I
Peter, sitting obscurely in a corner of Herr Gottfried's attic on the evening of this eventful day and listening to that string sextette that was written by Brahms when he was nineteen years of age (and it came straight from the heights of Olympus if any piece of music ever did), was conscious of the eyes of Herr Lutz.
Herr Lutz was Herr Gottfried's greatest friend and was notable for three things, his enormous size, his surpassing skill on the violoncello and his devoted attachment to the veriest shrew of a little sharp-boned wife that ever crossed from Germany into England. For all these things Peter loved him, but Herr Lutz was never very actively conscious of Peter because from the moment that he entered Herr Gottfried's attic to the moment he left it his soul was wrapped in the music and in nothing else whatever. To-night as usual he was absorbed and after the second movement of the sextette had come to a most rapturous conclusion he was violently dissatisfied and pulled them back over it again, because they had been ragged and their enthusiasm had got the better of their time and they were altogether disgraceful villains, but through all of this his grey eyes were upon Peter.
Peter, watching from his dark corner even felt that the 'cello was being played especially for his benefit and that Herr Lutz was talking all the time to him through the medium of his instrument. It may have been that he himself was in a state of most exalted emotion, and never until the end of all things mortal and possibly all things eternal will he forget that sextette by Brahms; he may perhaps have put more into Herr Lutz than was really there, but it is certain that he was conscious of the German's attention.
As is common to all persons of his age and condition he was amazed at the glorified vision of everyday things. In Herr Gottfried's flat there was a model of Beethoven in plaster of Paris, a bed, and a tin wash-hand stand, a tiny bookshelf containing some tattered volumes of Reclame's Universal Bibliothek, a piano and six cane-bottomed chairs covered at the moment by the stout bodies of the six musicians—nothing here to light the world with wonder!—and yet to-night, Peter, sitting on a cushion in a dark corner watched the glories of Olympus; the music of heaven was in his ear and before him, laughing at him, smiling, vanishing only to reappear more rapturous and beautiful than ever was the lady, the wonderful and only lady.
His cheeks were hot and his heart was beating so loudly that it was surely no wonder that Herr Lutz had discovered his malady. The sextette came to an end and the six musicians sat, for a moment, silent on their chairs whilst they dragged themselves into the world that they had for a moment forsaken. That was a great instant of silence when every one in the room was concerned entirely with their souls and had forgotten that they so much as had bodies at all. Then Herr Lutz gathered his huge frame together, stuck his hand into his beard and cried aloud for drink.
Beer was provided—conversation was, for the next two hours, volcanic. When twelve o'clock struck in the church round the corner the meeting was broken up.
Herr Lutz said to Peter, “There is still the 'verdammte' fog. Together we will go part of the way.”
So they went together. But on the top of the dark and crooked staircase Herr Gottfried stopped Peter.
“Boy,” he said and he rubbed his nose with his finger as he always did when he was nervous and embarrassed, “I shouldn't go to the shop for a week or two if I were you.”
“Not go?” said Peter astonished.
“No—for reason why—well—who knows? The days come and they go, and again it will be all right for you. I should rub up the Editors, I should—”
“Rub up the Editors?” repeated Peter still confused.
“Yes—have other irons, you know—often enough other irons are handy—”
“Did Zanti tell you to say this to me?”
“No, he says nothing. It is only I—as a friend, you understand—”
“Well, thank you very much,” said Peter at last. Herr Gottfried, he reflected, must think that he, Peter, had mints of money if he could so lightly and on so slender a warning propose his abandoning his precious two pounds a week. Moreover there was loyalty to Mr. Zanti to be considered.... Anyway, what did it all mean?
“I can't go,” he said at last, “unless Zanti says something to me. But what are they all up to?”
“Seven years,” said Herr Gottfried darkly, “has the Boy been in the shop—of so little enquiring a mind is he.”
And he would say nothing further. Peter followed Herr Lutz' huge body into the street. They took arms when they encountered the fog and went stumbling along together.
“You are in lof,” said Herr Lutz, breathlessly avoiding a lamp post.
“Yes,” said Peter, “I am.”
“Ah,” said Herr Lutz giving Peter's arm a squeeze. “It is the only thing—The—Only—Thing.... However it may be for you—bad or ill—whether she scold or smile, it is a most blessed state.”
He spoke when under stress of emotion, in capitals with a pause before the important word.
“It won't come to anything,” said Peter. “It can't possibly. I haven't got anything to offer anybody—an uncertain two pounds a week.”
“You have a—Career,” said Herr Lutz solemnly, “I know—I have often watched you. You have written a—Book. Karl Gottfried has told me. But all that does not matter,” he went on impetuously. “It does not matter what you get—It is—Being—in—Love—The—divine— never—to—be—equalled—State—”
The enormous German stopped on an island in the middle of the road and waved his arms. On every side of him through the darkness the traffic rolled and thundered. He waved his arms and exulted because he had been married to a shrew of a wife for thirty years. During that time she had never given him a kind word, not a loving look, but Peter knew that out of all the fog and obscurity that life might bring to him that Word, sprung though it might be out of Teutonic sentiment and Heller's beer, that word, at any rate, was true.