| 111. | Pynson & De Worde. Chain ornament. | 1500–30 |
| 112. | Pynson & De Worde. Three designs used to fill up
spaces in the text. | 1500–30 |
| 113. | Printer unknown. Song of Solomon. Three acorns. | 1620 |
| 114. | Printer unknown. A Declaration of Favourable
Dealing of Her Majestie’s Commission. Arabesque
design. | 1583 |
| 115. | Printer unknown. History of London. | N.D. |
| 116. | Field. E. Nicholas, Apologia. Fifteen fleuron units
and acorn arranged as reversed triangles. | 1649 |
| 117. | Grafton. Actes of Edward VI. Early form of
fleuron arranged on either side of word “Finis.” | 1560–70 |
| 118. | Allde (Eliz.). Greene’s Euphues, His Censure to
Philautus. Female head. Sprays of foliage.
Woman’s head in centre. | 1634 |
| 119. | Printed for R. Dodsley. Irene: A Tragedy, by
Saml. Johnson. Basket of flowers. Sprays of
foliage. Two birds. Could be used as tail-piece
if desired. | 1749 |
| 120. | For Stepneth & Redmer. Atheist’s Tragedie, by Cyril
Tourneur. Small ornament. Conventional sprays,
with head in centre. | 1611 |
| 121. | Lownes. Description of New England. Small ornament.
Lion’s head in centre. Festoons of flowers.
Mark at either end. | 1616 |
| 122. | Buck, Cambridge. Locustæ. Small ornament.
Conventional sprays and flowers. | 1627 |
| 123. | Stafford, for John Wright. King Leir. Small
ornament. Conventional sprays and flowers.
Differing from preceding. | 1605 |
| 124. | Cotes, for Bellamie. Wm. Wood’s New England’s
Prospect. Small ornament. Crowned rose. Conventional
sprays. | 1634 |
| 125. | Jones. Gerald Malynes’ Center of Circle of Commerce.
Small ornament. Fleur-de-lys centre. Conventional
sprays. | 1623 |
| 126. | E. A., i.e. Edward Allde, for John Tap. Bodenham’s
Garden of the Muses. Very beautiful arabesque
ornament. Reproduced by kind permission of
Messrs Maggs Bros. | 1610 |
| 127. | Adlard & Browne. A flower ornament of unusual
design, reproduced from Luckombe’s History of Printing. | c. 1770 |
| 128. | Do. do. do. | |
| 129–134. | Caslon. Six of the border designs used on the
first specimen sheet issued by this famous type-foundry.
They were more delicate and graceful
than those used in England by his predecessors
and are still in vogue. Compare the modern
specimens manufactured by the same firm. | 1734 |
| 135–148. | Baskerville. Fourteen single line ornaments
and flowers designed by John Baskerville. Reproduced
from John Baskerville by R. Straus and
K. Dent, by kind permission of Mr R. Straus and
the courtesy of the Cambridge University Press. | c. 1750 |