“You should have put that first,” said the girl. “It wouldn’t have done any good.”

He was silent over this a moment, in his customary deciphering way; but the view he took of it did not prevent him from inquiring, as she slowly followed her mother, if he mightn’t walk with her now. She answered with a laugh that it wouldn’t do any good but that he might do as he liked. He replied without the slightest manifestation of levity that it would do more good than if he didn’t, and they strolled together, with Mrs. Tramore well before them, across the big, amusing piazza, where the front of the cathedral makes a sort of builded light. He asked a question or two and he explained his own presence: having a month’s holiday, the first clear time for several years, he had just popped over the Alps. He inquired if Rose had recent news of the old lady in Hill Street, and it was the only tortuous thing she had ever heard him say.

“I have had no communication of any kind from her since I parted with you under her roof. Hasn’t she mentioned that?” said Rose.

“I haven’t seen her.”

“I thought you were such great friends.”

Bertram Jay hesitated a moment. “Well, not so much now.”

“What has she done to you?” Rose demanded.

He fidgeted a little, as if he were thinking of something that made him unconscious of her question; then, with mild violence, he brought out the inquiry: “Miss Tramore, are you happy?”

She was startled by the words, for she on her side had been reflecting—reflecting that he had broken with her grandmother and that this pointed to a reason. It suggested at least that he wouldn’t now be so much like a mouthpiece for that cold ancestral tone. She turned off his question—said it never was a fair one, as you gave yourself away however you answered it. When he repeated “You give yourself away?” as if he didn’t understand, she remembered that he had not read the funny American books. This brought them to a silence, for she had enlightened him only by another laugh, and he was evidently preparing another question, which he wished carefully to disconnect from the former. Presently, just as they were coming near Mrs. Tramore, it arrived in the words “Is this lady your mother?” On Rose’s assenting, with the addition that she was travelling with her, he said: “Will you be so kind as to introduce me to her?” They were so close to Mrs. Tramore that she probably heard, but she floated away with a single stroke of her paddle and an inattentive poise of her head. It was a striking exhibition of the famous tact, for Rose delayed to answer, which was exactly what might have made her mother wish to turn; and indeed when at last the girl spoke she only said to her companion: “Why do you ask me that?”

“Because I desire the pleasure of making her acquaintance.”

Rose had stopped, and in the middle of the square they stood looking at each other. “Do you remember what you said to me the last time I saw you?”

“Oh, don’t speak of that!”

“It’s better to speak of it now than to speak of it later.”

Bertram Jay looked round him, as if to see whether any one would hear; but the bright foreignness gave him a sense of safety, and he unexpectedly exclaimed: “Miss Tramore, I love you more than ever!”

“Then you ought to have come to see us,” declared the girl, quickly walking on.

“You treated me the last time as if I were positively offensive to you.”

“So I did, but you know my reason.”

“Because I protested against the course you were taking? I did, I did!” the young man rang out, as if he still, a little, stuck to that.

His tone made Rose say gaily: “Perhaps you do so yet?”

“I can’t tell till I’ve seen more of your circumstances,” he replied with eminent honesty.

The girl stared; her light laugh filled the air. “And it’s in order to see more of them and judge that you wish to make my mother’s acquaintance?”

He coloured at this and he evaded; then he broke out with a confused “Miss Tramore, let me stay with you a little!” which made her stop again.

“Your company will do us great honour, but there must be a rigid condition attached to our acceptance of it.”

“Kindly mention it,” said Captain Jay, staring at the façade of the cathedral.

“You don’t take us on trial.”

“On trial?”

“You don’t make an observation to me—not a single one, ever, ever!—on the matter that, in Hill Street, we had our last words about.”

Captain Jay appeared to be counting the thousand pinnacles of the church. “I think you really must be right,” he remarked at last.

“There you are!” cried Rose Tramore, and walked rapidly away.

He caught up with her, he laid his hand upon her arm to stay her. “If you’re going to Venice, let me go to Venice with you!”

“You don’t even understand my condition.”

“I’m sure you’re right, then: you must be right about everything.”

“That’s not in the least true, and I don’t care a fig whether you’re sure or not. Please let me go.”

He had barred her way, he kept her longer. “I’ll go and speak to your mother myself!”

Even in the midst of another emotion she was amused at the air of audacity accompanying this declaration. Poor Captain Jay might have been on the point of marching up to a battery. She looked at him a moment; then she said: “You’ll be disappointed!”

“Disappointed?”

“She’s much more proper than grandmamma, because she’s much more amiable.”

“Dear Miss Tramore—dear Miss Tramore!” the young man murmured helplessly.

“You’ll see for yourself. Only there’s another condition,” Rose went on.

“Another?” he cried, with discouragement and alarm.

“You must understand thoroughly, before you throw in your lot with us even for a few days, what our position really is.”

“Is it very bad?” asked Bertram Jay artlessly.

“No one has anything to do with us, no one speaks to us, no one looks at us.”

“Really?” stared the young man.

“We’ve no social existence, we’re utterly despised.”

“Oh, Miss Tramore!” Captain Jay interposed. He added quickly, vaguely, and with a want of presence of mind of which he as quickly felt ashamed: “Do none of your family—?” The question collapsed; the brilliant girl was looking at him.

“We’re extraordinarily happy,” she threw out.

“Now that’s all I wanted to know!” he exclaimed, with a kind of exaggerated cheery reproach, walking on with her briskly to overtake her mother.

He was not dining at their inn, but he insisted on coming that evening to their table d’hôte. He sat next Mrs. Tramore, and in the evening he accompanied them gallantly to the opera, at a third-rate theatre where they were almost the only ladies in the boxes. The next day they went together by rail to the Charterhouse of Pavia, and while he strolled with the girl, as they waited for the homeward train, he said to her candidly: “Your mother’s remarkably pretty.” She remembered the words and the feeling they gave her: they were the first note of new era. The feeling was somewhat that of an anxious, gratified matron who has “presented” her child and is thinking of the matrimonial market. Men might be of no use, as Mrs. Tramore said, yet it was from this moment Rose dated the rosy dawn of her confidence that her protégée would go off; and when later, in crowded assemblies, the phrase, or something like it behind a hat or a fan, fell repeatedly on her anxious ear, “Your mother is in beauty!” or “I’ve never seen her look better!” she had a faint vision of the yellow sunshine and the afternoon shadows on the dusty Italian platform.

Mrs. Tramore’s behaviour at this period was a revelation of her native understanding of delicate situations. She needed no account of this one from her daughter—it was one of the things for which she had a scent; and there was a kind of loyalty to the rules of a game in the silent sweetness with which she smoothed the path of Bertram Jay. It was clear that she was in her element in fostering the exercise of the affections, and if she ever spoke without thinking twice it is probable that she would have exclaimed, with some gaiety, “Oh, I know all about love!” Rose could see that she thought their companion would be a help, in spite of his being no dispenser of patronage. The key to the gates of fashion had not been placed in his hand, and no one had ever heard of the ladies of his family, who lived in some vague hollow of the Yorkshire moors; but none the less he might administer a muscular push. Yes indeed, men in general were broken reeds, but Captain Jay was peculiarly representative. Respectability was the woman’s maximum, as honour was the man’s, but this distinguished young soldier inspired more than one kind of confidence. Rose had a great deal of attention for the use to which his respectability was put; and there mingled with this attention some amusement and much compassion. She saw that after a couple of days he decidedly liked her mother, and that he was yet not in the least aware of it. He took for granted that he believed in her but little; notwithstanding which he would have trusted her with anything except Rose herself. His trusting her with Rose would come very soon. He never spoke to her daughter about her qualities of character, but two or three of them (and indeed these were all the poor lady had, and they made the best show) were what he had in mind in praising her appearance. When he remarked: “What attention Mrs. Tramore seems to attract everywhere!” he meant: “What a beautifully simple nature it is!” and when he said: “There’s something extraordinarily harmonious in the colours she wears,” it signified: “Upon my word, I never saw such a sweet temper in my life!” She lost one of her boxes at Verona, and made the prettiest joke of it to Captain Jay. When Rose saw this she said to herself, “Next season we shall have only to choose.” Rose knew what was in the box.

By the time they reached Venice (they had stopped at half a dozen little old romantic cities in the most frolicsome æsthetic way) she liked their companion better than she had ever liked him before. She did him the justice to recognise that if he was not quite honest with himself he was at least wholly honest with her. She reckoned up everything he had been since he joined them, and put upon it all an interpretation so favourable to his devotion that, catching herself in the act of glossing over one or two episodes that had not struck her at the time as disinterested she exclaimed, beneath her breath, “Look out—you’re falling in love!” But if he liked correctness wasn’t he quite right? Could any one possibly like it more than she did? And if he had protested against her throwing in her lot with her mother, this was not because of the benefit conferred but because of the injury received. He exaggerated that injury, but this was the privilege of a lover perfectly willing to be selfish on behalf of his mistress. He might have wanted her grandmother’s money for her, but if he had given her up on first discovering that she was throwing away her chance of it (oh, this was her doing too!) he had given up her grandmother as much: not keeping well with the old woman, as some men would have done; not waiting to see how the perverse experiment would turn out and appeasing her, if it should promise tolerably, with a view to future operations. He had had a simple-minded, evangelical, lurid view of what the girl he loved would find herself in for. She could see this now—she could see it from his present bewilderment and mystification, and she liked him and pitied him, with the kindest smile, for the original naïveté as well as for the actual meekness. No wonder he hadn’t known what she was in for, since he now didn’t even know what he was in for himself. Were there not moments when he thought his companions almost unnaturally good, almost suspiciously safe? He had lost all power to verify that sketch of their isolation and déclassement to which she had treated him on the great square at Milan. The last thing he noticed was that they were neglected, and he had never, for himself, had such an impression of society.

It could scarcely be enhanced even by the apparition of a large, fair, hot, red-haired young man, carrying a lady’s fan in his hand, who suddenly stood before their little party as, on the third evening after their arrival in Venice, it partook of ices at one of the tables before the celebrated Café Florian. The lamplit Venetian dusk appeared to have revealed them to this gentleman as he sat with other friends at a neighbouring table, and he had sprung up, with unsophisticated glee, to shake hands with Mrs. Tramore and her daughter. Rose recalled him to her mother, who looked at first as though she didn’t remember him but presently bestowed a sufficiently gracious smile on Mr. Guy Mangler. He gave with youthful candour the history of his movements and indicated the whereabouts of his family: he was with his mother and sisters; they had met the Bob Veseys, who had taken Lord Whiteroy’s yacht and were going to Constantinople. His mother and the girls, poor things, were at the Grand Hotel, but he was on the yacht with the Veseys, where they had Lord Whiteroy’s cook. Wasn’t the food in Venice filthy, and wouldn’t they come and look at the yacht? She wasn’t very fast, but she was awfully jolly. His mother might have come if she would, but she wouldn’t at first, and now, when she wanted to, there were other people, who naturally wouldn’t turn out for her. Mr. Mangler sat down; he alluded with artless resentment to the way, in July, the door of his friends had been closed to him. He was going to Constantinople, but he didn’t care—if they were going anywhere; meanwhile his mother hoped awfully they would look her up.

Lady Maresfield, if she had given her son any such message, which Rose disbelieved, entertained her hope in a manner compatible with her sitting for half an hour, surrounded by her little retinue, without glancing in the direction of Mrs. Tramore. The girl, however, was aware that this was not a good enough instance of their humiliation; inasmuch as it was rather she who, on the occasion of their last contact, had held off from Lady Maresfield. She was a little ashamed now of not having answered the note in which this affable personage ignored her mother. She couldn’t help perceiving indeed a dim movement on the part of some of the other members of the group; she made out an attitude of observation in the high-plumed head of Mrs. Vaughan-Vesey. Mrs. Vesey, perhaps, might have been looking at Captain Jay, for as this gentleman walked back to the hotel with our young lady (they were at the “Britannia,” and young Mangler, who clung to them, went in front with Mrs. Tramore) he revealed to Rose that he had some acquaintance with Lady Maresfield’s eldest daughter, though he didn’t know and didn’t particularly want to know, her ladyship. He expressed himself with more acerbity than she had ever heard him use (Christian charity so generally governed his speech) about the young donkey who had been prattling to them. They separated at the door of the hotel. Mrs. Tramore had got rid of Mr. Mangler, and Bertram Jay was in other quarters.

“If you know Mrs. Vesey, why didn’t you go and speak to her? I’m sure she saw you,” Rose said.

Captain Jay replied even more circumspectly than usual. “Because I didn’t want to leave you.”

“Well, you can go now; you’re free,” Rose rejoined.

“Thank you. I shall never go again.”

“That won’t be civil,” said Rose.

“I don’t care to be civil. I don’t like her.”

“Why don’t you like her?”

“You ask too many questions.”

“I know I do,” the girl acknowledged.

Captain Jay had already shaken hands with her, but at this he put out his hand again. “She’s too worldly,” he murmured, while he held Rose Tramore’s a moment.

“Ah, you dear!” Rose exclaimed almost audibly as, with her mother, she turned away.

The next morning, upon the Grand Canal, the gondola of our three friends encountered a stately barge which, though it contained several persons, seemed pervaded mainly by one majestic presence. During the instant the gondolas were passing each other it was impossible either for Rose Tramore or for her companions not to become conscious that this distinguished identity had markedly inclined itself—a circumstance commemorated the next moment, almost within earshot of the other boat, by the most spontaneous cry that had issued for many a day from the lips of Mrs. Tramore. “Fancy, my dear, Lady Maresfield has bowed to us!”

“We ought to have returned it,” Rose answered; but she looked at Bertram Jay, who was opposite to her. He blushed, and she blushed, and during this moment was born a deeper understanding than had yet existed between these associated spirits. It had something to do with their going together that afternoon, without her mother, to look at certain out-of-the-way pictures as to which Ruskin had inspired her with a desire to see sincerely. Mrs. Tramore expressed the wish to stay at home, and the motive of this wish—a finer shade than any that even Ruskin had ever found a phrase for—was not translated into misrepresenting words by either the mother or the daughter. At San Giovanni in Bragora the girl and her companion came upon Mrs. Vaughan-Vesey, who, with one of her sisters, was also endeavouring to do the earnest thing. She did it to Rose, she did it to Captain Jay, as well as to Gianbellini; she was a handsome, long-necked, aquiline person, of a different type from the rest of her family, and she did it remarkably well. She secured our friends—it was her own expression—for luncheon, on the morrow, on the yacht, and she made it public to Rose that she would come that afternoon to invite her mother. When the girl returned to the hotel, Mrs. Tramore mentioned, before Captain Jay, who had come up to their sitting-room, that Lady Maresfield had called. “She stayed a long time—at least it seemed long!” laughed Mrs. Tramore.

The poor lady could laugh freely now; yet there was some grimness in a colloquy that she had with her daughter after Bertram Jay had departed. Before this happened Mrs. Vesey’s card, scrawled over in pencil and referring to the morrow’s luncheon, was brought up to Mrs. Tramore.

“They mean it all as a bribe,” said the principal recipient of these civilities.

“As a bribe?” Rose repeated.

“She wants to marry you to that boy; they’ve seen Captain Jay and they’re frightened.”

“Well, dear mamma, I can’t take Mr. Mangler for a husband.”

“Of course not. But oughtn’t we to go to the luncheon?”

“Certainly we’ll go to the luncheon,” Rose said; and when the affair took place, on the morrow, she could feel for the first time that she was taking her mother out. This appearance was somehow brought home to every one else, and it was really the agent of her success. For it is of the essence of this simple history that, in the first place, that success dated from Mrs. Vesey’s Venetian déjeuner, and in the second reposed, by a subtle social logic, on the very anomaly that had made it dubious. There is always a chance in things, and Rose Tramore’s chance was in the fact that Gwendolen Vesey was, as some one had said, awfully modern, an immense improvement on the exploded science of her mother, and capable of seeing what a “draw” there would be in the comedy, if properly brought out, of the reversed positions of Mrs. Tramore and Mrs. Tramore’s diplomatic daughter. With a first-rate managerial eye she perceived that people would flock into any room—and all the more into one of hers—to see Rose bring in her dreadful mother. She treated the cream of English society to this thrilling spectacle later in the autumn, when she once more “secured” both the performers for a week at Brimble. It made a hit on the spot, the very first evening—the girl was felt to play her part so well. The rumour of the performance spread; every one wanted to see it. It was an entertainment of which, that winter in the country, and the next season in town, persons of taste desired to give their friends the freshness. The thing was to make the Tramores come late, after every one had arrived. They were engaged for a fixed hour, like the American imitator and the Patagonian contralto. Mrs. Vesey had been the first to say the girl was awfully original, but that became the general view.

Gwendolen Vesey had with her mother one of the few quarrels in which Lady Maresfield had really stood up to such an antagonist (the elder woman had to recognise in general in whose veins it was that the blood of the Manglers flowed) on account of this very circumstance of her attaching more importance to Miss Tramore’s originality (“Her originality be hanged!” her ladyship had gone so far as unintelligently to exclaim) than to the prospects of the unfortunate Guy. Mrs. Vesey actually lost sight of these pressing problems in her admiration of the way the mother and the daughter, or rather the daughter and the mother (it was slightly confusing) “drew.” It was Lady Maresfield’s version of the case that the brazen girl (she was shockingly coarse) had treated poor Guy abominably. At any rate it was made known, just after Easter, that Miss Tramore was to be married to Captain Jay. The marriage was not to take place till the summer; but Rose felt that before this the field would practically be won. There had been some bad moments, there had been several warm corners and a certain number of cold shoulders and closed doors and stony stares; but the breach was effectually made—the rest was only a question of time. Mrs. Tramore could be trusted to keep what she had gained, and it was the dowagers, the old dragons with prominent fangs and glittering scales, whom the trick had already mainly caught. By this time there were several houses into which the liberated lady had crept alone. Her daughter had been expected with her, but they couldn’t turn her out because the girl had stayed behind, and she was fast acquiring a new identity, that of a parental connection with the heroine of such a romantic story. She was at least the next best thing to her daughter, and Rose foresaw the day when she would be valued principally as a memento of one of the prettiest episodes in the annals of London. At a big official party, in June, Rose had the joy of introducing Eric to his mother. She was a little sorry it was an official party—there were some other such queer people there; but Eric called, observing the shade, the next day but one.

No observer, probably, would have been acute enough to fix exactly the moment at which the girl ceased to take out her mother and began to be taken out by her. A later phase was more distinguishable—that at which Rose forbore to inflict on her companion a duality that might become oppressive. She began to economise her force, she went only when the particular effect was required. Her marriage was delayed by the period of mourning consequent upon the death of her grandmother, who, the younger Mrs. Tramore averred, was killed by the rumour of her own new birth. She was the only one of the dragons who had not been tamed. Julia Tramore knew the truth about this—she was determined such things should not kill her. She would live to do something—she hardly knew what. The provisions of her mother’s will were published in the “Illustrated News”; from which it appeared that everything that was not to go to Eric and to Julia was to go to the fortunate Edith. Miss Tramore makes no secret of her own intentions as regards this favourite.

Edith is not pretty, but Lady Maresfield is waiting for her; she is determined Gwendolen Vesey shall not get hold of her. Mrs. Vesey however takes no interest in her at all. She is whimsical, as befits a woman of her fashion; but there are two persons she is still very fond of, the delightful Bertram Jays. The fondness of this pair, it must be added, is not wholly expended in return. They are extremely united, but their life is more domestic than might have been expected from the preliminary signs. It owes a portion of its concentration to the fact that Mrs. Tramore has now so many places to go to that she has almost no time to come to her daughter’s. She is, under her son-in-law’s roof, a brilliant but a rare apparition, and the other day he remarked upon the circumstance to his wife.

“If it hadn’t been for you,” she replied, smiling, “she might have had her regular place at our fireside.”

“Good heavens, how did I prevent it?” cried Captain Jay, with all the consciousness of virtue.

“You ordered it otherwise, you goose!” And she says, in the same spirit, whenever her husband commends her (which he does, sometimes, extravagantly) for the way she launched her mother: “Nonsense, my dear—practically it was you!”

GREVILLE FANE.

Coming in to dress for dinner, I found a telegram: “Mrs. Stormer dying; can you give us half a column for to-morrow evening? Let her off easy, but not too easy.” I was late; I was in a hurry; I had very little time to think, but at a venture I dispatched a reply: “Will do what I can.” It was not till I had dressed and was rolling away to dinner that, in the hansom, I bethought myself of the difficulty of the condition attached. The difficulty was not of course in letting her off easy but in qualifying that indulgence. “I simply won’t qualify it,” I said to myself. I didn’t admire her, but I liked her, and I had known her so long that I almost felt heartless in sitting down at such an hour to a feast of indifference. I must have seemed abstracted, for the early years of my acquaintance with her came back to me. I spoke of her to the lady I had taken down, but the lady I had taken down had never heard of Greville Fane. I tried my other neighbour, who pronounced her books “too vile.” I had never thought them very good, but I should let her off easier than that.

I came away early, for the express purpose of driving to ask about her. The journey took time, for she lived in the north-west district, in the neighbourhood of Primrose Hill. My apprehension that I should be too late was justified in a fuller sense than I had attached to it—I had only feared that the house would be shut up. There were lights in the windows, and the temperate tinkle of my bell brought a servant immediately to the door, but poor Mrs. Stormer had passed into a state in which the resonance of no earthly knocker was to be feared. A lady, in the hall, hovering behind the servant, came forward when she heard my voice. I recognised Lady Luard, but she had mistaken me for the doctor.

“Excuse my appearing at such an hour,” I said; “it was the first possible moment after I heard.”

“It’s all over,” Lady Luard replied. “Dearest mamma!”

She stood there under the lamp with her eyes on me; she was very tall, very stiff, very cold, and always looked as if these things, and some others beside, in her dress, her manner and even her name, were an implication that she was very admirable. I had never been able to follow the argument, but that is a detail. I expressed briefly and frankly what I felt, while the little mottled maidservant flattened herself against the wall of the narrow passage and tried to look detached without looking indifferent. It was not a moment to make a visit, and I was on the point of retreating when Lady Luard arrested me with a queer, casual, drawling “Would you—a—would you, perhaps, be writing something?” I felt for the instant like an interviewer, which I was not. But I pleaded guilty to this intention, on which she rejoined: “I’m so very glad—but I think my brother would like to see you.” I detested her brother, but it wasn’t an occasion to act this out; so I suffered myself to be inducted, to my surprise, into a small back room which I immediately recognised as the scene, during the later years, of Mrs. Stormer’s imperturbable industry. Her table was there, the battered and blotted accessory to innumerable literary lapses, with its contracted space for the arms (she wrote only from the elbow down) and the confusion of scrappy, scribbled sheets which had already become literary remains. Leolin was also there, smoking a cigarette before the fire and looking impudent even in his grief, sincere as it well might have been.

To meet him, to greet him, I had to make a sharp effort; for the air that he wore to me as he stood before me was quite that of his mother’s murderer. She lay silent for ever upstairs—as dead as an unsuccessful book, and his swaggering erectness was a kind of symbol of his having killed her. I wondered if he had already, with his sister, been calculating what they could get for the poor papers on the table; but I had not long to wait to learn, for in reply to the scanty words of sympathy I addressed him he puffed out: “It’s miserable, miserable, yes; but she has left three books complete.” His words had the oddest effect; they converted the cramped little room into a seat of trade and made the “book” wonderfully feasible. He would certainly get all that could be got for the three. Lady Luard explained to me that her husband had been with them but had had to go down to the House. To her brother she explained that I was going to write something, and to me again she made it clear that she hoped I would “do mamma justice.” She added that she didn’t think this had ever been done. She said to her brother: “Don’t you think there are some things he ought thoroughly to understand?” and on his instantly exclaiming “Oh, thoroughly—thoroughly!” she went on, rather austerely: “I mean about mamma’s birth.”

“Yes, and her connections,” Leolin added.

I professed every willingness, and for five minutes I listened, but it would be too much to say that I understood. I don’t even now, but it is not important. My vision was of other matters than those they put before me, and while they desired there should be no mistake about their ancestors I became more and more lucid about themselves. I got away as soon as possible, and walked home through the great dusky, empty London—the best of all conditions for thought. By the time I reached my door my little article was practically composed—ready to be transferred on the morrow from the polished plate of fancy. I believe it attracted some notice, was thought “graceful” and was said to be by some one else. I had to be pointed without being lively, and it took some tact. But what I said was much less interesting than what I thought—especially during the half-hour I spent in my armchair by the fire, smoking the cigar I always light before going to bed. I went to sleep there, I believe; but I continued to moralise about Greville Fane. I am reluctant to lose that retrospect altogether, and this is a dim little memory of it, a document not to “serve.” The dear woman had written a hundred stories, but none so curious as her own.

When first I knew her she had published half-a-dozen fictions, and I believe I had also perpetrated a novel. She was more than a dozen years older than I, but she was a person who always acknowledged her relativity. It was not so very long ago, but in London, amid the big waves of the present, even a near horizon gets hidden. I met her at some dinner and took her down, rather flattered at offering my arm to a celebrity. She didn’t look like one, with her matronly, mild, inanimate face, but I supposed her greatness would come out in her conversation. I gave it all the opportunities I could, but I was not disappointed when I found her only a dull, kind woman. This was why I liked her—she rested me so from literature. To myself literature was an irritation, a torment; but Greville Fane slumbered in the intellectual part of it like a Creole in a hammock. She was not a woman of genius, but her faculty was so special, so much a gift out of hand, that I have often wondered why she fell below that distinction. This was doubtless because the transaction, in her case, had remained incomplete; genius always pays for the gift, feels the debt, and she was placidly unconscious of obligation. She could invent stories by the yard, but she couldn’t write a page of English. She went down to her grave without suspecting that though she had contributed volumes to the diversion of her contemporaries she had not contributed a sentence to the language. This had not prevented bushels of criticism from being heaped upon her head; she was worth a couple of columns any day to the weekly papers, in which it was shown that her pictures of life were dreadful but her style really charming. She asked me to come and see her, and I went. She lived then in Montpellier Square; which helped me to see how dissociated her imagination was from her character.

An industrious widow, devoted to her daily stint, to meeting the butcher and baker and making a home for her son and daughter, from the moment she took her pen in her hand she became a creature of passion. She thought the English novel deplorably wanting in that element, and the task she had cut out for herself was to supply the deficiency. Passion in high life was the general formula of this work, for her imagination was at home only in the most exalted circles. She adored, in truth, the aristocracy, and they constituted for her the romance of the world or, what is more to the point, the prime material of fiction. Their beauty and luxury, their loves and revenges, their temptations and surrenders, their immoralities and diamonds were as familiar to her as the blots on her writing-table. She was not a belated producer of the old fashionable novel, she had a cleverness and a modernness of her own, she had freshened up the fly-blown tinsel. She turned off plots by the hundred and—so far as her flying quill could convey her—was perpetually going abroad. Her types, her illustrations, her tone were nothing if not cosmopolitan. She recognised nothing less provincial than European society, and her fine folk knew each other and made love to each other from Doncaster to Bucharest. She had an idea that she resembled Balzac, and her favourite historical characters were Lucien de Rubempré and the Vidame de Pamiers. I must add that when I once asked her who the latter personage was she was unable to tell me. She was very brave and healthy and cheerful, very abundant and innocent and wicked. She was clever and vulgar and snobbish, and never so intensely British as when she was particularly foreign.

This combination of qualities had brought her early success, and I remember having heard with wonder and envy of what she “got,” in those days, for a novel. The revelation gave me a pang: it was such a proof that, practising a totally different style, I should never make my fortune. And yet when, as I knew her better she told me her real tariff and I saw how rumour had quadrupled it, I liked her enough to be sorry. After a while I discovered too that if she got less it was not that I was to get any more. My failure never had what Mrs. Stormer would have called the banality of being relative—it was always admirably absolute. She lived at ease however in those days—ease is exactly the word, though she produced three novels a year. She scorned me when I spoke of difficulty—it was the only thing that made her angry. If I hinted that a work of art required a tremendous licking into shape she thought it a pretension and a pose. She never recognised the “torment of form”; the furthest she went was to introduce into one of her books (in satire her hand was heavy) a young poet who was always talking about it. I couldn’t quite understand her irritation on this score, for she had nothing at stake in the matter. She had a shrewd perception that form, in prose at least, never recommended any one to the public we were condemned to address, and therefore she lost nothing (putting her private humiliation aside) by not having any. She made no pretence of producing works of art, but had comfortable tea-drinking hours in which she freely confessed herself a common pastrycook, dealing in such tarts and puddings as would bring customers to the shop. She put in plenty of sugar and of cochineal, or whatever it is that gives these articles a rich and attractive colour. She had a serene superiority to observation and opportunity which constituted an inexpugnable strength and would enable her to go on indefinitely. It is only real success that wanes, it is only solid things that melt. Greville Fane’s ignorance of life was a resource still more unfailing than the most approved receipt. On her saying once that the day would come when she should have written herself out I answered: “Ah, you look into fairyland, and the fairies love you, and they never change. Fairyland is always there; it always was from the beginning of time, and it always will be to the end. They’ve given you the key and you can always open the door. With me it’s different; I try, in my clumsy way, to be in some direct relation to life.” “Oh, bother your direct relation to life!” she used to reply, for she was always annoyed by the phrase—which would not in the least prevent her from using it when she wished to try for style. With no more prejudices than an old sausage-mill, she would give forth again with patient punctuality any poor verbal scrap that had been dropped into her. I cheered her with saying that the dark day, at the end, would be for the like of me; inasmuch as, going in our small way by experience and observation, we depended not on a revelation, but on a little tiresome process. Observation depended on opportunity, and where should we be when opportunity failed?

One day she told me that as the novelist’s life was so delightful and during the good years at least such a comfortable support (she had these staggering optimisms) she meant to train up her boy to follow it. She took the ingenious view that it was a profession like another and that therefore everything was to be gained by beginning young and serving an apprenticeship. Moreover the education would be less expensive than any other special course, inasmuch as she could administer it herself. She didn’t profess to keep a school, but she could at least teach her own child. It was not that she was so very clever, but (she confessed to me as if she were afraid I would laugh at her) that he was. I didn’t laugh at her for that, for I thought the boy sharp—I had seen him at sundry times. He was well grown and good-looking and unabashed, and both he and his sister made me wonder about their defunct papa, concerning whom the little I knew was that he had been a clergyman. I explained them to myself by suppositions and imputations possibly unjust to the departed; so little were they—superficially at least—the children of their mother. There used to be, on an easel in her drawing-room, an enlarged photograph of her husband, done by some horrible posthumous “process” and draped, as to its florid frame, with a silken scarf, which testified to the candour of Greville Fane’s bad taste. It made him look like an unsuccessful tragedian; but it was not a thing to trust. He may have been a successful comedian. Of the two children the girl was the elder, and struck me in all her younger years as singularly colourless. She was only very long, like an undecipherable letter. It was not till Mrs. Stormer came back from a protracted residence abroad that Ethel (which was this young lady’s name) began to produce the effect, which was afterwards remarkable in her, of a certain kind of high resolution. She made one apprehend that she meant to do something for herself. She was long-necked and near-sighted and striking, and I thought I had never seen sweet seventeen in a form so hard and high and dry. She was cold and affected and ambitious, and she carried an eyeglass with a long handle, which she put up whenever she wanted not to see. She had come out, as the phrase is, immensely; and yet I felt as if she were surrounded with a spiked iron railing. What she meant to do for herself was to marry, and it was the only thing, I think, that she meant to do for any one else; yet who would be inspired to clamber over that bristling barrier? What flower of tenderness or of intimacy would such an adventurer conceive as his reward?

This was for Sir Baldwin Luard to say; but he naturally never confided to me the secret. He was a joyless, jokeless young man, with the air of having other secrets as well, and a determination to get on politically that was indicated by his never having been known to commit himself—as regards any proposition whatever—beyond an exclamatory “Oh!” His wife and he must have conversed mainly in prim ejaculations, but they understood sufficiently that they were kindred spirits. I remember being angry with Greville Fane when she announced these nuptials to me as magnificent; I remember asking her what splendour there was in the union of the daughter of a woman of genius with an irredeemable mediocrity. “Oh! he’s awfully clever,” she said; but she blushed for the maternal fib. What she meant was that though Sir Baldwin’s estates were not vast (he had a dreary house in South Kensington and a still drearier “Hall” somewhere in Essex, which was let), the connection was a “smarter” one than a child of hers could have aspired to form. In spite of the social bravery of her novels she took a very humble and dingy view of herself, so that of all her productions “my daughter Lady Luard” was quite the one she was proudest of. That personage thought her mother very vulgar and was distressed and perplexed by the occasional license of her pen, but had a complicated attitude in regard to this indirect connection with literature. So far as it was lucrative her ladyship approved of it, and could compound with the inferiority of the pursuit by doing practical justice to some of its advantages. I had reason to know (my reason was simply that poor Mrs. Stormer told me) that she suffered the inky fingers to press an occasional bank-note into her palm. On the other hand she deplored the “peculiar style” to which Greville Fane had devoted herself, and wondered where an author who had the convenience of so lady-like a daughter could have picked up such views about the best society. “She might know better, with Leolin and me,” Lady Luard had been known to remark; but it appeared that some of Greville Fane’s superstitions were incurable. She didn’t live in Lady Luard’s society, and the best was not good enough for her—she must make it still better.

I could see that this necessity grew upon her during the years she spent abroad, when I had glimpses of her in the shifting sojourns that lay in the path of my annual ramble. She betook herself from Germany to Switzerland and from Switzerland to Italy; she favoured cheap places and set up her desk in the smaller capitals. I took a look at her whenever I could, and I always asked how Leolin was getting on. She gave me beautiful accounts of him, and whenever it was possible the boy was produced for my edification. I had entered from the first into the joke of his career—I pretended to regard him as a consecrated child. It had been a joke for Mrs. Stormer at first, but the boy himself had been shrewd enough to make the matter serious. If his mother accepted the principle that the intending novelist cannot begin too early to see life, Leolin was not interested in hanging back from the application of it. He was eager to qualify himself, and took to cigarettes at ten, on the highest literary grounds. His poor mother gazed at him with extravagant envy and, like Desdemona, wished heaven had made her such a man. She explained to me more than once that in her profession she had found her sex a dreadful drawback. She loved the story of Madame George Sand’s early rebellion against this hindrance, and believed that if she had worn trousers she could have written as well as that lady. Leolin had for the career at least the qualification of trousers, and as he grew older he recognised its importance by laying in an immense assortment. He grew up in gorgeous apparel, which was his way of interpreting his mother’s system. Whenever I met her I found her still under the impression that she was carrying this system out and that Leolin’s training was bearing fruit. She was giving him experience, she was giving him impressions, she was putting a gagnepain into his hand. It was another name for spoiling him with the best conscience in the world. The queerest pictures come back to me of this period of the good lady’s life and of the extraordinarily virtuous, muddled, bewildering tenor of it. She had an idea that she was seeing foreign manners as well as her petticoats would allow; but, in reality she was not seeing anything, least of all fortunately how much she was laughed at. She drove her whimsical pen at Dresden and at Florence, and produced in all places and at all times the same romantic and ridiculous fictions. She carried about her box of properties and fished out promptly the familiar, tarnished old puppets. She believed in them when others couldn’t, and as they were like nothing that was to be seen under the sun it was impossible to prove by comparison that they were wrong. You can’t compare birds and fishes; you could only feel that, as Greville Fane’s characters had the fine plumage of the former species, human beings must be of the latter.

It would have been droll if it had not been so exemplary to see her tracing the loves of the duchesses beside the innocent cribs of her children. The immoral and the maternal lived together in her diligent days on the most comfortable terms, and she stopped curling the mustaches of her Guardsmen to pat the heads of her babes. She was haunted by solemn spinsters who came to tea from continental pensions, and by unsophisticated Americans who told her she was just loved in their country. “I had rather be just paid there,” she usually replied; for this tribute of transatlantic opinion was the only thing that galled her. The Americans went away thinking her coarse; though as the author of so many beautiful love-stories she was disappointing to most of these pilgrims, who had not expected to find a shy, stout, ruddy lady in a cap like a crumbled pyramid. She wrote about the affections and the impossibility of controlling them, but she talked of the price of pension and the convenience of an English chemist. She devoted much thought and many thousands of francs to the education of her daughter, who spent three years at a very superior school at Dresden, receiving wonderful instruction in sciences, arts and tongues, and who, taking a different line from Leolin, was to be brought up wholly as a femme du monde. The girl was musical and philological; she made a specialty of languages and learned enough about them to be inspired with a great contempt for her mother’s artless accents. Greville Fane’s French and Italian were droll; the imitative faculty had been denied her, and she had an unequalled gift, especially pen in hand, of squeezing big mistakes into small opportunities. She knew it, but she didn’t care; correctness was the virtue in the world that, like her heroes and heroines, she valued least. Ethel, who had perceived in her pages some remarkable lapses, undertook at one time to revise her proofs; but I remember her telling me a year after the girl had left school that this function had been very briefly exercised. “She can’t read me,” said Mrs. Stormer; “I offend her taste. She tells me that at Dresden—at school—I was never allowed.” The good lady seemed surprised at this, having the best conscience in the world about her lucubrations. She had never meant to fly in the face of anything, and considered that she grovelled before the Rhadamanthus of the English literary tribunal, the celebrated and awful Young Person. I assured her, as a joke, that she was frightfully indecent (she hadn’t in fact that reality any more than any other) my purpose being solely to prevent her from guessing that her daughter had dropped her not because she was immoral but because she was vulgar. I used to figure her children closeted together and asking each other while they exchanged a gaze of dismay: “Why should she be so—and so fearfully so—when she has the advantage of our society? Shouldn’t we have taught her better?” Then I imagined their recognising with a blush and a shrug that she was unteachable, irreformable. Indeed she was, poor lady; but it is never fair to read by the light of taste things that were not written by it. Greville Fane had, in the topsy-turvy, a serene good faith that ought to have been safe from allusion, like a stutter or a faux pas.

She didn’t make her son ashamed of the profession to which he was destined, however; she only made him ashamed of the way she herself exercised it. But he bore his humiliation much better than his sister, for he was ready to take for granted that he should one day restore the balance. He was a canny and far-seeing youth, with appetites and aspirations, and he had not a scruple in his composition. His mother’s theory of the happy knack he could pick up deprived him of the wholesome discipline required to prevent young idlers from becoming cads. He had, abroad, a casual tutor and a snatch or two of a Swiss school, but no consecutive study, no prospect of a university or a degree. It may be imagined with what zeal, as the years went on, he entered into the pleasantry of there being no manual so important to him as the massive book of life. It was an expensive volume to peruse, but Mrs. Stormer was willing to lay out a sum in what she would have called her premiers frais. Ethel disapproved—she thought this education far too unconventional for an English gentleman. Her voice was for Eton and Oxford, or for any public school (she would have resigned herself) with the army to follow. But Leolin never was afraid of his sister, and they visibly disliked, though they sometimes agreed to assist, each other. They could combine to work the oracle—to keep their mother at her desk.

When she came back to England, telling me she had got all the continent could give her, Leolin was a broad-shouldered, red-faced young man, with an immense wardrobe and an extraordinary assurance of manner. She was fondly obstinate about her having taken the right course with him, and proud of all that he knew and had seen. He was now quite ready to begin, and a little while later she told me he had begun. He had written something tremendously clever, and it was coming out in the Cheapside. I believe it came out; I had no time to look for it; I never heard anything about it. I took for granted that if this contribution had passed through his mother’s hands it had practically become a specimen of her own genius, and it was interesting to consider Mrs. Stormer’s future in the light of her having to write her son’s novels as well as her own. This was not the way she looked at it herself; she took the charming ground that he would help her to write hers. She used to tell me that he supplied passages of the greatest value to her own work—all sorts of technical things, about hunting and yachting and wine—that she couldn’t be expected to get very straight. It was all so much practice for him and so much alleviation for her. I was unable to identify these pages, for I had long since ceased to “keep up” with Greville Fane; but I was quite able to believe that the wine-question had been put, by Leolin’s good offices, on a better footing, for the dear lady used to mix her drinks (she was perpetually serving the most splendid suppers) in the queerest fashion. I could see that he was willing enough to accept a commission to look after that department. It occurred to me indeed, when Mrs. Stormer settled in England again, that by making a shrewd use of both her children she might be able to rejuvenate her style. Ethel had come back to gratify her young ambition, and if she couldn’t take her mother into society she would at least go into it herself. Silently, stiffly, almost grimly, this young lady held up her head, clenched her long teeth, squared her lean elbows and made her way up the staircases she had elected. The only communication she ever made to me, the only effusion of confidence with which she ever honoured me, was when she said: “I don’t want to know the people mamma knows; I mean to know others.” I took due note of the remark, for I was not one of the “others.” I couldn’t trace therefore the steps of her process; I could only admire it at a distance and congratulate her mother on the results. The results were that Ethel went to “big” parties and got people to take her. Some of them were people she had met abroad, and others were people whom the people she had met abroad had met. They ministered alike to Miss Ethel’s convenience, and I wondered how she extracted so many favours without the expenditure of a smile. Her smile was the dimmest thing in the world, diluted lemonade, without sugar, and she had arrived precociously at social wisdom, recognising that if she was neither pretty enough nor rich enough nor clever enough, she could at least in her muscular youth be rude enough. Therefore if she was able to tell her mother what really took place in the mansions of the great, give her notes to work from, the quill could be driven at home to better purpose and precisely at a moment when it would have to be more active than ever. But if she did tell, it would appear that poor Mrs. Stormer didn’t believe. As regards many points this was not a wonder; at any rate I heard nothing of Greville Fane’s having developed a new manner. She had only one manner from start to finish, as Leolin would have said.

She was tired at last, but she mentioned to me that she couldn’t afford to pause. She continued to speak of Leolin’s work as the great hope of their future (she had saved no money) though the young man wore to my sense an aspect more and more professional if you like, but less and less literary. At the end of a couple of years there was something monstrous in the impudence with which he played his part in the comedy. When I wondered how she could play her part I had to perceive that her good faith was complete and that what kept it so was simply her extravagant fondness. She loved the young impostor with a simple, blind, benighted love, and of all the heroes of romance who had passed before her eyes he was by far the most brilliant.

He was at any rate the most real—she could touch him, pay for him, suffer for him, worship him. He made her think of her princes and dukes, and when she wished to fix these figures in her mind’s eye she thought of her boy. She had often told me she was carried away by her own creations, and she was certainly carried away by Leolin. He vivified, by potentialities at least, the whole question of youth and passion. She held, not unjustly, that the sincere novelist should feel the whole flood of life; she acknowledged with regret that she had not had time to feel it herself, and it was a joy to her that the deficiency might be supplied by the sight of the way it was rushing through this magnificent young man. She exhorted him, I suppose, to let it rush; she wrung her own flaccid little sponge into the torrent. I knew not what passed between them in her hours of tuition, but I gathered that she mainly impressed on him that the great thing was to live, because that gave you material. He asked nothing better; he collected material, and the formula served as a universal pretext. You had only to look at him to see that, with his rings and breastpins, his cross-barred jackets, his early embonpoint, his eyes that looked like imitation jewels, his various indications of a dense, full-blown temperament, his idea of life was singularly vulgar; but he was not so far wrong as that his response to his mother’s expectations was not in a high degree practical. If she had imposed a profession on him from his tenderest years it was exactly a profession that he followed. The two were not quite the same, inasmuch as his was simply to live at her expense; but at least she couldn’t say that he hadn’t taken a line. If she insisted on believing in him he offered himself to the sacrifice. My impression is that her secret dream was that he should have a liaison with a countess, and he persuaded her without difficulty that he had one. I don’t know what countesses are capable of, but I have a clear notion of what Leolin was.

He didn’t persuade his sister, who despised him—she wished to work her mother in her own way, and I asked myself why the girl’s judgment of him didn’t make me like her better. It was because it didn’t save her after all from a mute agreement with him to go halves. There were moments when I couldn’t help looking hard into his atrocious young eyes, challenging him to confess his fantastic fraud and give it up. Not a little tacit conversation passed between us in this way, but he had always the best of it. If I said: “Oh, come now, with me you needn’t keep it up; plead guilty, and I’ll let you off,” he wore the most ingenuous, the most candid expression, in the depths of which I could read: “Oh, yes, I know it exasperates you—that’s just why I do it.” He took the line of earnest inquiry, talked about Balzac and Flaubert, asked me if I thought Dickens did exaggerate and Thackeray ought to be called a pessimist. Once he came to see me, at his mother’s suggestion he declared, on purpose to ask me how far, in my opinion, in the English novel, one really might venture to “go.” He was not resigned to the usual pruderies—he suffered under them already. He struck out the brilliant idea that nobody knew how far we might go, for nobody had ever tried. Did I think he might safely try—would it injure his mother if he did? He would rather disgrace himself by his timidities than injure his mother, but certainly some one ought to try. Wouldn’t I try—couldn’t I be prevailed upon to look at it as a duty? Surely the ultimate point ought to be fixed—he was worried, haunted by the question. He patronised me unblushingly, made me feel like a foolish amateur, a helpless novice, inquired into my habits of work and conveyed to me that I was utterly vieux jeu and had not had the advantage of an early training. I had not been brought up from the germ, I knew nothing of life—didn’t go at it on his system. He had dipped into French feuilletons and picked up plenty of phrases, and he made a much better show in talk than his poor mother, who never had time to read anything and could only be vivid with her pen. If I didn’t kick him downstairs it was because he would have alighted on her at the bottom.

When she went to live at Primrose Hill I called upon her and found her weary and wasted. It had waned a good deal, the elation caused the year before by Ethel’s marriage; the foam on the cup had subsided and there was a bitterness in the draught.

She had had to take a cheaper house and she had to work still harder to pay even for that. Sir Baldwin was obliged to be close; his charges were fearful, and the dream of her living with her daughter (a vision she had never mentioned to me) must be renounced. “I would have helped with things, and I could have lived perfectly in one room,” she said; “I would have paid for everything, and—after all—I’m some one, ain’t I? But I don’t fit in, and Ethel tells me there are tiresome people she must receive. I can help them from here, no doubt, better than from there. She told me once, you know, what she thinks of my picture of life. ‘Mamma, your picture of life is preposterous!’ No doubt it is, but she’s vexed with me for letting my prices go down; and I had to write three novels to pay for all her marriage cost me. I did it very well—I mean the outfit and the wedding; but that’s why I’m here. At any rate she doesn’t want a dingy old woman in her house. I should give it an atmosphere of literary glory, but literary glory is only the eminence of nobodies. Besides, she doubts my glory—she knows I’m glorious only at Peckham and Hackney. She doesn’t want her friends to ask if I’ve never known nice people. She can’t tell them I’ve never been in society. She tried to teach me better once, but I couldn’t learn. It would seem too as if Peckham and Hackney had had enough of me; for (don’t tell any one!) I’ve had to take less for my last than I ever took for anything.” I asked her how little this had been, not from curiosity, but in order to upbraid her, more disinterestedly than Lady Luard had done, for such concessions. She answered “I’m ashamed to tell you,” and then she began to cry.

I had never seen her break down, and I was proportionately moved; she sobbed, like a frightened child, over the extinction of her vogue and the exhaustion of her vein. Her little workroom seemed indeed a barren place to grow flowers, and I wondered, in the after years (for she continued to produce and publish) by what desperate and heroic process she dragged them out of the soil. I remember asking her on that occasion what had become of Leolin, and how much longer she intended to allow him to amuse himself at her cost. She rejoined with spirit, wiping her eyes, that he was down at Brighton hard at work—he was in the midst of a novel—and that he felt life so, in all its misery and mystery, that it was cruel to speak of such experiences as a pleasure. “He goes beneath the surface,” she said, “and he forces himself to look at things from which he would rather turn away. Do you call that amusing yourself? You should see his face sometimes! And he does it for me as much as for himself. He tells me everything—he comes home to me with his trouvailles. We are artists together, and to the artist all things are pure. I’ve often heard you say so yourself.” The novel that Leolin was engaged in at Brighton was never published, but a friend of mine and of Mrs. Stormer’s who was staying there happened to mention to me later that he had seen the young apprentice to fiction driving, in a dogcart, a young lady with a very pink face. When I suggested that she was perhaps a woman of title with whom he was conscientiously flirting my informant replied: “She is indeed, but do you know what her title is?” He pronounced it—it was familiar and descriptive—but I won’t reproduce it here. I don’t know whether Leolin mentioned it to his mother: she would have needed all the purity of the artist to forgive him. I hated so to come across him that in the very last years I went rarely to see her, though I knew that she had come pretty well to the end of her rope. I didn’t want her to tell me that she had fairly to give her books away—I didn’t want to see her cry. She kept it up amazingly, and every few months, at my club, I saw three new volumes, in green, in crimson, in blue, on the book-table that groaned with light literature. Once I met her at the Academy soirée, where you meet people you thought were dead, and she vouchsafed the information, as if she owed it to me in candour, that Leolin had been obliged to recognise insuperable difficulties in the question of form, he was so fastidious; so that she had now arrived at a definite understanding with him (it was such a comfort) that she would do the form if he would bring home the substance. That was now his position—he foraged for her in the great world at a salary. “He’s my ‘devil,’ don’t you see? as if I were a great lawyer: he gets up the case and I argue it.” She mentioned further that in addition to his salary he was paid by the piece: he got so much for a striking character, so much for a pretty name, so much for a plot, so much for an incident, and had so much promised him if he would invent a new crime.

“He has invented one,” I said, “and he’s paid every day of his life.”

“What is it?” she asked, looking hard at the picture of the year; “Baby’s Tub,” near which we happened to be standing.

I hesitated a moment. “I myself will write a little story about it, and then you’ll see.”

But she never saw; she had never seen anything, and she passed away with her fine blindness unimpaired. Her son published every scrap of scribbled paper that could be extracted from her table-drawers, and his sister quarrelled with him mortally about the proceeds, which showed that she only wanted a pretext, for they cannot have been great. I don’t know what Leolin lives upon, unless it be on a queer lady many years older than himself, whom he lately married. The last time I met him he said to me with his infuriating smile: “Don’t you think we can go a little further still—just a little?” He really goes too far.