THE TUNE.
Mrs. Brown's son Samuel, who, besides being a good minister, inherited his grandfather's musical gift, composed the tune of “Monson,” (named in his mother's honor, after her late home), and it may have been the first music set to her hymn. It was the fate of his offering, however, to lose its filial place, and be succeeded by different melodies, though his own still survives in a few collections, sometimes with Collyer's “O Jesus in this solemn hour.” It is good music for a hymn of praise rather than for meditative verse. Many years the hymn has been sung to “Woodstock,” an appropriate and still familiar tune by Deodatus Dutton.
Dutton's “Woodstock” and Bradbury's “Brown,” which often replaces it, are worthy rivals of each other, and both continue in favor as fit choral interpretations of the much-loved hymn.
Deodatus Dutton was born Dec. 22, 1808, and educated at Brown University and Washington College (now Trinity) Hartford Ct. While there he was a student of music and played the organ 277 / 233 at Dr. Matthews' church. He studied theology in New York city, and had recently entered the ministry when he suddenly died, Dec. 16, 1832, a moment before rising to preach a sermon. During his brief life he had written several hymn-tunes, and published a book of psalmody. Mrs. Sigourney wrote a poem on his death.