2
Craven did not come that night to Hall. Galleon had asked him and Olva to breakfast-the next morning. He did not appear.
About two o'clock in the afternoon a note was sent round to Olva's rooms. "I've been rather seedy. Just out for a long walk—do you mind my taking Bunker? Send word round to my rooms if you mind.—R. C." Craven had taken Bunker out for walks before and had grown fond of the dog. There was nothing in that. But Olva, as he stood in the middle of his room with the note in his hand, was frightened.
The result of it was that about five o'clock on that afternoon Olva paid his second visit to the dark house in Rocket Road. His motives for going were confused, but he knew that at the back of them was a desire that he should find Margaret Craven, with her grave eyes, waiting for him in the musty little drawing-room, and that Mrs. Craven, that mysterious woman, should not be there. The hall, when the old servant had admitted him, once again seemed to enfold him in its darkness and heavy air with an almost active purpose. It breathed with an actual sound, almost with a melody . . . the "Valse Triste" of Sibelius, a favourite with Olva, seemed to him now to be humming its thin spiral note amongst the skins and Chinese weapons that covered the walls. The House seemed to come forward, on this second occasion, actively, personally. . . . His wish was gratified. Margaret Craven was alone in the dark, low-ceilinged drawing-room, standing, in her black dress, before the great deep fireplace, as though she had known that he would come and had been awaiting his arrival.
"I know that you will excuse my mother," she said in her grave, quiet voice. "She is not very well. She will be sorry not to have seen you." Her hand was cool and strong, and, as he held it for an instant, he was strangely conscious that she, as well as the House, had moved into more intimate relation with him since their last meeting.
They sat down and talked quietly, their voices sounding like low notes of music in the heavy room. He was conscious of rest in the repose of her figure, the pale outline of her face, the even voice, and above all the grave tenderness of her eyes. He was aware, too, that she was demanding from him something of the same kind; he divined that for her, too, life had been no easy thing since they last met and that she wanted now a little relief before she must return. He tried to give it her.
All through their conversation he was still conscious in the dim rustle that any breeze made in the room of that thin melody that Sibelius once heard. . . .
"I hope that Mrs. Craven is not seriously ill?
"No. It is one of her headaches. Her nerves are very easily upset. There was a thunder-storm last night. . . . She has never been strong since father died."
"You will tell her how sorry I am."
"Thank you. She is wonderfully brave about it. She never complains—she suffers more than we know, I think. I don't think this house is good for her. Father died here and her bedroom now is the room where he died. That is not good for her, I'm sure. Rupert and I both are agreed about it, but we cannot get her to change her mind. She can be very determined."
Yes—Olva, remembering her as she sat so sternly before the fire, knew that she could be determined.
"And I am afraid that your brother isn't very well either."
She looked at him with troubled eyes. "I am distressed about Rupert. He has taken this death of his friend so terribly to heart. I have never known him morbid about anything before. It is really strange because I don't think he was greatly attached to Mr. Carfax. There were things I know that he didn't like."
"Yes. He doesn't look the kind of fellow who would let his mind dwell on things. He looks too healthy."
"No. He came in to see us for an hour last night and sat there without a word. I played to him—he seemed not to hear it. And generally he cares for music."
"I'm afraid"—their eyes met and Olva held hers until he had finished his sentence—"I'm afraid that it must seem a little lonely and gloomy for you here—in this house—after your years abroad."
She looked away from him into the fire.
"Yes," she said, speaking with sudden intensity. "I hate it. I have hated it always—this house, Cambridge, the life we lead here. I love my mother, but since I have been abroad something has happened to change her. There is no confidence between us now. And it is lonely because she speaks so little—I am afraid she is really very ill, but she refuses to see a doctor. . . ."
Then her voice was softer again, and she leant forward a little towards him. "And I have told you this, Mr. Dune, because if you will you can help me—all of us. Do you know that she liked you immensely the other even big? I have never known her take to any one at once, so strongly. She told me afterwards that you had done her more good than fifty doctors—just your being there—so that if, sometimes, you could come and see her——"
He did not know what it was that suddenly, at her words, brought the terror back to him. He saw Mrs. Craven so upright, so motionless, looking at him across the room—with recognition, with some implied claim. Why, he had spoken scarcely ten words to her. How could he possibly have been of any use to her? And then, afraid lest his momentary pause had been noticeable, he said eagerly—-
"It is very kind of Mrs. Craven to say that. Of course I will come if she really cares about it. I am not a man of many friends or many occupations. . . ."
She broke in upon him—
"You could be if you cared. I know, because Rupert has told me. They all think you wonderful, but you don't care. Don't throw away friends, Mr. Dune—one can be so lonely without them."
Her voice shook a little and he was suddenly afraid that she was going to cry. He bent towards her.
"I think, perhaps, we are alike in that, Miss Craven. We do not make our friends easily, but they mean a great deal to us when they come. Yes, I am lonely and I am a little tired of bearing my worries alone, in silence. Perhaps I can help you to stand this life a little better if I tell you that—mine is every bit as hard."
She turned to him eyes that were filled with gratitude. Her whole body seemed to be touched with some new glow. Into the heart of their consciousness of the situation that had arisen between them there came, sharply, the sound of a shutting door. Then steps in the hall.
"That's Rupert," she said.
They both rose as he came into the room. He stood back in the shadow for a moment as though surprised at Olva's presence. Then he came forward very gravely.
"I've found something of yours, Dune," he said. It lay, gleaming, in his hand. "Your matchbox."
Dune drew a sharp breath. Then he took it and looked at it.
"Where did you find it?"
"In Saunet Wood. Bunker and I have been for a walk there. Bunker found it."
As the three of them stood there, motionless, in the middle of the dark room, Olva caught, through the open door, the last sad fading breath of the "Valse Triste."