THE TUNES.
The musical mouth-piece of “O for a thousand tongues,” nearest to its own date, is old “Azmon” 74 / 48 by Carl Glaser (1734–1829), appearing as No. 1 in the New Methodist Hymnal. Arranged by Lowell Mason, 1830, it is still comparatively familiar, and the flavor of devotion is in its tone and style.
Henry John Gauntlett, an English lawyer and composer, wrote a tune for it in 1872, noble in its uniform step and time, but scarcely uttering the hymnist's characteristic ardor.
The tune of “Dedham,” by William Gardiner, now venerable but surviving by true merit, is not unlike “Azmon” in movement and character. Though less closely associated with the hymn, as a companion melody it is not inappropriate. But whatever the range of vocalization or the dignity of swells and cadences, a slow pace of single semibreves or quarters is not suited to Wesley's hymns. They are flights.
Professor William Gardiner wrote many works on musical subjects early in the last century, and composed vocal harmonies, secular and sacred. He was born in Leicester, Eng., March 5, 1770, and died there Nov. 16, 1853.
There is an old-fashioned unction and vigor in the style of “Peterborough” by Rev. Ralph Harrison (1748–1810) that after all best satisfies the singer who enters heart and soul into the spirit of the hymn. Old Peterborough was composed in 1786.