THE TUNES.
Old “Norwich,” from Day's Psalter, and “Simpson,” adapted from Louis Spohr, are found with the hymn in several later manuals. In the memories of older worshipers “Brattle-Street,” with its melodious choral and duet arranged from Pleyel 250 / 208 by Lowell Mason, is inseparable from Miss Williams' words; but modern hymnals have dropped it, probably because too elaborate for average congregational use.
Ignaz Joseph Pleyel was born June 1, 1757, at Ruppersthal, Lower Austria. He was the twenty-fourth child of a village schoolmaster. His early taste and talent for music procured him friends who paid for his education. Haydn became his master, and long afterwards spoke of him as his best and dearest pupil. Pleyel's work—entirely instrumental—was much admired by Mozart.
During a few years spent in Italy, he composed the music of his best-known opera, “Iphigenia in Aulide,” and, besides the thirty-four books of his symphonies and chamber-pieces, the results of his prolific genius make a list too long to enumerate. Most of his life was spent in Paris, where he founded the (present) house of Pleyel and Wolfe, piano makers and sellers. He died in that city, Nov. 14, 1831.