CHAPTER VI

The gold-tinted tops of the chestnut-trees faded, and ever wider grew the gaps that autumn's march made in their foliage. At places where a little while ago one saw nothing but a leafy lacework, the ripples of the canal now gleamed through. Along it, heavy barges towed by poles drifted in their laborious fashion, and the shaggy watch-dogs barked up at the windows of distinguished residents. Rainy dull weather stole on the city like a thief in the night, and solitude clutched your heart with its clammy hand.

She had her work, it was true. Her work! Lilly clung to it day and night, as long as the first infatuation lasted and she could build hopes of realising her ambitious plans.

But the eagerly expected "boom" in painted glass with pressed-flower foregrounds never came. The prospectuses she had printed and sent out were ignored, and Herr Dehnicke, who remained her one patron and purchaser, told her in a hurried and nervous way not to lose heart so soon, as the market was decidedly dull at present.

Gradually her zeal began to wane. She had given up going to Herr Kellermann for lessons, his importunities with regard to the release of his "chained Venus" having become too insupportable. She locked her "samples" away in the glass-doored cupboards, and only finished Herr Dehnicke's "orders."

Oh, those cruel, empty days, with no laughter to brighten them and nothing to wait or live for!

In the kitchen a silent young servant held sway. Her eyes had a greedy, far too intelligent expression. The goldfish were fed and given fresh water every morning, and the bullfinch was encouraged to chirp. In the evening, when the chandelier was lighted and radiated its dazzling white light, things were better. Then she would wander from room to room, rearrange ornaments, and say to herself over and over again that no one ever had been so happy as she was, or had a prettier home.

Of what avail was it all--the soft old-rose carpet with its faint vine-leaf pattern, the red-brown shiny furniture and those bronze figures with their shimmering lustre of gold that were nothing underneath but zinc alloy manufactured by Liebert, Dehnicke & Co.? Of what avail the gold-coroneted note-paper, of which Dehnicke had instantly ordered five hundred sheets, on the neat writing-table? There was no one to rejoice in it all with her, no one whom longing could summon to her side. Often she sat down at the piano and let her fingers wander over the notes. But it was not the pleasure to her she had hoped and expected. The rigorous technical training she had once had under her father's tuition had long ago been forgotten. She could not remember one of the things she used to play by heart, and she lacked the patience and nerve to learn new pieces.

It was strange what a fever of unrest attacked her directly she touched the keys. A fierce anxiety, a sense of terror and inward unworthiness overwhelmed her. She could do nothing else but strike the instrument with a bang, and fly from room to room till her feet ached; and she was glad when ten o'clock called her to bed.

In these unemployed, joyless days there awoke in her a piercing, tormenting desire for man's society, a sweet torture of shuddering thrills. For two whole years her senses had lain dormant. What the colonel's senile corruption had kindled, and the autumn weeks of passion lashed into a blaze, had been drowned by tears of remorse--for ever, she had vainly imagined. But here it was risen again, shaming and enrapturing her together, and refusing to be silenced by prayers and self-reproaches. Often she felt as if she must rush into the streets, if only to meet the eyes of a stranger, as in the Dresden days, and see veiled desire leap up in them. But in the streets people were vulgar and rude, and she shrank trembling from going anywhere alone, except to visit her old landlady.

The walk there took her an hour, and before she reached her former lodging she had been accosted by many ingenuous chance admirers; and many experienced flâneurs walked by her side and tried to begin a conversation. She would cross in a hurry to the other side of the street, and wish when she got there that she had spoken to her molesters.

As she lay in bed dreaming with closed eyes, she fancied she saw strong, clear-cut, masculine features hovering round her, into which she looked up with confiding admiration.

She often dreamed too of Herr Dehnicke, the faithful, loyal little business man, who was ready to stand by her so staunchly through thick and thin. Suppose that he were to come to her one day, and in the deprecating, stumbling manner that she had got to like say, "I love you to distraction, and will make you my wife!" What should she say? Every time she contemplated his doing this it brought her a certain sense of comfort.

Of the man who really stood nearest to her, and on whom she had the most claims, she never dreamed. It was true that in her desultory longings those heavenly November nights came back to her vividly, but instead of Walter, any other man might have been their hero. Walter had grown to be a sort of tyrannical ruler over her conscience. Of course, she loved him. How could she help it when he was her destined "bridegroom," working hard for her? Yet often when she stood by the sofa under his portrait, and his cold blue eyes rested upon her with imperious hauteur, she remembered what a scurvy part he had played, and how fickle he had been; and she felt as if she would like to sever every tie that bound her to him, and shake off every thought of him from her like a detestable nightmare.

She wished that Herr Dehnicke would leave off talking of him with devotion and respect, and looking forward to the time when he would have to render account of his modest guardianship of her to his dear friend, on his return in honour and glory to his home and hearth. He came with the utmost punctuality twice a week to see how she was getting on, and to have tea with her. He left in time to be back at his office before it closed. No wonder that Lilly looked on these visits as festivals. He was her only link with the outside world. She had no one but him to bring a little brightness and interest into her life.

She spent hours arranging the tea-table and the lights and flowers for him. For him, too, she stood before the mirror, dressing her hair.

When at last he was sitting opposite her, they talked long and seriously about his business worries, his plans, and the trouble he had with artists who thought it a disgrace to work for the trade, and could only be induced to execute orders when, as it were, he held a pistol to their heads. He spoke of the rivals with whom he competed in business, who built palaces for their workshops in order to dazzle customers, so that he too was forced to transform his good solid old business house into a modern structure with the latest improvements.

His customers too were a source of endless anxiety to him. Some, actuated by the newest ideals in art which were the fashion in the capital, demanded his pandering to the "Secession" movement, and putting on the market long-necked, narrow-whipped bodies in exaggerated attitudes of insane distortion. But the steady public of mediocrity, which was really the purchasing public, would have nothing to say to this trash, and insisted on having knights in armour and their dames in fancy-dress, damsels picking flowers and drawing water, hunted stags and swinging monkeys, the same, in fact, as had been in vogue thirty years before. So he stood, as it were, between two rocks, on one of which he might be wrecked as out of date and old-fashioned, on the other as too advanced and modern. In the latter case he would forfeit most of his old and well-tried patrons. It was extremely difficult to steer a middle course, but it had to be done.

He spoke often, too, of the factory and its hundreds of industrial hands who from early morning till late at night worked for the welfare of the business, and of the alterations which were nearing completion, and which, judging by the architect's designs and the sum which he had spent, ought to be something worth seeing.

"You see what competition compels a man to do," he wound up.

Lilly, with beaming eyes, listened attentively. She took interest in everything. She wanted to hear details of life in the factory with its whirling machinery, clatter of wheels, its hissing furnaces and shrieking files. She never wearied of asking questions about the appearance and behaviour of the workpeople, their wages, their condition, and what became of them afterwards. She felt as if there, in the great hum of the factory, was living reality, while outside her own existence was a shadowy illusion.

"How I envy you," she would exclaim sometimes, "to have so many men's lives in your keeping!"

"They keep you always on the go," he replied; "it's an enormous responsibility and worry."

She was sure he was a benevolent master, even if he would not own it himself. He had such great influence, and his heart was so kind.

He liked to hear her talk like this, though often in the middle of what she was saying he would spring up and walk about the room with excited, short steps, and then stand still in front of her, and stare down on her with gloomy solicitous eyes, as if he could not control his contending emotions.

Lilly appeared to notice nothing, though she knew perfectly well what was passing in his mind at these moments.

"I shall not help him out," she said to herself. "He must do what he likes in his own way, or in future he may cherish resentment towards me." And in palpitating hope she awaited events.

If she could only do away with that ridiculous superstition about Walter, which he probably half believed, like herself, and half bolstered up for the sake of propriety. And then another thing gave her food for reflection. In spite of her often-expressed desire to see the factory, he never volunteered to take her over it. It almost seemed as if he objected to be seen with her on his own premises.

He often talked about his mother, however, and was not shy of confessing how much he was influenced by her, though he made it plain that he would prefer to have more freedom to carry out his schemes and develop his powers.

When his father died--twelve years before--he had not been of age, and had been obliged to submit to his mother's rule. The old lady's régime continued, and every new enterprise was discussed with her, and if she approved it was put into execution, even if he were opposed to it. Lilly felt awaking within her a dull aching terror of the old lady who lived behind the bourgeois flower-pots and issued commands from her armchair, which were obeyed by so great a man as her benefactor. She pictured the moment of making her acquaintance with a sinking heart.


Towards Christmas she was again busy. Two dozen new designs for windows had been ordered, and must be finished before the festive day. A future seemed once more to open before her. For the first time in four years she forgot to send her mother's Christmas present to the asylum. Instead, she made Herr Dehnicke's mother a particularly "poetic" lamp-shade, and sent it anonymously to the house on the morning of Christmas Eve. Why she did it, she did not know herself. Perhaps it was a propitiatory offering such as nervous souls were in the habit of making of old to unknown gods for unknown offences. She had made a little pile of gifts for her friend, though uncertain that he would turn up, and she listened for his ring with a beating heart. Her fears were groundless, for at half-past five he appeared, in the twilight of the hall, as loaded with parcels as old Father Christmas himself!

He had selected them with tact and discretion. There were little things that she wanted for domestic use in the flat, a set of embroidered collars, a Persian lamb boa--to save her sables--a few trifles from the factory to adorn the still bare top of her escritoire. At every exclamation of delight she gave he modestly disclaimed thanks. Everything came, as she knew, from Walter.

"And is there nothing from you?" she asked.

"Nothing!" he replied, and turned his palms outwards.

"Well then," she said, "if you'd like to know, there is something you can give me that Walter can't."

"What can that be?" he asked.

"Take me over your factory."

This time he did not put her off, but fixed a definite day and hour. It should be the first working-day after the new year, when everything would be in full swing again. "Please wear something dark and plain," he added, when it was settled.

"Am I generally dressed loudly?" asked Lilly, horrified. She felt as if someone had boxed her ears.

"Oh, I didn't mean that!" he stammered in confusion; "but you might hurt your good clothes."


At noon on January 2nd she stood in front of the house in Alte Jakobstrasse, which she hadn't seen since her first memorable visit. "After all," she reflected, "it did prove a path of fate in one way." She looked up stealthily at the porcelain flower-pots on the first floor, and started, for she fancied she saw a white head move behind the lace curtains. "That's what comes of having a guilty conscience," she thought, and with a shy sidelong glance of awe she passed the door that led to the laurel-flanked private staircase, which her feet were not worthy to tread till she was again received into the bosom of middle-class respectability.

The other entrance stood hospitably open. The scaffolding had been taken down, walls and pillars gleamed in the mirror-like glory of imitation marble, and the splendour of the courtyard beyond made her feel diffident again. By this time even the grimy old office had been transformed. It now boasted a projecting façade of sandstone, with the busts of famous artists in the niches. The ascent of worn and rickety wooden steps had been replaced by a gorgeous gilded gateway.

Her friend hurried down to meet her, bareheaded, in spite of the biting cold. As he held out his hand in welcome, he cast a furtive searching glance up at the windows. It looked almost as if he too were troubled by a guilty conscience.

He led her first into the show-room. Its brand-new smartness exceeded her expectations. Pillared aisles with vaulted ceilings made it look like a museum. There were interminable avenues of tables and cases, sending forth the sparkle of gold and silver and prismatic hues, the warm glow of deep-red copper fading into the pale green of patina, from hundreds of works of art--products of German industry, those so-called "bronzes," which were to be displayed in shop-windows all over the country, and endow even the cottages of the poor with an air of prosperity.

The subjects included, among others, fat monks and lean beggars, dancing gipsy-girls with tambourines, elegant young men with eyeglasses, postillions blowing horns, chickens picking corn, and hounds retrieving game. There were calendars set in horse-shoes, cigar-clips shaped like champagne bottles, pelicans three feet tall holding aloft lamps in their bills; fancy figures, both male and female, stretching out arms as they had done in Herr Kellermann's studio, but not without reason here, for they all held up vases, candelabra, or basins. Arbours screened loving pairs, and had red electric bulbs hidden in the foliage, goblins sat astride on mushrooms; sea-shells served the purpose of ash-trays; punch-bowls, antique cream-jugs, night-light holders, snakes coiled round flower-stems or china ducks-eggs. The whole gamut of vulgarity and poverty in artistic invention seemed herded together here, ready to be let loose in rampant distribution over all the four quarters of the globe.

When Lilly gave her friend an inquiring or mystified look now and again, as she examined some monstrosity, he shrugged his shoulders and remarked, "That is what the public likes."

In spite of a feeling of being jarred, Lilly would not have minded spending hours amidst this glitter. She would have been in her element if her judgment had been appealed to, and she would have said unhesitatingly, "That is bad, weed it out; throw that away, and that ... and this too." But no one asked her opinion, and everything seemed to get on very well without it.

Her friend next took her across to the factory. Unfortunately the foundry, which was the first stage and basis of all the work turned out, happened to be temporarily closed. But Lilly saw through an open window the black yawning throats of the furnaces and the dirty trucks standing about. Everything was covered with a mist of grey ash--the chimney-pieces, casks, and utensils all seemed to float in the same impenetrable sea of ashen greyness.

They went down some dirty steps and passed through damp cellars smelling of poisonous chemicals, where huge vats containing foul fluids were ranged. Men prematurely aged by work and disease hovered about here looking like ascetic phantoms, when they were only common labourers. As Lilly came in they gave her a quick glance of surprise, and then didn't trouble to look again. They had no greeting for their employer.

"This is the galvanic department," explained Herr Dehnicke. "Here is the nickel-plate bath, the steel bath, the quicksilver, and so on."

He pointed to a loft surrounded by an iron crate, where the wheels of a machine whirled and the light of electric lamps gleamed.

"There the current is generated which galvanises the various baths," he said.

Lilly did not understand, but she took pleasure in the rapid whirl of the wheels and the subdued buzz which they made as they spun round.

"There will be some that whirl more madly still," she thought, and expected to hear, when the next door was opened, a deafening thunder. But nothing of the sort happened. This was the one machine in the whole factory to provide her with entertainment.

In the workroom where the chiselling was done, dozens of men stood at long tables, levelling the uneven surface of the cast metal, and making the separate parts of an ornament ready for joining. This was done in the room adjacent, where the flames of the blowpipes leapt and hissed, and clouds of metallic vapour shot up sparks. Each workman had a little pile of burnished arms and legs beside him that looked as if they had been amputated and had left the body they belonged to behind.

Then they came to the "filigree" department, where all the flowers and foliage were elaborated--the ribbons, tendrils, and arabesques, everything of a light, curly, and daintily twining character. So delicate was the work that it made the men engaged on it look all the clumsier and coarser. They scarcely raised their eyes, and hammered on in a dogged mechanical way.

Lilly, wherever she went, had a keener eye for the appearance and manner of the workpeople than for the work itself. She drew comparisons inwardly, decided who was well-to-do and who the reverse, who pursued his avocation because he liked it, and who only because he was goaded to it by necessity and sickness at home. Each department had its own marked physiognomy. In one the majority would be fresh and active; in another, weary and exhausted. Lilly felt as she had done when Herr Dehnicke first told her about his workpeople: an insane desire to have the wielding of their fate in her hands, to help them when help was needed, to bring sunshine into their gloomy lives, and to be a good angel to the suffering. But she was careful not to confide her absurd notions to Herr Dehnicke.

"Now we come to the most critical part of the business," he said, "the patina application, which gives the figures their style."

He opened the door of a workshop which exhaled the odour of a thousand more poisons. Here women were at work with the men, putting on varnish and acids, rubbing and brushing busily. They looked haggard and tired out. At the sight of Lilly they dropped their implements to stare at her in blank amazement.

"One would have to begin here," she thought, "to win the confidence of all." So she nodded at them pleasantly and spoke a few friendly words. But her little advances were wrongly interpreted. They thought she mocked them, and with an almost contemptuous grimace went back to their work. Lilly's appearance in the packing-room, where women and children alone were employed, produced a happier impression. The girls giggled, whispered, and nudged each other. Only one woman, who was enceinte, took no notice of her. She seemed hardly able to stand on her feet and was near to sinking on the floor. She kept her relaxed pale lips tightly compressed, her cheeks wore a hectic flush, and her arms moved in feverish zeal as she wrapped one sheet of paper after the other round the limbs of the figures standing before her on the table, swaying first to the right and then to the left under her touch.

"May I give her something?" asked Lilly, in an aside to Herr Dehnicke.

"She is being looked after," he answered uneasily, as if displeased, and he quickly led the way to another door.

"This is where the figures are stored," he said, "until sold, with the exception of those, naturally, that are made to order."

Lilly looked down a long dusky gallery and met an icy-cold draught. Ranged on stands and shelves she saw endless regiments of ghostly objects, dwarfs, gnomes, monsters, shapeless in their wrappings of paper, yet looking somehow human, and as if they had been petrified by accident.

"How strange this is!" said Lilly with a slight shiver, and she prepared to walk down the narrow gangway, the windows of which were covered with ice and frost-patterns.

The same moment she observed that her guide gave a start and seemed suddenly to have lost his presence of mind. Then he walked before her and barred the way.

"What has happened?" Lilly asked in surprise.

He coloured, and said: "We had better not go on. We'll go somewhere where there's more of interest to see. There's nothing at all here."

He planted himself firmly in front of her so that Lilly could not catch a glimpse of the shelves along the wall. Of course, this completely aroused her curiosity.

"But I should like to go on," she said, and she assumed the defiant naughty manner which generally gained her the day with him.

"No, no!" he exclaimed hurriedly. "There are secrets of business here that I can reveal to no one. Even the employés are not allowed to come in. I am very sorry, but I really cannot."

"Then you should not have brought me in at all," said Lilly, and she turned back in high dudgeon.

He exhausted every excuse he could think of, his excitement made him hoarse, and he coughed perpetually. He led her up the dirty steps again and over the gorgeous mosaic floor of the courtyard to the shoddy marble entrance, where a bitter wind was blowing.

"You'll catch cold," she said, wishing to hasten her departure.

A brilliant idea occurred to him. "The storeroom was not heated," he said, "so I could not----"

"You should have thought of that sooner," Lilly retorted, as she gave him her hand with a half-conciliating smile. She could not help pitying his helpless confusion.

Nevertheless, she continued to feel hurt and slightly perturbed. The day that she had joyfully looked forward to for months had ended with a contretemps. And no matter how earnestly she pressed him afterwards, she never could cajole Herr Dehnicke into unveiling the mystery of that forbidden room in his warehouse.