CONTENTS
[THE APPLE-TREE TABLE]
OR ORIGINAL SPIRITUAL
MANIFESTATIONS
When I first saw the table, dingy and dusty, in the furthest corner of the old hopper-shaped garret, and set out with broken, be-crusted old purple vials and flasks, and a ghostly, dismantled old quarto, it seemed just such a necromantic little old table as might have belonged to Friar Bacon. Two plain features it had, significant of conjurations and charms—the circle and tripod; the slab being round, supported by a twisted little pillar, which, about a foot from the bottom, sprawled out into three crooked legs, terminating in three cloven feet. A very satanic-looking little old table, indeed.
In order to convey a better idea of it, some account may as well be given of the place it came from. A very old garret of a very old house in an old-fashioned quarter of one of the oldest towns in America. This garret had been closed for years. It was thought to be haunted; a rumor, I confess, which, however absurd (in my opinion), I did not, at the time of purchasing, very vehemently contradict; since, not improbably, it tended to place the property the more conveniently within my means.
It was, therefore, from no dread of the reputed goblins aloft, that, for five years after first taking up my residence in the house, I never entered the garret. There was no special inducement. The roof was well slated, and thoroughly tight. The company that insured the house, waived all visitation of the garret; why, then, should the owner be over-anxious about it?—particularly, as he had no use for it, the house having ample room below. Then the key of the stair-door leading to it was lost. The lock was a huge old-fashioned one. To open it, a smith would have to be called; an unnecessary trouble, I thought. Besides, though I had taken some care to keep my two daughters in ignorance of the rumor above-mentioned, still, they had, by some means, got an inkling of it, and were well enough pleased to see the entrance to the haunted ground closed. It might have remained so for a still longer time, had it not been for my accidentally discovering, in a corner of our glen-like, old, terraced garden, a large and curious key, very old and rusty, which I at once concluded must belong to the garret-door—a supposition which, upon trial, proved correct. Now, the possession of a key to anything, at once provokes a desire to unlock and explore; and this, too, from a mere instinct of gratification, irrespective of any particular benefit to accrue.
Behold me, then, turning the rusty old key, and going up, alone, into the haunted garret. It embraced the entire area of the mansion. Its ceiling was formed by the roof, showing the rafters and boards on which the slates were laid. The roof shedding the water four ways from a high point in the centre, the space beneath was much like that of a general’s marquee—only midway broken by a labyrinth of timbers, for braces, from which waved innumerable cobwebs, that, of a summer’s noon, shone like Bagdad tissues and gauzes. On every hand, some strange insect was seen, flying, or running, or creeping, on rafter and floor.
Under the apex of the roof was a rude, narrow, decrepit step-ladder, something like a Gothic pulpit-stairway, leading to a pulpit-like platform, from which a still narrower ladder—a sort of Jacob’s ladder—led somewhat higher to the lofty scuttle. The slide of this scuttle was about two feet square, all in one piece, furnishing a massive frame for a single small pane of glass, inserted into it like a bull’s-eye. The light of the garret came from this sole source, filtrated through a dense curtain of cobwebs. Indeed, the whole stairs, and platform, and ladder, were festooned, and carpeted, and canopied with cobwebs; which, in funereal accumulations, hung, too, from the groined, murky ceiling, like the Carolina moss in the cypress forest. In these cobwebs, swung, as in aerial catacombs, myriads of all tribes of mummied insects.
Climbing the stairs to the platform, and pausing there, to recover my breath, a curious scene was presented. The sun was about half-way up. Piercing the little sky-light, it slopingly bored a rainbowed tunnel clear across the darkness of the garret. Here, millions of butterfly moles were swarming. Against the sky-light itself, with a cymbal-like buzzing, thousands of insects clustered in a golden mob.
Wishing to shed a clearer light through the place, I sought to withdraw the scuttle-slide. But no sign of latch or hasp was visible. Only after long peering, did I discover a little padlock, imbedded, like an oyster at the bottom of the sea, amid matted masses of weedy webs, chrysalides, and insectivorous eggs. Brushing these away, I found it locked. With a crooked nail, I tried to pick the lock, when scores of small ants and flies, half-torpid, crawled forth from the keyhole, and, feeling the warmth of the sun in the pane, began frisking around me. Others appeared. Presently, I was overrun by them. As if incensed at this invasion of their retreat, countless bands darted up from below, beating about my head, like hornets. At last, with a sudden jerk, I burst open the scuttle. And ah! what a change. As from the gloom of the grave and the companionship of worms, men shall at last rapturously rise into the living greenness and glory-immortal, so, from my cobwebbed old garret, I thrust forth my head into the balmy air, and found myself hailed by the verdant tops of great trees, growing in the little garden below—trees, whose leaves soared high above my topmost slate.
Refreshed by this outlook, I turned inward to behold the garret, now unwontedly lit up. Such humped masses of obsolete furniture. An old escritoire, from whose pigeon-holes sprang mice, and from whose secret drawers came subterranean squeakings, as from chipmunks’ holes in the woods; and broken-down old chairs, with strange carvings, which seemed fit to seat a conclave of conjurors. And a rusty, iron-bound chest, lidless, and packed full of mildewed old documents; one of which, with a faded red ink-blot at the end, looked as if it might have been the original bond that Doctor Faust gave to Mephistopheles. And, finally, in the least lighted corner of all, where was a profuse litter of indescribable old rubbish—among which was a broken telescope, and a celestial globe staved in—stood the little old table, one hoofed foot, like that of the Evil One, dimly revealed through the cobwebs. What a thick dust, half paste, had settled upon the old vials and flasks; how their once liquid contents had caked, and how strangely looked the mouldy old book in the middle—Cotton Mather’s Magnalia.
Table and book I removed below, and had the dislocations of the one and the tatters of the other repaired. I resolved to surround this sad little hermit of a table, so long banished from genial neighborhood, with all the kindly influences of warm urns, warm fires, and warm hearts, little dreaming what all this warm nursing would hatch.
I was pleased by the discovery that the table was not of the ordinary mahogany, but of apple-tree-wood, which age had darkened nearly to walnut. It struck me as being an appropriate piece of furniture for our cedar-parlor—so called, from its being, after the old fashion, wainscoted with that wood. The table’s round slab, or orb, was so contrived as to be readily changed from a horizontal to a perpendicular position; so that, when not in use, it could be snugly placed in a corner. For myself, wife, and two daughters, I thought it would make a nice little breakfast and tea-table. It was just the thing for a whist-table, too. And I also pleased myself with the idea that it would make a famous reading-table.
In these fancies, my wife, for one, took little interest. She disrelished the idea of so unfashionable and indigent-looking a stranger as the table intruding into the polished society of more prosperous furniture. But when, after seeking its fortune at the cabinet-maker’s, the table came home, varnished over, bright as a guinea, no one exceeded my wife in a gracious reception of it. It was advanced to an honorable position in the cedar-parlor.
But, as for my daughter Julia, she never got over her strange emotions upon first accidentally encountering the table. Unfortunately, it was just as I was in the act of bringing it down from the garret. Holding it by the slab, I was carrying it before me, one cobwebbed hoof thrust out, which weird object at a turn of the stairs, suddenly touched my girl, as she was ascending; whereupon, turning, and seeing no living creature—for I was quite hidden behind my shield—seeing nothing indeed, but the apparition of the Evil One’s foot, as it seemed, she cried out, and there is no knowing what might have followed, had I not immediately spoken.
From the impression thus produced, my poor girl, of a very nervous temperament, was long recovering. Superstitiously grieved at my violating the forbidden solitude above, she associated in her mind the cloven-footed table with the reputed goblins there. She besought me to give up the idea of domesticating the table. Nor did her sister fail to add her entreaties. Between my girls there was a constitutional sympathy. But my matter-of-fact wife had now declared in the table’s favor. She was not wanting in firmness and energy. To her, the prejudices of Julia and Anna were simply ridiculous. It was her maternal duty, she thought, to drive such weakness away. By degrees, the girls, at breakfast and tea, were induced to sit down with us at the table. Continual proximity was not without effect. By and by, they would sit pretty tranquilly, though Julia, as much as possible, avoided glancing at the hoofed feet, and, when at this I smiled, she would look at me seriously—as much as to say, Ah, papa, you, too, may yet do the same. She prophesied that, in connection with the table, something strange would yet happen. But I would only smile the more, while my wife indignantly chided.
Meantime, I took particular satisfaction in my table, as a night reading-table. At a ladies’ fair, I bought me a beautifully worked reading-cushion, and, with elbow leaning thereon, and hand shading my eyes from the light, spent many a long hour—nobody by, but the queer old book I had brought down from the garret.
All went well, till the incident now about to be given—an incident, be it remembered, which, like every other in this narration, happened long before the time of the “Fox Girls.”
It was late on a Saturday night in December. In the little old cedar-parlor, before the little old apple-tree table, I was sitting up, as usual, alone. I had made more than one effort to get up and go to bed; but I could not. I was, in fact, under a sort of fascination. Somehow, too, certain reasonable opinions of mine, seemed not so reasonable as before. I felt nervous. The truth was, that though, in my previous night-readings, Cotton Mather had but amused me, upon this particular night he terrified me. A thousand times I had laughed at such stories. Old wives’ fables, I thought, however entertaining. But now, how different. They began to put on the aspect of reality. Now, for the first time it struck me that this was no romantic Mrs. Radcliffe, who had written the Magnalia; but a practical, hard-working, earnest, upright man, a learned doctor, too, as well as a good Christian and orthodox clergyman. What possible motive could such a man have to deceive? His style had all the plainness and unpoetic boldness of truth. In the most straightforward way, he laid before me detailed accounts of New England witchcraft, each important item corroborated by respectable townsfolk, and, of not a few of the most surprising, he himself had been eye-witness. Cotton Mather testified himself whereof he had seen. But, is it possible? I asked myself. Then I remembered that Dr. Johnson, the matter-of-fact compiler of a dictionary, had been a believer in ghosts, besides many other sound, worthy men. Yielding to the fascination, I read deeper and deeper into the night. At last, I found myself starting at the least chance sound, and yet wishing that it were not so very still.
A tumbler of warm punch stood by my side, with which beverage, in a moderate way, I was accustomed to treat myself every Saturday night; a habit, however, against which my good wife had long remonstrated; predicting that, unless I gave it up, I would yet die a miserable sot. Indeed, I may here mention that, on the Sunday mornings following my Saturday nights, I had to be exceedingly cautious how I gave way to the slightest impatience at any accidental annoyance; because such impatience was sure to be quoted against me as evidence of the melancholy consequences of over-night indulgence. As for my wife, she, never sipping punch, could yield to any little passing peevishness as much as she pleased.
But, upon the night in question, I found myself wishing that, instead of my usual mild mixture, I had concocted some potent draught. I felt the need of stimulus. I wanted something to hearten me against Cotton Mather—doleful, ghostly, ghastly Cotton Mather. I grew more and more nervous. Nothing but fascination kept me from fleeing the room. The candles burnt low, with long snuffs, and huge winding-sheets. But I durst not raise the snuffers to them. It would make too much noise. And yet, previously, I had been wishing for noise. I read on and on. My hair began to have a sensation. My eyes felt strained; they pained me. I was conscious of it. I knew I was injuring them. I knew I should rue this abuse of them next day; but I read on and on. I could not help it. The skinny hand was on me.
All at once—Hark!
My hair felt like growing grass.
A faint sort of inward rapping or rasping—a strange, inexplicable sound, mixed with a slight kind of wood-pecking or ticking.
Tick! Tick!
Yes, it was a faint sort of ticking.
I looked up at my great Strasbourg clock in one corner. It was not that. The clock had stopped.
Tick! Tick!
Was it my watch?
According to her usual practice at night, my wife had, upon retiring, carried my watch off to our chamber to hang it up on its nail.
I listened with all my ears.
Tick! Tick!
Was it a death-tick in the wainscot?
With a tremulous step I went all round the room, holding my ear to the wainscot.
No; it came not from the wainscot.
Tick! Tick!
I shook myself. I was ashamed of my fright.
Tick! Tick!
It grew in precision and audibleness. I retreated from the wainscot. It seemed advancing to meet me.
I looked round and round, but saw nothing, only one cloven foot of the little apple-tree table.
Bless me, said I to myself, with a sudden revulsion, it must be very late; ain’t that my wife calling me? Yes, yes; I must to bed. I suppose all is locked up. No need to go the rounds.
The fascination had departed, though the fear had increased. With trembling hands, putting Cotton Mather out of sight, I soon found myself, candlestick in hand, in my chamber, with a peculiar rearward feeling, such as some truant dog may feel. In my eagerness to get well into the chamber, I stumbled against a chair.
“Do try and make less noise, my dear,” said my wife from the bed.
“You have been taking too much of that punch, I fear. That sad habit grows on you. Ah, that I should ever see you thus staggering at night into your chamber.”
“Wife,” hoarsely whispered I, “there is—is something tick-ticking in the cedar-parlor.”
“Poor old man—quite out of his mind—I knew it would be so. Come to bed; come and sleep it off.”
“Wife, wife!”
“Do, do come to bed. I forgive you. I won’t remind you of it to-morrow. But you must give up the punch-drinking, my dear. It quite gets the better of you.”
“Don’t exasperate me,” I cried now, truly beside myself; “I will quit the house!”
“No, no! not in that state. Come to bed, my dear. I won’t say another word.”
The next morning, upon waking, my wife said nothing about the past night’s affair, and, feeling no little embarrassment myself, especially at having been thrown into such a panic, I also was silent. Consequently, my wife must still have ascribed my singular conduct to a mind disordered, not by ghosts, but by punch. For my own part, as I lay in bed watching the sun in the panes, I began to think that much midnight reading of Cotton Mather was not good for man; that it had a morbid influence upon the nerves, and gave rise to hallucinations. I resolved to put Cotton Mather permanently aside. That done, I had no fear of any return of the ticking. Indeed, I began to think that what seemed the ticking in the room, was nothing but a sort of buzzing in my ear.
As is her wont, my wife having preceded me in rising, I made a deliberate and agreeable toilet. Aware that most disorders of the mind have their origin in the state of the body, I made vigorous use of the flesh-brush, and bathed my head with New England rum, a specific once recommended to me as good for buzzing in the ear. Wrapped in my dressing gown, with cravat nicely adjusted, and fingernails neatly trimmed, I complacently descended to the little cedar-parlor to breakfast.
What was my amazement to find my wife on her knees, rummaging about the carpet nigh the little apple-tree table, on which the morning meal was laid, while my daughters, Julia and Anna, were running about the apartment distracted.
“Oh, papa, papa!” cried Julia, hurrying up to me, “I knew it would be so. The table, the table!”
“Spirits! spirits!” cried Anna, standing far away from it, with pointed finger.
“Silence!” cried my wife. “How can I hear it, if you make such a noise? Be still. Come here, husband; was this the ticking you spoke of? Why don’t you move? Was this it? Here, kneel down and listen to it. Tick, tick, tick!—don’t you hear it now?”
“I do, I do,” cried I, while my daughters besought us both to come away from the spot.
Tick, tick, tick!
Right from under the snowy cloth, and the cheerful urn, and the smoking milk-toast, the unaccountable ticking was heard.
“Ain’t there a fire in the next room, Julia,” said I, “let us breakfast there, my dear,” turning to my wife—“let us go—leave the table—tell Biddy to remove the things.”
And so saying I was moving towards the door in high self-possession, when my wife interrupted me.
“Before I quit this room, I will see into this ticking,” she said with energy.
“It is something that can be found out, depend upon it. I don’t believe in spirits, especially at breakfast-time. Biddy! Biddy! Here, carry these things back to the kitchen,” handing the urn. Then, sweeping off the cloth, the little table lay bare to the eye.
“It’s the table, the table!” cried Julia.
“Nonsense,” said my wife, “Who ever heard of a ticking table? It’s on the floor. Biddy! Julia! Anna! move everything out of the room—table and all. Where are the tack-hammers?”
“Heavens, mamma—you are not going to take up the carpet?” screamed Julia.
“Here’s the hammers, marm,” said Biddy, advancing tremblingly.
“Hand them to me, then,” cried my wife; for poor Biddy was, at long gun-distance, holding them out as if her mistress had the plague.
“Now, husband, do you take up that side of the carpet, and I will this.” Down on her knees she then dropped, while I followed suit.
The carpet being removed, and the ear applied to the naked floor, not the slightest ticking could be heard.
“The table—after all, it is the table,” cried my wife. “Biddy, bring it back.”
“Oh no, marm, not I, please, marm,” sobbed Biddy.
“Foolish creature!—Husband, do you bring it.”
“My dear,” said I, “we have plenty of other tables; why be so particular?”
“Where is that table?” cried my wife, contemptuously, regardless of my gentle remonstrance.
“In the wood-house, marm. I put it away as far as ever I could, marm,” sobbed Biddy.
“Shall I go to the wood-house for it, or will you?” said my wife, addressing me in a frightful, businesslike manner.
Immediately I darted out of the door, and found the little apple-tree table, upside down, in one of my chip-bins. I hurriedly returned with it, and once more my wife examined it attentively. Tick, tick, tick! Yes, it was the table.
“Please, marm,” said Biddy, now entering the room, with hat and shawl—“please, marm, will you pay me my wages?”
“Take your hat and shawl off directly,” said my wife; “set this table again.”
“Set it,” roared I, in a passion, “set it, or I’ll go for the police.”
“Heavens! heavens!” cried my daughters, in one breath. “What will become of us!—Spirits! spirits!”
“Will you set the table?” cried I, advancing upon Biddy.
“I will, I will—yes, marm—yes, master—I will, I will. Spirits!—Holy Vargin!”
“Now, husband,” said my wife, “I am convinced that, whatever it is that causes this ticking, neither the ticking nor the table can hurt us; for we are all good Christians, I hope. I am determined to find out the cause of it, too, which time and patience will bring to light. I shall breakfast on no other table but this, so long as we live in this house. So, sit down, now that all things are ready again, and let us quietly breakfast. My dears,” turning to Julia and Anna, “go to your room, and return composed. Let me have no more of this childishness.”
Upon occasion my wife was mistress in her house.
During the meal, in vain was conversation started again and again; in vain my wife said something brisk to infuse into others an animation akin to her own. Julia and Anna, with heads bowed over their tea-cups, were still listening for the tick. I confess, too, that their example was catching. But, for the time, nothing was heard. Either the ticking had died quite away, or else, slight as it was, the increasing uproar of the street, with the general hum of day so contrasted with the repose of night and early morning, smothered the sound. At the lurking inquietude of her companions, my wife was indignant; the more so, as she seemed to glory in her own exemption from panic. When breakfast was cleared away she took my watch, and, placing it on the table, addressed the supposed spirits in it, with a jocosely defiant air:
“There, tick away, let us see who can tick loudest!”
All that day, while abroad, I thought of the mysterious table. Could Cotton Mather speak true? Were there spirits? And would spirits haunt a tea-table? Would the Evil One dare show his cloven foot in the bosom of an innocent family? I shuddered when I thought that I myself, against the solemn warnings of my daughters, had wilfully introduced the cloven foot there. Yea, three cloven feet. But, towards noon, this sort of feeling began to wear off. The continual rubbing against so many practical people in the street, brushed such chimeras away from me. I remembered that I had not acquitted myself very intrepidly either on the previous night or in the morning. I resolved to regain the good opinion of my wife.
To evince my hardihood the more signally, when tea was dismissed, and the three rubbers of whist had been played, and no ticking had been heard—which the more encouraged me—I took my pipe, and, saying that bed-time had arrived for the rest, drew my chair towards the fire, and, removing my slippers, placed my feet on the fender, looking as calm and composed as old Democritus in the tombs of Abdera, when one midnight the mischievous little boys of the town tried to frighten that sturdy philosopher with spurious ghosts.
And I thought to myself, that the worthy old gentleman had set a good example to all times in his conduct on that occasion. For, when at the dead hour, intent on his studies, he heard the strange sounds, he did not so much as move his eyes from his page, only simply said: “Boys, little boys, go home. This is no place for you. You will catch cold here.” The philosophy of which words lies here: that they imply the foregone conclusion, that any possible investigation of any possible spiritual phenomena was absurd; that upon the first face of such things, the mind of a sane man instinctively affirmed them a humbug, unworthy the least attention; more especially if such phenomena appear in tombs, since tombs are peculiarly the place of silence, lifelessness, and solitude; for which cause, by the way, the old man, as upon the occasion in question, made the tombs of Abdera his place of study.
Presently I was alone, and all was hushed. I laid down my pipe, not feeling exactly tranquil enough now thoroughly to enjoy it. Taking up one of the newspapers, I began, in a nervous, hurried sort of way, to read by the light of a candle placed on a small stand drawn close to the fire. As for the apple-tree table, having lately concluded that it was rather too low for a reading-table, I thought best not to use it as such that night. But it stood not very distant in the middle of the room.
Try as I would, I could not succeed much at reading. Somehow I seemed all ear and no eye; a condition of intense auricular suspense. But ere long it was broken.
Tick! tick! tick!
Though it was not the first time I had heard that sound; nay, though I had made it my particular business on this occasion to wait for that sound, nevertheless, when it came, it seemed unexpected, as if a cannon had boomed through the window.
Tick! tick! tick!
I sat stock still for a time, thoroughly to master, if possible, my first discomposure. Then rising, I looked pretty steadily at the table; went up to it pretty steadily; took hold of it pretty steadily; but let it go pretty quickly; then paced up and down, stopping every moment or two, with ear pricked to listen. Meantime, within me, the contest between panic and philosophy remained not wholly decided.
Tick! tick! tick!
With appalling distinctness the ticking now rose on the night.
My pulse fluttered—my heart beat. I hardly know what might not have followed, had not Democritus just then come to the rescue. For shame, said I to myself, what is the use of so fine an example of philosophy, if it cannot be followed? Straightway I resolved to imitate it, even to the old sage’s occupation and attitude.
Resuming my chair and paper, with back presented to the table, I remained thus for a time, as if buried in study, when, the ticking still continuing, I drawled out, in as indifferent and dryly jocose a way as I could; “Come, come, Tick, my boy, fun enough for to-night.”
Tick! tick! tick!
There seemed a sort of jeering defiance in the ticking now. It seemed to exult over the poor affected part I was playing. But much as the taunt stung me, it only stung me into persistence. I resolved not to abate one whit in my mode of address.
“Come, come, you make more and more noise, Tick, my boy; too much of a joke—time to have done.”
No sooner said than the ticking ceased. Never was responsive obedience more exact. For the life of me, I could not help turning round upon the table, as one would upon some reasonable being, when—could I believe my senses? I saw something moving, or wriggling, or squirming upon the slab of the table. It shone like a glow-worm. Unconsciously, I grasped the poker that stood at hand. But bethinking me how absurd to attack a glow-worm with a poker, I put it down. How long I sat spellbound and staring there, with my body presented one way and my face another, I cannot say; but at length I rose, and, buttoning my coat up and down, made a sudden intrepid forced march full upon the table. And there, near the centre of the slab, as I live, I saw an irregular little hole, or, rather, short nibbled sort of crack, from which (like a butterfly escaping its chrysalis) the sparkling object, whatever it might be, was struggling. Its motion was the motion of life. I stood becharmed. Are there, indeed, spirits, thought I; and is this one? No; I must be dreaming. I turned my glance off to the red fire on the hearth, then back to the pale lustre on the table. What I saw was no optical illusion, but a real marvel. The tremor was increasing, when, once again, Democritus befriended me. Supernatural coruscation as it appeared, I strove to look at the strange object in a purely scientific way. Thus viewed, it appeared some new sort of small shining beetle or bug, and, I thought, not without something of a hum to it, too.
I still watched it, and with still increasing self-possession. Sparkling and wriggling, it still continued its throes. In another moment it was just on the point of escaping its prison. A thought struck me. Running for a tumbler, I clapped it over the insect just in time to secure it.
After watching it a while longer under the tumbler, I left all as it was, and, tolerably composed, retired.
Now, for the soul of me, I could not, at that time, comprehend the phenomenon. A live bug come out of a dead table? A fire-fly bug come out of a piece of ancient lumber, for one knows not how many years stored away in an old garret? Was ever such a thing heard of, or even dreamed of? How got the bug there? Never mind. I bethought me of Democritus, and resolved to keep cool. At all events, the mystery of the ticking was explained. It was simply the sound of the gnawing and filing, and tapping of the bug, in eating its way out. It was satisfactory to think, that there was an end forever to the ticking. I resolved not to let the occasion pass without reaping some credit from it.
“Wife,” said I, next morning, “you will not be troubled with any more ticking in our table. I have put a stop to all that.”
“Indeed, husband,” said she, with some incredulity.
“Yes, wife,” returned I, perhaps a little vaingloriously, “I have put a quietus upon that ticking. Depend upon it, the ticking will trouble you no more.”
In vain she besought me to explain myself. I would not gratify her; being willing to balance any previous trepidation I might have betrayed, by leaving room now for the imputation of some heroic feat whereby I had silenced the ticking. It was a sort of innocent deceit by implication, quite harmless, and, I thought, of utility.
But when I went to breakfast, I saw my wife kneeling at the table again, and my girls looking ten times more frightened than ever.
“Why did you tell me that boastful tale,” said my wife, indignantly. “You might have known how easily it would be found out. See this crack, too; and here is the ticking again, plainer than ever.”
“Impossible,” I explained; but upon applying my ear, sure enough, tick! tick! tick! The ticking was there.
Recovering myself the best way I might, I demanded the bug.
“Bug?” screamed Julia, “Good heavens, papa!”
“I hope sir, you have been bringing no bugs into this house,” said my wife, severely.
“The bug, the bug!” I cried; “the bug under the tumbler.”
“Bugs in tumblers!” cried the girls; “not our tumblers, papa? You have not been putting bugs into our tumblers? Oh, what does—what does it all mean?”
“Do you see this hole, this crack here?” said I, putting my finger on the spot.
“That I do,” said my wife, with high displeasure. “And how did it come there? What have you been doing to the table?”
“Do you see this crack?” repeated I, intensely.
“Yes, yes,” said Julia; “that was what frightened me so; it looks so like witch-work.”
“Spirits! spirits!” cried Anna.
“Silence!” said my wife. “Go on, sir, and tell us what you know of the crack.”
“Wife and daughters,” said I, solemnly, “out of that crack, or hole, while I was sitting all alone here last night, a wonderful—”
Here, involuntarily, I paused, fascinated by the expectant attitudes and bursting eyes of Julia and Anna.
“What, what?” cried Julia.
“A bug, Julia.”
“Bug?” cried my wife. “A bug come out of this table? And what did you do with it?”
“Clapped it under a tumbler.”
“Biddy! Biddy!” cried my wife, going to the door. “Did you see a tumbler here on this table when you swept the room?”
“Sure I did, marm, and ’bomnable bug under it.”
“And what did you do with it?” demanded I.
“Put the bug in the fire, sir, and rinsed out the tumbler ever so many times, marm.”
“Where is that tumbler?” cried Anna. “I hope you scratched it—marked it some way. I’ll never drink out of that tumbler; never put it before me, Biddy. A bug—a bug! Oh, Julia! Oh, mamma! I feel it crawling all over me, even now. Haunted table!”
“Spirits! spirits!” cried Julia.
“My daughters,” said their mother, with authority in her eyes, “go to your chamber till you can behave more like reasonable creatures. Is it a bug—a bug that can frighten you out of what little wits you ever had? Leave the room. I am astonished, I am pained by such childish conduct.”
“Now tell me,” said she, addressing me, as soon as they had withdrawn, “now tell me truly, did a bug really come out of this crack in the table?”
“Wife, it is even so.”
“Did you see it come out?”
“I did.”
She looked earnestly at the crack, leaning over it.
“Are you sure?” said she, looking up, but still bent over.
“Sure, sure.”
She was silent. I began to think that the mystery of the thing began to tell even upon her. Yes, thought I, I shall presently see my wife shaking and shuddering, and, who knows, calling in some old dominie to exorcise the table, and drive out the spirits.
“I’ll tell you what we’ll do,” said she suddenly, and not without excitement.
“What, wife?” said I, all eagerness, expecting some mystical proposition; “what, wife?”
“We will rub this table all over with that celebrated ‘roach powder’ I’ve heard of.”
“Good gracious! Then you don’t think it’s spirits?”
“Spirits?”
The emphasis of scornful incredulity was worthy of Democritus himself.
“But this ticking—this ticking?” said I.
“I’ll whip that out of it.”
“Come, come, wife,” said I, “you are going too far the other way, now. Neither roach powder nor whipping will cure this table. It’s a queer table, wife; there’s no blinking it.”
“I’ll have it rubbed, though,” she replied, “well rubbed;” and calling Biddy, she bade her get wax and brush, and give the table a vigorous manipulation. That done, the cloth was again laid, and we sat down to our morning meal; but my daughters did not make their appearance. Julia and Anna took no breakfast that day.
When the cloth was removed, in a businesslike way, my wife went to work with a dark colored cement, and hermetically closed the little hole in the table.
My daughters looking pale, I insisted upon taking them out for a walk that morning, when the following conversation ensued:
“My worst presentiments about that table are being verified, papa,” said Julia; “not for nothing was that intimation of the cloven foot on my shoulder.”
“Nonsense,” said I. “Let us go into Mrs. Brown’s, and have an ice-cream.”
The spirit of Democritus was stronger on me now. By a curious coincidence, it strengthened with the strength of the sunlight.
“But is it not miraculous,” said Anna, “how a bug should come out of a table?”
“Not at all, my daughter. It is a very common thing for bugs to come out of wood. You yourself must have seen them coming out of the ends of the billets on the hearth.”
“Ah, but that wood is almost fresh from the woodland. But the table is at least a hundred years old.”
“What of that?” said I, gayly. “Have not live toads been found in the hearts of dead rocks, as old as creation?”
“Say what you will, papa, I feel it is spirits,” said Julia. “Do, do now, my dear papa, have that haunted table removed from the house.”
“Nonsense,” said I.
By another curious coincidence, the more they felt frightened, the more I felt brave.
Evening came.
“This ticking,” said my wife; “do you think that another bug will come of this continued ticking?”
Curiously enough, that had not occurred to me before. I had not thought of there being twins of bugs. But now, who knew; there might be even triplets.
I resolved to take precautions, and, if there was to be a second bug, infallibly secure it. During the evening, the ticking was again heard. About ten o’clock I clapped a tumbler over the spot, as near as I could judge of it by my ear. Then we all retired, and locking the door of the cedar-parlor, I put the key in my pocket.
In the morning, nothing was to be seen, but the ticking was heard. The trepidation of my daughters returned. They wanted to call in the neighbors. But to this my wife was vigorously opposed. We should be the laughing-stock of the whole town. So it was agreed that nothing should be disclosed. Biddy received strict charges; and, to make sure, was not allowed that week to go to confession, lest she should tell the priest.
I stayed home all that day; every hour or two bending over the table, both eye and ear. Towards night, I thought the ticking grew more distinct, and seemed divided from my ear by a thinner and thinner partition of the wood. I thought, too, that I perceived a faint heaving up, or bulging of the wood, in the place where I had placed the tumbler. To put an end to the suspense, my wife proposed taking a knife and cutting into the wood there; but I had a less impatient plan; namely, that she and I should sit up with the table that night, as, from present symptoms, the bug would probably make its appearance before morning. For myself, I was curious to see the first advent of the thing—the first dazzle of the chick as it chipped the shell.
The idea struck my wife not unfavorably. She insisted that both Julia and Anna should be of the party, in order that the evidence of their senses should disabuse their minds of all nursery nonsense. For that spirits should tick, and that spirits should take unto themselves the form of bugs, was, to my wife, the most foolish of all foolish imaginations. True, she could not account for the thing; but she had all confidence that it could be, and would yet be, somehow explained, and that to her entire satisfaction. Without knowing it herself, my wife was a female Democritus. For my part, my present feelings were of a mixed sort. In a strange and not unpleasing way, I gently oscillated between Democritus and Cotton Mather. But to my wife and daughters I assumed to be pure Democritus—a jeerer at all tea-table spirits whatever.
So, laying in a good supply of candles and crackers, all four of us sat up with the table, and at the same time sat round it. For a while my wife and I carried on an animated conversation. But my daughters were silent. Then my wife and I would have had a rubber of whist, but my daughters could not be prevailed upon to join. So we played whist with two dummies literally; my wife won the rubber and, fatigued with victory, put away the cards.
Half past eleven o’clock. No sign of the bug. The candles began to burn dim. My wife was just in the act of snuffing them, when a sudden, violent, hollow, resounding, rumbling, thumping was heard.
Julia and Anna sprang to their feet.
“All well!” cried a voice from the street. It was the watchman, first ringing down his club on the pavement, and then following it up with this highly satisfactory verbal announcement.
“All well! Do you hear that, my girls?” said I, gayly.
Indeed it was astonishing how brave as Bruce I felt in company with three women, and two of them half frightened out of their wits.
I rose for my pipe, and took a philosophic smoke.
Democritus forever, thought I.
In profound silence, I sat smoking, when lo!—pop! pop! pop!—right under the table, a terrible popping.
This time we all four sprang up, and my pipe was broken.
“Good heavens! what’s that?”
“Spirits! spirits!” cried Julia.
“Oh, oh, oh!” cried Anna.
“Shame!” said my wife, “it’s that new bottled cider, in the cellar, going off. I told Biddy to wire the bottles to-day.”
I shall here transcribe from memoranda, kept during part of the night.
“One o’clock. No sign of the bug. Ticking continues. Wife getting sleepy.
“Two o’clock. No sign of the bug. Ticking intermittent. Wife fast asleep.
“Three o’clock. No sign of the bug. Ticking pretty steady. Julia and Anna getting sleepy.
“Four o’clock. No sign of the bug. Ticking regular, but not spirited. Wife, Julia, and Anna, all fast asleep in their chairs.
“Five o’clock. No sign of the bug. Ticking faint. Myself feeling drowsy. The rest still asleep.”
So far the journal.
—Rap! rap! rap!
A terrific, portentous rapping against a door.
Startled from our dreams, we started to our feet.
Rap! rap! rap!
Julia and Anna shrieked.
I cowered in the corner.
“You fools!” cried my wife, “it’s the baker with the bread.”
Six o’clock.
She went to throw back the shutters, but ere it was done, a cry came from Julia. There, half in and half out its crack, there wriggled the bug, flashing in the room’s general dimness, like a fiery opal.
Had this bug had a tiny sword by its side—a Damascus sword—and a tiny necklace round its neck—a diamond necklace—and a tiny gun in its claw—brass gun—and a tiny manuscript in its mouth—a Chaldee manuscript—Julia and Anna could not have stood more charmed.
In truth, it was a beautiful bug—a Jew jeweler’s bug—a bug like a sparkle of a glorious sunset.
Julia and Anna had never dreamed of such a bug. To them, bug had been a word synonymous with hideousness. But this was a seraphical bug; or rather, all it had of the bug was the B, for it was beautiful as a butterfly.
Julia and Anna gazed and gazed. They were no more alarmed. They were delighted.
“But how got this strange, pretty creature into the table?” cried Julia.
“Spirits can get anywhere,” replied Anna.
“Pshaw!” said my wife.
“Do you hear any more ticking?” said I.
They all applied their ears, but heard nothing.
“Well, then, wife and daughters, now that it is all over, this very morning I will go and make inquiries about it.”
“Oh, do, papa,” cried Julia, “do go and consult Madame Pazzi, the conjuress.”
“Better go and consult Professor Johnson, the naturalist,” said my wife.
“Bravo, Mrs. Democritus!” said I. “Professor Johnson is the man.”
By good fortune I found the professor in. Informing him briefly of the incident, he manifested a cool, collected sort of interest, and gravely accompanied me home. The table was produced, the two openings pointed out, the bug displayed, and the details of the affair set forth; my wife and daughters being present.
“And now, Professor,” said I, “what do you think of it?”
Putting on his spectacles, the learned professor looked hard at the table, and gently scraped with his penknife into the holes, but said nothing.
“Is it not an unusual thing, this?” anxiously asked Anna.
“Very unusual, Miss.”
At which Julia and Anna exchanged significant glances.
“But is it not wonderful, very wonderful?” demanded Julia.
“Very wonderful, Miss.”
My daughters exchanged still more significant glances, and Julia, emboldened, again spoke.
“And must you not admit, sir, that it is the work of—of—of sp—?”
“Spirits? No,” was the crusty rejoinder.
“My daughters,” said I, mildly, “you should remember that this is not Madame Pazzi, the conjuress, you put your questions to, but the eminent naturalist, Professor Johnson. And now, Professor,” I added, “be pleased to explain. Enlighten our ignorance.”
Without repeating all the learned gentleman said—for, indeed, though lucid, he was a little prosy—let the following summary of his explication suffice.
The incident was not wholly without example. The wood of the table was apple-tree, a sort of tree much fancied by various insects. The bugs had come from eggs laid inside the bark of the living tree in the orchard. By careful examination of the position of the hole from which the last bug had emerged, in relation to the cortical layers of the slab, and then allowing for the inch and a half along the grain, ere the bug had eaten its way entirely out, and then computing the whole number of cortical layers in the slab, with a reasonable conjecture for the number cut off from the outside, it appeared that the egg must have been laid in the tree some ninety years, more or less, before the tree could have been felled. But between the felling of the tree and the present time, how long might that be? It was a very old-fashioned table. Allow eighty years for the age of the table, which would make one hundred and fifty years that the bug had laid in the egg. Such, at least, was Professor Johnson’s computation.
“Now, Julia,” said I, “after that scientific statement of the case (though, I confess, I don’t exactly understand it) where are your spirits? It is very wonderful as it is, but where are your spirits?”
“Where, indeed?” said my wife.
“Why, now, she did not really associate this purely natural phenomenon with any crude, spiritual hypothesis, did she?” observed the learned professor, with a slight sneer.
“Say what you will,” said Julia, holding up, in the covered tumbler, the glorious, lustrous, flashing, live opal, “say what you will, if this beauteous creature be not a spirit, it yet teaches a spiritual lesson. For if, after one hundred and fifty years’ entombment, a mere insect comes forth at last into light, itself an effulgence, shall there be no glorified resurrection for the spirit of man? Spirits! spirits!” she exclaimed, with rapture, “I still believe in them with delight, when before I but thought of them with terror.”
The mysterious insect did not long enjoy its radiant life; it expired the next day. But my girls have preserved it. Embalmed in a silver vinaigrette, it lies on the little apple-tree table in the pier of the cedar-parlor.
And whatever lady doubts this story, my daughters will be happy to show her both the bug and the table, and point out to her, in the repaired slab of the latter, the two sealing-wax drops designating the exact place of the two holes made by the two bugs, something in the same way in which are marked the spots where the cannon balls struck Brattle Street church.
[HAWTHORNE AND HIS MOSSES]
BY A VIRGINIAN SPENDING JULY
IN VERMONT
A papered chamber in a fine old farmhouse, a mile from any other dwelling, and dipped to the eaves in foliage—surrounded by mountains, old woods, and Indian pools,—this surely, is the place to write of Hawthorne. Some charm is in this northern air, for love and duty seem both impelling to the task. A man of a deep and noble nature has seized me in this seclusion. His wild, witch-voice rings through me; or, in softer cadences, I seem to hear it in the songs of the hillside birds that sing in the larch trees at my window.
Would that all excellent books were foundlings, without father or mother, that so it might be we could glorify them, without including their ostensible authors! Nor would any true man take exception to this; least of all, he who writes, “When the artist rises high enough to achieve the beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality.”
But more than this. I know not what would be the right name to put on the title-page of an excellent book; but this I feel, that the names of all fine authors are fictitious ones, far more so than that of Junius; simply standing, as they do, for the mystical ever-eluding spirit of all beauty, which ubiquitously possesses men of genius. Purely imaginative as this fancy may appear, it nevertheless seems to receive some warranty from the fact, that on a personal interview no great author has ever come up to the idea of his reader. But that dust of which our bodies are composed, how can it fitly express the nobler intelligences among us? With reverence be it spoken, that not even in the case of one deemed more than man, not even in our Saviour, did his visible frame betoken anything of the augustness of the nature within. Else, how could those Jewish eyewitnesses fail to see heaven in his glance!
It is curious how a man may travel along a country road, and yet miss the grandest or sweetest of prospects by reason of an intervening hedge, so like all other hedges, as in no way to hint of the wide landscape beyond. So has it been with me concerning the enchanting landscape in the soul of this Hawthorne, this most excellent Man of Mosses. His Old Manse has been written now four years, but I never read it till a day or two since. I had seen it in the book-stores—heard of it often—even had it recommended to me by a tasteful friend, as a rare, quiet book, perhaps too deserving of popularity to be popular. But there are so many books called “excellent,” and so much unpopular merit, that amid the thick stir of other things, the hint of my tasteful friend was disregarded and for four years the Mosses on the Old Manse never refreshed me with their perennial green. It may be, however, that all this while the book, likewise, was only improving in flavor and body. At any rate, it so chanced that this long procrastination eventuated in a happy result. At breakfast the other day, a mountain girl, a cousin of mine, who for the last two weeks has every morning helped me to strawberries and raspberries, which, like the roses and pearls in the fairy tale, seemed to fall into the saucer from those strawberry-beds, her cheeks—this delightful creature, this charming Cherry says to me—“I see you spend your mornings in the haymow; and yesterday I found there Dwight’s Travels in New England. Now I have something far better than that, something more congenial to our summer on these hills. Take these raspberries, and then I will give you some moss.” “Moss!” said I. “Yes, and you must take it to the barn with you, and good-by to Dwight.”
With that she left me, and soon returned with a volume, verdantly bound, and garnished with a curious frontispiece in green; nothing less than a fragment of real moss, cunningly pressed to a fly-leaf. “Why, this,” said I, spilling my raspberries, “this is the Mosses from an Old Manse.” “Yes,” said cousin Cherry, “yes, it is that flowery Hawthorne.” “Hawthorne and Mosses,” said I, “no more it is morning: it is July in the country: and I am off for the barn.”
Stretched on that new mown clover, the hillside breeze blowing over me through the wide barn door, and soothed by the hum of the bees in the meadows around, how magically stole over me this Mossy Man! and how amply, how bountifully, did he redeem that delicious promise to his guests in the Old Manse, of whom it is written: “Others could give them pleasure, or amusement, or instruction—these could be picked up anywhere; but it was for me to give them rest—rest, in a life of trouble! What better could be done for those weary and world-worn spirits? ... what better could be done for anybody who came within our magic circle than to throw the spell of a tranquil spirit over him?” So all that day, half-buried in the new clover, I watched this Hawthorne’s “Assyrian dawn, and Paphian sunset and moonrise from the summit of our eastern hill.”
The soft ravishments of the man spun me round about in a web of dreams, and when the book was closed, when the spell was over, this wizard “dismissed me with but misty reminiscences, as if I had been dreaming of him.”
What a wild moonlight of contemplative humor bathes that Old Manse!—the rich and rare distilment of a spicy and slowly-oozing heart. No rollicking rudeness, no gross fun fed on fat dinners, and bred in the lees of wine,—but a humor so spiritually gentle, so high, so deep, and yet so richly relishable, that it were hardly inappropriate in an angel. It is the very religion of mirth; for nothing so human but it may be advanced to that. The orchard of the Old Manse seems the visible type of the fine mind that has described it—those twisted and contorted old trees, “they stretch out their crooked branches, and take such hold of the imagination that we remember them as humorists and odd-fellows.” And then, as surrounded by these grotesque forms, and hushed in the noonday repose of this Hawthorne’s spell, how aptly might the still fall of his ruddy thoughts into your soul be symbolized by: “In the stillest afternoon, if I listened, the thump of a great apple was audible, falling without a breath of wind, from the mere necessity of perfect ripeness.” For no less ripe than ruddy are the apples of the thoughts and fancies in this sweet Man of Mosses.
Buds and Bird Voices. What a delicious thing is that! “Will the world ever be so decayed, that spring may not renew its greenness?” And the Fire Worship. Was ever the hearth so glorified into an altar before? The mere title of that piece is better than any common work in fifty folio volumes. How exquisite is this: “Nor did it lessen the charm of his soft, familiar courtesy and helpfulness that the mighty spirit, were opportunity offered him, would run riot through the peaceful house, wrap its inmates in his terrible embrace, and leave nothing of them save their whitened bones. This possibility of mad destruction only made his domestic kindness the more beautiful and touching. It was so sweet of him, being endowed with such power, to dwell day after day, and one long lonesome night after another, on the dusky hearth, only now and then betraying his wild nature by thrusting his red tongue out of the chimney-top! True, he had done much mischief in the world, and was pretty certain to do more; but his warm heart atoned for all. He was kindly to the race of man; and they pardoned his characteristic imperfections.”
But he has still other apples, not quite so ruddy, though full as ripe:—apples, that have been left to wither on the tree, after the pleasant autumn gathering is past. The sketch of The Old Apple Dealer is conceived in the subtlest spirit of sadness; he whose “subdued and nerveless boyhood prefigured his abortive prime, which likewise contained within itself the prophecy and image of his lean and torpid age.” Such touches as are in this piece cannot proceed from any common heart. They argue such a depth of tenderness, such a boundless sympathy with all forms of being, such an omnipresent love, that we must needs say that this Hawthorne is here almost alone in his generation,—at least, in the artistic manifestation of these things. Still more. Such touches as these—and many, very many similar ones, all through his chapters—furnish clues whereby we enter a little way into the intricate, profound heart where they originated. And we see that suffering, some time or other and in some shape or other,—this only can enable any man to depict it in others. All over him, Hawthorne’s melancholy rests like an Indian-summer, which, though bathing a whole country in one softness, still reveals the distinctive hue of every towering hill and each far-winding vale.
But it is the least part of genius that attracts admiration. Where Hawthorne is known, he seems to be deemed a pleasant writer, with a pleasant style,—a sequestered, harmless man, from whom any deep and weighty thing would hardly be anticipated—a man who means no meanings. But there is no man, in whom humor and love, like mountain peaks, soar to such a rapt height as to receive the irradiations of the upper skies;—there is no man in whom humor and love are developed in that high form called genius; no such man can exist without also possessing, as the indispensable complement of these, a great, deep intellect, which drops down into the universe like a plummet. Or, love and humor are only the eyes through which such an intellect views this world. The great beauty in such a mind is but the product of its strength. What, to all readers, can be more charming than the piece entitled Monsieur du Miroir; and to a reader at all capable of fully fathoming it, what, at the same time, can possess more mystical depth of meaning?—yes, there he sits and looks at me,—this “shape of mystery,” this “identical Monsieur du Miroir!” “Methinks I should tremble now were his wizard power of gliding through all impediments in search of me to place him suddenly before my eyes.”
How profound, nay, appalling, is the moral evolved by the Earth’s Holocaust; where—beginning with the hollow follies and affectations of the world,—all vanities and empty theories and forms are, one after another, and by an admirably graduated, growing comprehensiveness, thrown into the allegorical fire, till, at length, nothing is left but the all-engendering heart of man; which remaining still unconsumed, the great conflagration is naught.
Of a piece with this, is the Intelligence Office, a wondrous symbolizing of the secret workings in men’s souls. There are other sketches still more charged with ponderous import.
The Christmas Banquet, and The Bosom Serpent, would be fine subjects for a curious and elaborate analysis, touching the conjectural parts of the mind that produced them. For spite of all the Indian-summer sunlight on the hither side of Hawthorne’s soul, the other side—like the dark half of the physical sphere—is shrouded in a blackness, ten times black. But this darkness but gives more effect to the ever-moving dawn, that forever advances through it, and circumnavigates his world. Whether Hawthorne has simply availed himself of this mystical blackness as a means to the wondrous effects he makes it to produce in his lights and shades; or whether there really lurks in him, perhaps unknown to himself, a touch of Puritanic gloom,—this, I cannot altogether tell. Certain it is, however, that this great power of blackness in him derives its force from its appeals to that Calvinistic sense of Innate Depravity and Original Sin, from whose visitations, in some shape or other, no deeply thinking mind is always and wholly free. For, in certain moods, no man can weigh this world without throwing in something, somehow like Original Sin, to strike the uneven balance. At all events, perhaps no writer has ever wielded this terrific thought with greater terror than this same harmless Hawthorne. Still more: this black conceit pervades him through and through. You may be witched by his sunlight,—transported by the bright gildings in the skies he builds over you; but there is the blackness of darkness beyond; and even his bright gildings but fringe and play upon the edges of thunder-clouds. In one word, the world is mistaken in this Nathaniel Hawthorne. He himself must often have smiled at its absurd misconception of him. He is immeasurably deeper than the plummet of the mere critic. For it is not the brain that can test such a man; it is only the heart. You cannot come to know greatness by inspecting it; there is no glimpse to be caught of it, except by intuition; you need not ring it, you but touch it, and you find it is gold.
Now, it is that blackness in Hawthorne, of which I have spoken that so fixes and fascinates me. It may be, nevertheless, that it is too largely developed in him. Perhaps he does not give us a ray of light for every shade of his dark. But however this may be, this blackness it is that furnishes the infinite obscure of his background,—that background, against which Shakspeare plays his grandest conceits, the things that have made for Shakspeare his loftiest but most circumscribed renown, as the profoundest of thinkers. For by philosophers Shakspeare is not adored, as the great man of tragedy and comedy:—“Off with his head; so much for Buckingham!” This sort of rant interlined by another hand, brings down the house,—those mistaken souls, who dream of Shakespeare as a mere man of Richard the Third humps and Macbeth daggers. But it is those deep far-away things in him; those occasional flashings-forth of the intuitive Truth in him; those short, quick probings at the very axis of reality;—these are the things that make Shakspeare, Shakspeare. Through the mouths of the dark characters of Hamlet, Timon, Lear, and Iago, he craftily says, or sometimes insinuates the things which we feel to be so terrifically true, that it were all but madness for any good man, in his own proper character, to utter, or even hint of them. Tormented into desperation, Lear, the frantic king, tears off the mask, and speaks the same madness of vital truth. But, as I before said, it is the least part of genius that attracts admiration. And so, much of the blind, unbridled admiration that has been heaped upon Shakspeare, has been lavished upon the least part of him. And few of his endless commentators and critics seem to have remembered, or even perceived, that the immediate products of a great mind are not so great as that undeveloped and sometimes undevelopable yet dimly-discernible greatness, to which those immediate products are but the infallible indices. In Shakspeare’s tomb lies infinitely more than Shakspeare ever wrote. And if I magnify Shakspeare, it is not so much for what he did do as for what he did not do, or refrained from doing. For in this world of lies, Truth is forced to fly like a scared white doe in the woodlands; and only by cunning glimpses will she reveal herself, as in Shakspeare and other masters of the great Art of Telling the Truth,—even though it be covertly and by snatches.
But if this view of the all-popular Shakspeare be seldom taken by his readers, and if very few who extol him have ever read him deeply, or perhaps, only have seen him on the tricky stage (which alone made, and is still making him his mere mob renown)—if few men have time, or patience, or palate, for the spiritual truth as it is in that great genius—it is then no matter of surprise, that in a contemporaneous age, Nathaniel Hawthorne is a man as yet almost utterly mistaken among men. Here and there, in some quiet armchair in the noisy town, or some deep nook among the noiseless mountains, he may be appreciated for something of what he is. But unlike Shakspeare, who was forced to the contrary course by circumstances, Hawthorne (either from simple disinclination, or else from inaptitude) refrains from all the popularizing noise and show of broad farce and blood-besmeared tragedy; content with the still, rich utterance of a great intellect in repose, and which sends few thoughts into circulation, except they be arterialized at his large warm lungs, and expanded in his honest heart.
Nor need you fix upon that blackness in him, if it suit you not. Nor, indeed, will all readers discern it; for it is, mostly, insinuated to those who may best understand it, and account for it; it is not obtruded upon every one alike.
Some may start to read of Shakspeare and Hawthorne on the same page. They may say, that if an illustration were needed, a lesser light might have sufficed to elucidate this Hawthorne, this small man of yesterday. But I am not willingly one of those who, as touching Shakspeare at least, exemplify the maxim of Rochefoucauld, that “we exalt the reputation of some, in order to depress that of others”;—who, to teach all noble-souled aspirants that there is no hope for them, pronounce Shakspeare absolutely unapproachable. But Shakspeare has been approached. There are minds that have gone as far as Shakspeare into the universe. And hardly a mortal man, who, at some time or other, has not felt as great thoughts in him as any you will find in Hamlet. We must not inferentially malign mankind for the sake of any one man, whoever he may be. This is too cheap a purchase of contentment for conscious mediocrity to make. Besides, this absolute and unconditional adoration of Shakspeare has grown to be a part of our Anglo-Saxon superstitions. The Thirty-Nine Articles are now Forty. Intolerance has come to exist in this matter. You must believe in Shakspeare’s unapproachability, or quit the country. But what sort of a belief is this for an American, a man who is bound to carry republican progressiveness into Literature as well as into Life? Believe me, my friends, that men, not very much inferior to Shakspeare are this day being born on the banks of the Ohio. And the day will come when you shall say, Who reads a book by an Englishman that is a modern? The great mistake seems to be, that even with those Americans who look forward to the coming of a great literary genius among us, they somehow fancy he will come in the costume of Queen Elizabeth’s day; be a writer of dramas founded upon old English history or the tales of Boccaccio. Whereas, great geniuses are parts of the times, they themselves are the times, and possess a corresponding coloring. It is of a piece with the Jews, who, while their Shiloh was meekly walking in their streets, were still praying for his magnificent coming; looking for him in a chariot, who was already among them on an ass. Nor must we forget that, in his own lifetime, Shakspeare was not Shakspeare, but only Master William Shakspeare of the shrewd, thriving, business firm of Condell, Shakspeare and Co., proprietors of the Globe Theatre in London; and by a courtly author, of the name of Chettle, was looked at as an “upstart crow,” beautified “with other birds’ feathers.” For, mark it well, imitation is often the first charge brought against originality. Why this is so, there is not space to set forth here. You must have plenty of sea-room to tell the Truth in; especially when it seems to have an aspect of newness, as America did in 1492, though it was then just as old, and perhaps older than Asia, only those sagacious philosophers, the common sailors, had never seen it before, swearing it was all water and moonshine there.
Now I do not say that Nathaniel of Salem is a greater man than William of Avon, or as great. But the difference between the two men is by no means immeasurable. Not a very great deal more, and Nathaniel were verily William.
This, too, I mean, that if Shakspeare has not been equalled, give the world time, and he is sure to be surpassed in one hemisphere or the other. Nor will it at all do to say that the world is getting grey and grizzled now, and has lost that fresh charm which she wore of old, and by virtue of which the great poets of past times made themselves what we esteem them to be. Not so. The world is as young to-day as when it was created; and this Vermont morning dew is as wet to my feet, as Eden’s dew to Adam’s. Nor has nature been all over ransacked by our progenitors, so that no new charms and mysteries remain for this latter generation to find. Far from it. The trillionth part has not yet been said; and all that has been said, but multiplies the avenues to what remains to be said. It is not so much paucity as superabundance of material that seems to incapacitate modern authors.
Let America, then, prize and cherish her writers; yea, let her glorify them. They are not so many in number as to exhaust her goodwill. And while she has good kith and kin of her own, to take to her bosom, let her not lavish her embraces upon the household of an alien. For believe it or not, England after all, is in many things an alien to us. China has more bonds of real love for us than she. But even were there no strong literary individualities among us, as there are some dozens at least, nevertheless, let America first praise mediocrity even, in her children, before she praises (for everywhere, merit demands acknowledgment from every one) the best excellence in the children of any other land. Let her own authors, I say, have the priority of appreciation. I was much pleased with a hot-headed Carolina cousin of mine, who once said,—“If there were no other American to stand by, in literature, why, then, I would stand by Pop Emmons and his Fredoniad, and till a better epic came along, swear it was not very far behind the Iliad.” Take away the words, and in spirit he was sound.
Not that American genius needs patronage in order to expand. For that explosive sort of stuff will expand though screwed up in a vice, and burst it, though it were triple steel. It is for the nation’s sake, and not for her authors’ sake, that I would have America be heedful of the increasing greatness among her writers. For how great the shame, if other nations should be before her, in crowning her heroes of the pen! But this is almost the case now. American authors have received more just and discriminating praise (however loftily and ridiculously given, in certain cases) even from some Englishmen, than from their own countrymen. There are hardly five critics in America; and several of them are asleep. As for patronage, it is the American author who now patronizes his country, and not his country him. And if at times some among them appeal to the people for more recognition, it is not always with selfish motives, but patriotic ones.
It is true, that but few of them as yet have evinced that decided originality which merits great praise. But that graceful writer, who perhaps of all Americans has received the most plaudits from his own country for his productions,—that very popular and amiable writer, however good and self-reliant in many things, perhaps owes his chief reputation to the self-acknowledged imitation of a foreign model, and to the studied avoidance of all topics but smooth ones. But it is better to fail in originality, than to succeed in imitation. He who has never failed somewhere, that man cannot be great. Failure is the true test of greatness. And if it be said, that continual success is a proof that a man wisely knows his powers,—it is only to be added, that, in that case, he knows them to be small. Let us believe it, then, once for all, that there is no hope for us in these smooth, pleasing writers that know their powers. Without malice, but to speak the plain fact, they but furnish an appendix to Goldsmith, and other English authors. And we want no American Goldsmiths, nay, we want no American Miltons. It were the vilest thing you could say of a true American author, that he were an American Tompkins. Call him an American and have done, for you cannot say a nobler thing of him. But it is not meant that all American writers should studiously cleave to nationality in their writings; only this, no American writer should write like an Englishman or a Frenchman; let him write like a man, for then he will be sure to write like an American. Let us away with this leaven of literary flunkeyism towards England. If either must play the flunkey in this thing, let England do it, not us. While we are rapidly preparing for that political supremacy among the nations which prophetically awaits us at the close of the present century, in a literary point of view, we are deplorably unprepared for it; and we seem studious to remain so. Hitherto, reasons might have existed why this should be; but no good reason exists now. And all that is requisite to amendment in this matter, is simply this; that while fully acknowledging all excellence everywhere, we should refrain from unduly lauding foreign writers, and, at the same time, duty recognize the meritorious writers that are our own;—those writers who breathe that unshackled, democratic spirit of Christianity in all things, which now takes the practical lead in this world, though at the same time led by ourselves—us Americans. Let us boldly condemn all imitation, though it comes to us graceful and fragrant as the morning; and foster all originality though at first it be crabbed and ugly as our own pine knots. And if any of our authors fail, or seem to fail, then, in the words of my Carolina cousin, let us clap him on the shoulder and back him against all Europe for his second round. The truth is, that in one point of view this matter of a national literature has come to pass with us, that in some sense we must turn bullies, else the day is lost, or superiority so far beyond us, that we can hardly say it will ever be ours.
And now, my countrymen, as an excellent author of your own flesh and blood,—an unimitating, and, perhaps, in his way, an inimitable man—whom better can I commend to you, in the first place, than Nathaniel Hawthorne. He is one of the new, and far better generation of your writers. The smell of young beeches and hemlocks is upon him; your own broad prairies are in his soul; and if you travel away inland into his deep and noble nature, you will hear the far roar of his Niagara. Give not over to future generations the glad duty of acknowledging him for what he is. Take that joy to yourself, in your own generation; and so shall he feel those grateful impulses on him, that may possibly prompt him to the full flower of some still greater achievement in your eyes. And by confessing him you thereby confess others; you brace the whole brotherhood. For genius, all over the world, stands hand in hand, and one shock of recognition runs the whole circle round.
In treating of Hawthorne, or rather of Hawthorne in his writings (for I never saw the man; and in the chances of a quiet plantation life, remote from his haunts, perhaps never shall); in treating of his works, I say, I have thus far omitted all mention of his Twice Told Tales, and Scarlet Letter. Both are excellent, but full of such manifold, strange, and diffusive beauties, that time would all but fail me to point the half of them out. But there are things in those two books, which, had they been written in England a century ago, Nathaniel Hawthorne had utterly displaced many of the bright names we now revere on authority. But I am content to leave Hawthorne to himself, and to the infallible finding of posterity; and however great may be the praise I have bestowed upon him, I feel that in so doing I have served and honored myself, than him. For, at bottom, great excellence is praise enough to itself; but the feeling of a sincere and appreciative love and admiration towards it, this is relieved by utterance, and warm, honest praise ever leaves a pleasant flavor in the mouth; and it is an honorable thing to confess to what is honorable in others.
But I cannot leave my subject yet. No man can read a fine author, and relish him to his very bones while he reads, without subsequently fancying to himself some ideal image of the man and his mind. And if you rightly look for it, you will almost always find that the author himself has somewhere furnished you with his own picture. For poets (whether in prose or verse), being painters by nature, are like their brethren of the pencil, the true portrait-painters, who, in the multitude of likenesses to be sketched, do not invariably omit their own; and in all high instances, they paint them without any vanity, though at times with a lurking something that would take several pages to properly define.
I submit it, then, to those best acquainted with the man personally, whether the following is not Nathaniel Hawthorne;—and to himself, whether something involved in it does not express the temper of his mind,—that lasting temper of all true, candid men—a seeker, not a finder yet:
A man now entered, in neglected attire, with the aspect of a thinker, but somewhat too roughhewn and brawny for a scholar. His face was full of sturdy vigor, with some finer and keener attribute beneath; though harsh at first, it was tempered with the glow of a large, warm heart, which had force enough to heat his powerful intellect through and through. He advanced to the Intelligencer, and looked at him with a glance of such stern sincerity, that perhaps few secrets were beyond its scope.
“I seek for Truth,” said he.
Twenty-four hours have elapsed since writing the foregoing. I have just returned from the haymow, charged more and more with love and admiration of Hawthorne. For I have just been gleaning through the Mosses, picking up many things here and there that had previously escaped me. And I found that but to glean after this man, is better than to be in at the harvest of others. To be frank (though, perhaps, rather foolish) notwithstanding what I wrote yesterday of these Mosses, I had not then culled them all; but had, nevertheless, been sufficiently sensible of the subtle essence in them, as to write as I did. To what infinite height of loving wonder and admiration I may yet be borne, when by repeatedly banqueting on these Mosses I shall have thoroughly incorporated their whole stuff into my being—that, I cannot tell. But already I feel that this Hawthorne has dropped germinous seeds into my soul. He expands and deepens down, the more I contemplate him; and further and further, shoots his strong New England roots into the hot soil in my Southern soul.
By careful reference to the table of contents, I now find that I have gone through all the sketches; but that when I yesterday wrote, I had not at all read two particular pieces, to which I now desire to call special attention—A Select Party and Young Goodman Brown. Here, be it said to all those whom this poor fugitive scrawl of mine may tempt to the perusal of the Mosses, that they must on no account suffer themselves to be trifled with, disappointed, or deceived by the triviality of many of the titles to these sketches. For in more than one instance, the title utterly belies the piece. It is as if rustic demijohns containing the very best and costliest of Falernian and Tokay, were labelled “Cider,” “Perry,” and “Elderberry wine.” The truth seems to be, that like many other geniuses, this Man of Mosses takes great delight in hoodwinking the world,—at least, with respect to himself. Personally, I doubt not that he rather prefers to be generally esteemed but a so-so sort of author; being willing to reserve the thorough and acute appreciation of what he is, to that party most qualified to judge—that is, to himself. Besides, at the bottom of their natures, men like Hawthorne, in many things, deem the plaudits of the public such strong presumptive evidence of mediocrity in the object of them, that it would in some degree render them doubtful of their own powers, did they hear much and vociferous braying concerning them in the public pastures. True, I have been braying myself (if you please to be witty enough to have it so), but then I claim to be the first that has so brayed in this particular matter; and, therefore, while pleading guilty to the charge, still claim all the merit due to originality.
But with whatever motive, playful or profound, Nathaniel Hawthorne has chosen to entitle his pieces in the manner he has, it is certain that some of them are directly calculated to deceive—egregiously deceive, the superficial skimmer of pages. To be downright and candid once more, let me cheerfully say, that two of these titles did dolefully dupe no less an eager-eyed reader than myself; and that, too, after I had been impressed with a sense of the great depth and breadth of this American man. “Who in the name of thunder” (as the country people say in this neighborhood), “who in the name of thunder, would anticipate any marvel in a piece entitled Young Goodman Brown?” You would of course suppose that it was a simple little tale, intended as a supplement to Goody Two Shoes. Whereas, it is deep as Dante; nor can you finish it, without addressing the author in his own words—“It shall be yours to penetrate, in every bosom, the deep mystery of sin”.... And with Young Goodman, too, in allegorical pursuit of his Puritan wife, you cry out in your anguish:
“Faith!” shouted Goodman Brown, in a voice of agony and desperation; and the echoes of the forest mocked him, crying, “Faith! Faith!” as if bewildered wretches were seeking her all through the wilderness.
Now this same piece entitled Young Goodman Brown, is one of the two that I had not all read yesterday; and I allude to it now, because it is, in itself, such a strong positive illustration of the blackness in Hawthorne, which I had assumed from the mere occasional shadows of it; as revealed in several of the other sketches. But had I previously perused Young Goodman Brown, I should have been at no pains to draw the conclusion, which I came to at a time when I was ignorant that the book contained one such direct and unqualified manifestation of it.
The other piece of the two referred to, is entitled A Select Party, which, in my first simplicity upon originally taking hold of the book, I fancied must treat of some pumpkin-pie party in old Salem; or some chowder party on Cape Cod. Whereas, by all the gods of Peedee, it is the sweetest and sublimest thing that has been written since Spenser wrote. Nay, there is nothing in Spenser that surpasses it, perhaps nothing that equals it. And the test is this. Read any canto in The Faerie Queene and then read A Select Party, and decide which pleases you most,—that is, if you are qualified to judge. Do not be frightened at this; for when Spenser was alive, he was thought of very much as Hawthorne is now,—was generally accounted just such a “gentle” harmless man. It may be, that to common eyes, the sublimity of Hawthorne seems lost in his sweetness,—as perhaps in that same Select Party of his; for whom he has builded so august a dome of sunset clouds, and served them on richer plate than Belshazzar when he banqueted his lords in Babylon.
But my chief business now, is to point out a particular page in this piece, having reference to an honored guest, who under the name of the Master Genius, but in the guise “of a young man of poor attire, with no insignia of rank or acknowledged eminence,” is introduced to the Man of Fancy, who is the giver of the feast. Now, the page having reference to this Master Genius, so happily expresses much of what I yesterday wrote, touching the coming of the literary Shiloh of America, that I cannot but be charmed by the coincidence; especially, when it shows such a parity of ideas, at least in this one point, between a man like Hawthorne and a man like me.
And here, let me throw out another conceit of mine touching this American Shiloh, or Master Genius, as Hawthorne calls him. May it not be, that this commanding mind has not been, is not, and never will be, individually developed in any one man? And would it, indeed, appear so unreasonable to suppose, that this great fulness and overflowing may be, or may be destined to be, shared by a plurality of men of genius? Surely, to take the very greatest example on record, Shakspeare cannot be regarded as in himself the concretion of all the genius of his time; nor as so immeasurably beyond Marlowe, Webster, Ford, Beaumont, Jonson, that these great men can be said to share none of his power? For one, I conceive that there were dramatists in Elizabeth’s day, between whom and Shakspeare the distance was by no means great. Let any one, hitherto little acquainted with those neglected old authors, for the first time read them thoroughly, or even read Charles Lamb’s Specimens of them, and he will be amazed at the wondrous ability of those Anaks of men, and shocked at this renewed example of the fact, that Fortune has more to do with fame than merit,—though, without merit, lasting fame there can be none.
Nevertheless, it would argue too ill of my country were this maxim to hold good concerning Nathaniel Hawthorne, a man, who already, in some few minds has shed “such a light as never illuminates the earth save when a great heart burns as the household fire of a grand intellect.”
The words are his,—in the Select Party; and they are a magnificent setting to a coincident sentiment of my own, but ramblingly expressed yesterday, in reference to himself. Gainsay it who will, as I now write, I am Posterity speaking by proxy—and after times will make it more than good, when I declare, that the American, who up to the present day has evinced, in literature, the largest brain with the largest heart, that man is Nathaniel Hawthorne. Moreover, that whatever Nathaniel Hawthorne may hereafter write, Mosses from an Old Manse will be ultimately accounted his masterpiece. For there is a sure, though secret sign in some works which proves the culmination of the powers (only the developable ones, however) that produced them. But I am by no means desirous of the glory of a prophet. I pray Heaven that Hawthorne may yet prove me an impostor in this prediction. Especially, as I somehow cling to the strange fancy, that, in all men, hiddenly reside certain wondrous, occult properties—as in some plants and minerals—which by some happy but very rare accident (as bronze was discovered by the melting of the iron and brass at the burning of Corinth) may chance to be called forth here on earth; not entirely waiting for their better discovery in the more congenial, blessed atmosphere of heaven.
Once more—for it is hard to be finite upon an infinite subject, and all subjects are infinite. By some people this entire scrawl of mine may be esteemed altogether unnecessary, inasmuch “as years ago” (they may say) “we found out the rich and rare stuff in this Hawthorne, who you now parade forth, as if only you yourself were the discoverer of this Portuguese diamond in your literature.” But even granting all this—and adding to it, the assumption that the books of Hawthorne have sold by the five thousand,—what does that signify? They should be sold by the hundred thousand; and read by the million; and admired by every one who is capable of admiration.
[JIMMY ROSE]
A time ago, no matter how long precisely, I, an old man, removed from the country to the city, having become unexpected heir to a great old house in a narrow street of one of the lower wards, once the haunt of style and fashion, full of gay parlors and bridal chambers, but now, for the most part, transformed into counting-rooms and warehouses. There bales and boxes usurp the place of sofas; daybooks and ledgers are spread where once the delicious breakfast toast was buttered. In those old wards the glorious old soft-warfle days are over.
Nevertheless, in this old house of mine, so strangely spared, some monument of departed days survived. Nor was this the only one. Amidst the warehouse ranges some few other dwellings likewise stood. The street’s transmutation was not yet complete. Like those old English friars and nuns, long haunting the ruins of their retreats after they had been despoiled, so some few strange old gentlemen and ladies still lingered in the neighborhood, and would not, could not, might not quit it. And I thought that when, one spring, emerging from my white-blossoming orchard, my own white hairs and white ivory-headed cane were added to their loitering census, that those poor old souls insanely fancied the ward was looking up—the tide of fashion setting back again.
For many years the old house had been occupied by an owner; those into whose hands it from time to time had passed having let it out to various shifting tenants; decayed old townspeople, mysterious recluses, or transient, ambiguous-looking foreigners.
While from certain cheap furbishings to which the exterior had been subjected, such as removing a fine old pulpit-like porch crowning the summit of six lofty steps, and set off with a broad-brimmed sounding-board overshadowing the whole, as well as replacing the original heavy window shutters (each pierced with a crescent in the upper panel to admit an Oriental and moony light into the otherwise shut-up rooms of a sultry morning in July) with frippery Venetian blinds; while, I repeat, the front of the house hereby presented an incongruous aspect, as if the graft of modernness had not taken in its ancient stock; still, however it might fare without, within little or nothing had been altered. The cellars were full of great grim, arched bins of blackened brick, looking like the ancient tombs of Templars, while overhead were shown the first-floor timbers, huge, square, and massive, all red oak, and through long eld, of a rich and Indian color. So large were those timbers, and so thickly ranked, that to walk in those capacious cellars was much like walking along a line-of-battle ship’s gun-deck.
All the rooms in each story remained just as they stood ninety years ago with all their heavy-moulded, wooden cornices, paneled wainscots, and carved and inaccessible mantels of queer horticultural and zoological devices. Dim with longevity, the very covering of the walls still preserved the patterns of the times of Louis XVI. In the largest parlor (the drawing-room, my daughters called it, in distinction from two smaller parlors, though I did not think the distinction indispensable) the paper hangings were in the most gaudy style. Instantly we knew such paper could only have come from Paris—genuine Versailles paper—the sort of paper that might have hung in Marie Antoinette’s boudoir. It was of great diamond lozenges, divided by massive festoons of roses (onions, Biddy the girl said they were, but my wife soon changed Biddy’s mind on that head); and in those lozenges, one and all, as in an over-arbored garden-cage, sat a grand series of gorgeous illustrations of the natural history of the most imposing Parisian-looking birds; parrots, macaws, and peacocks, but mostly peacocks. Real Prince Esterhazies of birds; all rubies, diamonds and Orders of the Golden Fleece. But, alas! the north side of this old apartment presented a strange look; half mossy and half mildew; something as ancient forest trees on their north sides, to which particular side the moss most clings, and where, they say, internal decay first strikes. In short, the original resplendence of the peacocks had been sadly dimmed on that north side of the room, owing to a small leak in the eaves, from which the rain had slowly trickled its way down the wall, clean down to the first floor. This leak the irreverent tenants, at that period occupying the premises, did not see fit to stop, or rather, did not think it worth their while, seeing that they only kept their fuel and dried their clothes in the parlor of the peacocks. Hence many of the glowing birds seemed as if they had their princely plumage bedraggled in a dusty shower. Most mournfully their starry trains were blurred. Yet so patiently and so pleasantly, nay, here and there so ruddily did they seem to hide their bitter doom, so much of real elegance still lingered in their shapes, and so full, too, seemed they of a sweet engaging pensiveness, meditating all day long, for years and years, among their faded bowers, that though my family repeatedly adjured me (especially my wife, who, I fear, was too young for me) to destroy the whole hen-roost, as Biddy called it, and cover the walls with a beautiful, nice, genteel, cream-colored paper, despite all entreaties, I could not be prevailed upon, however submissive in other things.
But chiefly would I permit no violation of the old parlor of the peacocks or room of roses (I call it by both names) on account of its long association in my mind with one of the original proprietors of the mansion—the gentle Jimmy Rose.
Poor Jimmy Rose!
He was among my earliest acquaintances. It is not many years since he died; and I and two other tottering old fellows took hack, and in sole procession followed him to his grave.
Jimmy was born a man of moderate fortune. In his prime he had an uncommonly handsome person; large and manly, with bright eyes of blue, brown curling hair, and cheeks that seemed painted with carmine; but it was health’s genuine bloom, deepened by the joy of life. He was by nature a great ladies’ man, and like most deep adorers of the sex, never tied up his freedom of general worship by making one willful sacrifice of himself at the altar.
Adding to his fortune by a large and princely business, something like that of the great Florentine trader, Cosmo the Magnificent, he was enabled to entertain on a grand scale. For a long time his dinners, suppers and balls, were not to be surpassed by any given in the party-giving city of New York. His uncommon cheeriness; the splendor of his dress; his sparkling wit; radiant chandeliers; infinite fund of small-talk; French furniture; glowing welcomes to his guests; his bounteous heart and board; his noble graces and his glorious wine; what wonder if all these drew crowds to Jimmy’s hospitable abode? In the winter assemblies he figured first on the manager’s list. James Rose, Esq., too, was the man to be found foremost in all presentations of plate to highly successful actors at the Park, or of swords and guns to highly successful generals in the field. Often, also, was he chosen to present the gift on account of his fine gift of finely saying fine things.
“Sir,” said he, in a great drawing-room in Broadway, as he extended toward General G— a brace of pistols set with turquoise, “Sir,” said Jimmy with a Castilian flourish and a rosy smile, “there would have been more turquoise here set, had the names of your glorious victories left room.”
Ah, Jimmy, Jimmy! Thou didst excel in compliments. But it was inwrought with thy inmost texture to be affluent in all things which give pleasure. And who shall reproach thee with borrowed wit on this occasion, though borrowed indeed it was? Plagiarize otherwise as they may, not often are the men of this world plagiarists in praise.
But times changed. Time, true plagiarist of the seasons.
Sudden and terrible reverses in business were made mortal by mad prodigality on all hands. When his affairs came to be scrutinized, it was found that Jimmy could not pay more than fifteen shillings in the pound. And yet in time the deficiency might have been made up—of course, leaving Jimmy penniless—had it not been that in one winter gale two vessels of his from China perished off Sandy Hook; perished at the threshold of their port.
Jimmy was a ruined man.
It was years ago. At that period I resided in the country, but happened to be in the city on one of my annual visits. It was but four or five days since seeing Jimmy at his house the centre of all eyes, and hearing him at the close of the entertainment toasted by a brocaded lady, in these well-remembered words: “Our noble host; the bloom on his cheek, may it last long as the bloom in his heart!” And they, the sweet ladies and gentlemen there, they drank that toast so gayly and frankly off; and Jimmy, such a kind, proud, grateful tear stood in his honest eye, angelically glancing round at the sparkling faces, and equally sparkling, and equally feeling, decanters.
Ah! poor, poor Jimmy—God guard us all—poor Jimmy Rose!
Well, it was but four or five days after this that I heard a clap of thunder—no, a clap of bad news. I was crossing the Bowling Green in a snow-storm not far from Jimmy’s house on the Battery, when I saw a gentleman come sauntering along, whom I remembered at Jimmy’s table as having been the first to spring to his feet in eager response to the lady’s toast. Not more brimming the wine in his lifted glass than the moisture in his eye on that happy occasion.
Well, this good gentleman came sailing across the Bowling Green, swinging a silver-headed rattan; seeing me, he paused: “Ah, lad, that was rare wine Jimmy gave us the other night. Sha’n’t get any more, though. Heard the news? Jimmy’s burst. Clean smash, I assure you. Come along down to the Coffeehouse and I’ll tell you more. And if you say so, we’ll arrange over a bottle of claret for a sleighing party to Cato’s to-night. Come along.”
“Thank you,” said I, “I—I—I am engaged.”
Straight as an arrow I went to Jimmy’s. Upon inquiring for him, the man at the door told me that his master was not in; nor did he know where he was; nor had his master been in the house for forty-eight hours.
Walking up Broadway again, I questioned passing acquaintances; but though each man verified the report, no man could tell where Jimmy was, and no one seemed to care, until I encountered a merchant, who hinted that probably Jimmy, having scraped up from the wreck a snug lump of coin, had prudently betaken himself off to parts unknown. The next man I saw, a great nabob he was too, foamed at the mouth when I mentioned Jimmy’s name. “Rascal; regular scamp, Sir, is Jimmy Rose! But there are keen fellows after him.” I afterward heard that this indignant gentleman had lost the sum of seventy-five dollars and seventy-five cents indirectly through Jimmy’s failure. And yet I dare say the share of the dinners he had eaten at Jimmy’s might more than have balanced that sum, considering that he was something of a wine-bibber, and such wines as Jimmy imported cost a plum or two. Indeed, now that I bethink me, I recall how I had more than once observed this same middle-aged gentleman, and how that toward the close of one of Jimmy’s dinners he would sit at the table pretending to be earnestly talking with beaming Jimmy, but all the while, with a half furtive sort of tremulous eagerness and hastiness, pour down glass after glass of noble wine, as if now, while Jimmy’s bounteous sun was at meridian, was the time to make his selfish hay.
At last I met a person famed for his peculiar knowledge of whatever was secret or withdrawn in the histories and habits of noted people. When I inquired of this person where Jimmy could possibly be, he took me close to Trinity Church rail, out of the jostling of the crowd, and whispered me, that Jimmy had the evening before entered an old house of his (Jimmy’s), in C— Street, which old house had been for a time untenanted. The inference seemed to be that perhaps Jimmy might be lurking there now. So getting the precise locality, I bent my steps in that direction, and at last halted before the house containing the room of roses. The shutters were closed, and cobwebs were spun in their crescents. The whole place had a dreary, deserted air. The snow lay unswept, drifted in one billowed heap against the porch, no footprint tracking it. Whoever was within, surely that lonely man was an abandoned one. Few or no people were in the street; for even at that period one fashion of the street had departed from it, while trade had not as yet occupied what its rival had renounced.
Looking up and down the sidewalk a moment, I softly knocked at the door. No response. I knocked again, and louder. No one came. I knocked and rung both; still without effect. In despair I was going to quit the spot, when, as a last resource, I gave a prolonged summons, with my utmost strength, upon the heavy knocker, and then again stood still; while from various strange old windows up and down the street, various strange old heads were thrust out in wonder at so clamorous a stranger. As if now frightened from its silence, a hollow, husky voice addressed me through the keyhole.
“Who are you?” it said.
“A friend.”
“Then shall you not come in,” replied the voice, more hollowly than before.
Great heavens! this is not Jimmy Rose, thought I, starting. This is the wrong house. I have been misdirected. But still, to make all sure, I spoke again.
“Is James Rose within there?”
No reply.
Once more I spoke:
“I am William Ford; let me in.”
“Oh, I can not, I can not! I am afraid of every one.”
It was Jimmy Rose!
“Let me in, Rose; let me in, man. I am your friend.”
“I will not. I can trust no man now.”
“Let me in, Rose; trust at least one, in me.”
“Quit the spot, or—”
With that I heard a rattling against the huge lock, not made by any key, as if some small tube were being thrust into the keyhole. Horrified, I fled fast as feet could carry me.
I was a young man then, and Jimmy was not more than forty. It was five-and-twenty years ere I saw him again. And what a change. He whom I expected to behold—if behold at all—dry, shrunken, meagre, cadaverously fierce with misery and misanthropy—amazement! the old Persian roses bloomed in his cheeks. And yet poor as any rat; poor in the last dregs of poverty; a pauper beyond almshouse pauperism; a promenading pauper in a thin, threadbare, careful coat; a pauper with wealth of polished words; a courteous, smiling, shivering gentleman.
Ah, poor, poor Jimmy—God guard us all—poor Jimmy Rose!
Though at the first onset of his calamity, when creditors, once fast friends, pursued him as carrion for jails; though then, to avoid their hunt, as well as the human eye, he had gone and denned in the old abandoned house; and there, in his loneliness, had been driven half mad, yet time and tide had soothed him down to sanity. Perhaps at bottom Jimmy was too thoroughly good and kind to be made from any cause a man-hater. And doubtless it at last seemed irreligious to Jimmy even to shun mankind.
Sometimes sweet sense of duty will entice one to bitter doom. For what could be more bitter now, in abject need, to be seen of those—nay, crawl and visit them in an humble sort, and be tolerated as an old eccentric, wandering in their parlors—who once had known him richest of the rich, and gayest of the gay? Yet this Jimmy did. Without rudely breaking him right down to it, fate slowly bent him more and more to the lowest deep. From an unknown quarter he received an income of some seventy dollars, more or less. The principal he would never touch, but, by various modes of eking it out, managed to live on the interest. He lived in an attic, where he supplied himself with food. He took but one regular repast a day—meal and milk—and nothing more, unless procured at others’ tables. Often about the tea-hour he would drop in upon some old acquaintance, clad in his neat, forlorn frock coat, with worn velvet sewed upon the edges of the cuffs, and a similar device upon the hems of his pantaloons, to hide that dire look of having been grated off by rats. On Sunday he made a point of always dining at some fine house or other.
It is evident that no man could with impunity be allowed to lead this life unless regarded as one who, free from vice, was by fortune brought so low that the plummet of pity alone could reach him. Not much merit redounded to his entertainers because they did not thrust the starving gentleman forth when he came for his alms of tea and toast. Some merit had been theirs had they clubbed together and provided him, at small cost enough, with a sufficient income to make him, in point of necessaries, independent of the daily dole of charity; charity not sent to him either, but charity for which he had to trudge round to their doors.
But the most touching thing of all were those roses in his cheeks; those ruddy roses in his nipping winter. How they bloomed; whether meal or milk, and tea and toast could keep them flourishing; whether now he painted them; by what strange magic they were made to blossom so; no son of man might tell. But there they bloomed. And besides the roses, Jimmy was rich in smiles. He smiled ever. The lordly door which received him to his eleemosynary teas, know no such smiling guest as Jimmy. In his prosperous days the smile of Jimmy was famous far and wide. It should have been trebly famous now.
Wherever he went to tea, he had all of the news of the town to tell. By frequenting the reading-rooms, as one privileged through harmlessness, he kept himself informed of European affairs and the last literature, foreign and domestic. And of this, when encouragement was given, he would largely talk. But encouragement was not always given. At certain houses, and not a few, Jimmy would drop in about ten minutes before the tea-hour, and drop out again about ten minutes after it; well knowing that his further presence was not indispensable to the contentment or felicity of his host.
How forlorn it was to see him so heartily drinking the generous tea, cup after cup, and eating the flavorous bread and butter, piece after piece, when, owing to the lateness of the dinner hour with the rest, and the abundance of that one grand meal with them, no one besides Jimmy touched the bread and butter, or exceeded a single cup of Souchong. And knowing all this very well, poor Jimmy would try to hide his hunger, and yet gratify it too, by striving hard to carry on a sprightly conversation with his hostess, and throwing in the eagerest mouthfuls with a sort of absent-minded air, as if he ate merely for custom’s sake, and not starvation’s.
Poor, poor Jimmy—God guard us all—poor Jimmy Rose!
Neither did Jimmy give up his courtly ways. Whenever there were ladies at the table, sure were they of some fine word; though, indeed, toward the close of Jimmy’s life, the young ladies rather thought his compliments somewhat musty, smacking of cocked hats and small clothes—nay, of old pawnbrokers’ shoulder-lace and sword belts. For there still lingered in Jimmy’s address a subdued sort of martial air; he having in his palmy days been, among other things, a general of the State militia. There seems a fatality in these militia generalships. Alas! I can recall more than two or three gentlemen who from militia generals became paupers. I am afraid to think why this is so. Is it that this military learning in a man of an unmilitary heart—that is, a gentle, peaceable heart—is an indication of some weak love of vain display? But ten to one it is not so. At any rate, it is unhandsome, if not unchristian, in the happy, too much to moralize on those who are not so.
So numerous were the houses that Jimmy visited, or so cautious was he in timing his less welcome calls, that at certain mansions he only dropped in about once a year or so. And annually upon seeing at that house the blooming Miss Frances or Miss Arabella, he would profoundly bow in his forlorn old coat, and with his soft, white hand take hers in gallant-wise, saying, “Ah, Miss Arabella, these jewels here are bright upon these fingers; but brighter would they look were it not for those still brighter diamonds of your eyes!”
Though in thy own need thou hadst no pence to give the poor, thou, Jimmy, still hadst alms to give the rich. For not the beggar chattering at the corner pines more after bread than the vain heart after compliment. The rich in their craving glut, as the poor in their craving want, we have with us always. So, I suppose, thought Jimmy Rose.
But all women are not vain, or if a little grain that way inclined, more than redeem it all with goodness. Such was the sweet girl that closed poor Jimmy’s eyes. The only daughter of an opulent alderman, she knew Jimmy well, and saw to him in his declining days. During his last sickness, with her own hands she carried him jellies and blanc-mange; made tea for him in his attic, and turned the poor old gentleman in his bed. And well hadst thou deserved it, Jimmy, at that fair creature’s hands; well merited to have the old eyes closed by woman’s fairy fingers, who through life, in riches and in poverty, was still woman’s sworn champion and devotee.
I hardly know that I should mention here one little incident connected with this young lady’s ministrations, and poor Jimmy’s reception of them. But it is harm to neither; I will tell it.
Chancing to be in town, and hearing of Jimmy’s illness, I went to see him. And there in his lone attic I found the lovely ministrant. Withdrawing upon seeing another visitor, she left me alone with him. She had brought some little delicacies, and also several books, of such a sort as are sent by serious-minded well-wishers to invalids in a serious crisis. Now whether it was repugnance at being considered next door to death, or whether it was but the natural peevishment brought on by the general misery of his state; however it was, as the gentle girl withdrew, Jimmy, with what small remains of strength were his, pitched the books into the furthest corner, murmuring, “Why will she bring me this sad old stuff? Does she take me for a pauper? Thinks she to salve a gentleman’s heart with Poor Man’s Plaster?”
Poor, poor Jimmy—God guard us all—poor Jimmy Rose!
Well, well, I am an old man, and I suppose these tears I drop are dribblets from my dotage. But Heaven be praised, Jimmy needs no man’s pity now.
Jimmy Rose is dead!
Meantime, as I sit within the parlor of the peacocks—that chamber from which his husky voice had come ere threatening me with the pistol—I still must meditate upon his strange example, whereof the marvel is, how after that gay, dashing, nobleman’s career, he could be content to crawl through life, and peep about the marbles and mahoganies for contumelious tea and toast, where once like a very Warwick he had feasted the huzzaing world with Burgundy and venison.
And every time I look at the wilted resplendence of those proud peacocks on the wall, I bethink me of the withering change in Jimmy’s once resplendent pride of state. But still again, every time I gaze upon those festoons of perpetual roses, mid which the faded peacocks hang, I bethink me of those undying roses which bloomed in ruined Jimmy’s cheek.
Transplanted to another soil, all the unkind past forgot, God grant that Jimmy’s roses may immortally survive!
[I AND MY CHIMNEY]
I and my chimney, two grey-headed old smokers, reside in the country. We are, I may say, old settlers here; particularly my old chimney, which settles more and more every day.
Though I always say, I and my chimney, as Cardinal Wolsey used to say, “I and my King,” yet this egotistic way of speaking, wherein I take precedence of my chimney, is hereby borne out by the facts; in everything, except the above phrase, my chimney taking precedence of me.
Within thirty feet of the turf-sided road, my chimney—a huge, corpulent old Harry VIII of a chimney—rises full in front of me and all my possessions. Standing well up a hillside, my chimney, like Lord Rosse’s monster telescope, swung vertical to hit the meridian moon, is the first object to greet the approaching traveler’s eye, nor is it the last which the sun salutes. My chimney, too, is before me in receiving the first-fruits of the seasons. The snow is on its head ere on my hat; and every spring, as in a hollow beech tree, the first swallows build their nests in it.
But it is within doors that the pre-eminence of my chimney is most manifest. When in the rear room, set apart for that object, I stand to receive my guests (who, by the way call more, I suspect, to see my chimney than me) I then stand, not so much before, as, strictly speaking, behind my chimney, which is, indeed, the true host. Not that I demur. In the presence of my betters, I hope I know my place.
From this habitual precedence of my chimney over me, some even think that I have got into a sad rearward way altogether; in short, from standing behind my old-fashioned chimney so much, I have got to be quite behind the age too, as well as running behindhand in everything else. But to tell the truth, I never was a very forward old fellow, nor what my farming neighbors call a forehanded one. Indeed, those rumors about my behindhandedness are so far correct, that I have an odd sauntering way with me sometimes of going about with my hands behind my back. As for my belonging to the rear-guard in general, certain it is, I bring up the rear of my chimney—which, by the way, is this moment before me—and that, too, both in fancy and fact. In brief, my chimney is my superior; my superior by I know not how many heads and shoulders; my superior, too, in that humbly bowing over with shovel and tongs, I much minister to it; yet never does it minister, or incline over to me; but, if anything, in its settlings, rather leans the other way.
My chimney is grand seignior here—the one great domineering object, not more of the landscape, than of the house; all the rest of which house, in each architectural arrangement, as may shortly appear, is, in the most marked manner, accommodated, not to my wants, but to my chimney’s, which, among other things, has the centre of the house to himself, leaving but the odd holes and corners to me.
But I and my chimney must explain; and as we are both rather obese, we may have to expatiate.
In those houses which are strictly double houses—that is, where the hall is in the middle—the fireplaces usually are on opposite sides; so that while one member of the household is wanning himself at a fire built into a recess of the north wall, say another member, the former’s own brother, perhaps, may be holding his feet to the blaze before a hearth in the south wall—the two thus fairly sitting back to back. Is this well? Be it put to any man who has a proper fraternal feeling. Has it not a sort of sulky appearance? But very probably this style of chimney building originated with some architect afflicted with a quarrelsome family.
Then again, almost every modern fireplace has its separate flue—separate throughout, from hearth to chimney-top. At least such an arrangement is deemed desirable. Does not this look egotistical, selfish? But still more, all these separate flues, instead of having independent masonry establishments of their own, or instead of being grouped together in one federal stock in the middle of the house—instead of this, I say, each flue is surreptitiously honeycombed into the walls; so that these last are here and there, or indeed almost anywhere, treacherously hollow, and, in consequence, more or less weak. Of course, the main reason of this style of chimney building is to economize room. In cities, where lots are sold by the inch, small space is to spare for a chimney constructed on magnanimous principles; and, as with most thin men, who are generally tall, so with such houses, what is lacking in breadth, must be made up in height. This remark holds true even with regard to many very stylish abodes, built by the most stylish of gentlemen. And yet, when that stylish gentleman, Louis le Grand of France, would build a palace for his lady friend, Madame de Maintenon, he built it but one story high—in fact in the cottage style. But then, how uncommonly quadrangular, spacious, and broad—horizontal acres, not vertical ones. Such is the palace, which, in all its one-storied magnificence of Languedoc marble, in the garden of Versailles, still remains to this day. Any man can buy a square foot of land and plant a liberty-pole on it; but it takes a king to set apart whole acres for a grand triannon.
But nowadays it is different; and furthermore, what originated in a necessity has been mounted into a vaunt. In towns there is large rivalry in building tall houses. If one gentleman builds his house four stories high, and another gentleman comes next door and builds five stories high, then the former, not to be looked down upon that way, immediately sends for his architect and claps a fifth and a sixth story on top of his previous four. And, not till the gentleman has achieved his aspiration, not till he has stolen over the way by twilight and observed how his sixth story soars beyond his neighbor’s fifth—not till then does he retire to his rest with satisfaction.
Such folks, it seems to me, need mountains for neighbors, to take this emulous conceit of soaring out of them.
If, considering that mine is a very wide house, and by no means lofty, aught in the above may appear like interested pleading, as if I did but fold myself about in the cloak of a general proposition, cunningly to tickle my individual vanity beneath it, such misconception must vanish upon my frankly conceding, that land adjoining my alder swamp was sold last month for ten dollars an acre, and thought a rash purchase at that; so that for wide houses hereabouts there is plenty of room, and cheap. Indeed so cheap—dirt cheap—is the soil, that our elms thrust out their roots in it, and hang their great boughs over it, in the most lavish and reckless way. Almost all our crops, too, are sown broadcast, even peas and turnips. A farmer among us, who should go about his twenty-acre field, poking his finger into it here and there, and dropping down a mustard seed, would be thought a penurious, narrow-minded husbandman. The dandelions in the river-meadows, and the forget-me-nots along the mountain roads, you see at once they are put to no economy in space. Some seasons, too, our rye comes up here and there a spear, sole and single like a church-spire. It doesn’t care to crowd itself where it knows there is such a deal of room. The world is wide, the world is all before us, says the rye. Weeds, too, it is amazing how they spread. No such thing as arresting them—some of our pastures being a sort of Alsatia for the weeds. As for the grass, every spring it is like Kossuth’s rising of what he calls the peoples. Mountains, too, a regular camp-meeting of them. For the same reason, the same all-sufficiency of room, our shadows march and countermarch, going through their various drills and masterly evolutions, like the old imperial guard on the Champs de Mars. As for the hills, especially where the roads cross them the supervisors of our various towns have given notice to all concerned, that they can come and dig them down and cart them off, and never a cent to pay, no more than for the privilege of picking blackberries. The stranger who is buried here, what liberal-hearted landed proprietor among us grudges him six feet of rocky pasture?
Nevertheless, cheap, after all, as our land is, and much as it is trodden under foot, I, for one, am proud of it for what it bears; and chiefly for its three great lions—the Great Oak, Ogg Mountain, and my chimney.
Most houses, here, are but one and a half stories high; few exceed two. That in which I and my chimney dwell, is in width nearly twice its height, from sill to eaves—which accounts for the magnitude of its main content—besides showing that in this house, as in this country at large, there is abundance of space, and to spare, for both of us.
The frame of the old house is of wood—which but the more sets forth the solidity of the chimney, which is of brick. And as the great wrought nails, binding the clapboards, are unknown in these degenerate days, so are the huge bricks in the chimney walls. The architect of the chimney must have had the pyramid of Cheops before him; for, after that famous structure, it seems modeled, only its rate of decrease towards the summit is considerably less, and it is truncated. From the exact middle of the mansion it soars from the cellar, right up through each successive floor, till, four feet square, it breaks water from the ridge-pole of the roof, like an anvil-headed whale, through the crest of a billow. Most people, though, liken it, in that part, to a razed observatory, masoned up.
The reason for its peculiar appearance above the roof touches upon rather delicate ground. How shall I reveal that, forasmuch as many years ago the original gable roof of the old house had become very leaky, a temporary proprietor hired a band of woodmen, with their huge, cross-cut saws, and went to sawing the old gable roof clean off. Off it went, with all its birds’ nests, and dormer windows. It was replaced with a modern roof, more fit for a railway wood-house than an old country gentleman’s abode. This operation—razeeing the structure some fifteen feet—was, in effect upon the chimney, something like the falling of the great spring tides. It left uncommon low water all about the chimney—to abate which appearance, the same person now proceeds to slice fifteen feet off the chimney itself, actually beheading my royal old chimney—a regicidal act, which, were it not for the palliating fact that he was a poulterer by trade, and, therefore, hardened to such neck-wringings, should send that former proprietor down to posterity in the same cart with Cromwell.
Owing to its pyramidal shape, the reduction of the chimney inordinately widened its razeed summit. Inordinately, I say, but only in the estimation of such as have no eye to the picturesque. What care I, if, unaware that my chimney, as a free citizen of this free land, stands upon an independent basis of its own, people passing it, wonder how such a brick-kiln, as they call it, is supported upon mere joists and rafters? What care I? I will give a traveler a cup of switchel, if he want it; but am I bound to supply him with a sweet taste? Men of cultivated minds see, in my old house and chimney, a goodly old elephant-and-castle.
All feeling hearts will sympathize with me in what I am now about to add. The surgical operation, above referred to, necessarily brought into the open air a part of the chimney previously under cover, and intended to remain so, and, therefore, not built of what are called weather-bricks. In consequence, the chimney, though of a vigorous constitution, suffered not a little, from so naked an exposure; and, unable to acclimate itself, ere long began to fail—showing blotchy symptoms akin to those in measles. Whereupon travelers, passing my way, would wag their heads, laughing; “See that wax nose—how it melts off!” But what cared I? The same travelers would travel across the sea to view Kenilworth peeling away, and for a very good reason: that of all artists of the picturesque, decay wears the palm—I would say, the ivy. In fact, I’ve often thought that the proper place for my old chimney is ivied old England.
In vain my wife—with what probable ulterior intent will, ere long, appear—solemnly warned me, that unless something were done, and speedily, we should be burnt to the ground, owing to the holes crumbling through the aforesaid blotchy parts, where the chimney joined the roof. “Wife,” said I, “far better that my house should burn down, than that my chimney should be pulled down, though but a few feet. They call it a wax nose; very good; not for me to tweak the nose of my superior.” But at last the man who has a mortgage on the house dropped me a note, reminding me that, if my chimney was allowed to stand in that invalid condition, my policy of insurance would be void. This was a sort of hint not to be neglected. All the world over, the picturesque yields to the pocketesque. The mortgagor cared not, but the mortgagee did.
So another operation was performed. The wax nose was taken off, and a new one fitted on. Unfortunately for the expression—being put up by a squint-eyed mason, who, at the time, had a bad stitch in the same side—the new nose stands a little awry, in the same direction.
Of one thing, however, I am proud. The horizontal dimensions of the new part are unreduced.
Large as the chimney appears upon the roof, that is nothing to its spaciousness below. At its base in the cellar, it is precisely twelve feet square; and hence covers precisely one hundred and forty-four superficial feet. What an appropriation of terra firma for a chimney, and what a huge load for this earth! In fact, it was only because I and my chimney formed no part of his ancient burden, that that stout peddler, Atlas of old, was enabled to stand up so bravely under his pack. The dimensions given may, perhaps, seem fabulous. But, like those stones at Gilgal, which Joshua set up for a memorial of having passed over Jordan, does not my chimney remain, even unto this day?
Very often I go down into my cellar, and attentively survey that vast square of masonry. I stand long, and ponder over, and wonder at it. It has a druidical look, away down in the umbrageous cellar there whose numerous vaulted passages, and far glens of gloom, resemble the dark, damp depths of primeval woods. So strongly did this conceit steal over me, so deeply was I penetrated with wonder at the chimney, that one day—when I was a little out of my mind, I now think—getting a spade from the garden, I set to work, digging round the foundation, especially at the corners thereof, obscurely prompted by dreams of striking upon some old, earthen-worn memorial of that by-gone day, when, into all this gloom, the light of heaven entered, as the masons laid the foundation-stones, peradventure sweltering under an August sun, or pelted by a March storm. Plying my blunted spade, how vexed was I by that ungracious interruption of a neighbor who, calling to see me upon some business, and being informed that I was below said I need not be troubled to come up, but he would go down to me; and so, without ceremony, and without my having been forewarned, suddenly discovered me, digging in my cellar.
“Gold digging, sir?”
“Nay, sir,” answered I, starting, “I was merely—ahem!—merely—I say I was merely digging—round my chimney.”
“Ah, loosening the soil, to make it grow. Your chimney, sir, you regard as too small, I suppose; needing further development, especially at the top?”
“Sir!” said I, throwing down the spade, “do not be personal. I and my chimney—”
“Personal?”
“Sir, I look upon this chimney less as a pile of masonry than as a personage. It is the king of the house. I am but a suffered and inferior subject.”
In fact, I would permit no gibes to be cast at either myself or my chimney; and never again did my visitor refer to it in my hearing, without coupling some compliment with the mention. It well deserves a respectful consideration. There it stands, solitary and alone—not a council—of ten flues, but, like his sacred majesty of Russia, a unit of an autocrat.
Even to me, its dimensions, at times, seem incredible. It does not look so big—no, not even in the cellar. By the mere eye, its magnitude can be but imperfectly comprehended, because only one side can be received at one time; and said side can only present twelve feet, linear measure. But then, each other side also is twelve feet long; and the whole obviously forms a square and twelve times twelve is one hundred and forty-four. And so, an adequate conception of the magnitude of this chimney is only to be got at by a sort of process in the higher mathematics by a method somewhat akin to those whereby the surprising distances of fixed stars are computed.
It need hardly be said, that the walls of my house are entirely free from fireplaces. These all congregate in the middle—in the one grand central chimney, upon all four sides of which are hearths—two tiers of hearths—so that when, in the various chambers, my family and guests are warming themselves of a cold winter’s night, just before retiring, then, though at the time they may not be thinking so, all their faces mutually look towards each other, yea, all their feet point to one centre; and, when they go to sleep in their beds, they all sleep round one warm chimney, like so many Iroquois Indians, in the woods, round their one heap of embers. And just as the Indians’ fire serves, not only to keep them comfortable, but also to keep off wolves, and other savage monsters, so my chimney, by its obvious smoke at top, keeps off prowling burglars from the towns—for what burglar or murderer would dare break into an abode from whose chimney issues such a continual smoke—betokening that if the inmates are not stirring, at least fires are, and in case of an alarm, candles may readily be lighted, to say nothing of muskets.
But stately as is the chimney—yea, grand high altar as it is, right worthy for the celebration of high mass before the Pope of Rome, and all his cardinals—yet what is there perfect in this world? Caius Julius Caesar, had he not been so inordinately great, they say that Brutus, Cassius, Antony, and the rest, had been greater. My chimney, were it not so mighty in its magnitude, my chambers had been larger. How often has my wife ruefully told me, that my chimney, like the English aristocracy, casts a contracting shade all round it. She avers that endless domestic inconveniences arise—more particularly from the chimney’s stubborn central locality. The grand objection with her is, that it stands midway in the place where a fine entrance-hall ought to be. In truth, there is no hall whatever to the house—nothing but a sort of square landing-place, as you enter from the wide front door. A roomy enough landing-place, I admit, but not attaining to the dignity of a hall. Now, as the front door is precisely in the middle of the front of the house, inwards it faces the chimney. In fact, the opposite wall of the landing-place is formed solely by the chimney; and hence—owing to the gradual tapering of the chimney—is a little less than twelve feet in width. Climbing the chimney in this part, is the principal staircase—which, by three abrupt turns, and three minor landing-places, mounts to the second floor, where, over the front door, runs a sort of narrow gallery, something less than twelve feet long, leading to chambers on either hand. This gallery, of course, is railed; and so, looking down upon the stairs, and all those landing-places together, with the main one at bottom, resembles not a little a balcony for musicians, in some jolly old abode, in times Elizabethan. Shall I tell a weakness? I cherish the cobwebs there, and many a time arrest Biddy in the act of brushing them with her broom, and have many a quarrel with my wife and daughters about it.
Now the ceiling, so to speak, of the place where you enter the house, that ceiling is, in fact, the ceiling of the second floor, not the first. The two floors are made one here; so that ascending this turning stairs, you seem going up into a kind of soaring tower, or lighthouse. At the second landing, midway up the chimney, is a mysterious door, entering to a mysterious closet; and here I keep mysterious cordials, of a choice, mysterious flavor, made so by the constant nurturing and subtle ripening of the chimney’s gentle heat, distilled through that warm mass of masonry. Better for wines is it than voyages to the Indias; my chimney itself a tropic. A chair by my chimney in a November day is as good for an invalid as a long season spent in Cuba. Often I think how grapes might ripen against my chimney. How my wife’s geraniums bud there! Bud in December. Her eggs, too—can’t keep them near the chimney, on account of the hatching. Ah, a warm heart has my chimney.
How often my wife was at me about that projected grand entrance-hall of hers, which was to be knocked clean through the chimney, from one end of the house to the other, and astonish all guests by its generous amplitude. “But, wife,” said I, “the chimney—consider the chimney: if you demolish the foundation, what is to support the superstructure?” “Oh, that will rest on the second floor.” The truth is, women know next to nothing about the realities of architecture. However, my wife still talked of running her entries and partitions. She spent many long nights elaborating her plans; in imagination building her boasted hall through the chimney, as though its high mightiness were a mere spear of sorrel-top. At last, I gently reminded her that, little as she might fancy it, the chimney was a fact—a sober, substantial fact, which, in all her plannings, it would be well to take into full consideration. But this was not of much avail.
And here, respectfully craving her permission, I must say a few words about this enterprising wife of mine. Though in years nearly old as myself, in spirit she is young as my little sorrel mare, Trigger, that threw me last fall. What is extraordinary, though she comes of a rheumatic family, she is straight as a pine, never has any aches; while for me with the sciatica, I am sometimes as crippled up as any old apple-tree. But she has not so much as a toothache. As for her hearing—let me enter the house in my dusty boots, and she away up in the attic. And for her sight—Biddy, the housemaid, tells other people’s housemaids, that her mistress will spy a spot on the dresser straight through the pewter platter, put up on purpose to hide it. Her faculties are alert as her limbs and her senses. No danger of my spouse dying of torpor. The longest night in the year I’ve known her lie awake, planning her campaign for the morrow. She is a natural projector. The maxim, “Whatever is, is right,” is not hers. Her maxim is, Whatever is, is wrong; and what is more, must be altered; and what is still more, must be altered right away. Dreadful maxim for the wife of a dozy old dreamer like me, who dote on seventh days as days of rest, and out of a sabbatical horror of industry, will, on a week day, go out of my road a quarter of a mile, to avoid the sight of a man at work.
That matches are made in heaven, may be, but my wife would have been just the wife for Peter the Great, or Peter the Piper. How she would have set in order that huge littered empire of the one, and with indefatigable painstaking picked the peck of pickled peppers for the other.
But the most wonderful thing is, my wife never thinks of her end. Her youthful incredulity, as to the plain theory, and still plainer fact of death, hardly seems Christian. Advanced in years, as she knows she must be, my wife seems to think that she is to teem on, and be inexhaustible forever. She doesn’t believe in old age. At that strange promise in the plain of Mamre, my old wife, unlike old Abraham’s, would not have jeeringly laughed within herself.
Judge how to me, who, sitting in the comfortable shadow of my chimney, smoking my comfortable pipe, with ashes not unwelcome at my feet, and ashes not unwelcome all but in my mouth; and who am thus in a comfortable sort of not unwelcome, though, indeed, ashy enough way, reminded of the ultimate exhaustion even of the most fiery life; judge how to me this unwarrantable vitality in my wife must come, sometimes, it is true, with a moral and a calm, but oftener with a breeze and a ruffle.
If the doctrine be true, that in wedlock contraries attract, by how cogent a fatality must I have been drawn to my wife! While spicily impatient of present and past, like a glass of ginger-beer she overflows with her schemes; and, with like energy as she puts down her foot, puts down her preserves and her pickles, and lives with them in a continual future; or ever full of expectations both from time and space, is ever restless for newspapers, and ravenous for letters. Content with the years that are gone, taking no thought for the morrow, and looking for no new thing from any person or quarter whatever, I have not a single scheme or expectation on earth, save in unequal resistance of the undue encroachment of hers.
Old myself, I take to oldness in things; for that cause mainly loving old Montague, and old cheese, and old wine; and eschewing young people, hot rolls, new books, and early potatoes and very fond of my old claw-footed chair, and old club-footed Deacon White, my neighbor, and that still nigher old neighbor, my betwisted old grape-vine, that of a summer evening leans in his elbow for cosy company at my window-sill, while I, within doors, lean over mine to meet his; and above all, high above all, am fond of my high-mantled old chimney. But she, out of the infatuate juvenility of hers, takes to nothing but newness; for that cause mainly, loving new cider in autumn, and in spring, as if she were own daughter of Nebuchadnezzar, fairly raving after all sorts of salads and spinages, and more particularly green cucumbers (though all the time nature rebukes such unsuitable young hankerings in so elderly a person, by never permitting such things to agree with her), and has an itch after recently-discovered fine prospects (so no graveyard be in the background), and also after Swedenborganism, and the Spirit Rapping philosophy, with other new views, alike in things natural and unnatural; and immortally hopeful, is forever making new flower-beds even on the north side of the house, where the bleak mountain wind would scarce allow the wiry weed called hard-hack to gain a thorough footing; and on the road-side sets out mere pipe-stems of young elms; though there is no hope of any shade from them, except over the ruins of her great granddaughter’s gravestones; and won’t wear caps, but plaits her gray hair; and takes the Ladies’ Magazine for the fashions; and always buys her new almanac a month before the new year; and rises at dawn; and to the warmest sunset turns a cold shoulder; and still goes on at odd hours with her new course of history, and her French, and her music; and likes a young company; and offers to ride young colts; and sets out young suckers in the orchard; and has a spite against my elbowed old grape-vine, and my club-footed old neighbor, and my claw-footed old chair, and above all, high above all, would fain persecute, until death, my high-mantled old chimney. By what perverse magic, I a thousand times think, does such a very autumnal old lady have such a very vernal young soul? When I would remonstrate at times, she spins round on me with, “Oh, don’t you grumble, old man (she always calls me old man), it’s I, young I, that keep you from stagnating.” Well, I suppose it is so. Yea, after all, these things are well ordered. My wife, as one of her poor relations, good soul, intimates, is the salt of the earth, and none the less the salt of my sea, which otherwise were unwholesome. She is its monsoon, too, blowing a brisk gale over it, in the one steady direction of my chimney.
Not insensible of her superior energies, my wife has frequently made me propositions to take upon herself all the responsibilities of my affairs. She is desirous that, domestically, I should abdicate; that, renouncing further rule, like the venerable Charles V, I should retire into some sort of monastery. But indeed, the chimney excepted, I have little authority to lay down. By my wife’s ingenious application of the principle that certain things belong of right to female jurisdiction, I find myself, through my easy compliances, insensibly stripped by degrees of one masculine prerogative after another. In a dream I go about my fields, a sort of lazy, happy-go-lucky, good-for-nothing, loafing old Lear. Only by some sudden revelation am I reminded who is over me; as year before last, one day seeing in one corner of the premises fresh deposits of mysterious boards and timbers, the oddity of the incident at length begat serious meditation. “Wife,” said I, “whose boards and timbers are those I see near the orchard there? Do you know anything about them, wife? Who put them there? You know I do not like the neighbors to use my land that way; they should ask permission first.”
She regarded me with a pitying smile.
“Why, old man, don’t you know I am building a new barn? Didn’t you know that, old man?”
This is the poor old lady who was accusing me of tyrannizing over her.
To return now to the chimney. Upon being assured of the futility of her proposed hall, so long as the obstacle remained, for a time my wife was for a modified project. But I could never exactly comprehend it. As far as I could see through it, it seemed to involve the general idea of a sort of irregular archway, or elbowed tunnel, which was to penetrate the chimney at some convenient point under the staircase, and carefully avoiding dangerous contact with the fireplaces, and particularly steering clear of the great interior flue, was to conduct the enterprising traveler from the front door all the way into the dining-room in the remote rear of the mansion. Doubtless it was a bold stroke of genius, that plan of hers, and so was Nero’s when he schemed his grand canal through the Isthmus of Corinth. Nor will I take oath, that, had her project been accomplished, then, by help of lights hung at judicious intervals through the tunnel, some Belzoni or other might have succeeded in future ages in penetrating through the masonry, and actually emerging into the dining-room, and once there, it would have been inhospitable treatment of such a traveler to have denied him a recruiting meal.
But my bustling wife did not restrict her objections, nor in the end confine her proposed alterations to the first floor. Her ambition was of the mounting order. She ascended with her schemes to the second floor, and so to the attic. Perhaps there was some small ground for her discontent with things as they were. The truth is, there was no regular passage-way up-stairs or down, unless we again except that little orchestra-gallery before mentioned. And all this was owing to the chimney, which my gamesome spouse seemed despitefully to regard as the bully of the house. On all its four sides, nearly all the chambers sidled up to the chimney for the benefit of a fireplace. The chimney would not go to them; they must needs go to it. The consequence was, almost every room, like a philosophical system, was in itself an entry, or passage-way to other rooms, and systems of rooms—a whole suite of entries, in fact. Going through the house, you seem to be forever going somewhere, and getting nowhere. It is like losing one’s self in the woods; round and round the chimney you go, and if you arrive at all, it is just where you started, and so you begin again, and again get nowhere. Indeed—though I say it not in the way of fault-finding at all—never was there so labyrinthine an abode. Guests will tarry with me several weeks and every now and then, be anew astonished at some unforseen apartment.
The puzzling nature of the mansion, resulting from the chimney, is peculiarly noticeable in the dining-room, which has no less than nine doors, opening in all directions, and into all sorts of places. A stranger for the first time entering this dining-room, and naturally taking no special heed at which door he entered, will, upon rising to depart, commit the strangest blunders. Such, for instance, as opening the first door that comes handy, and finding himself stealing up-stairs by the back passage. Shutting that he will proceed to another, and be aghast at the cellar yawning at his feet. Trying a third, he surprises the housemaid at her work. In the end, no more relying on his own unaided efforts, he procures a trusty guide in some passing person, and in good time successfully emerges. Perhaps as curious a blunder as any, was that of a certain stylish young gentleman, a great exquisite, in whose judicious eyes my daughter Anna had found especial favor. He called upon the young lady one evening, and found her alone in the dining-room at her needlework. He stayed rather late; and after abundance of superfine discourse, all the while retaining his hat and cane, made his profuse adieus, and with repeated graceful bows proceeded to depart, after fashion of courtiers from the Queen, and by so doing, opening a door at random, with one hand placed behind, very effectually succeeded in backing himself into a dark pantry, where he carefully shut himself up, wondering there was no light in the entry. After several strange noises as of a cat among the crockery, he reappeared through the same door, looking uncommonly crestfallen, and, with a deeply embarrassed air, requested my daughter to designate at which of the nine he should find exit. When the mischievous Anna told me the story, she said it was surprising how unaffected and matter-of-fact the young gentleman’s manner was after his reappearance. He was more candid than ever, to be sure; having inadvertently thrust his white kids into an open drawer of Havana sugar, under the impression, probably, that being what they call “a sweet fellow,” his route might possibly lie in that direction.
Another inconvenience resulting from the chimney is, the bewilderment of a guest in gaining his chamber, many strange doors lying between him and it. To direct him by fingerposts would look rather queer; and just as queer in him to be knocking at every door on his route, like London’s city guest, the king, at Temple-Bar.
Now, of all these things and many, many more, my family continually complained. At last my wife came out with her sweeping proposition—in toto to abolish the chimney.
“What!” said I, “abolish the chimney? To take out the backbone of anything, wife, is a hazardous affair. Spines out of backs, and chimneys out of houses, are not to be taken like frosted lead pipes from the ground. Besides,” added I, “the chimney is the one grand permanence of this abode. If undisturbed by innovators, then in future ages, when all the house shall have crumbled from it, this chimney will still survive—a Bunker Hill monument. No, no, wife, I can’t abolish my backbone.”
So said I then. But who is sure of himself, especially an old man, with both wife and daughters ever at his elbow and ear? In time, I was persuaded to think a little better of it; in short, to take the matter into preliminary consideration. At length it came to pass that a master-mason—a rough sort of architect—one Mr. Scribe, was summoned to a conference. I formally introduced him to my chimney. A previous introduction from my wife had introduced him to myself. He had been not a little employed by that lady, in preparing plans and estimates for some of her extensive operations in drainage. Having, with much ado, exhorted from my spouse the promise that she would leave us to an unmolested survey, I began by leading Mr. Scribe down to the root of the matter, in the cellar. Lamp in hand, I descended; for though up-stairs it was noon, below it was night.
We seemed in the pyramids; and I, with one hand holding my lamp over head, and with the other pointing out, in the obscurity, the hoar mass of the chimney, seemed some Arab guide, showing the cobwebbed mausoleum of the great god Apis.
“This is a most remarkable structure, sir,” said the master-mason, after long contemplating it in silence, “a most remarkable structure, sir.”
“Yes,” said I complacently, “every one says so.”
“But large as it appears above the roof, I would not have inferred the magnitude of this foundation, sir,” eyeing it critically.
Then taking out his rule, he measured it.
“Twelve feet square; one hundred and forty-four square feet! Sir, this house would appear to have been built simply for the accommodation of your chimney.”
“Yes, my chimney and me. Tell me candidly, now,” I added, “would you have such a famous chimney abolished?”
“I wouldn’t have it in a house of mine, sir, for a gift,” was the reply. “It’s a losing affair altogether, sir. Do you know, sir, that in retaining this chimney, you are losing, not only one hundred and forty-four square feet of good ground, but likewise a considerable interest upon a considerable principal?”
“How?”
“Look, sir!” said he, taking a bit of red chalk from his pocket, and figuring against a whitewashed wall, “twenty times eight is so and so; then forty-two times thirty-nine is so and so—ain’t it, sir? Well, add those together, and subtract this here, then that makes so and so,” still chalking away.
To be brief, after no small ciphering, Mr. Scribe informed me that my chimney contained, I am ashamed to say how many thousand and odd valuable bricks.
“No more,” said I fidgeting. “Pray now, let us have a look above.”
In that upper zone we made two more circumnavigations for the first and second floors. That done, we stood together at the foot of the stairway by the front door; my hand upon the knob, and Mr. Scribe hat in hand.
“Well, sir,” said he, a sort of feeling his way, and, to help himself, fumbling with his hat, “well, sir, I think it can be done.”
“What, pray, Mr. Scribe; what can be done?”
“Your chimney, sir; it can without rashness be removed, I think.”
“I will think of it, too, Mr. Scribe,” said I, turning the knob and bowing him towards the open space without, “I will think of it, sir; it demands consideration; much obliged to ye; good morning, Mr. Scribe.”
“It is all arranged, then,” cried my wife with great glee, bursting from the nighest room.
“When will they begin?” demanded my daughter Julia.
“To-morrow?” asked Anna.
“Patience, patience, my dears,” said I, “such a big chimney is not to be abolished in a minute.”
Next morning it began again.
“You remember the chimney,” said my wife.
“Wife,” said I, “it is never out of my house and never out of my mind.”
“But when is Mr. Scribe to begin to pull it down?” asked Anna.
“Not to-day, Anna,” said I.
“When, then?” demanded Julia, in alarm.
Now, if this chimney of mine was, for size, a sort of belfry, for ding-donging at me about it, my wife and daughters were a sort of bells, always chiming together, or taking up each other’s melodies at every pause, my wife the key-clapper of all. A very sweet ringing, and pealing, and chiming, I confess; but then, the most silvery of bells may, sometimes, dismally toll, as well as merrily play. And as touching the subject in question, it became so now. Perceiving a strange relapse of opposition in me, wife and daughters began a soft and dirge-like, melancholy tolling over it.
At length my wife, getting much excited, declared to me, with pointed finger, that so long as that chimney stood, she should regard it as the monument of what she called my broken pledge. But finding this did not answer, the next day, she gave me to understand that either she or the chimney must quit the house.
Finding matters coming to such a pass, I and my pipe philosophized over them awhile, and finally concluded between us, that little as our hearts went with the plan, yet for peace’ sake, I might write out the chimney’s death-warrant, and, while my hand was in, scratch a note to Mr. Scribe.
Considering that I, and my chimney, and my pipe, from having been so much together, were three great cronies, the facility with which my pipe consented to a project so fatal to the goodliest of our trio; or rather, the way in which I and my pipe, in secret, conspired together, as it were, against our unsuspicious old comrade—this may seem rather strange, if not suggestive of sad reflections upon us two. But, indeed, we, sons of clay, that is my pipe and I, are no whit better than the rest. Far from us, indeed, to have volunteered the betrayal of our crony. We are of a peaceable nature, too. But that love of peace it was which made us false to a mutual friend, as soon as his cause demanded a vigorous vindication. But, I rejoice to add, that better and braver thoughts soon returned, as will now briefly be set forth.
To my note, Mr. Scribe replied in person.
Once more we made a survey, mainly now with a view to a pecuniary estimate.
“I will do it for five hundred dollars,” said Mr. Scribe at last, again hat in hand.
“Very well, Mr. Scribe, I will think of it,” replied I, again bowing him to the door.
Not unvexed by this, for the second time, unexpected response, again he withdrew, and from my wife, and daughters again burst the old exclamations.
The truth is, resolved how I would, at the last pinch I and my chimney could not be parted.
“So Holofernes will have his way, never mind whose heart breaks for it,” said my wife next morning, at breakfast, in that half-didactic, half-reproachful way of hers, which is harder to bear than her most energetic assault. Holofernes, too, is with her a pet name for any fell domestic despot. So, whenever, against her most ambitious innovations, those which saw me quite across the grain, I, as in the present instance, stand with however little steadfastness on the defence, she is sure to call me Holofernes, and ten to one takes the first opportunity to read aloud, with a suppressed emphasis, of an evening, the first newspaper paragraph about some tyrannic day-laborer, who, after being for many years the Caligula of his family, ends by beating his long-suffering spouse to death, with a garret door wrenched off its hinges, and then, pitching his little innocents out of the window, suicidally turns inward towards the broken wall scored with the butcher’s and baker’s bills, and so rushes headlong to his dreadful account.
Nevertheless, for a few days, not a little to my surprise, I heard no further reproaches. An intense calm pervaded my wife, but beneath which, as in the sea, there was no knowing what portentous movements might be going on. She frequently went abroad, and in a direction which I thought not unsuspicious; namely, in the direction of New Petra, a griffin-like house of wood and stucco, in the highest style of ornamental art, graced with four chimneys in the form of erect dragons spouting smoke from their nostrils; the elegant modern residence of Mr. Scribe, which he had built for the purpose of a standing advertisement, not more of his taste as an architect, than his solidity as a master-mason.
At last, smoking my pipe one morning, I heard a rap at the door, and my wife, with an air unusually quiet for her brought me a note. As I have no correspondents except Solomon, with whom in his sentiments, at least, I entirely correspond, the note occasioned me some little surprise, which was not dismissed upon reading the following:—
New Petra, April 1st.
Sir—During my last examination of your chimney, possibly you may have noted that I frequently applied my rule to it in a manner apparently unnecessary. Possibly, also, at the same time, you might have observed in me more or less of perplexity, to which, however, I refrained from giving any verbal expression.
I now feel it obligatory upon me to inform you of what was then but a dim suspicion, and as such would have been unwise to give utterance to, but which now, from various subsequent calculations assuming no little probability, it may be important that you should not remain in further ignorance of.
It is my solemn duty to warn you, sir, that there is architectural cause to conjecture that somewhere concealed in your chimney is a reserved space, hermetically closed, in short, a secret chamber, or rather closet. How long it has been there, it is for me impossible to say. What it contains is hid, with itself, in darkness. But probably a secret closet would not have been contrived except for some extraordinary object, whether for the concealment of treasure, or for what other purpose, may be left to those better acquainted with the history of the house to guess.
But enough: in making this disclosure, sir, my conscience is eased. Whatever step you choose to take upon it, is of course a matter of indifference to me; though, I confess, as respects the character of the closet, I cannot but share in a natural curiosity.
Trusting that you may be guided aright, in determining whether it is Christian-like knowingly to reside in a house, hidden in which is a secret closet,
I remain,
With much respect,
Yours very humbly,
Hiram Scribe.
My first thought upon reading this note was, not of the alleged mystery of manner to which, at the outset, it alluded—for none such had I at all observed in the master-mason during his surveys—but of my late kinsman, Captain Julian Dacres, long a ship-master and merchant in the Indian trade, who, about thirty years ago, and at the ripe age of ninety, died a bachelor, and in this very house, which he had built. He was supposed to have retired into this country with a large fortune. But to the general surprise, after being at great cost in building himself this mansion, he settled down into a sedate, reserved and inexpensive old age, which by the neighbors was thought all the better for his heirs: but lo! upon opening the will, his property was found to consist but of the house and grounds, and some ten thousand dollars in stocks; but the place, being found heavily mortgaged, was in consequence sold. Gossip had its day, and left the grass quietly to creep over the captain’s grave, where he still slumbers in a privacy as unmolested as if the billows of the Indian Ocean, instead of the billows of inland verdure, rolled over him. Still, I remembered long ago, hearing strange solutions whispered by the country people for the mystery involving his will, and, by reflex, himself; and that, too, as well in conscience as purse. But people who could circulate the report (which they did), that Captain Julian Dacres had, in his day, been a Borneo pirate, surely were not worthy of credence in their collateral notions. It is queer what wild whimsies of rumors will, like toadstools, spring up about any eccentric stranger, who settling down among a rustic population, keeps quietly to himself. With some, inoffensiveness would seem a prime cause of offense. But what chiefly had led me to scout at these rumors, particularly as referring to concealed treasure, was the circumstance, that the stranger (the same who razeed the roof and the chimney) into whose hands the estate had passed on my kinsman’s death, was of that sort of character, that had there been the least ground for those reports, he would speedily have tested them, by tearing down and rummaging the walls.
Nevertheless, the note of Mr. Scribe, so strangely recalling the memory of my kinsman, very naturally chimed in with what had been mysterious, or at least unexplained, about him; vague flashings of ingots united in my mind with vague gleamings of skulls. But the first cool thought soon dismissed such chimeras; and, with a calm smile, I turned towards my wife, who, meantime, had been sitting near by, impatient enough, I dare say, to know who could have taken it into his head to write me a letter.
“Well, old man,” said she, “who is it from, and what is it about?”
“Read it, wife,” said I, handing it.
Read it she did, and then—such an explosion! I will not pretend to describe her emotions, or repeat her expressions. Enough that my daughters were quickly called in to share the excitement. Although they had never dreamed of such a revelation as Mr. Scribe’s; yet upon the first suggestion they instinctively saw the extreme likelihood of it. In corroboration, they cited first my kinsman, and second, my chimney; alleging that the profound mystery involving the former, and the equally profound masonry involving the latter, though both acknowledged facts, were alike preposterous on any other supposition than the secret closet.
But all this time I was quietly thinking to myself: Could it be hidden from me that my credulity in this instance would operate very favorably to a certain plan of theirs? How to get to the secret closet, or how to have any certainty about it at all, without making such fell work with my chimney as to render its set destruction superfluous? That my wife wished to get rid of the chimney, it needed no reflection to show; and that Mr. Scribe, for all his pretended disinterestedness, was not opposed to pocketing five hundred dollars by the operation, seemed equally evident. That my wife had, in secret, laid heads together with Mr. Scribe, I at present refrain from affirming. But when I consider her enmity against my chimney, and the steadiness with which at the last she is wont to carry out her schemes, if by hook or crook she can, especially after having been once baffled, why, I scarcely knew at what step of hers to be surprised.
Of one thing only was I resolved, that I and my chimney should not budge.
In vain all protests. Next morning I went out into the road, where I had noticed a diabolical-looking old gander, that, for its doughty exploits in the way of scratching into forbidden inclosures, had been rewarded by its master with a portentous, four-pronged, wooden decoration, in the shape of a collar of the Order of the Garotte. This gander I cornered and rummaging out its stiffest quill, plucked it, took it home, and making a stiff pen, inscribed the following stiff note:
Chimney Side, April 2.
Mr. Scribe
Sir:—For your conjecture, we return you our joint thanks and compliments, and beg leave to assure you, that
We shall remain,
Very faithfully,
The same,
I and my Chimney.
Of course, for this epistle we had to endure some pretty sharp raps. But having at last explicitly understood from me that Mr. Scribe’s note had not altered my mind one jot, my wife, to move me, among other things said, that if she remembered aright, there was a statute placing the keeping in private of secret closets on the same unlawful footing with the keeping of gunpowder. But it had no effect.
A few days after, my spouse changed her key.
It was nearly midnight, and all were in bed but ourselves, who sat up, one in each chimney-corner; she, needles in hand, indefatigably knitting a sock; I, pipe in mouth, indolently weaving my vapors.
It was one of the first of the chill nights in autumn. There was a fire on the hearth, burning low. The air without was torpid and heavy; the wood, by an oversight, of the sort called soggy.
“Do look at the chimney,” she began; “can’t you see that something must be in it?”
“Yes, wife. Truly there is smoke in the chimney, as in Mr. Scribe’s note.”
“Smoke? Yes, indeed, and in my eyes, too. How you two wicked old sinners do smoke!—this wicked old chimney and you.”
“Wife,” said I, “I and my chimney like to have a quiet smoke together, it is true, but we don’t like to be called names.”
“Now, dear old man,” said she, softening down, and a little shifting the subject, “when you think of that old kinsman of yours, you know there must be a secret closet in this chimney.”
“Secret ash-hole, wife, why don’t you have it? Yes, I dare say there is a secret ash-hole in the chimney; for where do all the ashes go to that drop down the queer hole yonder?”
“I know where they go to; I’ve been there almost as many times as the cat.”
“What devil, wife, prompted you to crawl into the ash-hole? Don’t you know that St. Dunstan’s devil emerged from the ash-hole? You will get your death one of these days, exploring all about as you do. But supposing there be a secret closet, what then?”
“What then? why what should be in a secret closet but—”
“Dry bones, wife,” broke in I with a puff, while the sociable old chimney broke in with another.
“There again! Oh, how this wretched old chimney smokes,” wiping her eyes with her handkerchief. “I’ve no doubt the reason it smokes so is, because that secret closet interferes with the flue. Do see, too, how the jambs here keep settling; and it’s down hill all the way from the door to this hearth. This horrid old chimney will fall on our heads yet; depend upon it, old man.”
“Yes, wife, I do depend on it; yes indeed, I place every dependence on my chimney. As for its settling, I like it. I, too, am settling, you know, in my gait. I and my chimney are settling together, and shall keep settling, too, till, as in a great feather-bed, we shall both have settled away clean out of sight. But this secret oven; I mean, secret closet of yours, wife; where exactly do you suppose that secret closet is?”
“That is for Mr. Scribe to say.”
“But suppose he cannot say exactly; what, then?”
“Why then he can prove, I am sure, that it must be somewhere or other in this horrid old chimney.”
“And if he can’t prove that; what, then?”
“Why then, old man,” with a stately air, “I shall say little more about it.”
“Agreed, wife,” returned I, knocking my pipe-bowl against the jamb, “and now, to-morrow, I will for a third time send for Mr. Scribe. Wife, the sciatica takes me; be so good as to put this pipe on the mantel.”
“If you get the step-ladder for me, I will. This shocking old chimney, this abominable old-fashioned old chimney’s mantels are so high, I can’t reach them.”
No opportunity, however trivial, was overlooked for a subordinate fling at the pile.
Here, by way of introduction, it should be mentioned, that besides the fireplaces all round it, the chimney was, in the most haphazard way, excavated on each floor for certain curious out-of-the-way cupboards and closets, of all sorts and sizes, clinging here and there, like nests in the crotches of some old oak. On the second floor these closets were by far the most irregular and numerous. And yet this should hardly have been so, since the theory of the chimney was, that it pyramidically diminished as it ascended. The abridgment of its square on the roof was obvious enough; and it was supposed that the reduction must be methodically graduated from bottom to top.
“Mr. Scribe,” said I when, the next day, with an eager aspect, that individual again came, “my object in sending for you this morning is, not to arrange for the demolition of my chimney, nor to have any particular conversation about it, but simply to allow you every reasonable facility for verifying, if you can, the conjecture communicated in your note.”
Though in secret not a little crestfallen, it may be, by my phlegmatic reception, so different from what he had looked for; with much apparent alacrity he commenced the survey; throwing open the cupboards on the first floor, and peering into the closets on the second; measuring one within, and then comparing that measurement with the measurement without. Removing the fireboards, he would gaze up the flues. But no sign of the hidden work yet.
Now, on the second floor the rooms were the most rambling conceivable. They, as it were, dovetailed into each other. They were of all shapes; not one mathematically square room among them all—a peculiarity which by the master-mason had not been unobserved. With a significant, not to say portentous expression, he took a circuit of the chimney, measuring the area of each room around it; then going down stairs, and out of doors, he measured the entire ground area; then compared the sum total of the areas of all the rooms on the second floor with the ground area; then, returning to me in no small excitement, announced that there was a difference of no less than two hundred and odd square feet—room enough, in all conscience, for a secret closet.
“But, Mr. Scribe,” said I, stroking my chin, “have you allowed for the walls, both main and sectional? They take up some space, you know.”
“Ah, I had forgotten that,” tapping his forehead; “but,” still ciphering on his paper, “that will not make up the deficiency.”
“But, Mr. Scribe, have you allowed for the recesses of so many fireplaces on a floor, and for the fire-walls, and the flues; in short, Mr. Scribe, have you allowed for the legitimate chimney itself—some one hundred and forty-four square feet or thereabouts, Mr. Scribe?”
“How unaccountable. That slipped my mind, too.”
“Did it, indeed, Mr. Scribe?”
He faltered a little, and burst forth with, “But we must now allow one hundred and forty-four square feet for the legitimate chimney. My position is, that within those undue limits the secret closet is contained.”
I eyed him in silence a moment; then spoke:
“Your survey is concluded, Mr. Scribe; be so good now as to lay your finger upon the exact part of the chimney wall where you believe this secret closet to be; or would a witch-hazel wand assist you, Mr. Scribe?”
“No, sir, but a crowbar would,” he, with temper, rejoined.
Here, now, thought I to myself, the cat leaps out of the bag. I looked at him with a calm glance, under which he seemed somewhat uneasy. More than ever now I suspected a plot. I remembered what my wife had said about abiding by the decision of Mr. Scribe. In a bland way, I resolved to buy up the decision of Mr. Scribe.
“Sir,” said I, “really, I am much obliged to you for this survey. It has quite set my mind at rest. And no doubt you, too, Mr. Scribe, must feel much relieved. Sir,” I added, “you have made three visits to the chimney. With a business man, time is money. Here are fifty dollars, Mr. Scribe. Nay, take it. You have earned it. Your opinion is worth it. And by the way,”—as he modestly received the money—“have you any objections to give me a—a—little certificate—something, say, like a steamboat certificate, certifying that you, a competent surveyor, have surveyed my chimney, and found no reason to believe any unsoundness; in short, any—any secret closet in it. Would you be so kind, Mr. Scribe?”
“But, but, sir,” stammered he with honest hesitation.
“Here, here are pen and paper,” said I, with entire assurance.
Enough.
That evening I had the certificate framed and hung over the dining-room fireplace, trusting that the continual sight of it would forever put at rest at once the dreams and stratagems of my household.
But, no. Inveterately bent upon the extirpation of that noble old chimney, still to this day my wife goes about it, with my daughter Anna’s geological hammer, tapping the wall all over, and then holding her ear against it, as I have seen the physicians of life insurance companies tap a man’s chest, and then incline over for the echo. Sometimes of nights she almost frightens one, going about on this phantom errand, and still following the sepulchral response of the chimney, round and round, as if it were leading her to the threshold of the secret closet.
“How hollow it sounds,” she will hollowly cry. “Yes, I declare,” with an emphatic tap, “there is a secret closet here. Here, in this very spot. Hark! How hollow!”
“Psha! wife, of course it is hollow. Who ever heard of a solid chimney?” But nothing avails. And my daughters take after, not me, but their mother.
Sometimes all three abandon the theory of the secret closet and return to the genuine ground of attack—the unsightliness of so cumbrous a pile, with comments upon the great addition of room to be gained by its demolition, and the fine effect of the projected grand hall, and the convenience resulting from the collateral running in one direction and another of their various partitions. Not more ruthlessly did the Three Powers partition away poor Poland, than my wife and daughters would fain partition away my chimney.
But seeing that, despite all, I and my chimney still smoke our pipes, my wife reoccupies the ground of the secret closet, enlarging upon what wonders are there, and what a shame it is, not to seek it out and explore it.
“Wife,” said I, upon one of these occasions, “why speak more of that secret closet, when there before you hangs contrary testimony of a master mason, elected by yourself to decide. Besides, even if there were a secret closet, secret it should remain, and secret it shall. Yes, wife, here for once I must say my say. Infinite sad mischief has resulted from the profane bursting open of secret recesses. Though standing in the heart of this house, though hitherto we have all nestled about it, unsuspicious of aught hidden within, this chimney may or may not have a secret closet. But if it have, it is my kinsman’s. To break into that wall, would be to break into his breast. And that wall-breaking wish of Momus I account the wish of a church-robbing gossip and knave. Yes, wife, a vile eavesdropping varlet was Momus.”
“Moses? Mumps? Stuff with your mumps and Moses?”
The truth is, my wife, like all the rest of the world, cares not a fig for philosophical jabber. In dearth of other philosophical companionship, I and my chimney have to smoke and philosophize together. And sitting up so late as we do at it, a mighty smoke it is that we two smoky old philosophers make.
But my spouse, who likes the smoke of my tobacco as little as she does that of the soot, carries on her war against both. I live in continual dread lest, like the golden bowl, the pipes of me and my chimney shall yet be broken. To stay that mad project of my wife’s, naught answers. Or, rather, she herself is incessantly answering, incessantly besetting me with her terrible alacrity for improvement, which is a softer name for destruction. Scarce a day I do not find her with her tape-measure, measuring for her grand hall, while Anna holds a yardstick on one side, and Julia looks approvingly on from the other. Mysterious intimations appear in the nearest village paper, signed “Claude,” to the effect that a certain structure, standing on a certain hill, is a sad blemish to an otherwise lovely landscape. Anonymous letters arrive, threatening me with I know not what, unless I remove my chimney. Is it my wife, too, or who, that sets up the neighbors to badgering me on the same subject, and hinting to me that my chimney, like a huge elm, absorbs all moisture from my garden? At night, also, my wife will start as from sleep, professing to hear ghostly noises from the secret closet. Assailed on all sides, and in all ways, small peace have I and my chimney.
Were it not for the baggage, we would together pack up and remove from the country.
What narrow escapes have been ours! Once I found in a drawer a whole portfolio of plans and estimates. Another time, upon returning after a day’s absence, I discovered my wife standing before the chimney in earnest conversation with a person whom I at once recognized as a meddlesome architectural reformer, who, because he had no gift for putting up anything was ever intent upon pulling them down; in various parts of the country having prevailed upon half-witted old folks to destroy their old-fashioned houses, particularly the chimneys.
But worst of all was, that time I unexpectedly returned at early morning from a visit to the city, and upon approaching the house, narrowly escaped three brickbats which fell, from high aloft, at my feet. Glancing up, what was my horror to see three savages, in blue jean overalls, in the very act of commencing the long-threatened attack. Aye, indeed, thinking of those three brickbats, I and my chimney have had narrow escapes.
It is now some seven years since I have stirred from my home. My city friends all wonder why I don’t come to see them, as in former times. They think I am getting sour and unsocial. Some say that I have become a sort of mossy old misanthrope, while all the time the fact is, I am simply standing guard over my mossy old chimney; for it is resolved between me and my chimney, that I and my chimney will never surrender.