THE TUNE.
In English churches (since 1861) the hymn was and may still be sung to “Horbury,” composed by Rev. John B. Dykes, and “St. Edmund,” by Sir Arthur Sullivan. Both tunes are simple and appropriate, but such a hymn earns and inevitably 187 / 153 acquires a single tune-voice, so that its music instantly names it by its words when played on instruments. Such a voice was given it by Lowell Mason's “Bethany,” (1856). (Why not “Bethel,” instead, every one who notes the imagery of the words must wonder.) “Bethany” appealed to the popular heart, and long ago (in America) hymn and tune became each other's property. It is even simpler than the English tunes, and a single hearing fixes it in memory.