Wolfgang Mozart at the age of seven, accompanied by his father, Leopold Mozart, and his sister, Nannerl.
Engraving by De La Fosse after Carmontelle (1764)
Wolfgang Amadeus
Mozart
By HERBERT F. PEYSER
NEW YORK
Grosset & Dunlap
PUBLISHERS
Copyright 1951 by
The Philharmonic-Symphony Society of New York
Mozart’s earthly career was so poignantly short yet so filled with incalculable achievement that the author of this booklet finds himself confronted with an impossible task. He has, consequently, preferred to outline as best he could in the space at his disposal a few successive details of a life that was amazingly crowded with incident, early triumphs, and subsequent crushing tragedies, rather than to consider (let alone evaluate) the staggering creative abundances the master bequeathed mankind.
It is scarcely necessary to disclaim for this thumbnail sketch any new slant or original illumination. If it moves any reader to renew his acquaintance with the standard biographies of the composer or, better still, to deepen his artistic enrichment by a study of modern interpretations of contemporary Mozart scholars like Alfred Einstein, and Bernhard Paumgartner, its object will be more than achieved.
Printed in the United States of America
Wolfgang Amadeus Mozart
If the Mozartean family tree was nothing like the prodigious trunk of the Bachs it was still not without striking features. There were Mozarts in South Germany as far back as the end of the sixteenth century; and as remotely as the thirteenth the name stood on a document in Cologne. To be sure, various spellings of Mozart existed in those distant times. It appeared as “Mosshard,” “Motzhart,” “Mozert,” and in still other variants. Bernhard Paumgartner, Director of the Salzburg Mozarteum, thinks it derived from the old German root mod, or muot, from which came the word Mut (courage). Be this as it may, German “Mozarts” were anything but exceptional a couple of hundred years before Leopold Mozart or his son, Wolfgang, came into the picture. In Augsburg there was an Anton Mozart who painted landscapes “in the manner of Breughel.” Another Mozart from the same town, one Johann Michael, was a sculptor, who in 1687 moved to Vienna and became an Austrian citizen.
But of all these “Mossherts,” “Motards,” and the rest, only one, the mason apprentice David Motzert, born in the village of Pfersee, close to Augsburg, really belongs to our story. The Augsburger Bürgerbuch of 1643 mentions him and sets his fortune at 100 florins. By his marriage with the Jungfer Maria Negeler he was to become the great-great-grandfather of the creator of Don Giovanni. In the fullness of time David’s grandson, Johann Georg, abandoned the occupation of his forebears for that of a bookbinder. His second wife blessed him with two daughters and six sons. One of these sons, Franz Aloys, gained a kind of immortality as the father of Maria Anna Thekla, Wolfgang’s cousin, the “Bäsle,” to whom he wrote that series of notoriously smutty letters with which this lively young lady’s name is eternally linked.
Johann Georg’s first-born, Johann Georg Leopold, became for posterity simply Leopold Mozart, composer of arid music, author of a celebrated violin method, and father of Wolfgang and of Maria Anna Walburga Ignatia, whom the world remembers almost solely as “Nannerl.” It is a Nannerl, incidentally, that we have to look for a sort of continuation of the Mozart line down almost to our own time. On January 9, 1919, there died in the Feldhof Insane Asylum, near Graz, the seventy-seven-year-old Bertha Forschter, a great-granddaughter of Nannerl, who had lived on in Salzburg til 1829, highly revered because of her exalted kinship.