The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories

by Honoré de Balzac

MAÎTRE CORNÉLIUS

To Monsieur Le Comte Georges Mniszech.

Some envious persons, when they see one of the oldest and most illustrious of Sarmatian names adorning this page, may imagine that I am endeavoring, as goldsmiths do, to enhance a piece of modern work by the addition of an ancient gem,—a fashion of the day. But you, my dear Count, and a few others, will know that I aim at paying my debt to talent, old memories, and friendship.

In 1479, on All Saints' day, at the moment when this tale opens, vespers were just over in the cathedral of Tours. The Archbishop Hélie de Bourdeilles rose from his throne, himself to pronounce the blessing on the worshipers. The sermon had been lengthy, dusk had fallen before the service was ended, and utter darkness prevailed in many parts of the great church, of which the towers, at that time, were not finished.

However, a considerable number of tapers were burning in honor of the saints, on the triangular frames constructed for the display of these pious offerings, of which the virtue and meaning have never been fully understood. The candles on every altar and the candelabra in the choir were all flaming. These masses of light, irregularly occurring among the forest of pillars and arches that sustain the three aisles of the cathedral, scarcely illuminated the vast body of the church; for, by throwing the deep shadows of the piers across the upper portions of the building, they gave rise to a thousand fantastic effects which added to the gloom in which arches, vaulting, and chapels were now wrapped,—dark enough as they were even in broad daylight.

The congregation presented effects that were not less picturesque. Some figures were so dimly visible in the doubtful light that they might have been taken for phantoms; others, hit by some side-light, caught the eye like the principal heads in a picture. Statues seemed to live, and men seemed turned to stone. Here and there eyes sparkled in the recess of a pillar; the stone had sight, the marble spoke, the vault reëchoed sighs, the whole structure was endowed with life.

The life of a people can show no more solemn scene, no more majestic moment. Men, in masses, always need action to produce a poetical effect; still, in these homes of religious thought, where human wealth is wedded to celestial splendor, there is an incredible sublimity in silence; there is awe in these bended knees and hope in these uplifted hands. The concord of feeling with which all the assembled souls fly heavenward, produces an indescribably spiritual effect. The mystical exaltation of the united believers reacts on each individual; the feeble are no doubt borne upwards on the full tide of this ocean of love and faith.

Prayer, an electrical force, thus snatches our nature upwards. This involuntary union of so many wills, all equally humbled to earth, all equally lifted to heaven, contains, no doubt, the secret of the magical influences exerted by the chanting of the priests and the music of the organ, the perfume and pomp of the altar, the voice of the crowd and its meditations in silence.

Hence we need not be surprised when we see, in the middle ages, that so many love affairs had their beginnings in church, after long hours of ecstasy—passions which often had no saintly ending and for which the woman, as she always must, ended by doing penance. Religious emotion had certainly, at that time, some affinity with love; it was either the element or the end of it. Love was still a second religion; it still had its fine frenzies, its artless superstitions, its sublime emotion in harmony with those of Christianity.

The manners of the time also help to explain the alliance between religion and love. In the first place, society never mingled but in front of the altar. Lords and vassals, men and women, were nowhere equal but in church. There alone could lovers meet and exchange their vows. Then Church Festivals were the only spectacles; a woman's soul was more deeply stirred within the walls of a cathedral than it now is at a ball or an opera. And does not every strong emotion bring a woman round to love? Thus, by dint of forming part of life, and identifying itself with every act, religion had become the moving principle of virtue and vice alike. Religion was mixed up with science, with politics, with eloquence, with crime; on the throne or in the skin of the poor and suffering; it was all-pervading.

These semi-learned reflections will perhaps certify to the truth of this Étude, though some of its details may scandalize the improved propriety of our age—a little too strait-laced perhaps, as we all know.

At the instant when the priests ceased their chanting, the last notes of the organ mingling with the throbbing Amen sent out from the deep-chested choir-men, while a faint murmur still lingered under the remoter vaults and the devout assembly awaited the prelate's benedictory words, a citizen, in a hurry to get home, or fearing to lose his purse in the crowd going out, gently stole away, at the risk of being regarded as a bad Catholic. A gentleman, who had lurked till now close to one of the enormous pillars of the choir, where he was shrouded in the shadow, hastened to take the place left vacant by the worthy burgess. As soon as he reached it, he hid his face in the feathers that adorned his tall gray cap, and knelt down on a chair in a contrite attitude that might have deceived an inquisitor.

His neighbors, having stared curiously at the youth, appeared to recognize him and turned to their devotions once more with a significant shrug, by which they all expressed the same idea—a sarcastic mocking thought, an unspoken scandal. Two old women nodded their heads and exchanged glances which seemed to read the future.

The chair taken by the young man was close to a chapel built in between two pillars, and closed by an iron railing. At that time the Chapter was wont to let out at a high figure the use of the side chapels situated outside the ambulatory, to certain lordly families, who thus had a right to occupy them exclusively, with their people, during divine service. This form of simony is practised even now. A lady had her chapel in church, as in our day she has a box at the opera. The lessees of these privileged nooks were, however, expected to decorate and keep up the altars in them. Thus each one made it a point of honor to make his chapel as sumptuous as possible, a form of vanity very acceptable to the Church.

In this chapel, close to the railing, knelt a young lady, on a handsome square of red velvet with gold tassels, close to the spot but just now occupied by the worthy citizen. A silver-gilt lamp, hanging from the roof of the chapel in front of a magnificent altar, shed a dim light on the Book of Hours that the lady held. This book shook violently in her hand as the young gentleman came towards her.

"Amen!" and to this response, chanted in a sweet voice with terrible agitation, happily drowned in the general noise, she added in a low tone: "You will ruin me!"

The words were spoken with an innocence to which any man of delicate feeling could not fail to submit; it went piercingly to the heart; but the stranger, carried away no doubt by a tumult of passion that stifled his conscience, remained in his seat, and slightly raised his head to look hastily into the chapel.

"He is asleep," he replied in a voice so carefully modulated that the words could only be heard by the lady as a sound is heard in its echo.

The young woman turned pale, her eyes were furtively raised for an instant from the vellum page to glance at an old man whom the youth was studying. What a terrible understanding was conveyed by that look! When the lady had examined the old man, she drew a deep breath and raised her beautiful brow, adorned with a precious jewel, to a picture representing the Virgin; this simple gesture and attitude, with her glistening eye, revealed her life with imprudent candor; if she had been wicked, she would have dissimulated her feelings.

The person who inspired such terror in these lovers was a little old hunchback, almost bald, with a fierce expression of face, and a large dingy-gray beard cut square into a broad fan. The Cross of Saint-Michael glittered on his breast; his hands, which were coarse, strong, and rough, with gray hairs, had no doubt been clasped, but had fallen a little apart in the sleep he had so imprudently allowed to overtake him. His right hand seemed about to drop on to the handle of his dagger, of which the hilt was guarded by a large shell of pierced iron; from the way he had arranged the weapon, the handle was just below his hand; if by ill chance he should touch it, beyond a doubt he would wake and look at his wife. His sardonic mouth and the sharp turn of his chin were characteristic signs of a malignant wit, of a coldly cruel shrewdness, which would enable him to guess everything, because he could imagine anything. His yellow forehead was wrinkled like that of a man accustomed to believe nothing, to weigh everything, to test the exact meaning and value of every human action as a miser rings every gold piece. His frame was large-boned and strongly knit, he might be nervous and consequently irritable—in short, an ogre spoiled in the making.

When her terrible lord would wake, the young lady evidently would be in danger. This jealous husband would not fail to note the difference between the old burgess, whose presence had given him no umbrage, and the newcomer, a young courtier, smart and genteel.

"Libera nos a malo!" said she, trying to convey her fears to the young man.

He, on his part, raised his head and gazed at her. There were tears in his eyes, tears of love or despair. Seeing this, the lady started, and lost her head. They had both, no doubt, held out for a long time, and perhaps could no longer resist a passion encouraged day after day by invincible obstacles, brooded by fears, and emboldened by youth. The lady was not perfectly beautiful, but her pale complexion betrayed a secret grief which made her interesting. She was elegant and had the most magnificent hair imaginable. Watched over by a tiger, she was risking her life perhaps by uttering a word, by allowing her hand to be taken, by meeting his look. If ever love had been more deeply buried in two hearts, or more rapturously confessed, no passion could ever have been more dangerous.

It may easily be understood that to these two beings, the air, the sounds about them, the noise of steps on the pavement,—things utterly indifferent to other men,—had some peculiarities, some perceptible properties which they alone detected. Love enabled them, perhaps, to find a faithful messenger even in the icy cold hands of the old priests to whom they confessed their sins, or from whom they received the Host, kneeling at the altar. It was a deep love, love graven on the soul like a scar on the body which remains for life. As the two young people looked at each other, the woman seemed to say to her lover: "Let us perish, but be one!" and the gentleman seemed to reply: "We will be one, but we will not perish!"

But then, with a melancholy jerk of the head, she pointed out to him an elderly duenna and a couple of pages. The duenna was asleep. The pages were but boys, and seemed perfectly reckless of any good or ill that might befall their master.

"Do not be frightened as you go out, but go just where you are led."

The young man had scarcely murmured these words, when the old gentleman's hand slipped down on to the handle of his weapon. At the touch of the cold iron he woke with a start, and his tawny eyes at once turned to his wife. By a peculiarity rarely bestowed, even on men of genius, he awoke with a brain as alert, and ideas as clear, as if he had never slept. He was jealous.

Though the young man kept one eye on his mistress, he watched her husband out of the other; he rose at once, and vanished behind a pillar, just as the old fellow's hands began to move; then he went off as lightly as a bird. The lady's eyes were fixed on her book. She pretended to be reading, and tried to seem calm; but she could not hinder herself from reddening, nor her heart from beating with unwonted violence.

The old man heard the vehement throbs that were audible in the chapel, and observed the extraordinary flush that had mounted to his wife's cheeks, brow, and eyelids; he looked cautiously about him, but seeing no one whom he could suspect, he said:

"What is troubling you, ma mie?"

"The smell of the incense makes me squeamish," said she.

"Then is it not good to-day?" said he.

In spite of this comment, the wily old man affected to believe in this excuse; still, he suspected some secret treason, and resolved to watch more carefully over his treasure.

The Benediction was pronounced. The crowd, without waiting for the end of in secula seculorum, hurried to the church door like a torrent. The old lord, as was his custom, waited quietly till the general rush was moderated, and then went forth, sending the duenna in front with the youngest page, who carried a lantern on a pole; he gave his arm to his wife and the other page followed. Just as the old gentleman had reached the side door opening into the eastern part of the cloisters, by which he usually went out, a crowd of people turned back from the mass that was blocking the front porch, surging in towards the aisle where he and his people were standing, and this compact body prevented his retracing his steps. The gentleman and his wife were, in fact, pushed out by the tremendous pressure of the crowd. The husband tried to get through first, dragging the lady by the arm; but at this juncture he was violently pulled into the street, and his wife was snatched from him by a stranger.

The sinister hunchback at once understood that this was a deep-laid plot into which he had fallen. Repenting now of his long nap, he collected all his strength; with one hand he clutched at his wife's gown, and with the other he tried to cling to the door-post. But the frenzy of love won the day from the fury of jealousy. The young man took his mistress round the waist, and snatched her away with such strength of despair that the tissue of silk and gold, the brocade, and whalebone gave way, and split with a crash. The sleeve was left in her husband's hand.

A roar like a lion's rose above the shouts of the multitude, and an awful voice was heard bellowing these words:

"Help! Poitiers! Here, to the door! The Comte de Saint-Vallier's people! Help, this way, help!"

And the Comte Aymar de Poitiers, Sire de Saint-Vallier, tried to draw his sword, and get a way cleared for him to pass; but he found himself closely surrounded by thirty or forty gentlemen whom it would have been dangerous to wound. Several of these, men of the highest rank, answered him with gibes, as they hauled him out to the cloister.

The ravisher, with the swiftness of lightning, had led the Countess to an open chapel, where he found her a seat on a wooden bench behind a confessional. By the light of the tapers burning before the image of the saint to whom the chapel was dedicated, they looked at each other for a moment in silence, clasping hands, and mutually amazed at their daring. The Countess had not the heart to blame the young man for the audacity to which she owed this first and only instant of happiness.

"Will you fly with me into the adjacent territory?" he asked her eagerly. "I have at hand a pair of English jennets which will carry us thirty leagues without drawing rein."

"Oh," cried she sweetly, "where in the world can you find asylum for a daughter of Louis XI.?"

"To be sure," replied the gentleman, bewildered by this difficulty, which he had overlooked.

"Why, then, did you tear me from my husband?" she asked in some terror.

"Alas!" replied he, "I had not thought of the agitation I should feel on finding myself by your side, on hearing you speak to me. I had conceived of two or three plans, and now that I see you, I feel as if everything were achieved."

"But I am lost," said the Countess.

"We are saved," replied the gentleman, with the blind enthusiasm of love. "Listen to me——"

"It will cost me my life," she went on, letting the tears flow which had gathered in her eyes. "The Count will kill me,—this evening, perhaps. But go to the King, tell him of all the torments his daughter has endured for five years past. He loved me well when I was a child. He was wont to laugh and call me Mary-full-of-grace because I was so ugly. Oh, if he could know to what a man he gave me, he would be in a terrible rage! I have never dared to complain, out of pity for the Count. And, besides, how should my voice reach the King's ears? My confessor even is a spy for Saint-Vallier. I therefore lent myself to this criminal escape, in the hope of enlisting a champion. But—dare I trust——Oh!" she cried, breaking off and turning pale; "here is the page."

The unhappy Countess tried to make a veil of her hands to hide her face.

"Fear nothing," said the young man; "he is on our side. You may make use of him in all security; he is mine. When the Count comes in search of you, he will warn us in time. In that confessional," he went on in an undertone, "is a canon who is a friend of mine. He will say that he has rescued you from the fray and led you, under his protection, to this chapel. Thus everything is prepared for deceiving Saint-Vallier."

On hearing this, the Countess dried away her tears, but her brow was clouded with alarm.

"There is no deceiving him," said she. "He will know everything this evening. Beware of his revenge. Go to Le Plessis, see the King, tell him that——"

She hesitated, but something gave her courage to tell the secrets of her married life, and she went on.

"Yes, tell him that to secure his mastery over me the Count has me bled in both arms and exhausts me. Tell him he has dragged me by my hair—tell him I am a prisoner—say that——"

Her heart was bursting, sobs choked her throat, a few tears fell again, and in her agitation she allowed the young man to kiss her hand while he uttered incoherent phrases.

"No one may speak to the King, poor child! Though I am the nephew of the grand captain of the crossbowmen, I cannot get into Le Plessis this night. My beloved lady, my beautiful queen!—--Good God! how she has suffered! Marie, let me say two words to you or we are lost!"

"What is to become of us?" said she.

The Countess discerned on the blackened wall a picture of the Virgin on which the light fell, and she cried out:

"Holy Mother of God, give us counsel."

"To-night," the gentleman went on, "I will be in your house."

"How?" she asked, very simply.

They were in such great peril that their fondest words seemed bereft of tenderness.

"I am going this evening to propose myself as an apprentice to Maître Cornélius, the King's treasurer. I have succeeded in obtaining a letter of introduction which will secure his receiving me. His house is close to yours. Once under that old rascal's roof, by the help of a silken ladder I can find my way to your rooms."

"Oh!" cried she, petrified with dismay, "if you love me, do not go to Maître Cornélius."

"Why!" cried he, clasping her to his heart with all the strength of his youth. "Then you love me?"

"Yes," said she. "Are you not my only hope? You are a gentleman; I place my honor in your hands. And indeed," she went on with dignified confidence, "I am too unfortunate for you co betray my trust. But to what end is all this? Go, leave me to die rather than take up your abode with Cornélius. Do you not know that all his apprentices——"

"Have been hanged?" said the gentleman, laughing. "Do you suppose that his treasure tempts me?"

"Nay, nay, do not go there; you will be the victim of some sorcery."

"I cannot pay too dearly for the honor of serving you," replied he, giving her a look of such ardor as made her lower her eyes.

"And my husband?" said she.

"Here is something to send him to sleep," replied the young man, taking a small phial out of his belt.

"Not for ever?" said the Countess, trembling.

The young man's reply was a gesture of horror.

"I would have challenged him to single combat, if he were not so old," he said. "But God forbid I should rescue you from him by giving him a philter."

"Forgive me," said the Countess, blushing. "I am cruelly punished for my sins. In a moment of despair I did wish to kill the Count; I feared lest you might wish the same. My grief is great that I have not yet had an opportunity of confessing that wicked thought, but I feared that he would be told of it and he would be revenged. You are ashamed of me?" she added, hurt by the young man's silence. "I deserve your blame!"

She flung the phial violently to the ground, and it broke.

"Do not come," she went on; "the Count sleeps lightly. It is my duty to await the aid of Heaven. And that is what I will do."

She rose to go.

"Ah!" cried the young man, "bid me kill him, and I will do it, madame. You will see me this evening."

"I was wise to waste that drug," she replied, her voice husky with the joy of finding herself so ardently beloved. "The dread of awaking my husband will save us from ourselves."

"I plight my life to you," said the youth as he held her hand.

"If the King desires it, the Pope may annul my marriage; then we may be united," said she, giving him a look full of rapturous hope.

"Here comes Monseigneur," cried the page, hurrying up.

Instantly the gentleman, amazed at the shortness of the time he had spent with his mistress, and at the Count's swift movements, snatched a kiss which the lady could not refuse.

"This evening!" he repeated, as he slipped out of the chapel.

Favored by the darkness, the lover made his way to the great entrance, creeping from pillar to pillar along the shaft of shadow cast across the church by each great column.

An old canon suddenly stepped out of the confessional and seated himself by the Countess, after gently closing the gate, while the page marched gravely up and down outside, with the composure of an assassin.

A glare of light heralded the Count; escorted by a party of friends and retainers carrying torches, he himself held his drawn sword. His gloomy gaze seemed to pierce the darkness, and search the deepest corners of the cathedral.

"Monseigneur, madame is here," said the page, going to meet him.

The Lord of Saint-Vallier found his wife kneeling in front of the altar, and the canon standing by her, reading his breviary. At this sight he shook the gate furiously as if to give vent to his rage.

"What are you doing with a naked sword in hand in this church?" asked the priest.

"Father, this gentleman is my husband," said the Countess.

The priest took the key out of his sleeve and opened the chapel gate. The Count almost involuntarily glanced round the confessional, and then went into it; then he stood listening to the silence of the place.

"Monsieur," said his wife, "you owe your thanks to this venerable canon who gave me shelter here."

The Sire de Saint-Vallier turned pale with anger, and dared not look at his friends, who had come to laugh at him rather than to help him. He sharply replied:

"Thank the Lord, Father. I will find some way to repay you."

He took his wife by the arm, and without giving her time to make her courtesy to the canon, he signed to his people and went away, without a word to those who had given him their company. There was something ominous in his silence.

Impatient to be at home, and puzzling his brain for some means of discovering the truth, he made his way along the winding streets which at that time led from the cathedral to the porch of the Chancery office, where stood the noble mansion then recently built by the Chancellor Juvénal des Ursins, on the site of an old fortress given by Charles VII. to that faithful servant as a reward for his splendid services. There began a street which has since been named Rue de la Scellerie, in memory of the office of the Great Seal which long stood there. It connected old Tours with the borough of Châteauneuf, where stood the famous Abbey of Saint-Martin, of which many kings were content to be canons. For about a hundred years, and after long discussions, this borough had been incorporated with the city.

Many of the streets adjacent to the Rue de la Scellerie, in the heart now of modern Tours, were already built; but the finest houses, and more particularly that of the Treasurer Xancoings, still standing in the Rue du Commerce, were actually situated in the commune of Châteauneuf.

It was past this that the Sire de Saint-Vallier's torch-bearers led the way, to that part of the town which lay by the river Loire; he mechanically followed, casting a dark glance now and again at his wife and at the page, hoping to detect a look of mutual understanding between them which might throw some light on this most puzzling adventure.

At last the Count found himself in the Rue du Mûrier, where his house was. When the whole party had gone in, and the ponderous gate was shut, profound silence reigned in the narrow street where a few magnates at that time resided; for this side of the town was near to Le Plessis, the King's usual residence, enabling the courtiers to attend him at a moment's notice. The last house in this street was the last house in the town, and belonged to Maître Cornélius Hoogworst, an old merchant from Brabant, whom the King Louis XI. honored with his confidence in such financial transactions as his astute policy required outside his realm. For reasons favoring the tyranny he exerted over his wife, the Comte de Saint-Vallier had settled in a mansion adjoining Maître Cornélius' house.

The topography of the buildings will explain the advantages they offered to a jealous husband. The Count's house, known as the Hôtel de Poitiers, had a garden, shut in on the north by the wall and moat that had been the boundary of the ancient borough of Châteauneuf skirted by the embankment then lately constructed by Louis XI. between Tours and Le Plessis. On that side dogs defended the entrance to the premises, which, on the east, were divided from the neighboring houses by a large courtyard, and on the west backed on to the house occupied by Maître Cornélius. The street front faced south. Thus isolated on three sides, the suspicious and wily old Count was safe against all intruders but the inhabitants of the Brabant house, of which the roofs and chimneys were undistinguishable from those of the Hôtel de Poitiers. The windows to the street were narrow, cut in the stone walls, and barred with iron; the door, low and arched like the entrance to our ancient prisons, was strong enough to resist any attack. A stone bench for mounting on horseback was close to the porch.

On seeing the side view of the houses occupied by Maître Cornélius and the Comte de Poitiers, it could easily be supposed that they had both been built by the same architect, and constructed for tyrants. Both, with their sinister appearance, resembled little strongholds, and would have stood a siege for some time against a furious mob. They were protected by turrets at the corners, such as lovers of antiquities may yet see in some towns where the hammer of the destroyer has not found employment. The openings, which were everywhere narrow, allowed of the shutters and doors being constructed of extraordinary strength and clamped with iron. The riots and civil wars which were so frequent in those quarrelsome times amply justified these precautions.

As six o'clock struck by the clock of the Abbey of Saint-Martin, the Countess' lover walked past the Hôtel de Poitiers, pausing a moment to hear the noise made by the Count's retainers over their supper. After glancing up at the room he might suppose to be that of his lady-love, he went on to the door of the next house. Everywhere on his way the young man had heard sounds of mirth from the feasters in every house doing honor to the holyday. From every window ineffectually shuttered came beams of light; chimneys were smoking, and the savor of roast meats gave cheer to the streets. Religious service being over, the whole town was reveling, and giving out confused sounds which the imagination can fancy better than words can describe them.

But here there was total silence; for in these two houses dwelt passions which never rejoice. Beyond them the open country was still; and here, under the shadow of the abbey towers of Saint-Martin, the two dumb houses, apart from the rest and standing in the darkest part of the tortuous street, looked like a leper's home. The building opposite to them belonged to certain state criminals, and was under sequestration. Any young man could not fail to be easily impressed by so sudden a contrast. And, indeed, on the verge of embarking in a horribly perilous enterprise, the gentleman stood pensive in front of the goldsmith's house, recalling the various tales he had heard of Maître Cornélius and his proceedings, which had inspired the Countess with such lively fears.

At that period a warrior, a lover even, every man quaked at the word "magic." There were few imaginations that could be incredulous of extraordinary facts, or indifferent to tales of wonder. And this lover of Madame de Saint-Vallier (one of Louis XI.'s daughters by Madame de Sassenage, in Dauphiné), brave as he might be, could not but think twice before venturing into a house that was full of sorceries.

The history of Maître Cornélius Hoogworst will fully account for the confidence he had inspired in the Comte de Saint-Vallier, for the lady's terror, and for the hesitancy that gave pause to the lover. But to enable the nineteenth century reader to understand clearly how events apparently commonplace had been deemed supernatural, to make him enter into the terrors of that olden time, it is necessary to interrupt the narrative and glance at the previous career of Maître Cornélius.

Cornélius Hoogworst, one of the wealthiest merchants of Ghent, having incurred the displeasure of Charles, Duke of Burgundy, had found a refuge and protection at the Court of Louis XI. The King was quite alive to the advantages he might derive from a man in communication with the principal houses of Flanders, Venice, and Brabant; he granted to Maître Cornélius letters of nobility and naturalization; nay, he flattered him,—a rare thing with Louis XI. And, indeed the Fleming liked the King as well as the King liked the Fleming. Crafty, suspicious, avaricious; equally astute, equally well-informed, equally superior to their time, they understood each other to perfection; they dropped and took up again with equal readiness, the one his conscience and the other his religion; they worshiped the same Virgin—one from conviction, the other from flattery; finally, if we may believe the jealous statements of Olivier le Daim and Tristan, the King resorted to the goldsmith's house to take his pleasure—as Louis XI. took it. History has taken care to preserve the memory of this monarch's licentious tastes, for he was not averse to a debauch. The old Fleming, no doubt, found it pleasant and profitable to lend himself to his royal patron's caprices and indulgences.

Cornélius had now lived in Tours for nine years. During these nine years incidents had occurred under his roof which made him the object of general execration. On arriving he had spent large sums on the house, with a view to securing his treasures. The ingenuity secretly exerted on his behalf by the locksmiths of the town, the singular precautions he had taken to get them into his house, in such a way as to feel sure of their compulsory secrecy, were for a long time the subject of a thousand wonderful tales which furnished the evening gossip of Touraine. The old man's extraordinary devices led to the idea that he was possessed of Oriental wealth. The story-tellers of the province which was the birth-place of romance in France built chambers of gold and precious stones in the Fleming's dwelling, never failing to ascribe his immense riches to unholy compacts.

Cornélius had brought with him originally a couple of Flemish varlets, an old woman, and a young apprentice of mild and attractive appearance; this youth served him as secretary, cashier, factotum, and messenger.

In the course of the first year of his residence at Tours, a considerable robbery was effected from his premises. Judicial investigation proved that the theft had been committed by someone living in the house. The old miser had his two men and his apprentice put in prison. The young lad was weakly; he died under torture, still protesting his innocence. The two men confessed, to escape torture; but on being asked by the judge where the stolen money was hidden, they were silent; so, after fresh tortures, they were tried, condemned, and hanged. On their way to the gallows they still declared that they were guiltless, after the manner of all men to be hanged.

The town of Tours talked over the strange business for many a day. But the criminals were Flemings, so the interest excited in the unfortunate men and the youthful clerk soon died out. In those days war and sedition supplied perpetual excitement, and to-day's drama extinguished yesterday's tragedy.

Maître Cornélius, more affected by the loss of so large a sum than by the death of his three retainers, now lived alone with the old woman who was his sister. He obtained from the King the privilege of using the state couriers for his private business, put up his mules with a muleteer in the neighborhood, and thenceforth lived in perfect solitude, seeing scarce anyone but the King, and transacting his business through the medium of the Jews—crafty arithmeticians, who served him faithfully for the sake of his omnipotent interest.

Some time after this event, the King himself placed with his old torçonnier a young orphan in whom he took a great interest. Louis XI. commonly called Maître Cornélius by the old name of torçonnier, which, in the reign of Saint-Louis, had meant an usurer, a tax-collector, a man who squeezed money out of folks by extortionate means. The word tortionnaire, a legal term still in use, in fact, explains the word torçonnier, which was often written tortionneur. This poor lad devoted himself to the goldsmith's interest, succeeded in satisfying his master and winning his favor. One winter's night the diamonds placed in Cornélius' keeping by the King of England were stolen, and suspicion fell on the orphan lad. Louis XI. was all the more severe with him because he had answered for his honesty. So, after a summary inquiry, the hapless boy was hanged before the Provost Marshal.

Nobody dared go to learn the arts of banking and exchange from Maître Cornélius. Nevertheless two young men of the town, youths of honor and anxious to win a fortune, one after the other entered his service. Large robberies from the treasurer's house at once ensued; the circumstances of the crimes, and the way in which they were carried out, pointed clearly to some collusion between the thieves and the inmates of the house; it was impossible that the newcomers should escape accusation. The Fleming, more and more vindictive and suspicious, at once laid the matter before the King, who placed the cases in his Provost's hands. Each was promptly tried, and more promptly punished.

But the patriotism of the citizens was opposed to Tristan's swift proceedings. Guilty or no, the two young men were regarded as victims, and Cornélius as a ruffian. The two families thrown into mourning were persons in high esteem, their complaints met with sympathy, and step by step they succeeded in persuading everyone to believe in the innocence of all the men that the King's treasurer had sent to the gallows. Some declared that this cruel miser was imitating the King and trying to set terror and the gibbet between himself and the world; that he had never been robbed at all; that these horrible executions were brought about by cold self-interest; and that he only wanted to be quit of all alarms about his treasure.

The immediate result of these popular rumors was to isolate Cornélius. The good folks of Tours treated him as one plague-stricken, spoke of him as the extortioner, and called his house La Malemaison (the House of Ill). Even if the usurer could have found a youth bold enough to take service with him, the inhabitants of the town would have hindered it by their sayings. The most favorable opinions about Maître Cornélius were those expressed by men who regarded him only as a sinister personage. In some he inspired involuntary terrors, in others, the deep respect that is always paid to unlimited power or great wealth; to some he had the attraction of mystery. His mode of life, his countenance, and the King's favor justified every rumor of which he was the subject.

Since the death of his persecutor, the Duke of Burgundy, Cornélius frequently traveled in foreign parts, and during his absence the King had his house guarded by a company of his Scottish guard. This royal care led the courtiers to suppose that the old man had left his fortune to Louis XI. The Fleming rarely went out; the gentlemen about the Court visited him frequently; he was ready enough to lend them money, but he was whimsical. On certain days he would not give them a sou Parisis; on the morrow he would offer them enormous sums, always at a high rate of interest and on good security. He was, however, a good Catholic, and attended the services regularly; but he went to Saint-Martin at a very early hour, and as he had purchased a chapel in perpetuity, there, as elsewhere, he was divided from other Christians.

A proverb which became popular at this period and survived at Tours for a long time was the saying: "You have crossed the usurer's path; woe will befall you." "You have crossed the usurer's path" accounted for sudden ailments, involuntary depression, and the evil turns of fortune. Even at Court Cornélius was credited with the fatal influence which, in Italy, Spain, and the East, superstition has named the Evil Eye.

But for the terrible power of Louis XI., which was extended like a shield over his house, the populace would, on the slenderest pretext, have demolished the Malemaison of the Rue du Mûrier. And yet it was by Cornélius that the first mulberry trees in Tours had been planted, and at that time the inhabitants had regarded him as a good genius. Who then may trust to popular favor?

Certain gentlemen who had met Maître Cornélius in foreign lands had been amazed by his good humor. At Tours he was constantly gloomy and absent-minded; but he always came back there. Some inexplicable attraction always brought him home to his dismal house in the Rue du Mûrier. Like the snail whose life is inseparable from that of his shell, he confessed to the King that he never felt so happy as behind the time-eaten stones, the bolts of his little bastille, albeit he knew that in the event of Louis' death it would be the most dangerous spot on earth to him.

"The devil is amusing himself at the expense of our friend the torçonnier," said Louis XI. to his barber, a few days before the festival of All Saints. "He complains of having been robbed again! But there is nobody this time for him to hang—unless he hangs himself. If the old vagabond did not come to ask me whether I had carried off by mistake a chain of rubies he had been meaning to sell me? By the Mass! I do not steal what I have only to take, said I."

"And was he frightened?" asked the barber.

"Misers are afraid but of one thing," replied the King. "My gossip the usurer knows full well that I should not flay him for nothing; otherwise I should be unjust, and I have never done anything that was not just and necessary."

"And yet the old hulk cheats you," replied the barber.

"You only wish that were true, heh?" said the King, with a cunning leer at the barber.

"Nay, Sire," replied the man, with an oath; "but there would be a snug fortune to divide between you and the devil."

"That will do," said the King. "Do not put mischief into my head. My gossip is a more faithful friend than all the men whose fortunes I have made—possibly because he owes me nothing."

Thus, for two years past, Cornélius lived alone with his sister, who was believed to be a witch. A tailor who lived hard by declared that he had often seen her at night waiting on the roof to fly off to her Sabbath. This statement was all the more extraordinary because the old miser shut his sister up in a room of which the windows were barred with iron.

Cornélius in his old age, fearing more and more that men should rob him, had conceived a hatred for all the world excepting the King, whom he esteemed highly. He had sunk into deep misanthropy; but, in his passion for gold, the assimilation of the metal with his very substance had become more and more complete, and, as is commonly the case with misers, his avarice increased with age. He was suspicious even of his sister, though she was perhaps more avaricious and thrifty than himself, and outdid him in sordid inventiveness. There was something mysterious and questionable in their way of life. The old woman so rarely took bread from the baker, and was so seldom seen at market, that the least credulous observers had at last attributed to these strange beings the knowledge of some occult means of sustaining life. Some, who meddled in alchemy, said that Maître Cornélius could make gold. The learned declared that he had discovered the universal panacea. And to most of the country folk, when the townspeople spoke of him, he was a chimerical creature, so that they would come out of curiosity to stare at his house.

---

The young gentleman, sitting on a bench by the house facing that of Maître Cornélius, looked at the Malemaison and the Hôtel de Poitiers by turns. The moon shed high lights on the salient parts, lending color by the contrast of light and shade on the sculpture in relief. The play of this capricious pale light gave a somewhat sinister expression to both houses. Nature seemed to lend herself to the superstitious notions that hung about the place.

The gentleman recalled all the many traditions which made Cornélius an object at once of curiosity and dread. Though the vehemence of his passion confirmed him in his determination to get into the house and to stay there as long as might be necessary to carry out his projects, he hesitated before taking this final step, though well aware that he should do so. But who, in the critical hours of life, does not love to listen to presentiments and play see-saw, as it were, over the abyss of futurity? As a lover worthy of his love, the youth feared lest he should perish before the Countess' love should grace his life.

This secret hesitancy was so painfully absorbing that he did not feel the cold wind that blew round his legs and against the projecting masses of the houses. If he entered the goldsmith's service, he must renounce his name, as he had already doffed his handsome garb as a nobleman. In the event of disaster, he could make no appeal to the privileges of his birth or the protection of his friends but at the cost of destroying the Comtesse de Saint-Vallier beyond all rescue. If the old lord suspected her of having a lover, he was capable of roasting her in an iron cage by a slow fire, of torturing her to death day by day in the depths of some dungeon.

As he looked down on the wretched clothes in which he was disguised, the gentleman was ashamed of his own appearance. To behold his black leather belt, his clumsy shoes, his wrinkled hose, his frieze breeches, and his gray cloth jerkin, he might be the follower of some mean sergeant of the law. To a nobleman of the fifteenth century it was as bad as death to play the part of pauper townsman and renounce the privileges of his rank. Still, to climb the roof of the mansion where his mistress sat weeping; to creep down the chimney or run along the parapet, crawling from gutter to gutter till he reached her window; to risk his life, if only he might sit by her side on a silken cushion, in front of a good fire, during the slumbers of that sinister husband, whose snore would enhance their rapture; to defy heaven and earth; to exchange the most audacious embrace; to speak words which would inevitably be punished by death, or at least by a bloody struggle,—all these enchanting visions, with the romantic perils of the adventure brought him to a decision. The smaller the prize of his endeavor,—were it only to be that he should once more kiss his lady's hand,—the more determined was he to dare everything, prompted by the chivalrous and impassioned spirit of the time. Then he did not really suppose that the Countess would dare to refuse him the sweetest reward of love, in the midst of such mortal dangers. The adventure was too perilous, too impossible, not to be carried through to the end.

At this juncture every bell in the town rang the curfew. The law had fallen into disuse, but in the provinces the hour was still tolled, for customs die slowly in the country. Though the lights were not put out, the captains of the watch stretched chains across the streets. Many doors were bolted and barred; the steps of a few belated citizens were heard in the distance as they made their way, surrounded by their followers, armed to the teeth and carrying lanterns; and then, ere long, the town, gagged as it were, seemed to fall asleep, fearing no attack from malefactors, unless by way of the roof.

And at that time the house-tops were a recognized highway during the night. The streets were so narrow in country towns, and even in Paris, that robbers could jump from one side to the other. This dangerous game was a constant amusement to King Charles IX. in his youth, if we may believe the memoirs of the time.

Fearing to be too late in presenting himself to Maître Cornélius, the young gentleman was on the point of rising to knock at the door of the House of Evil, when, on looking at it, his attention was riveted by a sort of vision, such as the writers of the day would have called diabolical. He rubbed his eyes as if to clear them, and a thousand different emotions flashed through his brain. On each side of the door he beheld a face framed between the bars of a sort of loophole. At first he supposed these faces to be grotesque masks carved in stone, so wrinkled were they, so angular, twisted, exaggerated, and motionless; they were tanned,—that is to say, brown; but the cold and the moonlight enabled him to detect the slight white cloud of thin breath coming out of the two blue noses, and at last he could make out in each haggard face, under shaggy eyebrows, a pair of china-blue eyes that sparkled with a pale light, like those of a wolf crouching in a thicket when he hears the hounds in full cry. The uneasy gleam of those eyes rested so fixedly on him, that, after meeting it during the moment when he was studying these singular objects, he felt like a bird put up by a sporting dog; a fevered spasm clutched at his heart, but was at once controlled. These two faces were beyond a doubt those of Cornélius and his sister.

The gentleman at once affected to be examining the street and to be in search of a dwelling of which the address was written on a card that he took out of his pocket, trying to read it by the moonlight; he then went straight up to the extortioner's door and gave three knocks, which echoed within the house as if this were the portal of a cellar. A small light became visible, and an eye was applied to a small and strongly barred wicket.

"Who is there?"

"A friend, sent by Oosterlinck of Bruges."

"What do you want?"

"To be let in."

"Your name?"

"Philippe Goulenoire."

"Have you letters of introduction?"

"Here they are."

"Put them in through the box."

"Where is it?"

"To the left."

Philippe Goulenoire put the letter into a slit in an iron chest below a loophole window.

"The devil!" thought he. "It is evident that the King comes here, for as many precautions are observed as he takes at Le Plessis."

He waited in the street about a quarter of an hour longer. At the end of that time he heard the old man say to his sister:

"Shut the traps inside the door."

Then a clatter of chains and iron echoed through the porch. Philippe heard bolts drawn and locks creak; finally a small, low door, sheathed with iron, opened so as to afford the smallest chink through which a man might squeeze. At the risk of tearing his clothes, Philippe crept rather than walked into the Malemaison. A toothless old woman with a face like a fiddle, and eyebrows like the handles of a caldron, who could not have put a nut between the tip of her nose and her chin, colorless, sallow, with hollow temples and an appearance of being constructed of nothing but bone and sinew, silently led the stranger into a low sitting-room, while Cornélius prudently kept in the rear.

"Be seated there," said she to Philippe, pointing to a three-legged stool that stood in the corner of a huge chimney-place of carved stone, though there was no fire on the hearth.

On the opposite side of this fireplace was a walnut-wood table with twisted legs, on which there were an egg in a plate and ten or twelve hard strips of dry bread cut with parsimonious exactitude. Two stools, on one of which the old woman seated herself, showed that the good folks were in the act of supping.

Cornélius went to close two iron shutters, protecting the peepholes, no doubt, through which they had so long been gazing into the street; then he came back to his place. Philippe, as he called himself, now saw the brother and sister take it in turns, with perfect gravity, to dip a strip of bread into the egg, with the same precision as soldiers use in dipping their spoon into the tin pot; but they scarcely colored them, in order that the egg might last out the full allowance of strips of bread. This was performed in perfect silence.

While he ate, Cornélius studied the sham apprentice with as much care and shrewdness as if he had been made of gold bezants. Philippe, feeling an icy cloak fall on his shoulders, was tempted to look about him; but, with the prudence born of a love-adventure, he took care not to cast even a furtive glance at the walls, for he was well aware that if Cornélius saw him in the act he would not keep an inquisitive man in the house. So he restricted himself to fixing a modest eye now on the egg, now on the old maid, and anon he contemplated his future master.

Louis' treasurer resembled that monarch; he had even caught some of his tricks, as not unfrequently happens when people live together in intimacy. The Fleming's thick eyebrows almost hid his eyes; but when he raised them a little his glance was bright, penetrating, and full of energy,—the look of men who are used to be silent, and to whom concentration of mind is a familiar habit. His thin lips, finely puckered with upright lines, gave him a keenly subtle expression. The lower part of his face, indeed, vaguely suggested a fox's muzzle; still, a lofty and prominent brow, deeply furrowed, seemed to reveal some great and fine qualities,—a noble soul whose flights had been checked by experience, while the bitter lessons of life had quenched it and thrust it down into the deepest secret places of this strange being. He was certainly no ordinary miser, and his passion no doubt covered intense joys and secret conceptions.

"At what rate are Venetian sequins doings?" he suddenly asked his intending apprentice.

"At three-quarters, at Bruges; at one, at Ghent."

"What is the freight on the Scheldt?"

"Three sous Parisis."

"Nothing new in Ghent?"

"Liéven d'Herde's brother is ruined."

"Indeed!"

After allowing this exclamation to escape him, the old man covered his knees with the skirt of his dalmatic, a sort of robe of black velvet in front, with wide sleeves and no collar. The magnificent material was shiny with wear. This relic of the handsome dress he had been wont to wear as president of the tribunal of Parchons—a position which had brought upon him the Duke of Burgundy's enmity—was no more than a rag.

Philippe was not cold; he was bathed in sweat, trembling lest he should be required to answer any further questions. So far the brief information he had extracted the day before from a Jew, whose life he had once saved, had proved sufficient, thanks to his good memory, and to the Jew's thorough knowledge of the money-lender's manners and habits. But the young gentleman who, in the first flush of enterprise, had been full of confidence, now began to perceive the many difficulties of the business. The terrible Fleming's solemn gravity and perfect coolness were telling on him. And besides, he felt himself under lock and key, and could picture all the Provost's cords at Maître Cornélius' command.

"Have you supped?" said the miser, in a tone which plainly meant "Do not sup."

In spite of her brother's tone the old woman was startled; she looked at their young inmate as if to gauge the capacity of the stomach she would be expected to fill, and then said with a false smile:

"You have not got your name for nothing, for your hair and moustache are blacker than the devil's tail."

"I have supped," replied he.

"Very well," said the miser; "then come to see me again to-morrow. I have long been accustomed to dispense with the services of an apprentice. Besides, the night brings good counsel."

"Nay, by Saint-Bavon! monsieur, I am from Flanders. I know nobody here, the chains are up. I shall be cast into prison. However," he added, frightened at the eagerness with which he had spoken, "of course, if it suits your convenience, I will go."

The oath had a strange effect on the old Fleming.

"Well, well. By Saint-Bavon! you shall sleep here."

"But——" his sister began in dismay.

"Silence," said Cornélius. "Oosterlinck, in his letter, answers for this youth. Have we not a hundred thousand livres in hand belonging to Oosterlinck?" he whispered in her ear; "and is not that good security?"

"And supposing he were to steal the Bavarian jewels? He looks far more like a thief than a Fleming."

"Hark!" exclaimed the old man, listening.

The two misers listened. Vaguely, an instant after the hush, a noise of men's steps was heard, far away on the further side of the city moat.

"It is the round of the watch at Le Plessis," said the sister.

"Come, give me the key of the apprentice's room," Cornélius went on.

The old maid was about to take up the lamp.

"What, are you going to leave us together without a light?" cried Cornélius, with evident meaning. "Cannot you move about in the dark at your age? Is it so difficult to find that key?"

The old woman understood the meaning behind these words, and went away.

As he looked after this extraordinary creature, just as she reached the door, Philippe Goulenoire could cast a furtive glance round the room unobserved by his master. It was wainscoted with oak half-way up, and the walls were hung with yellow leather, patterned with black; but what most struck him was a firelock musket with its long spring dagger attached. This new and terrible weapon lay close by Cornélius.

"How do you propose to earn your living?" asked the usurer.

"I have but little money," replied Goulenoire, "but I know some good trade recipes. If you will give me no more than a sou on every mark I earn for you, I shall be content."

"A sou! a sou!" cried the miser; "but that is a great deal."

Hereupon the old hag came in again.

"Come," said Cornélius to Philippe.

They went out into the entrance, and mounted a newel stair that ran up a turret close by the side of the living-room. On the first floor the young man paused.

"Nay, nay," said Cornélius. "The devil! why, these are the premises where the King takes his pleasure."

The architect had constructed the lodging for the apprentice under the conical roof of the staircase tower. It was a small circular room, with stone walls, cold and devoid of ornament. This tower stood in the middle of the front to the courtyard, which, as usual in provincial towns, was narrow and dark. Beyond and through the iron gratings of an arcade, there was a meagre garden, or rather a mulberry orchard, tended no doubt by Cornélius himself.

All this the youth could see through the loopholes in the turret, by the light of the moon, which happily shone brightly. A truckle-bed, a stool, a stone pitcher, and a rickety chest formed the furniture of this cage. The light was admitted through tiny square slits at regular intervals below the outer cornice of the structure, forming its ornamentation, no doubt, in character with this pleasing style of architecture.

"Here is your room. It is simple and strong. There is everything needed for sleep. Good-night. Do not leave it as the others did."

After giving his new apprentice a parting glance fraught with many meanings, Cornélius locked and double-locked the door, and carried away the key. He went downstairs again, leaving his man as much at his wit's end as a bell-founder who finds his mould empty. Alone, without a light, sitting on a stool in this little garret, which his four precursors had quitted only for the gallows, the young fellow felt like a wild animal caught in a sack. He sprang on to the stool, and stood on tiptoe to look out of the little loopholes through which the white light came in. He could thence see the Loire, the beautiful hills of Saint-Cyr, and the gloomy splendor of Le Plessis, where a few lights twinkled from the deep-set windows. Further away lay the fair fields of Touraine and the silvery reaches of the great river. Every detail of the pleasing landscape had at this moment an unwonted charm. Window-panes, water-pools, the roofs of the houses, glittered like gems in the tremulous moonbeams.

The young man could not altogether suppress some sweet but painful feeling.

"If it should be for the last time," thought he.

And he stood there, already tasting the terrible emotion his adventure had promised, and abandoning himself to the fears of a prisoner who still has a gleam of hope. Every difficulty added to his mistress' beauty. She was to him no longer a woman, but a supernatural being, seen through the hot vapors of desire.

A faint cry, which he fancied proceeded from the Hôtel de Poitiers, brought him to himself and to a sense of his situation. As he sat down on the bed to meditate on the matter, he heard a soft rustle on the winding stair. He listened with all his ears; and presently the words, "He is in bed," spoken by the old woman, reached his ear.

By an accident of which the architect was unaware, the least sound below was echoed in the turret room, so that the sham apprentice did not lose one of the movements of the miser and his sister, who were spying on him. He undressed, got into bed, and pretended to sleep, spending the time during which his two hosts remained on the watch on the turret steps, in devising the means for getting out of his prison and into the Hôtel de Poitiers. By about ten o'clock Cornélius and his sister, convinced that their apprentice was asleep, went to their own rooms.

The young man listened keenly to the dull remote sounds made by the Flemings, and fancied he could guess where they slept; they must, he thought, occupy the whole of the second floor.

As in all houses of that date, that floor was in the roof, with dormer windows richly ornamented with carved stone pediments. The roof was also edged by a sort of parapet, concealing the gutters for conducting the rain-water to the spouts, mimicking crocodiles' heads, which shed it into the street. The youth, who had studied his bearings as cunningly as a cat could have done, expected to find a means of getting from the tower on to the roof, and climbing along the gutter as far as Madame de Saint-Vallier's window, by the help of the water-spouts; but he had not known that the windows of the turret would be so small that it was impossible to pass through them. So he resolved to get out on the roof by the window that lighted the second-floor landing of the turret stair.

To execute this bold scheme, he must get out of his room, and Cornélius had the key. The young gentleman had taken the precaution of arming himself with one of the daggers, which were at this time in use for dealing the death-blow, the coup de grace, in single combat, when the adversary prayed that it might end. This horrible weapon had one edge as sharp as a razor, and the other toothed like a saw, with the teeth turned in a contrary sense to the thrust as it entered the body. The youth now proposed to use this dagger as a saw to cut the lock out from the wooden door. Happily for him, the staple proved to be attached to the inner side of the lintel by four large screws. By the help of his poniard he succeeded, not without difficulty, in unscrewing the staple which kept him a prisoner, and he carefully laid the screws on the chest.

By midnight he was free, and crept downstairs without his shoes to reconnoitre the ground. He was not a little surprised to find an open door to a passage leading to several rooms, and he saw at the end of it a window opening on to the V-shaped space between the roofs of the Hôtel de Poitiers and that of the Malemaison, which met here. Nothing could express his joy, unless it were the vow he forthwith made to the Holy Virgin to found a mass in her honor, at the famous parish church of Escrignoles. After studying from thence the tall and vast chimneys of the Hôtel de Poitiers, he went back again to fetch his weapon; but he now saw with a terrified shudder that there was a bright light on the stairs, and perceived Cornélius in his old dalmatic, carrying his lamp, his eyes wide open and fixed on the corridor, while he stood like a spectre at the entrance.

"If I open the window and leap out on the roof, he will hear me," thought the young man.

But the terrible Fleming was coming on—coming as the hour of death steals on the criminal. In this extremity, Goulenoire, his wits quickened by love, recovered his presence of mind; he shrank into the recess of a door, squeezing himself into the corner, and waited for the usurer to pass him. As soon as Cornélius, holding his lamp before him, was just at the angle where the youth could make a draught by blowing, he puffed out the light.

He now saw with a terrified shudder that there was a bright light on the stairs, and perceived Cornélius, in his old dalmatic, carrying his lamp.

Cornélius muttered a Dutch oath and some incoherent words; but he turned back. The gentleman then flew up to his room, seized his weapon, ran back to the thrice-blessed window, opened it cautiously, and sprang out on to the roof.

Once free and under the sky, he almost fainted with joy. The excitement of danger or the audacity of his enterprise perhaps caused his agitation; victory is often as full of risk as the battle. He leaned against a parapet, trembling with satisfaction, and asked himself:

"Now, by which of those chimneys can I get into her room?"

He looked at them all. With the instinct of a lover, he touched them by turns to feel in which there had been a fire. When he had made up his mind, the gallant youth fixed his dagger firmly in the joint between two stones, attached his rope-ladder, and threw it down the chimney; and then, without a qualm, trusting to his good blade, climbed down to his mistress. He knew not whether the Comte de Saint-Vallier were asleep or awake, but he was fully bent on clasping the Countess in his arms even if it should cost two men their life. He gently set foot on the still warm ashes; he yet more gently stooped down and saw the Countess seated in an armchair.

By the light of the lamp, pale and trembling with joy, the timid woman pointed to Saint-Vallier in bed, a few yards off. You may suppose that their burning and silent kiss found no echo but in their hearts.

---

By nine next morning, just as Louis XI. was coming out of chapel, after attending mass, he found Maître Cornélius in his path.

"Good luck, gossip," said he, curtly, as he pulled his cap straight.

"Sire, I will gladly pay a thousand gold crowns for a moment's speech of your Majesty, seeing that I have discovered the thief who stole the ruby chain and all the jewels."

"Let us hear this," said Louis XI., coming out into the courtyard of Le Plessis, followed by his treasurer, by Coyctier his physician, by Olivier le Daim, and the captain of the Scottish Guard. "Tell me your business. We are to have another man hanged for you, then? Here, Tristan!"

The Provost Marshal, who was marching up and down the courtyard, came up slowly, like a dog proud of his fidelity. The group paused under a tree. The King sat down on a bench; the courtiers formed a circle round him.

"Sire, I have been fairly trapped by a pretended Fleming," said Cornélius.

"He must be a wily knave indeed, then," said the King, shaking his head.

"Ay, truly," replied the goldsmith. "But I am not sure that he might not have beguiled you even. How was I to suspect a poor wight recommended to me by Oosterlinck, a man for whom I hold a hundred thousand livres? Nay, but I will wager that the Jew's seal is a forgery. In short, Sire, this morning I found myself robbed of the jewels you admired for their beauty. They have been stolen from me, Sire! The Elector of Bavaria's jewels stolen! The villains respect no man. They would rob you of your kingdom if you were not on the alert. Forthwith I went up to the room where I had bestowed this apprentice, who is certainly a past master of thieving. This time proofs are not lacking. He had unscrewed the staple of the lock; but on his return, the moon having set, he could not lay hands on all the screws. Thus, by good hap, as I went in, I trod on a screw. He was asleep, the varlet, for he was tired out. Fancy this, gentlemen; he had descended into my room by the chimney. To-morrow, or rather this evening, I will have it hot for him. We always learn something from these villains. He had about him a silken ladder, and his clothes bear the traces of his traveling over the roofs and through the chimney. He thought to live with me and bring me to ruin, the bold varlet! Now, where has he buried the jewels? The country-folk saw him early in the morning coming back across the roofs. He had accomplices waiting for him on the dyke you made. Ah, my lord, you are yourself the accomplice of thieves who come in boats; and, snap! they carry away what they will, and no traces left! However, we have the leader, a daring scapegrace, a rascal who would do credit to a gentleman's mother. Ay, he will look well hanging on a gibbet, and with a screw of the torture-chamber he will confess all. And is not this a matter for the honor of your rule? There should be no robbers under so great a King!"

But the King had long since ceased to listen. He was sunk in one of the gloomy moods that became frequent with him during the later years of his life. Silence reigned.

"This is your business man," said he at length, to Tristan. "Go and search out this matter."

He rose, and went forward a few steps; his courtiers left him to himself. He then perceived Cornélius, who, mounted on his mule, was going off in company with the Provost.

"And the thousand crowns?" said the King.

"Nay, Sire, you are too great a King! No sum of money could pay for your justice——"

Louis XI. smiled. The courtiers envied the old Fleming his bold tongue and many privileges; he rode off at a good pace, down the avenue of mulberry-trees that led from Le Plessis to Tours.

Exhausted by fatigue, the young gentleman was, in fact, sleeping soundly. On his return from his adventure of gallantry, he had ceased to feel such spirit and ardor for defending himself against distant and perhaps imaginary dangers, as had inspired him to rush on perilous delights. So he had postponed till morning the task of cleaning his soiled raiment and effacing the traces of his success. It was a great blunder, but one towards which everything tended. When, in the absence of the moon, which had set while he was happy with his love, he failed to find all the screws of the vexatious staple, he lost patience. Then, with the happy recklessness of a man full of contentment, or longing for rest, he trusted to the good luck of his fate, which had so far served him so well. He did, indeed, make a sort of bargain with himself, in virtue of which he was to wake at daybreak; but the events of the day and the excitements of the night hindered him from keeping the promise. Happiness is oblivious. The goldsmith seemed less formidable to the young gentleman as he lay on the hard truckle-bed whence so many of his predecessors had risen only to go to execution, and this recklessness was his undoing.

While the King's treasurer was on his way back from Plessis-les-Tours, escorted by the Provost and his terrible bowmen, the self-styled Goulenoire was being watched by the old sister, who sat knitting stockings for Cornélius on one of the steps of the turret stair, never heeding the cold.

The youth, meanwhile, was prolonging the joys of that enchanting night, ignorant of the disaster which was coming down on him at a gallop. He was dreaming. His dreams, like all the visions of youth, were so vividly colored that he was unconscious of where illusion began and reality ended. He saw himself on a cushion at the lady's feet; his head on her knees warm with affection; he was listening to the tale of the persecutions and petty tyranny the Count had so long inflicted on his wife; he wept with the Countess, who was, in fact, of all his natural children the daughter Louis XI. loved best; he promised her that he would go on the morrow and reveal all the facts to that terrible father. They had settled everything in their mind, annulling the marriage and imprisoning the husband, while they themselves might at any moment be the victims of his sword if the least sound had roused him. But in his dream the light of the lamp, the flame in their eyes, the hues of stuffs and tapestries, were brighter than in fact; a richer perfume exhaled from their night garments; there was more love in the air, more glow in the atmosphere, than there had been in reality. And the Marie of his dream was far less obdurate than the living Marie had been, to the languishing looks, the insinuating prayers, the magical questioning, the expressive silence, the voluptuous solicitation, the affected generosity which make the first moments of passion so fiercely ardent, and rouse lovers' souls to increased intoxication at each step in their love.

In accordance with the jurisprudence of love in those days Marie de Saint-Vallier granted her adorer the superficial privileges of la petite oie; that is to say, she willingly allowed him to kiss her feet, her robe, her hands, and her throat; she confessed her love; she accepted her lover's attentions and vows; she would permit him to die for her; she allowed herself to encourage an intoxication to which this half reserve, severe and often cruel as it was, gave added heat; but she was herself immovable, and would promise the highest reward of love only as the price of her deliverance. To annul a marriage in those days recourse to Rome was necessary. The parties needed the devotion of a few cardinals, and had to appear in the presence of the Sovereign Pontiff armed with the King's protection. Marie wished to owe her liberty to love, that she might resign it into love's hands.

In those days almost every woman had power enough so to establish her empire in the heart of a man as to make his passion the history of his whole life, the mainspring of the highest resolve. But then ladies could be numbered in France; they were so many sovereigns; they had a noble pride; their lovers belonged to them rather than they to the men; their love often cost much bloodshed, and to be accepted by them dangers had to be faced.

But in his dream Marie was merciful, and deeply touched by the devotion of her beloved, and she made little resistance to the handsome youth's vehement passion. Which was the real Marie? Did the so-called apprentice see the true woman in his dream? Was the lady he had found in the Hôtel de Poitiers merely wearing a mask of virtue? The question is a delicate one, and the honor of the ladies requires that it should remain undecided.

At the very moment when the dream-Marie was about perhaps to forego her high dignity as his mistress, the lover felt himself gripped by an iron hand, and the sharp tones of the Provost thus addressed him:

"Come, you midnight Christian, who go feeling about for heaven. Come, wake up!"

Philippe saw Tristan's swarthy face and recognized his sardonic smile; and then on the steps of the spiral stairs he saw Cornélius and his sister, and behind them the Provost's men-at-arms. At this sight, at the aspect of all those diabolical countenances expressing hatred or else the vile curiosity of men accustomed to the hangman's office, Philippe Goulenoire sat up in bed and rubbed his eyes.

"'Sdeath!" cried he, snatching his dagger from under his pillow. "It is time to be trying knife-play!"

"Oh, ho!" cried Tristan. "I smell the gentleman! It strikes me that we have here Georges d'Estouteville, nephew to the grand captain of the crossbowmen."

On hearing his true name proclaimed by Tristan, young d'Estouteville thought less of himself than of the danger his unhappy mistress would be in if he were recognized. To divert suspicion, he exclaimed:

"By all the devils, help! All good vagabonds, help!"

After this terrible outcry, uttered by a man who was absolutely desperate, the young courtier with one tremendous bound, poniard in hand, rushed out to the stairs. But the Provost's followers were used to such adventures. As soon as Georges d'Estouteville had reached the steps, they dexterously captured him, undaunted by the vigorous thrust he made at one of them, which fortunately slipped on the man's breastplate. They disarmed him, tied his hands, and threw him back on his bed under the eyes of their chief, who stood thoughtful and immovable.

Tristan silently examined the prisoner's hands, and scratching his chin he pointed them out to Cornélius, saying:

"Those are no more the hands of a robber than those of an apprentice. He is of noble birth."

"Say rather of ignoble earth," cried the Fleming, dolefully. "My good Tristan, whether he be noble or base-born, the villain has undone me. I would I might see him at this moment with his hands and feet toasting, or fitted into your neat little boots. He is beyond a doubt the captain of the invisible legion of devils who know all my secrets, open all my locks, rob me, and kill me by inches. They are rich by now, my friend. Ah! But this time we will have their treasure, for this fellow looks like the King of Egypt. I shall get back my precious rubies and vast sums of money; our good King shall have his hands full of crowns."

"Oh, our hiding-places are safer than yours!" said Georges, smiling.

"Ah, the damned villain, he confesses!" exclaimed the miser.

The Provost Marshal, meanwhile, had been examining the prisoner's clothes and the lock.

"Was it you who unscrewed all those rivets?"

Georges made no reply.

"Oh, very well; hold your tongue if you like. You will confess presently to Saint-Rack-bones," said Tristan.

"Ah, now you talk sense!" cried Cornélius.

"Lead him away," said the Provost.

Georges d'Estouteville asked permission to dress. At a sign from their master, the men-at-arms dressed the prisoner with the dexterous rapidity of a nurse who takes advantage of a moment when her baby is quiet, to change its clothes.

---

A great crowd had collected in the Rue du Mûrier. Their murmurs grew louder every moment, and seemed to threaten a riot. Rumors of the theft had been rife in the town from an early hour. Popular sympathy was in favor of the apprentice, who was said to be young and good-looking, and there was a general revival of hatred against Cornélius; so there was never a good mother's son, nor a young woman blest with neat feet and a rosy face, who was not eager to see the victim. There was a fearful uproar as soon as Georges appeared in the street, led by one of the Provost's men who, though mounted on a horse, held the strong leather thong by which the prisoner was secured, twisted round his arm, while the young man's hands were tightly tied. Whether it was merely to see Philippe Goulenoire, or in the hope of a rescue, those behind pushed those in front close up to the guard of cavalry posted outside the Malemaison. At this instant Cornélius and his sister slammed the door and closed the shutters with the vehemence of panic terror. Tristan, who was not accustomed to respect the populace, saw that the mob was not yet master, and cared not a straw for any riot.

"Push on, push on!" said he to his men.

At their master's word the bowmen urged their horses towards the end of the street. And then, seeing two or three inquisitive mortals fallen under the horses' feet, and some others crushed against the walls where they were being stifled, the crowd that had collected took the wiser part and went home again.

"Make way for the King's justice!" cried Tristan. "What business have you here? Do you want to be hanged, too? Go home, good folks, your roast meat is burning! Now then, goodwife, your husband's hose need mending; go back to your needle."

Although these facetious remarks showed that the Provost was in high good humor, the most daring fled from him as if he were the Black Death. Just as the crowd began to give way, Georges d'Estouteville was startled to see, at one of the windows of the Hôtel de Poitiers, his beloved Marie de Saint-Vallier, laughing with the Count. She was laughing at him, the unhappy, devoted lover, who was going to death for her sake. Nay, perhaps she only was amused by those in the crowd whose caps had been knocked off by the archer's accoutrements.

A man must be three and twenty and rich indeed in illusions, must dare to trust in a woman's love, must love with all the powers of his being, and, after risking his life with joy on the faith of a kiss, must feel himself betrayed, ere he can understand the rage, hatred, and despair that surged up in the young man's soul as he saw his mistress laughing and vouchsafing him only a cold and indifferent glance. She had, no doubt, been there some time, for her arms rested on a cushion. She was evidently quite comfortable, and her old ogre quite content. He was laughing, too,—curse him for a hunchback!

A tear or two trickled from the young man's eyes; but when Marie saw them, she hastily drew back. And suddenly Georges' eyes were dry, for he descried the red and black feathers of the page who was devoted to him.

The Count did not observe the movements of that cautious servant, who came in on tiptoe. The page spoke a word in his mistress' ear, and then Marie came back to the window. She contrived to evade the watchful eye of her tyrant long enough to flash a look at her lover—the look of a woman who has skilfully deceived her Argus—bright with the fires of love and the triumph of hope.

"I am watching over you." If she had shouted the words, it could not have expressed so many things as this glance, embodying a thousand thoughts, and charged with the alarms, the joys, the perils, of their situation. It bore him from heaven to martyrdom, and from martyrdom to heaven. And so the young man, light-hearted and content, marched on to execution, counting the anguish of the torture-chamber as a small price for the raptures of love.

As Tristan was turning out of the Rue du Mûrier, his men drew up at the presence of an officer of the Scottish Guard, who rode up at full tilt.

"What is to do?" asked the Provost.

"Nothing that concerns you," replied the officer, scornfully. "The King has sent me to summon the Comte and Comtesse de Saint-Vallier, whom he bids to dine at his table."

Hardly had the Provost reached the quay of Le Plessis when the Count and his wife, both riding, she on a white mule and he on his horse, and followed by two pages, came up with the bowmen to enter the precincts of the château in their company. The whole party went but slowly. Georges was on foot, between two men-at-arms, one of whom still led him by the thong.

Tristan, the Count, and his wife naturally led the van, and the criminal came behind. The younger page, mingling with the bowmen, was questioning them, or from time to time addressing the prisoner; and he cleverly seized an opportunity to say in an undertone:

"I climbed over the garden wall of Le Plessis, and carried a letter that madame had written to the King. She thought she would have died when she heard that you were accused of theft. Be of good courage; she will speak for you."

Love had already lent the Countess courage and craft. When she had laughed, her attitude and mirth were due to the heroism women can display in the great crises of life.

Notwithstanding the singular caprice which led the author of Quentin Durward to place the château of Plessis-les-Tours on a height, we are compelled to leave it where it really stood at that time, in a hollow, protected on two sides by the Cher and the Loire, and again by the canal, named by Louis XI. the Canal Sainte-Anne in honor of his favorite daughter, Madame de Beaujeu. By uniting the two rivers between Tours and Le Plessis, this canal was at once a formidable protection to the stronghold and a valuable highway for trade. On the side next to the broad and fertile plain of Bréhémont, the park was enclosed behind a moat, of which the enormous width and depth are sufficiently shown by what remains.

Thus, at a period when the power of artillery was in its infancy, the position of Le Plessis, long since chosen by Louis XI. as his favorite retreat, might be regarded as impregnable. The château itself was built of brick and stone, and not in any way remarkable, but it was surrounded by fine groves, and from its windows, through the alleys of the park (Plexitium), the loveliest views possible could be seen. And no rival mansion was to be found anywhere near this lovely palace standing exactly in the middle of the little plain enclosed for the King within four effectual bulwarks of water. If tradition may be trusted, Louis XI. occupied the western wing, and he could from his room see at once the course of the Loire, and beyond the river the pretty valley watered by the Choisille, and part of the hills of Saint-Cyr; from the windows overlooking the courtyard he commanded the entrance to his fortress, and the quay by which his favorite residence was connected with the city of Tours. The King's suspicious temper gives weight to this tradition. And certainly, if Louis XI. had but lavished in the building of this palace such architectural magnificence as François I. afterwards indulged at Chambord, the home of the kings of France would have been permanently fixed in Touraine. This beautiful spot, and its lovely scenery, have only to be seen to prove its superiority over the situation of any other royal residence.

Louis XI., now in his fifty-seventh year, had scarcely three more years to live, and was already made aware of the approach of death by attacks of illness. Delivered now from his enemies, and on the eve of adding to the kingdom of France all the possessions of the duchy of Burgundy, by means of a marriage, arranged by Desquerdes, the captain-general of his army in Flanders, between the Dauphin and Marguerite, sole heiress of Burgundy; having secured his authority in every part of his realm, while still planning wise improvements, he saw time slipping from his grasp, nothing left to him but the troubles of advancing years. Deceived by everybody, even by his creatures, experience had increased his natural distrustfulness. The desire to live had become in him the egoism of a king who had made himself one incarnate with his people, and who craved for long life to carry out vast schemes.

Everything that the good sense of public-spirited statesmen or the instinct of revolution has since achieved in reforming the monarchy, Louis XI. had thought out. Equality of taxation, and that of all subjects in the eye of the Law—the Sovereign was the Law then—were objects he boldly strove for. On the day before All Saints he had assembled certain learned goldsmiths to establish uniform weights and measures throughout France, as he had already established uniform authority. Thus his great mind soared eagle-like above the whole kingdom, and Louis XI. added to the cautiousness of a king the eccentricities that are natural to men of lofty genius.

So grand a figure would at no period have appeared more poetical or more dignified. A strange mixture of contrasts! A great will in a feeble frame; a mind incredulous as to earthly things, credulous as concerned religious practices; a man combating two forces greater than himself—the present and the future: the future, when he dreaded to endure torment, which made him sacrifice so largely to the Church; the present, his actual life, for whose sake he was a slave to Coyctier. This King, who could crush whom he would, was crushed by remorse, and yet more by sickness, in the midst of all the mysterious prestige that enwraps a suspicious king, in whom all power centres.

It was the stupendous and always impressive struggle of man in the fullest expression of his power, rebelling against nature.

---

While waiting till the dinner hour, at that time between eleven o'clock and noon, Louis XI., after a short walk, was sitting in a large tapestried armchair in the chimney-corner of his own room. Olivier le Daim and Coyctier, the leech, looked at each other without a word, standing in a window-bay, and respecting their master's slumbers. The only sound to be heard was that made in the ante-room by the two chamberlains-in-waiting, as they paced to and fro; the Sire de Montrésor and Jean Dufou, Sire de Montbazon. These two, gentlemen of the Touraine, kept an eye on the captain of the Scottish Guard, who was probably asleep in his chair, as was his custom.

The King seemed to be dozing; his head was sunk on his breast; his cap, pulled over his brow, almost concealed his eyes. Thus huddled in his raised throne, which was surmounted by a crown, he looked like a man who had fallen asleep in the midst of some deep calculation.

At this moment Tristan and his party were crossing the bridge of Sainte-Anne over the canal, at about two hundred paces from the entrance to the château.

"Who goes there?" asked the King.

The courtiers looked inquiringly at each other in surprise.

"He is dreaming," whispered Coyctier.

"Pasques Dieu!" cried the King. "Do you take me for a fool? Somebody is coming across the bridge. To be sure, I am sitting by the chimney, and of course can hear the sound more clearly than you can. That natural effect might be utilized——"

"What a man!" said Olivier le Daim.

Louis XI. rose and went to the window, whence he could look out on the town; then he saw the High Provost, and exclaimed:

"Ah ha! Here is my old gossip with his thief. And there, too, comes my little Marie de Saint-Vallier. I had forgotten that little matter. Olivier," he went on, addressing the barber, "go and tell Monsieur de Montbazon to put us some fine Burgundy on the table; and see that the cook gives us lampreys. Madame la Comtesse dearly likes them both. May I eat lampreys?" he added after a pause, with an uneasy look at Coyctier.

His attendant's only reply was to examine his master's face. The two men made a picture.

History and romance have consecrated the brown camlet overcoat, and trunks of the same material worn by Louis XI. His cap, garnished with pewter medals, and his collar of the Order of Saint-Michael, are no less famous; but no writer, no painter, has ever shown us the terrible King's face in his later days: a sickly face, hollow, yellow, and tawny, every feature expressive of bitter cunning and icy irony. There was, indeed, a noble brow to this mask, a brow furrowed with lines and seamed with lofty thought, but on his cheeks and lips a singularly vulgar and common stamp. Certain details of that countenance would have led to the conclusion that it belonged to some debauched old vine-grower, some miserly tradesman; but then, through these vague suggestions and the decrepitude of a dying old man, the King flashed out, the man of power and action. His eyes, pale and yellow, looked extinct; but a spark lurked within of courage and wrath, which at the least touch would flame up into consuming fires.

The physician was a sturdy citizen, dressed in black, with a florid, keen, and greedy face, giving himself airs of importance.

The setting of these two figures was a room paneled with walnut wood, and hung with fine Flemish tapestry above the wainscot; the ceiling, supported on carved beams, was already blackened by smoke. The furniture and bedstead, inlaid with arabesques in white metal, would seem more valuable now than they really were at that time, when the arts were beginning to produce so many masterpieces.

"Lamprey is very bad for you," replied the physician.[G]

"What am I to eat, then?" the King humbly asked.

"Some widgeon, with salt. Otherwise you are so full of bile that you might die on All Souls' day."

"To-day?" cried the King, in great alarm.

"Oh, be easy, Sire, I am here," replied Coyctier. "Try not to fret, and amuse yourself a little."

"Ah," said the King, "my daughter used to be skilled in that difficult art."

Just then Imbert de Bastarnay, Sire de Montrésor and de Bridoré, gently knocked at the royal door. By the King's leave he came in, announcing the Comte and Comtesse de Saint-Vallier. Louis nodded. Marie entered the room, followed by her old husband, who allowed her to precede him.

"Good-day, my children," said the King.

"Sire," said the lady in a whisper, as she embraced him, "I would fain speak with you in private."

Louis XI. made as though he had not heard her.

"Dufou, hola!" cried he, in a hollow voice. Dufou, Lord of Montbazon and high cupbearer of France, hastened in.

"Go to the steward; I must have a widgeon for dinner. Then go to Madame de Beaujeu and tell her that I dine alone to-day. Do you know, madame," the King went on, affecting some little anger, "that you neglect me? It is nearly three years since I saw you last. Come, come hither, pretty one," he added, sitting down and holding out his arms to her. "How thin you are! What do you do to make her so thin? Heh?" he suddenly asked, turning to the Count.

The jealous wretch gave his wife such a pathetic look that she was almost sorry for him.

"It is happiness, Sire," he replied.

"Oh, ho! You are too fond of each other," said the King, holding his daughter upright on his knees. "Well, well, I see I was right, then, when I called you Marie-pleine-de-Grace. Coyctier, leave us! Now, what do you want of me?" he added, to his daughter, as the leech disappeared. "When you sent me your——"

In such peril Marie audaciously laid her hand on the King's mouth, and said in his ear:

"I always thought you secret and keen-witted——"

"Saint-Vallier," said the King, laughing, "I believe that Bridoré has something to say to you."

The Count left the room; but he shrugged one shoulder in a way his wife knew only too well; she could guess the jealous monster's thoughts, and concluded that she must be on her guard against his malignancy.

"Now tell me, child, how do you think I am looking? Am I much altered?"

"Gramercy, my lord, do you want the truth? Or shall I speak you fair?"

"No," said he, in a husky voice, "I want to know where I stand."

"In that case, you look but ill to-day. But I trust my truthfulness may not mar the success of my business."

"What is it?" asked the King, passing one of his hands over his knitted brows.

"Well, Sire," said she, "the young man who has been arrested in the house of your treasurer Cornélius, and who is at this present in the hands of your Provost Marshal, is innocent of stealing the jewels of Bavaria."

"How do you know?" asked the King.

Marie hung her head, and blushed.

"I need not ask if there is a love-affair at the bottom of this," said Louis XI., gently raising his daughter's face, and stroking her chin. "If you do not confess every morning, child, you will go to hell."

"And cannot you oblige me without violating my secret thoughts?"

"What would be the pleasure of that?" exclaimed the King, seeing that there might be some amusement in the matter.

"Oh, but you would not wish your pleasure to cost me sorrow?"

"Heh! sly puss, do not you trust me?"

"Well, then, my lord, set this young gentleman free."

"Oh, ho! So he is a gentleman!" cried the King. "Then he is not an apprentice?"

"He is most certainly innocent," said she.

"I do not see it in that light," said the King, coldly. "I am the supreme judge in my kingdom, and it is my duty to punish malefactors."

"Fay, come, do not put on your considering face. Grant me the young man's life!"

"Would not that be giving you back what is your own?"

"Sire," said she, "I am honest and virtuous. You are mocking me."

"Well, then," said the King, "as I cannot see my way in this business, let Tristan throw some light upon it."

Marie de Sassenage turned pale. With a violent effort she said:

"Sire, I assure you that you will be in despair if you do.The so-called thief has stolen nothing. If you will promise me his pardon, I will tell you everything, even if you should visit it on me."

"Oh, ho! This looks serious," said Louis XI., setting his cap aside. "Speak, my child."

"Well," said she, in a low voice, and speaking with her lips close to her father's ear, "the gentleman spent the night in my room."

"He may have gone to see you, and yet have robbed Cornélius—a double larceny."

"Sire, I have your blood in my veins, and I am not the woman to love a vagabond. This gentleman is the nephew of the captain-general of your crossbowmen."

"Go on," said the King. "It is very hard to get anything out of you."

As he spoke, Louis flung his daughter off to some distance; and she stood trembling while he ran to the door into the next room, but on tiptoe, and without making a sound. A moment since the light from a window in the outer room, shining beneath the door, had shown him the shadow of a pair of feet close to the entrance. He suddenly opened the iron-bound door, and surprised the Comte de Saint-Vallier, who was listening.

"Pasques Dieu!" cried he, "this is such insolence as deserves the axe."

"My liege," said Saint-Vallier, boldly, "I would rather have the axe at my neck than the ornament of the married on my forehead."

"You may live to have both," said the King. "Not a man of you all is secure against those two misfortunes, my lords. Go into the farther ante-room. Conyngham," he went on, addressing the Scottish captain, "were you asleep? And where is Monsieur Bridoré? Do you allow me to be thus invaded? Pasques Dieu! the plainest citizen in Tours is better served than I am."

Having thus vented his anger, Louis came back into his room; but he took care to draw the tapestry curtains which covered the door on the inner side, less for the purpose of moderating the cold draught than of smothering the King's words.

"And so, daughter," said he, amusing himself by teasing her, as a cat plays with a mouse it has caught, "Georges d'Estouteville was your gallant yesterday?"

"Oh, no, Sire!"

"No? Then by Saint-Carpion! he deserves to die. The villain did not think my daughter fair enough perhaps."

"Oh, if that is all," said she, "I assure you he kissed my feet and hands with such ardor as might have melted the most virtuous wife. He loves me, but honestly, as a gentleman should."

"And do you take me for Saint-Louis that you foist such a tale on me? A youngster of that pattern would have risked his life to kiss your slippers or your sleeve! Nay, nay——"

"Ay, my lord, but it is true. Still he came for another reason."

As she spoke, it struck Marie that she had imperiled her husband's life, for Louis at once eagerly inquired:

"For what?"

The adventure was amusing him hugely. He certainly did not expect the strange revelations now made by his daughter, after stipulating for her husband's pardon.

"Oh, ho! Monsieur de Saint-Vallier, so this is the way you draw the blood royal!" cried the King, his eyes blazing with wrath.

At this moment the bell of Le Plessis rang to call the King's escort to arms. Leaning on his daughter's arm, Louis XI. appeared on the threshold and found his guard in attendance. He first glanced dubiously at the Comte de Saint-Vallier, considering the sentence he was about to pronounce on him.

The deep silence was broken by Tristan's footsteps coming up the grand stairs. He came into the room, and advancing to the King said:

"Sire, the matter is settled!"

"What, all over?" said the King.

"Our man is in the priest's hands. He confessed to the theft after a screw of the rack."

The Countess sighed and turned pale; she could not even command her voice as she looked at the King. This glance was not lost on Saint-Vallier, who said in an undertone:

"I am undone. The thief is known to my wife!"

"Silence!" cried the King. "There is some one here of whom I am tired. Go quickly and stop the execution," he added, turning to the Provost. "You will answer to me for the criminal; your life for his, my friend! This affair must be thoroughly searched out, and I reserve the judgment. Provisionally, set the prisoner at large. I shall know where to find him; these robbers have hiding-places that they love, dens where they lurk. Make it known to Cornélius that I purpose going to his house this very evening to conduct the inquiry. Monsieur de Saint-Vallier," the King went on, fixing his eyes on the Count, "I have heard of all your doings. All the blood in your body cannot pay for one drop of mine; do you know that? By our Lady of Clery, you have been guilty of high treason. Did I give you so sweet a wife that you might make her pale and haggard? Marry, my lord! You go to your own house at this moment, and make you ready there for a long journey."

The mere habit of cruelty made the King pause on these words, but he presently added:

"You will set forth this night to treat of my business with the Signors of Venice. Do not be uneasy; I will bring your wife home with me this evening to my château of Le Plessis; there, at least, she will be safe. Henceforth I shall take better care of her than I have done since you wedded her."

Marie, as she heard these words, silently pressed her father's arm to thank him for his clemency and good grace. As to Louis, he was laughing in his sleeve.

Louis XI. dearly loved to interfere in his subjects' concerns, and was ever ready to mingle in his own royal person in scenes of middle-class life. This fancy, severely blamed by some historians, was no more than the passion for the incognito which is one of the chief amusements of princes, a sort of temporary abdication which enables them to bring a breath of work-a-day life into an existence which is insipid for lack of opposition; but then Louis XI. played at an incognito without any disguise. In this sort of adventures, too, he was always good-humored, and did his utmost to be pleasant to the citizen class, of whom he had made friends and allies against the feudal lords.

It was now some little time since he had an opportunity of thus making himself popular, or taking up the defence of a man enmeshed in some actionable offence, so he was ready to enter vehemently into Maître Cornélius' alarms and the Countess' secret griefs.

Several times during dinner he said to his daughter:

"But who can have robbed my old gossip? He has lost more than twelve hundred thousand crowns' worth of jewels, stolen within the last eight years. Twelve hundred thousand crowns, my lords," he repeated, looking round on the gentlemen in attendance. "By our Lady, for such a sum of money a great many absolutions may be bought of the Court of Rome. I could have embanked the Loire for the money, or, better still, have conquered Piedmont—a fine bulwark, ready made, for our kingdom."

---

When dinner was ended, Louis XI. led away his daughter, his physician, and the Provost Marshal, and made his way with an escort of his guard to the Hôtel de Poitiers, where, as he had expected, he found the Comte de Saint-Vallier, who was awaiting his wife, perhaps to get rid of her.

"Monsieur," said the King, "I had instructed you to depart as soon as possible. Take leave of your wife and get across the frontier; you will be granted an escort of honor. As to your instructions and letters of credit, they will be at Venice sooner than you."

Louis gave his orders, adding certain secret instructions, to a lieutenant of the Scottish Guard, who was to take a company and attend his envoy to Venice. Saint-Vallier went off in great haste, after giving his wife a cold kiss, which he would gladly have rendered fatal.

As soon as the Countess had retired to her room, Louis proceeded to the Malemaison, very anxious to see the end of the dismal farce that was going on under his gossip the usurer's roof, and flattering himself that, being the King, he would have keen wit enough to detect the robbers' secrets.

It was not without apprehension that Cornélius saw his master's company.

"And are all these folks part of the ceremony?" he asked in a low voice. Louis could not help smiling at the terrors of the old miser and his sister.

"No, gossip," replied he, "be quite easy. They will sup with us at my house; we shall go into the matter alone. I am such a good justiciary that I wager ten thousand crowns I find the criminal."

"Let us find him, my lord, and never mind the wager."

They went into the closet where the Fleming stored his treasures. Here King Louis, having first examined the case which had contained the Elector of Bavaria's jewels, and then the chimney down which the thief was supposed to have come, easily proved to the goldsmith that his suspicions were unfounded, inasmuch as there was no soot on the hearth—where, indeed, a fire was rarely kindled—and no trace of any kind in the chimney. Moreover, the chimney opened to a part of the roof that was practically inaccessible. Finally, after two hours spent in investigations characterized by the sagacity which distinguished the King's distrustful temper, it was proved to a demonstration that no one could have got into the miser's treasury. There was no mark of violence on any of the locks, inside or out, nor on the iron coffers containing his gold and silver and the costly jewels pledged by wealthy borrowers.

"If the robber opened this board," said Louis XI., "why did he take only the Bavarian jewels? Why should he have left this pearl necklace? A strange thief, indeed!"

At this reflection the hapless miser turned pale; the King and he eyed each other for a moment.

"Well, then, my liege, what was the robber doing whom you have taken under your protection, and who certainly was out during the night?"

"If you have not guessed, master, I desire that you never will; it is one of my secrets."

"Then the devil haunts me!" said the goldsmith, lamentably.

Under any other circumstances the King would have laughed at his treasurer's exclamation; but he stood thinking and gazing at Maître Cornélius with the scrutiny familiar to men of genius and authority, as if he could see into the man's brain. The Fleming, in fact, was terrified, thinking he had offended his formidable master.

"Angel or devil, I will have the malefactor!" the King suddenly exclaimed. "If you are robbed this night, I will know by whom to-morrow. Call up that old ape, your sister," he added.

Cornélius almost hesitated to leave the King alone in the room that contained his treasure; however, he went, coerced by the strength of the bitter smile that curled Louis' faded lips. And in spite of his confidence, he soon returned, followed by the old woman.

"Have you any flour?" asked the King.

"To be sure! we have laid in our store for the winter," said she.

"Well, then, bring it here," said the King.

"And what would you be doing with our flour, Sire?" cried she in alarm, and not in the least awed by the presence of majesty, like all persons possessed by a ruling passion.

"You old fool, will you do as our gracious liege bids you?" cried Cornélius. "Does the King want your flour?"

"This is what I buy fine flour for," muttered she, on the stairs. "Oh, my good flour!"

She turned back to say to the King:

"Is it your royal whim, my lord, to examine my flour?"

But at last she returned with one of the linen bags, which from time immemorial have been used in Touraine for carrying provisions to or from market—walnuts, fruit, or corn. This sack was half full of flour. The housewife opened it, and timidly showed it to the King, looking at him with the swift stolen glances by which old maids, as it would seem, hope to cast venom on a man.

"It is worth six sous the measure," said she.

"What matter!" replied the King. "Sprinkle it on the floor, and above all strew it very evenly, as if there had been a light fall of snow."

The old woman did not understand. The order dismayed her more than the end of the world could have done.

"My flour, my liege—on the floor—why——"

Maître Cornélius, who had an inkling, though a vague one, of the King's idea, snatched the bag, and sprinkled the flour gently on the boards. The old woman shuddered, and held out her hand for the bag; as soon as her brother restored it to her, she vanished with a deep sigh.

Cornélius took a feather broom and began spreading the flour with it over the floor till it lay like a sheet of snow, walking backwards towards the door, followed by the King, who seemed greatly amused by the proceedings. When they were at the threshold, Louis XI. said to his gossip:

"Are there two keys to the lock?"

"No, Sire."

The King examined the structure of the door, which was strengthened by large iron plates and bars. All the parts of this armor centered round a lock with a secret, of which Cornélius alone had the key. After investigating it thoroughly, Louis sent for Tristan, and bid him to set a watch with the utmost secrecy that night, some in the mulberry-trees on the quay, and on the parapets of the neighboring houses; but first to collect all his men to escort him back to Le Plessis, so as to make it appear that he, the King, was not supping with Maître Cornélius. Then he desired the miser to be so particular in closing every window, that not a glimmer of light could pierce through, and to order a light meal, so as not to give a hint that His Majesty was sleeping there that night.

The King set out in state by the dyke road and returned privily, with only two attendants, by the rampart gate to the house of his friend the miser. Everything was so well arranged that all the townsfolk and courtiers supposed that the King had chosen to go back to the château, and would sup with the treasurer on the morrow. The miser's sister confirmed this notion by buying some green sauce from the best maker, whose shop was close to the quarroir aux herbes, since called the carroir de Beaune, in honor of a splendid white marble fountain which the unfortunate Semblançay (Jacques de Beaune) sent for from Italy to adorn the capital of his province.

At about eight in the evening, when the King was at supper with his leech, Cornélius and the captain of the Scottish Guard, talking gayly and forgetting that he was Louis XI. and ill, and almost dying, perfect silence reigned outside, and the passers-by, nay, even a thief, might have supposed the dwelling to be uninhabited.

"I hope," said the King, laughing, "that my gossip may be robbed this night, to satisfy my curiosity. And see to it, gentlemen, that no one leaves his chamber to-morrow morning without my orders, under pain of serious punishment."

Thereupon they all went to bed.

---

Next morning Louis XI. was the first to leave his room, and he made his way towards Cornélius' treasure-room. He was not a little surprised to detect the prints of a large foot on the stairs and in the passages of the house. Carefully avoiding these precious marks, he went to the door of the miser's closet and found it locked, with no traces of violence. He examined the direction of the footprints, but as they gradually grew fainter and at last left no mark, it was impossible to discover how the robber had escaped.

"Ah ha! gossip," cried the King to Cornélius, "you have been robbed, that is very certain!"

At these words the old Fleming came out, a prey to evident horror. Louis XI. led him to look at the footprints on the boards, and while examining them once more, the King, having by chance observed the miser's slippers, recognized the shape of the sole of which so many copies were stamped on the flooring. He said not a word, and suppressed a laugh, remembering how many innocent men had been hanged.

Cornélius hurried into his strong room. The King, bidding him make a fresh footprint by the side of those already visible, convinced him that the thief was none other than himself.

"The pearl necklace is missing!" cried Cornélius. "There is witchcraft in this. I have not left my room."

"We will find out about that at once," said the King, puzzled by the goldsmith's evident good faith.

He called the men of the watch into his room and asked them:

"Marry now, what did you see in the night?"

"Ah, Sire! a magical sight!" replied the lieutenant. "Your Majesty's treasurer stealing downstairs close to the wall, and so nimbly that at first we took him for a spectre."

"I!" cried Cornélius, who then stood silent and motionless as a paralyzed creature.

"You may go, all of you," said Louis, addressing the bowmen, "and tell Monsieur Conyngham, Coyctier, Bridoré, and Tristan that they may get out of bed and come here. You have incurred pain of death," said Louis, coldly, to the miser, who, happily, did not hear him, "for you have at least ten on your soul!"

The King laughed, a grim, noiseless laugh, and paused.

"But be easy," he went on, as he noticed the strange pallor that overspread the old man's face; "you are better to bleed than to kill. And in consideration of a handsome fine, paid into my coffers, you may escape the clutches of justice; but if you do not build at least a chapel to the Virgin, you are in jeopardy of finding warm and anxious work before you for all eternity."

"Twelve hundred and thirty and eighty-eight thousand crowns make thirteen hundred and seventeen thousand crowns," replied Cornélius, mechanically, absorbed in calculations. "Thirteen hundred and seventeen thousand crowns misappropriated!"

"He must have buried them in some hidden spot," said the King, who was beginning to think the sum a royal prize. "This is the lodestone that has always attracted him hither—he smelt his gold."

Hereupon Coyctier came in. Noticing the treasurer's attitude, he watched him keenly while the King was relating the adventure.

"My lord," replied the physician, "there is nothing supernatural in the business. Our friend here has the peculiarity of walking in his sleep. This is the third case I have met with of this singular malady. If you should be pleased to witness its effects, you might see this old man walking without danger on the parapet of the roof any night when he should be seized by it. In the two men I have already studied, I discovered a curious connection between the instincts of this nocturnal vitality and their business or occupations by day."

"Ah, Maître Coyctier, you are indeed most learned!"

"Am I not your physician?" retorted the leech, insolently.

On this reply Louis XI. made a little movement which was a familiar trick with him when he had hit on a good idea—a gesture of hastily pushing his cap up.

"In such cases," Coyctier went on, "men transact their business in their sleep. As our friend here is not averse to hoarding, he has quietly yielded to his favorite habit. Indeed, he probably has an attack whenever, during the day, he has been in alarm for his treasure."

"Pasques Dieu! and what a treasure!" cried the King.

"Where is it?" asked Cornélius, who, by a singular peculiarity of our nature, heard all that the King and his leech were saying, though almost stunned by his reflections and his misfortune.

"Oh!" replied Coyctier, with a coarse, diabolical laugh, "somnambulists have no recollection of their acts and deeds when they awake."

"Leave us!" said the King.

When Louis XI. was alone with his gossip, he looked at him with a cold chuckle.

"Worshipful Master Hoogworst," said he, bowing low, "all treasure-trove in France belongs to the King."

"Yes, my liege, it is all yours; and our lives and fortunes are in your hands; but hitherto you have been so merciful as to take no more than you found necessary."

"Listen to me, gossip. If I help you to recover this treasure, you may, in all confidence and without fear, divide it with me."

"No, Sire, I will not divide it. It shall be all yours, when I am dead. But what scheme have you for finding it?"

"I have only to watch you, myself, while you are taking your nocturnal walks. Any one but myself would be a danger."

"Ah, Sire," replied Cornélius, falling at the King's feet, "you are the only man in the kingdom whom I would trust with that office, and I shall find means to prove my gratitude for your kindness to your humble servant by doing my utmost to promote the marriage of the Heiress of Bourgogne to Monseigneur the Dauphin. There indeed is a treasure, not, to be sure, in crown-pieces, but in land, which will nobly round out your dominions!"

"Pshaw, Fleming, you are deceiving me!" said the King, knitting his brows, "or you have played me false."

"Nay, Sire, can you doubt my devotion—you, the only man I love?"

"Words, words!" said the King, turning to face the miser. "You ought not to have waited for this to be of use to me. You are selling me your patronage—Pasques Dieu! to me—Louis the Eleventh! Are you the master, I would know, and am I the servant?"

"Ah, my liege," replied the old usurer, "I had hoped to give you an agreeable surprise by news of the communications I had established with the men of Ghent. I expected confirmation of it by the hand of Oosterlinck's apprentice. But what has become of him?"

"Enough," said the King. "Another error. I do not choose that any one should interfere, uncalled for, in my concerns. Enough! I must think all this over."

Maître Cornélius found the agility of youth to fly to the lower room, where his sister was sitting.

"Oh, Jeanne, dear heart, we have somewhere a hoard where I have hidden the thirteen hundred thousand crowns. And I—I am the thief!"

Jeanne Hoogworst rose from her stool, starting to her feet as if the seat were of red-hot iron. The shock was so frightful to an old woman accustomed for many years to exhaust herself by voluntary abstinence, that she quaked in every limb and felt a terrible pain in her back. By degrees her color faded, and her face, in which the wrinkles made any change very difficult to detect, gradually fell, while her brother explained to her the disease to which he was a victim, and the strange situation in which they both stood.

"King Louis and I," said he in conclusion, "have just been telling each other as many lies as two miracle-mongers. You see, child, if he were to watch me, he would be sole master of the secret of the treasure. No one in the world but the King can spy on my nocturnal movements. Now I do not know that the King's conscience, near on death as he is, could stand out against thirteen hundred and seventeen thousand crowns. We must be beforehand with him, find the nest, and send all treasure to Ghent. Now you alone——"

Cornélius suddenly stopped short, as if he were gauging the heart of this King, who, at two and twenty, had dreamed of parricide. When the treasurer had made up his mind as to Louis XI., he hastily rose, as a man in a hurry to escape some danger.

At this sudden movement, his sister, too weak or too strong for such a crisis, fell down flat; she was dead. Cornélius lifted her up and shook her violently, saying:

"This is no time for dying; you will have time enough for that afterwards. Oh! it is all over! Wretched creature, she could never do the right thing——"

He closed her eyes and laid her on the floor. But then the kind and noble feelings that lurked at the bottom of his heart came to the surface, and almost forgetting his undiscovered treasure, he cried out in sorrow:

"My poor companion! what, have I lost you—you who understood me so well? Ah! you were my real treasure. There, there, lies the treasure. With you I have lost all my peace of mind, all my affections. If you had but known how well it would have paid you to live only two nights longer, you would not have died, if only to please me, poor little woman. I say, Jeanne—thirteen hundred and seventeen thousand crowns! No, even that does not rouse you. No, she is dead, quite dead!"

He thereupon sat down and said no more, but two large tears gathered in his eyes and rolled down his hollow cheeks; then with many an "Ah!" and sigh he locked the room up and returned to the King. Louis was startled by the grief he saw written on his old friend's features.

"What is this?" said he.

"Alas, Sire, a misfortune never comes single. My sister is dead. She has gone below before me," and he pointed to the ground with startling emphasis.

"Enough, enough!" said Louis XI., who did not like to hear any mention of death.

"You are my heir. I care for nothing now. Here are my keys. Hang me, if it is your good pleasure. Take everything; search the house; it is full of gold. I give it all to you."

"Come, come, gossip," said the King, half moved by the sight of this strange anguish, "we will discover the hoard some fine night, and the sight of so much riches will revive your taste for life. I will come again this week."

"Whenever Your Majesty pleases."

At these words, the King, who had gone a few steps towards the door, turned sharply round, and the two men looked at each other with an expression that no brush, nor words, could render.

"Good-bye, gossip," said Louis, at last, in a sharp voice, as he put his bonnet straight.

"May God and the Virgin keep you in their good grace!" the usurer replied humbly, as he escorted the King to the street.

After so long a friendship these two men found a barrier raised between them by distrust and money, whereas they had hitherto been quite agreed on matters of money and distrust; but they knew each other so well, they were so much in the habit of intimacy, that the King could guess from the miser's tone as he rashly said, "Whenever Your Majesty pleases," the annoyance his visits would thenceforth be to his treasurer, just as Cornélius had discerned a declaration of war in the way Louis had said "Good-bye, gossip."

So Louis XI. and his banker parted, very uncertain as to what, for the future, their demeanor was to be. The monarch, indeed, knew the Fleming's secret; but the Fleming on his part could, through his connections, secure the grandest conquest any king of France had yet achieved—that of the domains of the House of Burgundy, which were just then the object of envy to every sovereign in Europe.

The famous Margaret's choice would be guided by the good folks of Ghent and the Flemings about her. Hoogworst's gold and influence would tell for a great deal in the negotiations opened by Desquerdes, the captain to whom Louis XI. had given the command of the army on the Belgian frontier. Thus these two master foxes were in the position of duelists whose strength had been neutralized by some stroke of fate.

And whether it was that from that day the King's health had failed visibly, or that Cornélius in part promoted the arrival in France of Marguerite of Burgundy, who came to Amboise in July 1438 to be married to the Dauphin in the chapel of the château, the King claimed no fine from his treasurer and no trial was held; but they remained in the half-cordial terms of an armed friendship.

Happily for the miser, a rumor got about that his sister had committed the thefts, and that she had been privily executed by Tristan. Otherwise, and if the true story had become known, the whole town would have risen in arms to destroy the Malemaison before the King could possibly have defended it.

However, if all this historical guesswork has some foundation with regard to Louis XI.'s inaction, Master Cornélius Hoogworst cannot be accused of supineness. He spent the first days after this fatal morning in a constant hurry. Like a beast of prey shut up in a cage, he came and went, scenting gold in every corner of his dwelling; he examined every cranny; he tapped the walls; he demanded his treasure of the trees in the garden, of the foundations, of the turret roofs, of earth, and of heaven. Often he would stand for hours looking at everything around him, his eyes searching vacancy. He tried the miracles and second-sight of magic powers, endeavoring to see his gold through space and solid obstacles.

He was constantly absorbed in one overwhelming thought, consumed by an idea that gnawed at his vitals, and yet more cruelly racked by the perennial torments of his duel with himself, since his love of gold had turned to rend itself; it was a sort of incomplete suicide comprehending all the pangs of living and of dying. Never had a vice so effectually entrapped itself; for the miser who inadvertently locks himself into the subterranean cell where his wealth is buried, has, like Sardanapalus, the satisfaction of perishing in the midst of it. But Cornélius, at once the robber and the robbed, and in the secret of neither, possessed, and yet did not possess, his treasures—a quite new, quite whimsical form of torture, but perpetually excruciating.

Sometimes, almost oblivious, he would leave the little wicket of his door open, and then the passers-by could see the shriveled old man standing in the middle of his neglected garden, perfectly motionless, and looking at any who stopped to gaze at him, with a fixed stare, a lurid glare, that froze them with terror. If by chance he went out into the streets of the town, you would have thought he was a stranger; he never knew where he was, nor whether it was the sun or the moon that were shining. He would often ask his way of the persons he met, fancying himself at Ghent, and he seemed always to be looking for his lost treasure.

The most irrepressible and most incorporate of all human ideas,—that by which a man identifies himself by creating outside and apart from his person the whole fictitious entity which he calls his property,—this demon idea had its talons constantly clutching at the miser's soul.

Then, in the midst of his torments, Fear would rise up with all the feelings that come in its train. For, in fact, two men knew his secret—the secret which he himself did not know. Louis XI. or Coyctier might post their spies to watch his movements while he was asleep, and discover the unknown gulf into which he had flung his wealth with the blood of so many innocent men; for Remorse kept watch with Fear.

To preserve his lost riches from being snatched from him while he lived, during the early days after his disaster, he took the utmost precaution to avoid sleeping, and his connection with the commercial world enabled him to procure the strongest anti-narcotics. His wakeful nights must have been terrible; he was alone to struggle against the night and silence, against remorse and fear, and all the thoughts that man has most effectually personified—instinctively, no doubt, in obedience to some law of the mind, true, though not yet proved.

In short, this man, strong as he was; this heart, annealed by the life of politics and commerce; this genius, though unknown to history,—was doomed to succumb under the horrors of the torments he himself had created. Crushed by some reflection even more cruel than all that had gone before, he cut his throat with a razor.

His death almost exactly coincided in time with the King's, so that the House of Evil was plundered by the mob. Some of the older inhabitants of the province asserted that a revenue farmer named Bohier had found the extortioner's treasure, and had employed it in building the beginnings of the château of Chenonceaux, that wonderful palace which, in spite of the lavish outlay of several kings and the fine taste of Diane de Poitiers and her rival Catherine de' Medici, is still unfinished.

---

Happily for Marie de Sassenage, the Comte de Saint-Vallier died, as is well known, as ambassador to Venice. The family did not become extinct. After the Count's departure his wife had a son, whose fortunes were famous in the history of France under the reign of François I. He was saved by his daughter, the famous Diane de Poitiers, Louis XI.'s illegitimate great-granddaughter; and she became the illegal wife, the adored mistress, of Henri II.; for in that noble family bastardy and love were hereditary.

Château de Saché, November and December 1831.